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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C135C it is the complementary color #73ECA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C135C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C135C shade: #911357, #A2256A, #B3377D, #C44990 and #D55BA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C135C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C135C shade: #8C135C, #7B0149, #6A0036, #590023 and #480010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C135C shade: #8B135B, #8B133B, #8B131B and #8B1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C135C shade: #8B135B, #8B137C, #7A138B, #5A138B and #39138B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C135C shade matches the following richer shades: #8B135B and #98065E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C135C shade: #8B135B, #7E2059, #722D56, #653954 and #584651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C135C shade: #79138B, #8B137D, #8B135D, #8B133D and #8B131D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C135C shade: #43092C, #670E44, #8B135B, #AF1873 and #D41D8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C135C shade: #8C135C, #8B5913 and #138B89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C135C shade: #8C135C, #5D8B13 and #135D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C135C shade: #8C135C, #8B5913, #138B41 and #13458B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C135C shade: #8C135C, #8B7D13, #138B41 and #13218B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

Complementary color

CMYK 51 / 0 / 31 / 7

HEX #73ECA3

RGB 115 236 163

HSL 143.8, 0.76%, 0.69%

LAB 85.14, -50.1, 25.25

 

CMYK 0 / 87 / 40 / 43

HEX #911357

RGB 145 19 87

HSL 327.62, 0.77%, 0.32%

LAB 32.2, 53.96, -6.17

 

CMYK 0 / 77 / 35 / 36

HEX #A2256A

RGB 162 37 106

HSL 326.88, 0.63%, 0.39%

LAB 37.92, 55.57, -9.44

 

CMYK 0 / 69 / 30 / 30

HEX #B3377D

RGB 179 55 125

HSL 326.13, 0.53%, 0.46%

LAB 43.94, 56.16, -11.87

 

CMYK 0 / 63 / 27 / 23

HEX #C44990

RGB 196 73 144

HSL 325.37, 0.51%, 0.53%

LAB 50.11, 56.14, -13.75

 

CMYK 0 / 57 / 23 / 16

HEX #D55BA3

RGB 213 91 163

HSL 324.59, 0.59%, 0.6%

LAB 56.36, 55.78, -15.24

 

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

CMYK 0 / 99 / 41 / 52

HEX #7B0149

RGB 123 1 73

HSL 324.59, 0.98%, 0.24%

LAB 25.9, 50.46, -6.79

 

CMYK 0 / 100 / 49 / 58

HEX #6A0036

RGB 106 0 54

HSL 329.43, 1%, 0.21%

LAB 21.32, 44.74, -0.92

 

CMYK 0 / 100 / 61 / 65

HEX #590023

RGB 89 0 35

HSL 336.4, 1%, 0.17%

LAB 16.72, 38.79, 5.56

 

CMYK 0 / 100 / 78 / 72

HEX #480010

RGB 72 0 16

HSL 346.67, 1%, 0.14%

LAB 12.06, 32.86, 11.96

 

CMYK 0 / 86 / 35 / 45

HEX #8B135B

RGB 139 19 91

HSL 324, 0.76%, 0.31%

LAB 31.14, 52.9, -10.5

 

CMYK 0 / 86 / 58 / 45

HEX #8B133B

RGB 139 19 59

HSL 340, 0.76%, 0.31%

LAB 30.08, 49.87, 9.14

 

CMYK 0 / 86 / 81 / 45

HEX #8B131B

RGB 139 19 27

HSL 356, 0.76%, 0.31%

LAB 29.5, 48.13, 29.28

 

CMYK 0 / 86 / 86 / 45

HEX #8B1313

RGB 139 19 19

HSL 0, 0.76%, 0.31%

LAB 29.42, 47.88, 33.86

 

CMYK 0 / 86 / 35 / 45

HEX #8B135B

RGB 139 19 91

HSL 324, 0.76%, 0.31%

LAB 31.14, 52.9, -10.5

 

CMYK 0 / 86 / 11 / 45

HEX #8B137C

RGB 139 19 124

HSL 307.5, 0.76%, 0.31%

LAB 32.72, 57.27, -29.18

 

CMYK 12 / 86 / 0 / 45

HEX #7A138B

RGB 122 19 139

HSL 291.5, 0.76%, 0.31%

LAB 30.56, 56.38, -42.18

 

CMYK 35 / 86 / 0 / 45

HEX #5A138B

RGB 90 19 139

HSL 275.5, 0.76%, 0.31%

LAB 25.27, 50.93, -51.01

 

CMYK 59 / 86 / 0 / 45

HEX #39138B

RGB 57 19 139

HSL 259, 0.76%, 0.31%

LAB 20.83, 46.57, -58.48

 

CMYK 0 / 86 / 35 / 45

HEX #8B135B

RGB 139 19 91

HSL 324, 0.76%, 0.31%

LAB 31.14, 52.9, -10.5

 

CMYK 0 / 96 / 38 / 40

HEX #98065E

RGB 152 6 94

HSL 323.84, 0.92%, 0.31%

LAB 33.17, 58.49, -9.13

 

CMYK 0 / 86 / 35 / 45

HEX #8B135B

RGB 139 19 91

HSL 324, 0.76%, 0.31%

LAB 31.14, 52.9, -10.5

 

CMYK 0 / 75 / 29 / 51

HEX #7E2059

RGB 126 32 89

HSL 323.62, 0.59%, 0.31%

LAB 29.89, 45.31, -11.33

 

CMYK 0 / 61 / 25 / 55

HEX #722D56

RGB 114 45 86

HSL 324.35, 0.43%, 0.31%

LAB 29.73, 35.4, -9.81

 

CMYK 0 / 44 / 17 / 60

HEX #653954

RGB 101 57 84

HSL 323.18, 0.28%, 0.31%

LAB 30.24, 23.68, -7.93

 

CMYK 0 / 20 / 8 / 65

HEX #584651

RGB 88 70 81

HSL 323.33, 0.11%, 0.31%

LAB 31.92, 9.8, -3.65

 

CMYK 13 / 86 / 0 / 45

HEX #79138B

RGB 121 19 139

HSL 291, 0.76%, 0.31%

LAB 30.39, 56.2, -42.47

 

CMYK 0 / 86 / 10 / 45

HEX #8B137D

RGB 139 19 125

HSL 307, 0.76%, 0.31%

LAB 32.78, 57.42, -29.72

 

CMYK 0 / 86 / 33 / 45

HEX #8B135D

RGB 139 19 93

HSL 323, 0.76%, 0.31%

LAB 31.22, 53.13, -11.68

 

CMYK 0 / 86 / 56 / 45

HEX #8B133D

RGB 139 19 61

HSL 339, 0.76%, 0.31%

LAB 30.14, 50.02, 7.87

 

CMYK 0 / 86 / 79 / 45

HEX #8B131D

RGB 139 19 29

HSL 355, 0.76%, 0.31%

LAB 29.52, 48.2, 28.07

 

CMYK 0 / 87 / 34 / 74

HEX #43092C

RGB 67 9 44

HSL 323.79, 0.76%, 0.15%

LAB 13.05, 30.43, -7.02

 

CMYK 0 / 86 / 34 / 60

HEX #670E44

RGB 103 14 68

HSL 323.6, 0.76%, 0.23%

LAB 22.36, 42.18, -9.16

 

CMYK 0 / 86 / 35 / 45

HEX #8B135B

RGB 139 19 91

HSL 324, 0.76%, 0.31%

LAB 31.14, 52.9, -10.5

 

CMYK 0 / 86 / 34 / 31

HEX #AF1873

RGB 175 24 115

HSL 323.84, 0.76%, 0.39%

LAB 39.59, 63.14, -12.34

 

CMYK 0 / 86 / 34 / 17

HEX #D41D8B

RGB 212 29 139

HSL 323.93, 0.76%, 0.47%

LAB 47.93, 73.18, -13.79

 

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

CMYK 0 / 36 / 86 / 45

HEX #8B5913

RGB 139 89 19

HSL 35, 0.76%, 0.31%

LAB 42.28, 14.96, 45.13

 

CMYK 86 / 0 / 1 / 45

HEX #138B89

RGB 19 139 137

HSL 179, 0.76%, 0.31%

LAB 52.3, -30.22, -7.69

 

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

CMYK 33 / 0 / 86 / 45

HEX #5D8B13

RGB 93 139 19

HSL 83, 0.76%, 0.31%

LAB 52.77, -33.23, 52.6

 

CMYK 86 / 33 / 0 / 45

HEX #135D8B

RGB 19 93 139

HSL 203, 0.76%, 0.31%

LAB 37.54, -4.2, -31.55

 

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

CMYK 0 / 36 / 86 / 45

HEX #8B5913

RGB 139 89 19

HSL 35, 0.76%, 0.31%

LAB 42.28, 14.96, 45.13

 

CMYK 86 / 0 / 53 / 45

HEX #138B41

RGB 19 139 65

HSL 143, 0.76%, 0.31%

LAB 50.67, -47.8, 30.78

 

CMYK 86 / 50 / 0 / 45

HEX #13458B

RGB 19 69 139

HSL 215, 0.76%, 0.31%

LAB 30.06, 11.63, -43.49

 

CMYK 0 / 86 / 34 / 45

HEX #8C135C

RGB 140 19 92

HSL 323.8, 0.76%, 0.31%

LAB 31.38, 53.26, -10.77

 

CMYK 0 / 10 / 86 / 45

HEX #8B7D13

RGB 139 125 19

HSL 53, 0.76%, 0.31%

LAB 52.07, -5.73, 53.39

 

CMYK 86 / 0 / 53 / 45

HEX #138B41

RGB 19 139 65

HSL 143, 0.76%, 0.31%

LAB 50.67, -47.8, 30.78

 

CMYK 86 / 76 / 0 / 45

HEX #13218B

RGB 19 33 139

HSL 233, 0.76%, 0.31%

LAB 20.4, 36.17, -59.27

 

Description

Color code: HEX #8C135C | qconv.com Color code: HEX #8C135C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 19 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 19 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 34 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 34% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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