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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0AB8 it is the complementary color #73F547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0AB8 shade: #910AB3, #A21CC6, #B32ED9, #C440EC and #D552FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0AB8 shade: #8C0AB8, #7B00A5, #6A0092, #59007F and #48006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0AB8 shade: #8C0AB8, #B80AB5, #B80A86, #B80A57 and #B80A28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0AB8 shade: #8C0AB8, #5D0AB8, #2E0AB8 and #0A0AB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0AB8 shade matches the following richer shades: #8C0AB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0AB8 shade: #8C0AB8, #8419A8, #7D2999, #753989 and #6D4879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0AB8 shade: #2D0AB8, #5B0AB8, #8A0AB8, #B80AB8 and #B80A8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0AB8 shade: #50066A, #6E0891, #8C0AB8, #AA0CDF and #BE21F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0AB8 shade: #8C0AB8, #B80A15 and #0AB844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0AB8 shade: #8C0AB8, #B88A0A and #0AB88A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0AB8 shade: #8C0AB8, #B80A15, #38B80A and #0AB8AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0AB8 shade: #8C0AB8, #B8320A, #38B80A and #0A8FB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

Complementary color

CMYK 53 / 0 / 71 / 4

HEX #73F547

RGB 115 245 71

HSL 104.83, 0.9%, 0.62%

LAB 86.7, -65.33, 68.95

 

CMYK 19 / 94 / 0 / 30

HEX #910AB3

RGB 145 10 179

HSL 287.93, 0.89%, 0.37%

LAB 36.91, 68.93, -55.99

 

CMYK 18 / 86 / 0 / 22

HEX #A21CC6

RGB 162 28 198

HSL 287.29, 0.75%, 0.44%

LAB 42.14, 71.92, -58.57

 

CMYK 18 / 79 / 0 / 15

HEX #B32ED9

RGB 179 46 217

HSL 286.67, 0.69%, 0.52%

LAB 47.68, 73.66, -60.44

 

CMYK 17 / 73 / 0 / 7

HEX #C440EC

RGB 196 64 236

HSL 286.05, 0.82%, 0.59%

LAB 53.45, 74.53, -61.78

 

CMYK 16 / 68 / 0 / 0

HEX #D552FF

RGB 213 82 255

HSL 285.43, 1%, 0.66%

LAB 59.34, 74.82, -62.76

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 25 / 100 / 0 / 35

HEX #7B00A5

RGB 123 0 165

HSL 284.73, 1%, 0.32%

LAB 31.64, 64.61, -56.34

 

CMYK 27 / 100 / 0 / 43

HEX #6A0092

RGB 106 0 146

HSL 283.56, 1%, 0.29%

LAB 27.13, 58.74, -52.21

 

CMYK 30 / 100 / 0 / 50

HEX #59007F

RGB 89 0 127

HSL 282.05, 1%, 0.25%

LAB 22.5, 52.72, -48

 

CMYK 33 / 100 / 0 / 58

HEX #48006C

RGB 72 0 108

HSL 280, 1%, 0.21%

LAB 17.74, 46.54, -43.68

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 0 / 95 / 2 / 28

HEX #B80AB5

RGB 184 10 181

HSL 301.03, 0.9%, 0.38%

LAB 43.86, 75.52, -45.63

 

CMYK 0 / 95 / 27 / 28

HEX #B80A86

RGB 184 10 134

HSL 317.24, 0.9%, 0.38%

LAB 41.42, 69.31, -21.17

 

CMYK 0 / 95 / 53 / 28

HEX #B80A57

RGB 184 10 87

HSL 333.45, 0.9%, 0.38%

LAB 39.74, 64.84, 5.81

 

CMYK 0 / 95 / 78 / 28

HEX #B80A28

RGB 184 10 40

HSL 349.66, 0.9%, 0.38%

LAB 38.83, 62.33, 34.28

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 49 / 95 / 0 / 28

HEX #5D0AB8

RGB 93 10 184

HSL 268.62, 0.9%, 0.38%

LAB 29.42, 63.62, -71.54

 

CMYK 75 / 95 / 0 / 28

HEX #2E0AB8

RGB 46 10 184

HSL 252.41, 0.9%, 0.38%

LAB 24.51, 60.54, -79.84

 

CMYK 95 / 95 / 0 / 28

HEX #0A0AB8

RGB 10 10 184

HSL 240, 0.9%, 0.38%

LAB 22.8, 59.68, -82.74

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 21 / 85 / 0 / 34

HEX #8419A8

RGB 132 25 168

HSL 284.9, 0.74%, 0.38%

LAB 34.86, 62.11, -52.85

 

CMYK 18 / 73 / 0 / 40

HEX #7D2999

RGB 125 41 153

HSL 285, 0.58%, 0.38%

LAB 34.49, 52.57, -44.43

 

CMYK 15 / 58 / 0 / 46

HEX #753989

RGB 117 57 137

HSL 285, 0.41%, 0.38%

LAB 35.03, 39.71, -33.84

 

CMYK 10 / 40 / 0 / 53

HEX #6D4879

RGB 109 72 121

HSL 285.31, 0.25%, 0.38%

LAB 36.49, 25.1, -21.73

 

CMYK 76 / 95 / 0 / 28

HEX #2D0AB8

RGB 45 10 184

HSL 252.07, 0.9%, 0.38%

LAB 24.44, 60.5, -79.97

 

CMYK 51 / 95 / 0 / 28

HEX #5B0AB8

RGB 91 10 184

HSL 267.93, 0.9%, 0.38%

LAB 29.16, 63.44, -71.98

 

CMYK 25 / 95 / 0 / 28

HEX #8A0AB8

RGB 138 10 184

HSL 284.14, 0.9%, 0.38%

LAB 36.14, 68.85, -60.27

 

CMYK 0 / 95 / 0 / 28

HEX #B80AB8

RGB 184 10 184

HSL 300, 0.9%, 0.38%

LAB 44.04, 75.96, -47.11

 

CMYK 0 / 95 / 25 / 28

HEX #B80A8A

RGB 184 10 138

HSL 315.86, 0.9%, 0.38%

LAB 41.6, 69.78, -23.35

 

CMYK 25 / 94 / 0 / 58

HEX #50066A

RGB 80 6 106

HSL 284.4, 0.89%, 0.22%

LAB 19.54, 45.61, -39.37

 

CMYK 24 / 94 / 0 / 43

HEX #6E0891

RGB 110 8 145

HSL 284.67, 0.9%, 0.3%

LAB 28.2, 57.69, -49.82

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 24 / 95 / 0 / 13

HEX #AA0CDF

RGB 170 12 223

HSL 284.93, 0.9%, 0.46%

LAB 44.43, 80.07, -69.21

 

CMYK 22 / 86 / 0 / 5

HEX #BE21F3

RGB 190 33 243

HSL 284.86, 0.9%, 0.54%

LAB 50.1, 83.27, -71.16

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 0 / 95 / 89 / 28

HEX #B80A15

RGB 184 10 21

HSL 356.21, 0.9%, 0.38%

LAB 38.66, 61.85, 44.51

 

CMYK 95 / 0 / 63 / 28

HEX #0AB844

RGB 10 184 68

HSL 140, 0.9%, 0.38%

LAB 65.56, -62.8, 46.88

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 0 / 25 / 95 / 28

HEX #B88A0A

RGB 184 138 10

HSL 44.14, 0.9%, 0.38%

LAB 60.24, 7.64, 63.64

 

CMYK 95 / 0 / 25 / 28

HEX #0AB88A

RGB 10 184 138

HSL 164.14, 0.9%, 0.38%

LAB 66.66, -49.97, 12.55

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 0 / 95 / 89 / 28

HEX #B80A15

RGB 184 10 21

HSL 356.21, 0.9%, 0.38%

LAB 38.66, 61.85, 44.51

 

CMYK 70 / 0 / 95 / 28

HEX #38B80A

RGB 56 184 10

HSL 104.14, 0.9%, 0.38%

LAB 65.86, -61.39, 64.7

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 24 / 95 / 0 / 28

HEX #8C0AB8

RGB 140 10 184

HSL 284.83, 0.9%, 0.38%

LAB 36.47, 69.12, -59.72

 

CMYK 0 / 73 / 95 / 28

HEX #B8320A

RGB 184 50 10

HSL 13.79, 0.9%, 0.38%

LAB 41.99, 52.14, 51.06

 

CMYK 70 / 0 / 95 / 28

HEX #38B80A

RGB 56 184 10

HSL 104.14, 0.9%, 0.38%

LAB 65.86, -61.39, 64.7

 

CMYK 95 / 22 / 0 / 28

HEX #0A8FB8

RGB 10 143 184

HSL 194.14, 0.9%, 0.38%

LAB 55.25, -16.82, -30.26

 

Description

Color code: HEX #8C0AB8 | qconv.com Color code: HEX #8C0AB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 10 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 10 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 95 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 95% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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