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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0DAB it is the complementary color #73F254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0DAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0DAB shade: #910DA6, #A21FB9, #B331CC, #C443DF and #D555F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0DAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0DAB shade: #8C0DAB, #7B0098, #6A0085, #590072 and #48005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0DAB shade: #8C0DAB, #AB0D9F, #AB0D75, #AB0D4A and #AB0D1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0DAB shade: #8C0DAB, #610DAB, #370DAB and #0D0DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0DAB shade matches the following richer shades: #8C0DAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0DAB shade: #8C0DAB, #831C9C, #7A2B8D, #71397E and #68486F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0DAB shade: #370DAB, #610DAB, #8B0DAB, #AB0DA0 and #AB0D76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0DAB shade: #4D075E, #6C0A84, #8C0DAB, #AB10D1 and #C51CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0DAB shade: #8C0DAB, #AB0D0D and #0DAB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0DAB shade: #8C0DAB, #AB8B0D and #0DAB8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0DAB shade: #8C0DAB, #AB0D0D, #2CAB0D and #0DABAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0DAB shade: #8C0DAB, #AB3C0D, #2CAB0D and #0D7BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

Complementary color

CMYK 52 / 0 / 65 / 5

HEX #73F254

RGB 115 242 84

HSL 108.23, 0.86%, 0.64%

LAB 85.9, -63.22, 63.26

 

CMYK 13 / 92 / 0 / 35

HEX #910DA6

RGB 145 13 166

HSL 291.76, 0.85%, 0.35%

LAB 36.1, 66.25, -49.53

 

CMYK 12 / 83 / 0 / 27

HEX #A21FB9

RGB 162 31 185

HSL 291.04, 0.71%, 0.42%

LAB 41.48, 68.93, -52.03

 

CMYK 12 / 76 / 0 / 20

HEX #B331CC

RGB 179 49 204

HSL 290.32, 0.61%, 0.5%

LAB 47.16, 70.41, -53.82

 

CMYK 12 / 70 / 0 / 13

HEX #C443DF

RGB 196 67 223

HSL 289.62, 0.71%, 0.57%

LAB 53.03, 71.07, -55.11

 

CMYK 12 / 65 / 0 / 5

HEX #D555F2

RGB 213 85 242

HSL 288.92, 0.86%, 0.64%

LAB 59.02, 71.21, -56.07

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 19 / 100 / 0 / 40

HEX #7B0098

RGB 123 0 152

HSL 288.55, 1%, 0.3%

LAB 30.59, 62.21, -50.15

 

CMYK 20 / 100 / 0 / 48

HEX #6A0085

RGB 106 0 133

HSL 287.82, 1%, 0.26%

LAB 26.03, 56.26, -45.9

 

CMYK 22 / 100 / 0 / 55

HEX #590072

RGB 89 0 114

HSL 286.84, 1%, 0.22%

LAB 21.35, 50.14, -41.55

 

CMYK 24 / 100 / 0 / 63

HEX #48005F

RGB 72 0 95

HSL 285.47, 1%, 0.19%

LAB 16.52, 43.83, -37.08

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 0 / 92 / 7 / 33

HEX #AB0D9F

RGB 171 13 159

HSL 304.56, 0.86%, 0.36%

LAB 40.33, 69.68, -38.29

 

CMYK 0 / 92 / 32 / 33

HEX #AB0D75

RGB 171 13 117

HSL 320.51, 0.86%, 0.36%

LAB 38.25, 64.29, -15.7

 

CMYK 0 / 92 / 57 / 33

HEX #AB0D4A

RGB 171 13 74

HSL 336.84, 0.86%, 0.36%

LAB 36.82, 60.39, 9.66

 

CMYK 0 / 92 / 82 / 33

HEX #AB0D1F

RGB 171 13 31

HSL 353.16, 0.86%, 0.36%

LAB 36.07, 58.3, 35.83

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 43 / 92 / 0 / 33

HEX #610DAB

RGB 97 13 171

HSL 271.9, 0.86%, 0.36%

LAB 28.82, 60.55, -64.74

 

CMYK 68 / 92 / 0 / 33

HEX #370DAB

RGB 55 13 171

HSL 255.95, 0.86%, 0.36%

LAB 23.8, 56.92, -73.2

 

CMYK 92 / 92 / 0 / 33

HEX #0D0DAB

RGB 13 13 171

HSL 240, 0.86%, 0.36%

LAB 21.26, 55.38, -77.51

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 16 / 82 / 0 / 39

HEX #831C9C

RGB 131 28 156

HSL 288.28, 0.7%, 0.36%

LAB 34.1, 58.84, -46.84

 

CMYK 13 / 70 / 0 / 45

HEX #7A2B8D

RGB 122 43 141

HSL 288.37, 0.53%, 0.36%

LAB 33.54, 48.62, -38.64

 

CMYK 10 / 55 / 0 / 51

HEX #71397E

RGB 113 57 126

HSL 288.7, 0.38%, 0.36%

LAB 33.86, 36.17, -28.91

 

CMYK 6 / 35 / 0 / 56

HEX #68486F

RGB 104 72 111

HSL 289.23, 0.21%, 0.36%

LAB 35.45, 21.12, -17.16

 

CMYK 68 / 92 / 0 / 33

HEX #370DAB

RGB 55 13 171

HSL 255.95, 0.86%, 0.36%

LAB 23.8, 56.92, -73.2

 

CMYK 43 / 92 / 0 / 33

HEX #610DAB

RGB 97 13 171

HSL 271.9, 0.86%, 0.36%

LAB 28.82, 60.55, -64.74

 

CMYK 19 / 92 / 0 / 33

HEX #8B0DAB

RGB 139 13 171

HSL 287.85, 0.86%, 0.36%

LAB 35.43, 66.19, -53.67

 

CMYK 0 / 92 / 6 / 33

HEX #AB0DA0

RGB 171 13 160

HSL 304.18, 0.86%, 0.36%

LAB 40.38, 69.82, -38.8

 

CMYK 0 / 92 / 31 / 33

HEX #AB0D76

RGB 171 13 118

HSL 320.13, 0.86%, 0.36%

LAB 38.29, 64.4, -16.26

 

CMYK 18 / 93 / 0 / 63

HEX #4D075E

RGB 77 7 94

HSL 288.28, 0.86%, 0.2%

LAB 18.09, 42.35, -33.83

 

CMYK 18 / 92 / 0 / 48

HEX #6C0A84

RGB 108 10 132

HSL 288.2, 0.86%, 0.28%

LAB 26.94, 54.52, -43.79

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 18 / 92 / 0 / 18

HEX #AB10D1

RGB 171 16 209

HSL 288.19, 0.86%, 0.44%

LAB 43.7, 77.29, -62.35

 

CMYK 17 / 88 / 0 / 7

HEX #C51CEE

RGB 197 28 238

HSL 288.29, 0.86%, 0.52%

LAB 50.54, 84.34, -67.6

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 0 / 92 / 92 / 33

HEX #AB0D0D

RGB 171 13 13

HSL 0, 0.86%, 0.36%

LAB 35.94, 57.91, 44.83

 

CMYK 92 / 0 / 56 / 33

HEX #0DAB4C

RGB 13 171 76

HSL 143.92, 0.86%, 0.36%

LAB 61.42, -57.45, 38.32

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 0 / 19 / 92 / 33

HEX #AB8B0D

RGB 171 139 13

HSL 47.85, 0.86%, 0.36%

LAB 59.11, 1.22, 61.69

 

CMYK 92 / 0 / 19 / 33

HEX #0DAB8B

RGB 13 171 139

HSL 167.85, 0.86%, 0.36%

LAB 62.57, -44.33, 6.2

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 0 / 92 / 92 / 33

HEX #AB0D0D

RGB 171 13 13

HSL 0, 0.86%, 0.36%

LAB 35.94, 57.91, 44.83

 

CMYK 74 / 0 / 92 / 33

HEX #2CAB0D

RGB 44 171 13

HSL 108.23, 0.86%, 0.36%

LAB 61.39, -59.37, 60.47

 

CMYK 92 / 0 / 0 / 33

HEX #0DABAB

RGB 13 171 171

HSL 180, 0.86%, 0.36%

LAB 63.47, -35.17, -10.37

 

CMYK 18 / 92 / 0 / 33

HEX #8C0DAB

RGB 140 13 171

HSL 288.23, 0.86%, 0.36%

LAB 35.6, 66.34, -53.38

 

CMYK 0 / 65 / 92 / 33

HEX #AB3C0D

RGB 171 60 13

HSL 17.85, 0.86%, 0.36%

LAB 41.09, 43.61, 48.37

 

CMYK 74 / 0 / 92 / 33

HEX #2CAB0D

RGB 44 171 13

HSL 108.23, 0.86%, 0.36%

LAB 61.39, -59.37, 60.47

 

CMYK 92 / 28 / 0 / 33

HEX #0D7BAB

RGB 13 123 171

HSL 198.23, 0.86%, 0.36%

LAB 48.5, -10.24, -33.31

 

Description

Color code: HEX #8C0DAB | qconv.com Color code: HEX #8C0DAB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 13 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 13 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 92 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 92% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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