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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C20D5 it is the complementary color #73DF2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C20D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C20D5 shade: #9120D0, #A232E3, #B344F6, #C456FF and #D568FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C20D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C20D5 shade: #8C20D5, #7B0EC2, #6A00AF, #59009C and #480089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C20D5 shade: #8C20D5, #BD20D5, #D520BC, #D5208B and #D5205B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C20D5 shade: #8C20D5, #5B20D5, #2A20D5 and #2020D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C20D5 shade matches the following richer shades: #8C20D5 and #900CE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C20D5 shade: #8C20D5, #8834C1, #8447AD, #805B9A and #7D6F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C20D5 shade: #2920D5, #5920D5, #8920D5, #BA20D5 and #D520C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C20D5 shade: #5D158D, #741AB1, #8C20D5, #9F3CE2 and #B160E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C20D5 shade: #8C20D5, #D52047 and #20D541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C20D5 shade: #8C20D5, #D58920 and #20D589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C20D5 shade: #8C20D5, #D52047, #6BD520 and #20D5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C20D5 shade: #8C20D5, #D52F20, #6BD520 and #20C6D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

Complementary color

CMYK 48 / 0 / 81 / 13

HEX #73DF2A

RGB 115 223 42

HSL 95.8, 0.74%, 0.52%

LAB 79.95, -59.06, 71.36

 

CMYK 30 / 85 / 0 / 18

HEX #9120D0

RGB 145 32 208

HSL 278.52, 0.73%, 0.47%

LAB 40.58, 70.27, -67.02

 

CMYK 29 / 78 / 0 / 11

HEX #A232E3

RGB 162 50 227

HSL 277.97, 0.76%, 0.54%

LAB 46.32, 71.44, -68.46

 

CMYK 27 / 72 / 0 / 4

HEX #B344F6

RGB 179 68 246

HSL 277.42, 0.91%, 0.62%

LAB 52.25, 71.84, -69.43

 

CMYK 23 / 66 / 0 / 0

HEX #C456FF

RGB 196 86 255

HSL 279.05, 1%, 0.67%

LAB 57.67, 69.68, -65.58

 

CMYK 16 / 59 / 0 / 0

HEX #D568FF

RGB 213 104 255

HSL 283.31, 1%, 0.7%

LAB 62.73, 65.45, -57.35

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 37 / 93 / 0 / 24

HEX #7B0EC2

RGB 123 14 194

HSL 276.33, 0.87%, 0.41%

LAB 34.84, 68.32, -68.38

 

CMYK 39 / 100 / 0 / 31

HEX #6A00AF

RGB 106 0 175

HSL 276.34, 1%, 0.34%

LAB 29.81, 64.58, -65.47

 

CMYK 43 / 100 / 0 / 39

HEX #59009C

RGB 89 0 156

HSL 274.23, 1%, 0.31%

LAB 25.33, 58.83, -61.42

 

CMYK 47 / 100 / 0 / 46

HEX #480089

RGB 72 0 137

HSL 271.53, 1%, 0.27%

LAB 20.77, 52.97, -57.26

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 11 / 85 / 0 / 16

HEX #BD20D5

RGB 189 32 213

HSL 292.04, 0.74%, 0.48%

LAB 47.82, 78.13, -57.84

 

CMYK 0 / 85 / 12 / 16

HEX #D520BC

RGB 213 32 188

HSL 308.29, 0.74%, 0.48%

LAB 50.46, 78.71, -38.94

 

CMYK 0 / 85 / 35 / 16

HEX #D5208B

RGB 213 32 139

HSL 324.53, 0.74%, 0.48%

LAB 48.31, 72.84, -13.19

 

CMYK 0 / 85 / 57 / 16

HEX #D5205B

RGB 213 32 91

HSL 340.44, 0.74%, 0.48%

LAB 46.89, 68.78, 14.16

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 57 / 85 / 0 / 16

HEX #5B20D5

RGB 91 32 213

HSL 259.56, 0.74%, 0.48%

LAB 34.11, 64.84, -80.8

 

CMYK 80 / 85 / 0 / 16

HEX #2A20D5

RGB 42 32 213

HSL 243.31, 0.74%, 0.48%

LAB 30.23, 61.5, -87.36

 

CMYK 85 / 85 / 0 / 16

HEX #2020D5

RGB 32 32 213

HSL 240, 0.74%, 0.48%

LAB 29.77, 61.12, -88.13

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 38 / 95 / 0 / 9

HEX #900CE9

RGB 144 12 233

HSL 275.84, 0.9%, 0.48%

LAB 41.34, 78.85, -80.12

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 30 / 73 / 0 / 24

HEX #8834C1

RGB 136 52 193

HSL 275.74, 0.58%, 0.48%

LAB 40.48, 58.87, -58.53

 

CMYK 24 / 59 / 0 / 32

HEX #8447AD

RGB 132 71 173

HSL 275.88, 0.42%, 0.48%

LAB 41.89, 44.42, -44.51

 

CMYK 17 / 41 / 0 / 40

HEX #805B9A

RGB 128 91 154

HSL 275.24, 0.26%, 0.48%

LAB 44.81, 27.54, -28.65

 

CMYK 7 / 17 / 0 / 47

HEX #7D6F86

RGB 125 111 134

HSL 276.52, 0.09%, 0.48%

LAB 48.82, 10.07, -10.62

 

CMYK 81 / 85 / 0 / 16

HEX #2920D5

RGB 41 32 213

HSL 242.98, 0.74%, 0.48%

LAB 30.18, 61.45, -87.44

 

CMYK 58 / 85 / 0 / 16

HEX #5920D5

RGB 89 32 213

HSL 258.9, 0.74%, 0.48%

LAB 33.9, 64.65, -81.16

 

CMYK 36 / 85 / 0 / 16

HEX #8920D5

RGB 137 32 213

HSL 274.81, 0.74%, 0.48%

LAB 39.84, 70.17, -71.17

 

CMYK 13 / 85 / 0 / 16

HEX #BA20D5

RGB 186 32 213

HSL 291.05, 0.74%, 0.48%

LAB 47.33, 77.63, -58.65

 

CMYK 0 / 85 / 10 / 16

HEX #D520C0

RGB 213 32 192

HSL 306.96, 0.74%, 0.48%

LAB 50.67, 79.26, -40.94

 

CMYK 34 / 85 / 0 / 45

HEX #5D158D

RGB 93 21 141

HSL 276, 0.74%, 0.32%

LAB 26.12, 51.23, -50.85

 

CMYK 34 / 85 / 0 / 31

HEX #741AB1

RGB 116 26 177

HSL 275.76, 0.74%, 0.4%

LAB 33.19, 61.18, -61.06

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 30 / 73 / 0 / 11

HEX #9F3CE2

RGB 159 60 226

HSL 275.78, 0.74%, 0.56%

LAB 47.1, 67.1, -66.65

 

CMYK 23 / 58 / 0 / 9

HEX #B160E7

RGB 177 96 231

HSL 276, 0.74%, 0.64%

LAB 55.57, 55.75, -55.72

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 0 / 85 / 67 / 16

HEX #D52047

RGB 213 32 71

HSL 347.07, 0.74%, 0.48%

LAB 46.49, 67.62, 25.96

 

CMYK 85 / 0 / 69 / 16

HEX #20D541

RGB 32 213 65

HSL 130.94, 0.74%, 0.48%

LAB 75, -70.42, 58.45

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 0 / 36 / 85 / 16

HEX #D58920

RGB 213 137 32

HSL 34.81, 0.74%, 0.48%

LAB 63.46, 21.42, 62.45

 

CMYK 85 / 0 / 36 / 16

HEX #20D589

RGB 32 213 137

HSL 154.81, 0.74%, 0.48%

LAB 75.89, -59.82, 25.82

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 0 / 85 / 67 / 16

HEX #D52047

RGB 213 32 71

HSL 347.07, 0.74%, 0.48%

LAB 46.49, 67.62, 25.96

 

CMYK 50 / 0 / 85 / 16

HEX #6BD520

RGB 107 213 32

HSL 95.14, 0.74%, 0.48%

LAB 76.57, -58.12, 70.62

 

CMYK 85 / 0 / 18 / 16

HEX #20D5AE

RGB 32 213 174

HSL 167.07, 0.74%, 0.48%

LAB 76.65, -51.41, 7.32

 

CMYK 34 / 85 / 0 / 16

HEX #8C20D5

RGB 140 32 213

HSL 275.8, 0.74%, 0.48%

LAB 40.27, 70.58, -70.46

 

CMYK 0 / 78 / 85 / 16

HEX #D52F20

RGB 213 47 32

HSL 4.97, 0.74%, 0.48%

LAB 47.34, 62.48, 48.83

 

CMYK 50 / 0 / 85 / 16

HEX #6BD520

RGB 107 213 32

HSL 95.14, 0.74%, 0.48%

LAB 76.57, -58.12, 70.62

 

CMYK 85 / 7 / 0 / 16

HEX #20C6D5

RGB 32 198 213

HSL 184.97, 0.74%, 0.48%

LAB 73.22, -33.86, -18.79

 

Description

Color code: HEX #8C20D5 | qconv.com Color code: HEX #8C20D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 32 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 32 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 85 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 85% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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