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Color name
HEX #8C0E8C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0E8C it is the complementary color #73F173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0E8C shade: #910E87, #A2209A, #B332AD, #C444C0 and #D556D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0E8C shade: #8C0E8C, #7B0079, #6A0066, #590053 and #480040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0E8C shade: #8B0E8B, #8B0E69, #8B0E48, #8B0E26 and #8B0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0E8C shade: #8B0E8B, #690E8B, #480E8B, #260E8B and #0E0E8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0E8C shade matches the following richer shades: #8B0E8B and #980198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0E8C shade: #8B0E8B, #7F1A7F, #722772, #663366 and #5A3F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0E8C shade: #480E8B, #6A0E8B, #8B0E8B, #8B0E6A and #8B0E48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0E8C shade: #400640, #660A66, #8B0E8B, #B111B1 and #D615D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0E8C shade: #8C0E8C, #8B270E and #0E8B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0E8C shade: #8C0E8C, #8B8B0E and #0E8B8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0E8C shade: #8C0E8C, #8B270E, #0E8B0E and #0E728B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0E8C shade: #8C0E8C, #8B4D0E, #0E8B0E and #0E4D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

Complementary color

CMYK 52 / 0 / 52 / 5

HEX #73F173

RGB 115 241 115

HSL 120, 0.82%, 0.7%

LAB 85.9, -59.55, 49.87

 

CMYK 0 / 90 / 7 / 43

HEX #910E87

RGB 145 14 135

HSL 304.58, 0.82%, 0.31%

LAB 34.16, 61.08, -33.71

 

CMYK 0 / 80 / 5 / 36

HEX #A2209A

RGB 162 32 154

HSL 303.69, 0.67%, 0.38%

LAB 39.66, 63.55, -36.43

 

CMYK 0 / 72 / 3 / 30

HEX #B332AD

RGB 179 50 173

HSL 302.79, 0.56%, 0.45%

LAB 45.47, 64.82, -38.4

 

CMYK 0 / 65 / 2 / 23

HEX #C444C0

RGB 196 68 192

HSL 301.88, 0.52%, 0.52%

LAB 51.47, 65.32, -39.86

 

CMYK 0 / 60 / 1 / 16

HEX #D556D3

RGB 213 86 211

HSL 300.94, 0.6%, 0.59%

LAB 57.56, 65.34, -40.97

 

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

CMYK 0 / 100 / 2 / 52

HEX #7B0079

RGB 123 0 121

HSL 300.98, 1%, 0.24%

LAB 28.36, 56.96, -34.41

 

CMYK 0 / 100 / 4 / 58

HEX #6A0066

RGB 106 0 102

HSL 302.26, 1%, 0.21%

LAB 23.75, 50.87, -29.71

 

CMYK 0 / 100 / 7 / 65

HEX #590053

RGB 89 0 83

HSL 304.04, 1%, 0.17%

LAB 19.01, 44.6, -24.83

 

CMYK 0 / 100 / 11 / 72

HEX #480040

RGB 72 0 64

HSL 306.67, 1%, 0.14%

LAB 14.1, 38.12, -19.71

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 0 / 90 / 24 / 45

HEX #8B0E69

RGB 139 14 105

HSL 316.32, 0.82%, 0.3%

LAB 31.4, 55.62, -19.17

 

CMYK 0 / 90 / 48 / 45

HEX #8B0E48

RGB 139 14 72

HSL 332.16, 0.82%, 0.3%

LAB 30.09, 52.01, 0.46

 

CMYK 0 / 90 / 73 / 45

HEX #8B0E26

RGB 139 14 38

HSL 348.48, 0.82%, 0.3%

LAB 29.27, 49.68, 22.03

 

CMYK 0 / 90 / 90 / 45

HEX #8B0E0E

RGB 139 14 14

HSL 0, 0.82%, 0.3%

LAB 28.99, 48.87, 36.14

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 24 / 90 / 0 / 45

HEX #690E8B

RGB 105 14 139

HSL 283.68, 0.82%, 0.3%

LAB 27.25, 54.59, -47.69

 

CMYK 48 / 90 / 0 / 45

HEX #480E8B

RGB 72 14 139

HSL 267.84, 0.82%, 0.3%

LAB 22.15, 49.94, -56.24

 

CMYK 73 / 90 / 0 / 45

HEX #260E8B

RGB 38 14 139

HSL 251.52, 0.82%, 0.3%

LAB 18.32, 46.81, -62.69

 

CMYK 90 / 90 / 0 / 45

HEX #0E0E8B

RGB 14 14 139

HSL 240, 0.82%, 0.3%

LAB 16.85, 45.72, -65.17

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 0 / 99 / 0 / 40

HEX #980198

RGB 152 1 152

HSL 300, 0.99%, 0.3%

LAB 35.92, 66.66, -41.29

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 0 / 80 / 0 / 50

HEX #7F1A7F

RGB 127 26 127

HSL 300, 0.66%, 0.3%

LAB 31.31, 53.39, -33.44

 

CMYK 0 / 66 / 0 / 55

HEX #722772

RGB 114 39 114

HSL 300, 0.49%, 0.3%

LAB 30.02, 43.09, -27.42

 

CMYK 0 / 50 / 0 / 60

HEX #663366

RGB 102 51 102

HSL 300, 0.33%, 0.3%

LAB 29.79, 31.04, -20.23

 

CMYK 0 / 30 / 0 / 65

HEX #5A3F5A

RGB 90 63 90

HSL 300, 0.18%, 0.3%

LAB 30.56, 16.95, -11.46

 

CMYK 48 / 90 / 0 / 45

HEX #480E8B

RGB 72 14 139

HSL 267.84, 0.82%, 0.3%

LAB 22.15, 49.94, -56.24

 

CMYK 24 / 90 / 0 / 45

HEX #6A0E8B

RGB 106 14 139

HSL 284.16, 0.82%, 0.3%

LAB 27.41, 54.75, -47.4

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 0 / 90 / 24 / 45

HEX #8B0E6A

RGB 139 14 106

HSL 315.84, 0.82%, 0.3%

LAB 31.45, 55.75, -19.74

 

CMYK 0 / 90 / 48 / 45

HEX #8B0E48

RGB 139 14 72

HSL 332.16, 0.82%, 0.3%

LAB 30.09, 52.01, 0.46

 

CMYK 0 / 91 / 0 / 75

HEX #400640

RGB 64 6 64

HSL 300, 0.83%, 0.14%

LAB 13.17, 34.1, -21.29

 

CMYK 0 / 90 / 0 / 60

HEX #660A66

RGB 102 10 102

HSL 300, 0.82%, 0.22%

LAB 23.68, 47.98, -29.88

 

CMYK 0 / 90 / 0 / 45

HEX #8B0E8B

RGB 139 14 139

HSL 300, 0.82%, 0.3%

LAB 33.28, 60.55, -37.65

 

CMYK 0 / 90 / 0 / 31

HEX #B111B1

RGB 177 17 177

HSL 300, 0.82%, 0.38%

LAB 42.65, 72.9, -45.28

 

CMYK 0 / 90 / 0 / 16

HEX #D615D6

RGB 214 21 214

HSL 300, 0.82%, 0.46%

LAB 51.48, 84.25, -52.32

 

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

CMYK 0 / 72 / 90 / 45

HEX #8B270E

RGB 139 39 14

HSL 12, 0.82%, 0.3%

LAB 31.74, 41.17, 38.34

 

CMYK 90 / 0 / 36 / 45

HEX #0E8B59

RGB 14 139 89

HSL 156, 0.82%, 0.3%

LAB 51.01, -43.6, 18.13

 

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

CMYK 0 / 0 / 90 / 45

HEX #8B8B0E

RGB 139 139 14

HSL 60, 0.82%, 0.3%

LAB 56.07, -13.47, 57.82

 

CMYK 90 / 0 / 0 / 45

HEX #0E8B8B

RGB 14 139 139

HSL 180, 0.82%, 0.3%

LAB 52.31, -29.93, -8.84

 

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

CMYK 0 / 72 / 90 / 45

HEX #8B270E

RGB 139 39 14

HSL 12, 0.82%, 0.3%

LAB 31.74, 41.17, 38.34

 

CMYK 90 / 0 / 90 / 45

HEX #0E8B0E

RGB 14 139 14

HSL 120, 0.82%, 0.3%

LAB 50.2, -53.38, 50.53

 

CMYK 90 / 18 / 0 / 45

HEX #0E728B

RGB 14 114 139

HSL 192, 0.82%, 0.3%

LAB 44.22, -16.96, -21.13

 

CMYK 0 / 90 / 0 / 45

HEX #8C0E8C

RGB 140 14 140

HSL 300, 0.82%, 0.3%

LAB 33.53, 60.9, -37.86

 

CMYK 0 / 45 / 90 / 45

HEX #8B4D0E

RGB 139 77 14

HSL 30.24, 0.82%, 0.3%

LAB 39.29, 21.79, 44.38

 

CMYK 90 / 0 / 90 / 45

HEX #0E8B0E

RGB 14 139 14

HSL 120, 0.82%, 0.3%

LAB 50.2, -53.38, 50.53

 

CMYK 90 / 45 / 0 / 45

HEX #0E4D8B

RGB 14 77 139

HSL 209.76, 0.82%, 0.3%

LAB 32.4, 5.78, -39.72

 

Description

Color code: HEX #8C0E8C | qconv.com Color code: HEX #8C0E8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 14 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 14 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 0% 45% C M Y K

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