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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0B8C it is the complementary color #73F473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0B8C shade: #910B87, #A21D9A, #B32FAD, #C441C0 and #D553D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0B8C shade: #8C0B8C, #7B0079, #6A0066, #590053 and #480040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0B8C shade: #8D0B8D, #8D0B6A, #8D0B47, #8D0B24 and #8D0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0B8C shade: #8D0B8D, #6A0B8D, #470B8D, #240B8D and #0B0B8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0B8C shade matches the following richer shades: #8D0B8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0B8C shade: #8D0B8D, #811781, #742474, #683068 and #5C3C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0B8C shade: #480B8D, #6A0B8D, #8D0B8D, #8D0B6A and #8D0B48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0B8C shade: #410541, #670867, #8D0B8D, #B30EB3 and #D911D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0B8C shade: #8C0B8C, #8D250B and #0B8D59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0B8C shade: #8C0B8C, #8D8D0B and #0B8D8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0B8C shade: #8C0B8C, #8D250B, #0B8D0B and #0B738D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0B8C shade: #8C0B8C, #8D4C0B, #0B8D0B and #0B4C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

Complementary color

CMYK 53 / 0 / 53 / 4

HEX #73F473

RGB 115 244 115

HSL 120, 0.85%, 0.7%

LAB 86.79, -60.68, 50.95

 

CMYK 0 / 92 / 7 / 43

HEX #910B87

RGB 145 11 135

HSL 304.48, 0.86%, 0.31%

LAB 34, 61.53, -33.96

 

CMYK 0 / 82 / 5 / 36

HEX #A21D9A

RGB 162 29 154

HSL 303.61, 0.7%, 0.37%

LAB 39.4, 64.3, -36.84

 

CMYK 0 / 74 / 3 / 30

HEX #B32FAD

RGB 179 47 173

HSL 302.73, 0.58%, 0.44%

LAB 45.13, 65.81, -38.95

 

CMYK 0 / 67 / 2 / 23

HEX #C441C0

RGB 196 65 192

HSL 301.83, 0.53%, 0.51%

LAB 51.06, 66.47, -40.5

 

CMYK 0 / 61 / 1 / 16

HEX #D553D3

RGB 213 83 211

HSL 300.92, 0.61%, 0.58%

LAB 57.11, 66.59, -41.68

 

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

CMYK 0 / 100 / 2 / 52

HEX #7B0079

RGB 123 0 121

HSL 300.98, 1%, 0.24%

LAB 28.36, 56.96, -34.41

 

CMYK 0 / 100 / 4 / 58

HEX #6A0066

RGB 106 0 102

HSL 302.26, 1%, 0.21%

LAB 23.75, 50.87, -29.71

 

CMYK 0 / 100 / 7 / 65

HEX #590053

RGB 89 0 83

HSL 304.04, 1%, 0.17%

LAB 19.01, 44.6, -24.83

 

CMYK 0 / 100 / 11 / 72

HEX #480040

RGB 72 0 64

HSL 306.67, 1%, 0.14%

LAB 14.1, 38.12, -19.71

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 0 / 92 / 25 / 45

HEX #8D0B6A

RGB 141 11 106

HSL 316.15, 0.86%, 0.3%

LAB 31.68, 56.69, -19.35

 

CMYK 0 / 92 / 50 / 45

HEX #8D0B47

RGB 141 11 71

HSL 332.31, 0.86%, 0.3%

LAB 30.3, 52.95, 1.48

 

CMYK 0 / 92 / 74 / 45

HEX #8D0B24

RGB 141 11 36

HSL 348.46, 0.86%, 0.3%

LAB 29.49, 50.68, 23.7

 

CMYK 0 / 92 / 92 / 45

HEX #8D0B0B

RGB 141 11 11

HSL 0, 0.86%, 0.3%

LAB 29.23, 49.93, 37.92

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 25 / 92 / 0 / 45

HEX #6A0B8D

RGB 106 11 141

HSL 283.85, 0.86%, 0.3%

LAB 27.37, 55.76, -48.72

 

CMYK 50 / 92 / 0 / 45

HEX #470B8D

RGB 71 11 141

HSL 267.69, 0.86%, 0.3%

LAB 21.95, 51.12, -57.81

 

CMYK 74 / 92 / 0 / 45

HEX #240B8D

RGB 36 11 141

HSL 251.54, 0.86%, 0.3%

LAB 18.09, 48.27, -64.33

 

CMYK 92 / 92 / 0 / 45

HEX #0B0B8D

RGB 11 11 141

HSL 240, 0.86%, 0.3%

LAB 16.67, 47.35, -66.73

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 0 / 82 / 0 / 49

HEX #811781

RGB 129 23 129

HSL 300, 0.7%, 0.3%

LAB 31.5, 55, -34.38

 

CMYK 0 / 69 / 0 / 55

HEX #742474

RGB 116 36 116

HSL 300, 0.53%, 0.3%

LAB 30, 45.28, -28.7

 

CMYK 0 / 54 / 0 / 59

HEX #683068

RGB 104 48 104

HSL 300, 0.37%, 0.3%

LAB 29.55, 33.75, -21.87

 

CMYK 0 / 35 / 0 / 64

HEX #5C3C5C

RGB 92 60 92

HSL 300, 0.21%, 0.3%

LAB 30.11, 20.03, -13.42

 

CMYK 49 / 92 / 0 / 45

HEX #480B8D

RGB 72 11 141

HSL 268.15, 0.86%, 0.3%

LAB 22.09, 51.23, -57.58

 

CMYK 25 / 92 / 0 / 45

HEX #6A0B8D

RGB 106 11 141

HSL 283.85, 0.86%, 0.3%

LAB 27.37, 55.76, -48.72

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 0 / 92 / 25 / 45

HEX #8D0B6A

RGB 141 11 106

HSL 316.15, 0.86%, 0.3%

LAB 31.68, 56.69, -19.35

 

CMYK 0 / 92 / 49 / 45

HEX #8D0B48

RGB 141 11 72

HSL 331.85, 0.86%, 0.3%

LAB 30.33, 53.04, 0.86

 

CMYK 0 / 92 / 0 / 75

HEX #410541

RGB 65 5 65

HSL 300, 0.86%, 0.14%

LAB 13.32, 34.9, -21.76

 

CMYK 0 / 92 / 0 / 60

HEX #670867

RGB 103 8 103

HSL 300, 0.86%, 0.22%

LAB 23.79, 48.77, -30.33

 

CMYK 0 / 92 / 0 / 45

HEX #8D0B8D

RGB 141 11 141

HSL 300, 0.86%, 0.3%

LAB 33.62, 61.71, -38.33

 

CMYK 0 / 92 / 0 / 30

HEX #B30EB3

RGB 179 14 179

HSL 300, 0.85%, 0.38%

LAB 42.99, 73.94, -45.89

 

CMYK 0 / 92 / 0 / 15

HEX #D911D9

RGB 217 17 217

HSL 300, 0.85%, 0.46%

LAB 52.02, 85.64, -53.14

 

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

CMYK 0 / 74 / 92 / 45

HEX #8D250B

RGB 141 37 11

HSL 12, 0.86%, 0.3%

LAB 31.83, 42.61, 39.86

 

CMYK 92 / 0 / 37 / 45

HEX #0B8D59

RGB 11 141 89

HSL 156, 0.86%, 0.3%

LAB 51.66, -44.57, 18.99

 

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

CMYK 0 / 0 / 92 / 45

HEX #8D8D0B

RGB 141 141 11

HSL 60, 0.86%, 0.3%

LAB 56.82, -13.68, 59.02

 

CMYK 92 / 0 / 0 / 45

HEX #0B8D8D

RGB 11 141 141

HSL 180, 0.86%, 0.3%

LAB 53, -30.42, -8.97

 

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

CMYK 0 / 74 / 92 / 45

HEX #8D250B

RGB 141 37 11

HSL 12, 0.86%, 0.3%

LAB 31.83, 42.61, 39.86

 

CMYK 92 / 0 / 92 / 45

HEX #0B8D0B

RGB 11 141 11

HSL 120, 0.86%, 0.3%

LAB 50.86, -54.33, 51.68

 

CMYK 92 / 18 / 0 / 45

HEX #0B738D

RGB 11 115 141

HSL 192, 0.86%, 0.3%

LAB 44.6, -16.97, -21.74

 

CMYK 0 / 92 / 0 / 45

HEX #8C0B8C

RGB 140 11 140

HSL 300, 0.85%, 0.3%

LAB 33.37, 61.37, -38.12

 

CMYK 0 / 46 / 92 / 45

HEX #8D4C0B

RGB 141 76 11

HSL 30, 0.86%, 0.3%

LAB 39.34, 23.19, 45.48

 

CMYK 92 / 0 / 92 / 45

HEX #0B8D0B

RGB 11 141 11

HSL 120, 0.86%, 0.3%

LAB 50.86, -54.33, 51.68

 

CMYK 92 / 46 / 0 / 45

HEX #0B4C8D

RGB 11 76 141

HSL 210, 0.86%, 0.3%

LAB 32.18, 7.09, -41.31

 

Description

Color code: HEX #8C0B8C | qconv.com Color code: HEX #8C0B8C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 11 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 11 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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