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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C0A7F it is the complementary color #73F580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C0A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C0A7F shade: #910A7A, #A21C8D, #B32EA0, #C440B3 and #D552C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C0A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C0A7F shade: #8C0A7F, #7B006C, #6A0059, #590046 and #480033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C0A7F shade: #8A0A7D, #8A0A5B, #8A0A38, #8A0A15 and #8A0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C0A7F shade: #8A0A7D, #740A8A, #520A8A, #2F0A8A and #0C0A8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C0A7F shade matches the following richer shades: #8A0A7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C0A7F shade: #8A0A7D, #7E1674, #72226A, #662E61 and #5A3957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C0A7F shade: #530A8A, #750A8A, #8A0A7D, #8A0A5B and #8A0A39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C0A7F shade: #3D0437, #64075A, #8A0A7D, #B10CA0 and #D70FC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C0A7F shade: #8C0A7F, #8A300A and #0A8A64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C0A7F shade: #8C0A7F, #7D8A0A and #0A7D8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C0A7F shade: #8C0A7F, #8A300A, #0A8A16 and #0A648A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C0A7F shade: #8C0A7F, #8A570A, #0A8A16 and #0A3D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

Complementary color

CMYK 53 / 0 / 48 / 4

HEX #73F580

RGB 115 245 128

HSL 126, 0.87%, 0.71%

LAB 87.25, -59.35, 45.41

 

CMYK 0 / 93 / 16 / 43

HEX #910A7A

RGB 145 10 122

HSL 310.22, 0.87%, 0.3%

LAB 33.23, 59.8, -27.05

 

CMYK 0 / 83 / 13 / 36

HEX #A21C8D

RGB 162 28 141

HSL 309.4, 0.71%, 0.37%

LAB 38.61, 62.61, -30.16

 

CMYK 0 / 74 / 11 / 30

HEX #B32EA0

RGB 179 46 160

HSL 308.57, 0.59%, 0.44%

LAB 44.34, 64.12, -32.45

 

CMYK 0 / 67 / 9 / 23

HEX #C440B3

RGB 196 64 179

HSL 307.73, 0.53%, 0.51%

LAB 50.28, 64.77, -34.17

 

CMYK 0 / 62 / 7 / 16

HEX #D552C6

RGB 213 82 198

HSL 306.87, 0.61%, 0.58%

LAB 56.35, 64.88, -35.48

 

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

CMYK 0 / 100 / 12 / 52

HEX #7B006C

RGB 123 0 108

HSL 307.32, 1%, 0.24%

LAB 27.56, 55, -27.36

 

CMYK 0 / 100 / 16 / 58

HEX #6A0059

RGB 106 0 89

HSL 309.62, 1%, 0.21%

LAB 22.95, 48.9, -22.4

 

CMYK 0 / 100 / 21 / 65

HEX #590046

RGB 89 0 70

HSL 312.81, 1%, 0.17%

LAB 18.21, 42.64, -17.18

 

CMYK 0 / 100 / 29 / 72

HEX #480033

RGB 72 0 51

HSL 317.5, 1%, 0.14%

LAB 13.33, 36.19, -11.61

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 0 / 93 / 34 / 46

HEX #8A0A5B

RGB 138 10 91

HSL 322.03, 0.86%, 0.29%

LAB 30.34, 54.37, -11.73

 

CMYK 0 / 93 / 59 / 46

HEX #8A0A38

RGB 138 10 56

HSL 338.44, 0.86%, 0.29%

LAB 29.17, 51.17, 9.85

 

CMYK 0 / 93 / 85 / 46

HEX #8A0A15

RGB 138 10 21

HSL 354.84, 0.86%, 0.29%

LAB 28.58, 49.48, 31.86

 

CMYK 0 / 93 / 93 / 46

HEX #8A0A0A

RGB 138 10 10

HSL 0, 0.86%, 0.29%

LAB 28.49, 49.24, 37.46

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 16 / 93 / 0 / 46

HEX #740A8A

RGB 116 10 138

HSL 289.69, 0.86%, 0.29%

LAB 28.81, 56.97, -44.43

 

CMYK 41 / 93 / 0 / 46

HEX #520A8A

RGB 82 10 138

HSL 273.75, 0.86%, 0.29%

LAB 23.16, 51.94, -53.9

 

CMYK 66 / 93 / 0 / 46

HEX #2F0A8A

RGB 47 10 138

HSL 257.34, 0.86%, 0.29%

LAB 18.61, 48.43, -61.55

 

CMYK 91 / 93 / 0 / 46

HEX #0C0A8A

RGB 12 10 138

HSL 240.94, 0.86%, 0.29%

LAB 16.16, 46.82, -65.71

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 0 / 83 / 8 / 51

HEX #7E1674

RGB 126 22 116

HSL 305.77, 0.7%, 0.29%

LAB 30.08, 52.49, -28.45

 

CMYK 0 / 70 / 7 / 55

HEX #72226A

RGB 114 34 106

HSL 306, 0.54%, 0.29%

LAB 28.8, 43.81, -24.21

 

CMYK 0 / 55 / 5 / 60

HEX #662E61

RGB 102 46 97

HSL 305.36, 0.38%, 0.29%

LAB 28.49, 32.82, -19.03

 

CMYK 0 / 37 / 3 / 65

HEX #5A3957

RGB 90 57 87

HSL 305.45, 0.22%, 0.29%

LAB 28.87, 20.09, -12.09

 

CMYK 40 / 93 / 0 / 46

HEX #530A8A

RGB 83 10 138

HSL 274.22, 0.86%, 0.29%

LAB 23.31, 52.07, -53.64

 

CMYK 15 / 93 / 0 / 46

HEX #750A8A

RGB 117 10 138

HSL 290.16, 0.86%, 0.29%

LAB 28.99, 57.14, -44.14

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 0 / 93 / 34 / 46

HEX #8A0A5B

RGB 138 10 91

HSL 322.03, 0.86%, 0.29%

LAB 30.34, 54.37, -11.73

 

CMYK 0 / 93 / 59 / 46

HEX #8A0A39

RGB 138 10 57

HSL 337.97, 0.86%, 0.29%

LAB 29.2, 51.24, 9.22

 

CMYK 0 / 93 / 10 / 76

HEX #3D0437

RGB 61 4 55

HSL 306.32, 0.88%, 0.13%

LAB 11.65, 32.56, -17.31

 

CMYK 0 / 93 / 10 / 61

HEX #64075A

RGB 100 7 90

HSL 306.45, 0.87%, 0.21%

LAB 22.3, 46.25, -24.17

 

CMYK 0 / 93 / 9 / 46

HEX #8A0A7D

RGB 138 10 125

HSL 306.09, 0.86%, 0.29%

LAB 32.04, 58.83, -30.91

 

CMYK 0 / 93 / 10 / 31

HEX #B10CA0

RGB 177 12 160

HSL 306.18, 0.87%, 0.37%

LAB 41.45, 71.04, -37.04

 

CMYK 0 / 93 / 9 / 16

HEX #D70FC3

RGB 215 15 195

HSL 306, 0.87%, 0.45%

LAB 50.37, 82.42, -43.13

 

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

CMYK 0 / 65 / 93 / 46

HEX #8A300A

RGB 138 48 10

HSL 17.81, 0.86%, 0.29%

LAB 33, 36.74, 40.85

 

CMYK 93 / 0 / 28 / 46

HEX #0A8A64

RGB 10 138 100

HSL 162.19, 0.86%, 0.29%

LAB 50.88, -40.86, 11.67

 

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

CMYK 9 / 0 / 93 / 46

HEX #7D8A0A

RGB 125 138 10

HSL 66.09, 0.86%, 0.29%

LAB 54.61, -19.38, 56.89

 

CMYK 93 / 9 / 0 / 46

HEX #0A7D8A

RGB 10 125 138

HSL 186.09, 0.86%, 0.29%

LAB 47.71, -23.46, -15.2

 

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

CMYK 0 / 65 / 93 / 46

HEX #8A300A

RGB 138 48 10

HSL 17.81, 0.86%, 0.29%

LAB 33, 36.74, 40.85

 

CMYK 93 / 0 / 84 / 46

HEX #0A8A16

RGB 10 138 22

HSL 125.63, 0.86%, 0.29%

LAB 49.86, -52.98, 48.2

 

CMYK 93 / 28 / 0 / 46

HEX #0A648A

RGB 10 100 138

HSL 197.81, 0.86%, 0.29%

LAB 39.6, -9.52, -27.7

 

CMYK 0 / 93 / 9 / 45

HEX #8C0A7F

RGB 140 10 127

HSL 306, 0.87%, 0.29%

LAB 32.54, 59.52, -31.35

 

CMYK 0 / 37 / 93 / 46

HEX #8A570A

RGB 138 87 10

HSL 36.09, 0.86%, 0.29%

LAB 41.6, 15.44, 47.29

 

CMYK 93 / 0 / 84 / 46

HEX #0A8A16

RGB 10 138 22

HSL 125.63, 0.86%, 0.29%

LAB 49.86, -52.98, 48.2

 

CMYK 93 / 56 / 0 / 46

HEX #0A3D8A

RGB 10 61 138

HSL 216.09, 0.86%, 0.29%

LAB 27.4, 16.15, -47.18

 

Description

Color code: HEX #8C0A7F | qconv.com Color code: HEX #8C0A7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 10 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 10 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 9 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 9% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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