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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C1571 it is the complementary color #73EA8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C1571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C1571 shade: #91156C, #A2277F, #B33992, #C44BA5 and #D55DB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C1571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C1571 shade: #8C1571, #7B035E, #6A004B, #590038 and #480025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C1571 shade: #8E1573, #8E1552, #8E1531 and #8E1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C1571 shade: #8E1573, #89158E, #68158E, #48158E and #27158E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C1571 shade matches the following richer shades: #8E1573 and #9B087A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C1571 shade: #8E1573, #81226B, #743064, #663D5D and #594A56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C1571 shade: #68158E, #88158E, #8E1574, #8E1554 and #8E1533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C1571 shade: #460A39, #6A1056, #8E1573, #B21B90 and #D620AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C1571 shade: #8C1571, #8E4815 and #158E78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C1571 shade: #8C1571, #748E15 and #15748E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C1571 shade: #8C1571, #8E4815, #158E2F and #155C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C1571 shade: #8C1571, #8E6C15, #158E2F and #15378E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

Complementary color

CMYK 51 / 0 / 39 / 8

HEX #73EA8E

RGB 115 234 142

HSL 133.61, 0.74%, 0.68%

LAB 84.2, -52.94, 34.65

 

CMYK 0 / 86 / 26 / 43

HEX #91156C

RGB 145 21 108

HSL 317.9, 0.75%, 0.33%

LAB 33.22, 55.94, -18.18

 

CMYK 0 / 76 / 22 / 36

HEX #A2277F

RGB 162 39 127

HSL 317.07, 0.61%, 0.39%

LAB 39.01, 57.56, -20.91

 

CMYK 0 / 68 / 18 / 30

HEX #B33992

RGB 179 57 146

HSL 316.23, 0.52%, 0.46%

LAB 45.06, 58.2, -22.93

 

CMYK 0 / 62 / 16 / 23

HEX #C44BA5

RGB 196 75 165

HSL 315.37, 0.51%, 0.53%

LAB 51.25, 58.23, -24.45

 

CMYK 0 / 56 / 14 / 16

HEX #D55DB8

RGB 213 93 184

HSL 314.5, 0.59%, 0.6%

LAB 57.5, 57.92, -25.65

 

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

CMYK 0 / 98 / 24 / 52

HEX #7B035E

RGB 123 3 94

HSL 314.5, 0.95%, 0.25%

LAB 26.97, 52.54, -19.15

 

CMYK 0 / 100 / 29 / 58

HEX #6A004B

RGB 106 0 75

HSL 317.55, 1%, 0.21%

LAB 22.2, 47.03, -14.12

 

CMYK 0 / 100 / 37 / 65

HEX #590038

RGB 89 0 56

HSL 322.25, 1%, 0.17%

LAB 17.5, 40.83, -8.45

 

CMYK 0 / 100 / 49 / 72

HEX #480025

RGB 72 0 37

HSL 329.17, 1%, 0.14%

LAB 12.68, 34.51, -2.28

 

CMYK 0 / 85 / 19 / 44

HEX #8E1573

RGB 142 21 115

HSL 313.39, 0.74%, 0.32%

LAB 32.97, 56.18, -23.06

 

CMYK 0 / 85 / 42 / 44

HEX #8E1552

RGB 142 21 82

HSL 329.75, 0.74%, 0.32%

LAB 31.57, 52.22, -3.9

 

CMYK 0 / 85 / 65 / 44

HEX #8E1531

RGB 142 21 49

HSL 346.12, 0.74%, 0.32%

LAB 30.66, 49.55, 16.67

 

CMYK 0 / 85 / 85 / 44

HEX #8E1515

RGB 142 21 21

HSL 0, 0.74%, 0.32%

LAB 30.26, 48.33, 33.76

 

CMYK 0 / 85 / 19 / 44

HEX #8E1573

RGB 142 21 115

HSL 313.39, 0.74%, 0.32%

LAB 32.97, 56.18, -23.06

 

CMYK 4 / 85 / 0 / 44

HEX #89158E

RGB 137 21 142

HSL 297.52, 0.74%, 0.32%

LAB 33.58, 59.27, -39.05

 

CMYK 27 / 85 / 0 / 44

HEX #68158E

RGB 104 21 142

HSL 281.16, 0.74%, 0.32%

LAB 27.93, 53.26, -48.44

 

CMYK 49 / 85 / 0 / 44

HEX #48158E

RGB 72 21 142

HSL 265.29, 0.74%, 0.32%

LAB 23.23, 48.41, -56.33

 

CMYK 73 / 85 / 0 / 44

HEX #27158E

RGB 39 21 142

HSL 248.93, 0.74%, 0.32%

LAB 19.72, 44.97, -62.23

 

CMYK 0 / 85 / 19 / 44

HEX #8E1573

RGB 142 21 115

HSL 313.39, 0.74%, 0.32%

LAB 32.97, 56.18, -23.06

 

CMYK 0 / 95 / 21 / 39

HEX #9B087A

RGB 155 8 122

HSL 313.47, 0.9%, 0.32%

LAB 35.1, 62.11, -23.98

 

CMYK 0 / 85 / 19 / 44

HEX #8E1573

RGB 142 21 115

HSL 313.39, 0.74%, 0.32%

LAB 32.97, 56.18, -23.06

 

CMYK 0 / 74 / 17 / 49

HEX #81226B

RGB 129 34 107

HSL 313.89, 0.58%, 0.32%

LAB 31.52, 47.96, -20.42

 

CMYK 0 / 59 / 14 / 55

HEX #743064

RGB 116 48 100

HSL 314.12, 0.41%, 0.32%

LAB 31.22, 36.82, -16.56

 

CMYK 0 / 40 / 9 / 60

HEX #663D5D

RGB 102 61 93

HSL 313.17, 0.25%, 0.32%

LAB 31.7, 23.34, -11.52

 

CMYK 0 / 17 / 3 / 65

HEX #594A56

RGB 89 74 86

HSL 312, 0.09%, 0.32%

LAB 33.34, 8.71, -4.73

 

CMYK 27 / 85 / 0 / 44

HEX #68158E

RGB 104 21 142

HSL 281.16, 0.74%, 0.32%

LAB 27.93, 53.26, -48.44

 

CMYK 4 / 85 / 0 / 44

HEX #88158E

RGB 136 21 142

HSL 297.02, 0.74%, 0.32%

LAB 33.4, 59.08, -39.34

 

CMYK 0 / 85 / 18 / 44

HEX #8E1574

RGB 142 21 116

HSL 312.89, 0.74%, 0.32%

LAB 33.02, 56.32, -23.62

 

CMYK 0 / 85 / 41 / 44

HEX #8E1554

RGB 142 21 84

HSL 328.76, 0.74%, 0.32%

LAB 31.64, 52.42, -5.11

 

CMYK 0 / 85 / 64 / 44

HEX #8E1533

RGB 142 21 51

HSL 345.12, 0.74%, 0.32%

LAB 30.7, 49.67, 15.4

 

CMYK 0 / 86 / 19 / 73

HEX #460A39

RGB 70 10 57

HSL 313, 0.75%, 0.16%

LAB 14.48, 32.92, -14.17

 

CMYK 0 / 85 / 19 / 58

HEX #6A1056

RGB 106 16 86

HSL 313.33, 0.74%, 0.24%

LAB 24.02, 44.86, -18.71

 

CMYK 0 / 85 / 19 / 44

HEX #8E1573

RGB 142 21 115

HSL 313.39, 0.74%, 0.32%

LAB 32.97, 56.18, -23.06

 

CMYK 0 / 85 / 19 / 30

HEX #B21B90

RGB 178 27 144

HSL 313.51, 0.74%, 0.4%

LAB 41.63, 66.68, -27.06

 

CMYK 0 / 85 / 19 / 16

HEX #D620AD

RGB 214 32 173

HSL 313.52, 0.74%, 0.48%

LAB 49.91, 76.95, -31

 

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

CMYK 0 / 49 / 85 / 44

HEX #8E4815

RGB 142 72 21

HSL 25.29, 0.74%, 0.32%

LAB 38.62, 26.14, 41.34

 

CMYK 85 / 0 / 15 / 44

HEX #158E78

RGB 21 142 120

HSL 169.09, 0.74%, 0.32%

LAB 52.8, -36.49, 2.9

 

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

CMYK 18 / 0 / 85 / 44

HEX #748E15

RGB 116 142 21

HSL 72.89, 0.74%, 0.32%

LAB 55.19, -25.08, 54.77

 

CMYK 85 / 18 / 0 / 44

HEX #15748E

RGB 21 116 142

HSL 192.89, 0.74%, 0.32%

LAB 45.09, -16.45, -21.57

 

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

CMYK 0 / 49 / 85 / 44

HEX #8E4815

RGB 142 72 21

HSL 25.29, 0.74%, 0.32%

LAB 38.62, 26.14, 41.34

 

CMYK 85 / 0 / 67 / 44

HEX #158E2F

RGB 21 142 47

HSL 132.89, 0.74%, 0.32%

LAB 51.51, -51.11, 40.54

 

CMYK 85 / 35 / 0 / 44

HEX #155C8E

RGB 21 92 142

HSL 204.79, 0.74%, 0.32%

LAB 37.42, -2.2, -33.55

 

CMYK 0 / 85 / 19 / 45

HEX #8C1571

RGB 140 21 113

HSL 313.61, 0.74%, 0.32%

LAB 32.49, 55.45, -22.57

 

CMYK 0 / 24 / 85 / 44

HEX #8E6C15

RGB 142 108 21

HSL 43.14, 0.74%, 0.32%

LAB 47.66, 5.38, 49.21

 

CMYK 85 / 0 / 67 / 44

HEX #158E2F

RGB 21 142 47

HSL 132.89, 0.74%, 0.32%

LAB 51.51, -51.11, 40.54

 

CMYK 85 / 61 / 0 / 44

HEX #15378E

RGB 21 55 142

HSL 223.14, 0.74%, 0.32%

LAB 26.29, 22.8, -51.46

 

Description

Color code: HEX #8C1571 | qconv.com Color code: HEX #8C1571 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 21 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 21 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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