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Color name
HEX #8C13A8

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C13A8 it is the complementary color #73EC57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C13A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C13A8 shade: #9113A3, #A225B6, #B337C9, #C449DC and #D55BEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C13A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C13A8 shade: #8C13A8, #7B0195, #6A0082, #59006F and #48005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C13A8 shade: #8D13AA, #AA139E, #AA1375, #AA134C and #AA1323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C13A8 shade: #8D13AA, #6513AA, #3C13AA and #1313AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C13A8 shade matches the following richer shades: #8D13AA and #9704B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C13A8 shade: #8D13AA, #84229B, #7A318B, #71417C and #67506D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C13A8 shade: #3B13AA, #6313AA, #8C13AA, #AA13A0 and #AA1378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C13A8 shade: #500B60, #6F0F85, #8D13AA, #AC17CF and #C328E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C13A8 shade: #8C13A8, #AA1313 and #13AA4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C13A8 shade: #8C13A8, #AA8C13 and #13AA8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C13A8 shade: #8C13A8, #AA1313, #31AA13 and #13AAAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C13A8 shade: #8C13A8, #AA4013, #31AA13 and #137DAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

Complementary color

CMYK 51 / 0 / 63 / 7

HEX #73EC57

RGB 115 236 87

HSL 108.72, 0.8%, 0.63%

LAB 84.13, -60.75, 60.13

 

CMYK 11 / 88 / 0 / 36

HEX #9113A3

RGB 145 19 163

HSL 292.5, 0.79%, 0.36%

LAB 36.23, 64.73, -47.51

 

CMYK 11 / 80 / 0 / 29

HEX #A225B6

RGB 162 37 182

HSL 291.72, 0.66%, 0.43%

LAB 41.82, 66.84, -49.71

 

CMYK 11 / 73 / 0 / 21

HEX #B337C9

RGB 179 55 201

HSL 290.96, 0.57%, 0.5%

LAB 47.67, 67.89, -51.27

 

CMYK 11 / 67 / 0 / 14

HEX #C449DC

RGB 196 73 220

HSL 290.2, 0.68%, 0.57%

LAB 53.67, 68.24, -52.39

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

CMYK 17 / 99 / 0 / 42

HEX #7B0195

RGB 123 1 149

HSL 289.46, 0.99%, 0.29%

LAB 30.41, 61.52, -48.6

 

CMYK 18 / 100 / 0 / 49

HEX #6A0082

RGB 106 0 130

HSL 288.92, 1%, 0.25%

LAB 25.79, 55.7, -44.4

 

CMYK 20 / 100 / 0 / 56

HEX #59006F

RGB 89 0 111

HSL 288.11, 1%, 0.22%

LAB 21.1, 49.56, -40.02

 

CMYK 22 / 100 / 0 / 64

HEX #48005C

RGB 72 0 92

HSL 286.96, 1%, 0.18%

LAB 16.26, 43.23, -35.51

 

CMYK 17 / 89 / 0 / 33

HEX #8D13AA

RGB 141 19 170

HSL 288.48, 0.8%, 0.37%

LAB 36.04, 65.3, -52.06

 

CMYK 0 / 89 / 7 / 33

HEX #AA139E

RGB 170 19 158

HSL 304.77, 0.8%, 0.37%

LAB 40.38, 68.49, -37.62

 

CMYK 0 / 89 / 31 / 33

HEX #AA1375

RGB 170 19 117

HSL 321.06, 0.8%, 0.37%

LAB 38.37, 63.15, -15.54

 

CMYK 0 / 89 / 55 / 33

HEX #AA134C

RGB 170 19 76

HSL 337.35, 0.8%, 0.37%

LAB 36.99, 59.33, 8.58

 

CMYK 0 / 89 / 79 / 33

HEX #AA1323

RGB 170 19 35

HSL 353.64, 0.8%, 0.37%

LAB 36.24, 57.17, 33.6

 

CMYK 17 / 89 / 0 / 33

HEX #8D13AA

RGB 141 19 170

HSL 288.48, 0.8%, 0.37%

LAB 36.04, 65.3, -52.06

 

CMYK 41 / 89 / 0 / 33

HEX #6513AA

RGB 101 19 170

HSL 272.58, 0.8%, 0.37%

LAB 29.75, 59.46, -62.59

 

CMYK 65 / 89 / 0 / 33

HEX #3C13AA

RGB 60 19 170

HSL 256.29, 0.8%, 0.37%

LAB 24.73, 55.27, -71.05

 

CMYK 89 / 89 / 0 / 33

HEX #1313AA

RGB 19 19 170

HSL 240, 0.8%, 0.37%

LAB 21.97, 53.23, -75.72

 

CMYK 17 / 89 / 0 / 33

HEX #8D13AA

RGB 141 19 170

HSL 288.48, 0.8%, 0.37%

LAB 36.04, 65.3, -52.06

 

CMYK 18 / 98 / 0 / 27

HEX #9704B9

RGB 151 4 185

HSL 288.73, 0.96%, 0.37%

LAB 38.14, 71.57, -57.5

 

CMYK 17 / 89 / 0 / 33

HEX #8D13AA

RGB 141 19 170

HSL 288.48, 0.8%, 0.37%

LAB 36.04, 65.3, -52.06

 

CMYK 15 / 78 / 0 / 39

HEX #84229B

RGB 132 34 155

HSL 288.6, 0.64%, 0.37%

LAB 34.83, 56.98, -45.04

 

CMYK 12 / 65 / 0 / 45

HEX #7A318B

RGB 122 49 139

HSL 288.67, 0.48%, 0.37%

LAB 34.39, 45.49, -36.04

 

CMYK 9 / 48 / 0 / 51

HEX #71417C

RGB 113 65 124

HSL 288.81, 0.31%, 0.37%

LAB 35.49, 31.22, -25.11

 

CMYK 6 / 27 / 0 / 57

HEX #67506D

RGB 103 80 109

HSL 287.59, 0.15%, 0.37%

LAB 37.34, 15.36, -13.02

 

CMYK 65 / 89 / 0 / 33

HEX #3B13AA

RGB 59 19 170

HSL 255.89, 0.8%, 0.37%

LAB 24.63, 55.2, -71.21

 

CMYK 42 / 89 / 0 / 33

HEX #6313AA

RGB 99 19 170

HSL 271.79, 0.8%, 0.37%

LAB 29.46, 59.21, -63.07

 

CMYK 18 / 89 / 0 / 33

HEX #8C13AA

RGB 140 19 170

HSL 288.08, 0.8%, 0.37%

LAB 35.88, 65.14, -52.34

 

CMYK 0 / 89 / 6 / 33

HEX #AA13A0

RGB 170 19 160

HSL 303.97, 0.8%, 0.37%

LAB 40.49, 68.78, -38.64

 

CMYK 0 / 89 / 29 / 33

HEX #AA1378

RGB 170 19 120

HSL 319.87, 0.8%, 0.37%

LAB 38.49, 63.5, -17.23

 

CMYK 17 / 89 / 0 / 62

HEX #500B60

RGB 80 11 96

HSL 288.71, 0.79%, 0.21%

LAB 19.18, 42.22, -33.37

 

CMYK 17 / 89 / 0 / 48

HEX #6F0F85

RGB 111 15 133

HSL 288.81, 0.8%, 0.29%

LAB 27.88, 54.21, -42.85

 

CMYK 17 / 89 / 0 / 33

HEX #8D13AA

RGB 141 19 170

HSL 288.48, 0.8%, 0.37%

LAB 36.04, 65.3, -52.06

 

CMYK 17 / 89 / 0 / 19

HEX #AC17CF

RGB 172 23 207

HSL 288.59, 0.8%, 0.45%

LAB 44.07, 76.05, -60.58

 

CMYK 16 / 83 / 0 / 9

HEX #C328E7

RGB 195 40 231

HSL 288.69, 0.8%, 0.53%

LAB 50.56, 80.45, -63.63

 

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

CMYK 0 / 89 / 89 / 33

HEX #AA1313

RGB 170 19 19

HSL 0, 0.8%, 0.37%

LAB 36.1, 56.76, 42.17

 

CMYK 89 / 0 / 54 / 33

HEX #13AA4F

RGB 19 170 79

HSL 143.84, 0.8%, 0.37%

LAB 61.18, -56.28, 36.55

 

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

CMYK 0 / 18 / 89 / 33

HEX #AA8C13

RGB 170 140 19

HSL 48.08, 0.8%, 0.37%

LAB 59.3, 0.33, 60.57

 

CMYK 89 / 0 / 18 / 33

HEX #13AA8C

RGB 19 170 140

HSL 168.08, 0.8%, 0.37%

LAB 62.32, -43.32, 5.29

 

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

CMYK 0 / 89 / 89 / 33

HEX #AA1313

RGB 170 19 19

HSL 0, 0.8%, 0.37%

LAB 36.1, 56.76, 42.17

 

CMYK 71 / 0 / 89 / 33

HEX #31AA13

RGB 49 170 19

HSL 108.08, 0.8%, 0.37%

LAB 61.18, -57.97, 59.27

 

CMYK 89 / 0 / 0 / 33

HEX #13AAAA

RGB 19 170 170

HSL 180, 0.8%, 0.37%

LAB 63.17, -34.72, -10.25

 

CMYK 17 / 89 / 0 / 34

HEX #8C13A8

RGB 140 19 168

HSL 288.72, 0.8%, 0.37%

LAB 35.73, 64.77, -51.38

 

CMYK 0 / 62 / 89 / 33

HEX #AA4013

RGB 170 64 19

HSL 17.88, 0.8%, 0.37%

LAB 41.63, 41.53, 46.53

 

CMYK 71 / 0 / 89 / 33

HEX #31AA13

RGB 49 170 19

HSL 108.08, 0.8%, 0.37%

LAB 61.18, -57.97, 59.27

 

CMYK 89 / 26 / 0 / 33

HEX #137DAA

RGB 19 125 170

HSL 197.88, 0.8%, 0.37%

LAB 49.14, -11.43, -31.72

 

Description

Color code: HEX #8C13A8 | qconv.com Color code: HEX #8C13A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 19 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 19 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 89 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 89% 0% 34% C M Y K

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Provide designers and agencies with accurate color values.

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