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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0AA3 it is the complementary color #73F55C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0AA3 shade: #910A9E, #A21CB1, #B32EC4, #C440D7 and #D552EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0AA3 shade: #8C0AA3, #7B0090, #6A007D, #59006A and #480057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0AA3 shade: #8C0AA3, #A30A91, #A30A68, #A30A3E and #A30A15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0AA3 shade: #8C0AA3, #630AA3, #3A0AA3, #110AA3 and #0A0AA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0AA3 shade matches the following richer shades: #8C0AA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0AA3 shade: #8C0AA3, #821895, #782687, #6F3479 and #65436B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0AA3 shade: #380AA3, #610AA3, #8A0AA3, #A30A94 and #A30A6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0AA3 shade: #490555, #6B087C, #8C0AA3, #AD0DCA and #CE10F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0AA3 shade: #8C0AA3, #A30F0A and #0AA34D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0AA3 shade: #8C0AA3, #A38A0A and #0AA38A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0AA3 shade: #8C0AA3, #A30F0A, #24A30A and #0A9EA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0AA3 shade: #8C0AA3, #A33D0A, #24A30A and #0A70A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

Complementary color

CMYK 53 / 0 / 62 / 4

HEX #73F55C

RGB 115 245 92

HSL 110.98, 0.88%, 0.66%

LAB 86.86, -63.57, 61.09

 

CMYK 8 / 94 / 0 / 38

HEX #910A9E

RGB 145 10 158

HSL 294.73, 0.88%, 0.33%

LAB 35.41, 65.31, -45.81

 

CMYK 8 / 84 / 0 / 31

HEX #A21CB1

RGB 162 28 177

HSL 293.96, 0.73%, 0.4%

LAB 40.71, 68.26, -48.53

 

CMYK 9 / 77 / 0 / 23

HEX #B32EC4

RGB 179 46 196

HSL 293.2, 0.62%, 0.47%

LAB 46.34, 69.93, -50.49

 

CMYK 9 / 70 / 0 / 16

HEX #C440D7

RGB 196 64 215

HSL 292.45, 0.65%, 0.55%

LAB 52.18, 70.74, -51.93

 

CMYK 9 / 65 / 0 / 8

HEX #D552EA

RGB 213 82 234

HSL 291.71, 0.78%, 0.62%

LAB 58.15, 70.97, -52.99

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 15 / 100 / 0 / 44

HEX #7B0090

RGB 123 0 144

HSL 291.25, 1%, 0.28%

LAB 29.97, 60.79, -46.22

 

CMYK 15 / 100 / 0 / 51

HEX #6A007D

RGB 106 0 125

HSL 290.88, 1%, 0.25%

LAB 25.4, 54.79, -41.88

 

CMYK 16 / 100 / 0 / 58

HEX #59006A

RGB 89 0 106

HSL 290.38, 1%, 0.21%

LAB 20.69, 48.61, -37.43

 

CMYK 17 / 100 / 0 / 66

HEX #480057

RGB 72 0 87

HSL 289.66, 1%, 0.17%

LAB 15.83, 42.24, -32.83

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 0 / 94 / 11 / 36

HEX #A30A91

RGB 163 10 145

HSL 307.06, 0.88%, 0.34%

LAB 37.93, 66.54, -33.68

 

CMYK 0 / 94 / 36 / 36

HEX #A30A68

RGB 163 10 104

HSL 323.14, 0.88%, 0.34%

LAB 35.99, 61.49, -11.07

 

CMYK 0 / 94 / 62 / 36

HEX #A30A3E

RGB 163 10 62

HSL 339.61, 0.88%, 0.34%

LAB 34.7, 58, 14.3

 

CMYK 0 / 94 / 87 / 36

HEX #A30A15

RGB 163 10 21

HSL 355.69, 0.88%, 0.34%

LAB 34.1, 56.32, 38.91

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 39 / 94 / 0 / 36

HEX #630AA3

RGB 99 10 163

HSL 274.9, 0.88%, 0.34%

LAB 28.15, 59.58, -61

 

CMYK 64 / 94 / 0 / 36

HEX #3A0AA3

RGB 58 10 163

HSL 258.82, 0.88%, 0.34%

LAB 22.86, 55.76, -69.9

 

CMYK 90 / 94 / 0 / 36

HEX #110AA3

RGB 17 10 163

HSL 242.75, 0.88%, 0.34%

LAB 19.97, 54.06, -74.81

 

CMYK 94 / 94 / 0 / 36

HEX #0A0AA3

RGB 10 10 163

HSL 240, 0.88%, 0.34%

LAB 19.74, 53.95, -75.18

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 13 / 84 / 0 / 42

HEX #821895

RGB 130 24 149

HSL 290.88, 0.72%, 0.34%

LAB 33.07, 58.44, -44.24

 

CMYK 11 / 72 / 0 / 47

HEX #782687

RGB 120 38 135

HSL 290.72, 0.56%, 0.34%

LAB 32.1, 49.05, -37.25

 

CMYK 8 / 57 / 0 / 53

HEX #6F3479

RGB 111 52 121

HSL 291.3, 0.4%, 0.34%

LAB 32.29, 37.22, -28.28

 

CMYK 6 / 37 / 0 / 58

HEX #65436B

RGB 101 67 107

HSL 291, 0.23%, 0.34%

LAB 33.65, 22.24, -17.44

 

CMYK 66 / 94 / 0 / 36

HEX #380AA3

RGB 56 10 163

HSL 258.04, 0.88%, 0.34%

LAB 22.66, 55.63, -70.25

 

CMYK 40 / 94 / 0 / 36

HEX #610AA3

RGB 97 10 163

HSL 274.12, 0.88%, 0.34%

LAB 27.85, 59.34, -61.5

 

CMYK 15 / 94 / 0 / 36

HEX #8A0AA3

RGB 138 10 163

HSL 290.2, 0.88%, 0.34%

LAB 34.53, 65.02, -50.33

 

CMYK 0 / 94 / 9 / 36

HEX #A30A94

RGB 163 10 148

HSL 305.88, 0.88%, 0.34%

LAB 38.1, 66.97, -35.25

 

CMYK 0 / 94 / 34 / 36

HEX #A30A6B

RGB 163 10 107

HSL 321.96, 0.88%, 0.34%

LAB 36.11, 61.81, -12.8

 

CMYK 14 / 94 / 0 / 67

HEX #490555

RGB 73 5 85

HSL 291, 0.89%, 0.18%

LAB 16.41, 40.4, -30.53

 

CMYK 14 / 94 / 0 / 51

HEX #6B087C

RGB 107 8 124

HSL 291.21, 0.88%, 0.26%

LAB 26.02, 53.23, -40.22

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 14 / 94 / 0 / 21

HEX #AD0DCA

RGB 173 13 202

HSL 290.79, 0.88%, 0.42%

LAB 43.41, 76.75, -58.74

 

CMYK 14 / 93 / 0 / 6

HEX #CE10F0

RGB 206 16 240

HSL 290.89, 0.88%, 0.5%

LAB 51.59, 87.57, -66.95

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 0 / 91 / 94 / 36

HEX #A30F0A

RGB 163 15 10

HSL 1.96, 0.88%, 0.34%

LAB 34.29, 55.39, 44.11

 

CMYK 94 / 0 / 53 / 36

HEX #0AA34D

RGB 10 163 77

HSL 146.27, 0.88%, 0.34%

LAB 58.78, -54.8, 34.6

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 0 / 15 / 94 / 36

HEX #A38A0A

RGB 163 138 10

HSL 50.2, 0.88%, 0.34%

LAB 58.02, -1.95, 61

 

CMYK 94 / 0 / 15 / 36

HEX #0AA38A

RGB 10 163 138

HSL 170.2, 0.88%, 0.34%

LAB 59.97, -41.35, 3.01

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 0 / 91 / 94 / 36

HEX #A30F0A

RGB 163 15 10

HSL 1.96, 0.88%, 0.34%

LAB 34.29, 55.39, 44.11

 

CMYK 78 / 0 / 94 / 36

HEX #24A30A

RGB 36 163 10

HSL 109.8, 0.88%, 0.34%

LAB 58.59, -58.23, 58.51

 

CMYK 94 / 3 / 0 / 36

HEX #0A9EA3

RGB 10 158 163

HSL 181.96, 0.88%, 0.34%

LAB 59.12, -31.65, -12.38

 

CMYK 14 / 94 / 0 / 36

HEX #8C0AA3

RGB 140 10 163

HSL 290.98, 0.88%, 0.34%

LAB 34.88, 65.34, -49.75

 

CMYK 0 / 63 / 94 / 36

HEX #A33D0A

RGB 163 61 10

HSL 20, 0.88%, 0.34%

LAB 39.83, 40.13, 47.76

 

CMYK 78 / 0 / 94 / 36

HEX #24A30A

RGB 36 163 10

HSL 109.8, 0.88%, 0.34%

LAB 58.59, -58.23, 58.51

 

CMYK 94 / 31 / 0 / 36

HEX #0A70A3

RGB 10 112 163

HSL 200, 0.88%, 0.34%

LAB 44.66, -6.98, -34.67

 

Description

Color code: HEX #8C0AA3 | qconv.com Color code: HEX #8C0AA3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 10 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 10 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 94 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 94% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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