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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0CE2 it is the complementary color #73F31D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0CE2 shade: #910CDD, #A21EF0, #B330FF, #C442FF and #D554FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0CE2 shade: #8C0CE2, #7B00CF, #6A00BC, #5900A9 and #480096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0CE2 shade: #8D0BE3, #C70BE3, #E30BC6, #E30B8B and #E30B51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0CE2 shade: #8D0BE3, #520BE3, #180BE3 and #0B0BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0CE2 shade matches the following richer shades: #8D0BE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0CE2 shade: #8D0BE3, #891FD0, #8532BC, #8146A9 and #7D5996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0CE2 shade: #160BE3, #500BE3, #890BE3, #C30BE3 and #E30BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0CE2 shade: #5C0795, #7409BC, #8D0BE3, #A025F3 and #B14CF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0CE2 shade: #8C0CE2, #E30B3A and #0BE333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0CE2 shade: #8C0CE2, #E3890B and #0BE389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0CE2 shade: #8C0CE2, #E30B3A, #65E30B and #0BE3B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0CE2 shade: #8C0CE2, #E31D0B, #65E30B and #0BD1E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

Complementary color

CMYK 53 / 0 / 88 / 5

HEX #73F31D

RGB 115 243 29

HSL 95.89, 0.9%, 0.53%

LAB 85.92, -66.7, 79.36

 

CMYK 34 / 95 / 0 / 13

HEX #910CDD

RGB 145 12 221

HSL 278.18, 0.9%, 0.46%

LAB 40.42, 76.59, -74.78

 

CMYK 33 / 88 / 0 / 6

HEX #A21EF0

RGB 162 30 240

HSL 277.71, 0.88%, 0.53%

LAB 45.5, 79.44, -77.16

 

CMYK 30 / 81 / 0 / 0

HEX #B330FF

RGB 179 48 255

HSL 277.97, 1%, 0.59%

LAB 50.59, 80.33, -77.15

 

CMYK 23 / 74 / 0 / 0

HEX #C442FF

RGB 196 66 255

HSL 281.27, 1%, 0.63%

LAB 54.92, 77.44, -70.01

 

CMYK 16 / 67 / 0 / 0

HEX #D554FF

RGB 213 84 255

HSL 285.26, 1%, 0.66%

LAB 59.62, 74.03, -62.32

 

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

CMYK 41 / 100 / 0 / 19

HEX #7B00CF

RGB 123 0 207

HSL 275.65, 1%, 0.41%

LAB 35.43, 72.86, -75.01

 

CMYK 44 / 100 / 0 / 26

HEX #6A00BC

RGB 106 0 188

HSL 273.83, 1%, 0.37%

LAB 31.1, 67.3, -71.09

 

CMYK 47 / 100 / 0 / 34

HEX #5900A9

RGB 89 0 169

HSL 271.6, 1%, 0.33%

LAB 26.7, 61.66, -67.07

 

CMYK 52 / 100 / 0 / 41

HEX #480096

RGB 72 0 150

HSL 268.8, 1%, 0.29%

LAB 22.23, 55.95, -62.93

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 12 / 95 / 0 / 11

HEX #C70BE3

RGB 199 11 227

HSL 292.22, 0.91%, 0.47%

LAB 49.41, 84.91, -63.19

 

CMYK 0 / 95 / 13 / 11

HEX #E30BC6

RGB 227 11 198

HSL 308.06, 0.91%, 0.47%

LAB 52.56, 85.29, -41.26

 

CMYK 0 / 95 / 39 / 11

HEX #E30B8B

RGB 227 11 139

HSL 324.44, 0.91%, 0.47%

LAB 50.02, 78.73, -10.35

 

CMYK 0 / 95 / 64 / 11

HEX #E30B51

RGB 227 11 81

HSL 340.56, 0.91%, 0.47%

LAB 48.47, 74.55, 22.93

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 64 / 95 / 0 / 11

HEX #520BE3

RGB 82 11 227

HSL 259.72, 0.91%, 0.47%

LAB 33.09, 72.66, -90.58

 

CMYK 89 / 95 / 0 / 11

HEX #180BE3

RGB 24 11 227

HSL 243.61, 0.91%, 0.47%

LAB 29.36, 70.79, -96.89

 

CMYK 95 / 95 / 0 / 11

HEX #0B0BE3

RGB 11 11 227

HSL 240, 0.91%, 0.47%

LAB 29.05, 70.66, -97.42

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 34 / 85 / 0 / 18

HEX #891FD0

RGB 137 31 208

HSL 275.93, 0.74%, 0.47%

LAB 39.33, 69.39, -69.12

 

CMYK 29 / 73 / 0 / 26

HEX #8532BC

RGB 133 50 188

HSL 276.09, 0.58%, 0.47%

LAB 39.41, 58.02, -57.35

 

CMYK 24 / 59 / 0 / 34

HEX #8146A9

RGB 129 70 169

HSL 275.76, 0.41%, 0.47%

LAB 41.08, 43.25, -43.47

 

CMYK 17 / 41 / 0 / 41

HEX #7D5996

RGB 125 89 150

HSL 275.41, 0.26%, 0.47%

LAB 43.81, 26.84, -27.85

 

CMYK 90 / 95 / 0 / 11

HEX #160BE3

RGB 22 11 227

HSL 243.06, 0.91%, 0.47%

LAB 29.3, 70.76, -96.99

 

CMYK 65 / 95 / 0 / 11

HEX #500BE3

RGB 80 11 227

HSL 259.17, 0.91%, 0.47%

LAB 32.9, 72.55, -90.9

 

CMYK 40 / 95 / 0 / 11

HEX #890BE3

RGB 137 11 227

HSL 275, 0.91%, 0.47%

LAB 39.75, 77.02, -79.34

 

CMYK 14 / 95 / 0 / 11

HEX #C30BE3

RGB 195 11 227

HSL 291.11, 0.91%, 0.47%

LAB 48.74, 84.33, -64.3

 

CMYK 0 / 95 / 11 / 11

HEX #E30BCA

RGB 227 11 202

HSL 306.94, 0.91%, 0.47%

LAB 52.77, 85.81, -43.24

 

CMYK 38 / 95 / 0 / 42

HEX #5C0795

RGB 92 7 149

HSL 275.92, 0.91%, 0.31%

LAB 25.55, 56.25, -56.73

 

CMYK 38 / 95 / 0 / 26

HEX #7409BC

RGB 116 9 188

HSL 275.87, 0.91%, 0.39%

LAB 33, 67.01, -67.9

 

CMYK 38 / 95 / 0 / 11

HEX #8D0BE3

RGB 141 11 227

HSL 276.11, 0.91%, 0.47%

LAB 40.33, 77.45, -78.38

 

CMYK 34 / 85 / 0 / 5

HEX #A025F3

RGB 160 37 243

HSL 275.83, 0.9%, 0.55%

LAB 46, 78.18, -78.04

 

CMYK 28 / 69 / 0 / 4

HEX #B14CF5

RGB 177 76 245

HSL 275.86, 0.89%, 0.63%

LAB 53.07, 68.02, -67.57

 

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

CMYK 0 / 95 / 74 / 11

HEX #E30B3A

RGB 227 11 58

HSL 346.94, 0.91%, 0.47%

LAB 48.1, 73.55, 36.39

 

CMYK 95 / 0 / 78 / 11

HEX #0BE333

RGB 11 227 51

HSL 131.11, 0.91%, 0.47%

LAB 79.18, -76.78, 67.4

 

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

CMYK 0 / 40 / 95 / 11

HEX #E3890B

RGB 227 137 11

HSL 35, 0.91%, 0.47%

LAB 65.16, 27, 69.36

 

CMYK 95 / 0 / 40 / 11

HEX #0BE389

RGB 11 227 137

HSL 155, 0.91%, 0.47%

LAB 80.08, -65.84, 31.39

 

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

CMYK 0 / 95 / 74 / 11

HEX #E30B3A

RGB 227 11 58

HSL 346.94, 0.91%, 0.47%

LAB 48.1, 73.55, 36.39

 

CMYK 56 / 0 / 95 / 11

HEX #65E30B

RGB 101 227 11

HSL 95, 0.91%, 0.47%

LAB 80.59, -65.27, 77.13

 

CMYK 95 / 0 / 21 / 11

HEX #0BE3B4

RGB 11 227 180

HSL 166.94, 0.91%, 0.47%

LAB 80.91, -56.46, 10.21

 

CMYK 38 / 95 / 0 / 11

HEX #8C0CE2

RGB 140 12 226

HSL 275.89, 0.9%, 0.47%

LAB 40.13, 77.02, -78.14

 

CMYK 0 / 87 / 95 / 11

HEX #E31D0B

RGB 227 29 11

HSL 5, 0.91%, 0.47%

LAB 48.55, 70.23, 59

 

CMYK 56 / 0 / 95 / 11

HEX #65E30B

RGB 101 227 11

HSL 95, 0.91%, 0.47%

LAB 80.59, -65.27, 77.13

 

CMYK 95 / 8 / 0 / 11

HEX #0BD1E3

RGB 11 209 227

HSL 185, 0.91%, 0.47%

LAB 76.81, -35.61, -20.92

 

Description

Color code: HEX #8C0CE2 | qconv.com Color code: HEX #8C0CE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 12 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 12 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 95 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 95% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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