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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BE38C it is the complementary color #741C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BE38C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BE38C shade: #90E387, #A1F59A, #B2FFAD, #C3FFC0 and #D4FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BE38C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BE38C shade: #8BE38C, #7AD179, #69BF66, #58AD53 and #479B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BE38C shade: #8CE38D, #A3E38C, #BAE38C, #D2E38C and #E3DD8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BE38C shade: #8CE38D, #8CE3A5, #8CE3BC, #8CE3D4 and #8CDBE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BE38C shade matches the following richer shades: #8CE38D, #80EF82 and #75FA76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BE38C shade: #8CE38D, #98D898, #A3CCA4, #AFC0AF and #BAB5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BE38C shade: #BBE38C, #A3E38C, #8CE38C, #8CE3A3 and #8CE3BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BE38C shade: #4AD34B, #6BDB6C, #8CE38D, #ADEBAE and #CEF3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BE38C shade: #8BE38C, #8CD2E3 and #E38CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BE38C shade: #8BE38C, #8C8CE3 and #E38C8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BE38C shade: #8BE38C, #8CD2E3, #E38CE3 and #E39D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BE38C shade: #8BE38C, #8CB8E3, #E38CE3 and #E3B88C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

Complementary color

CMYK 0 / 76 / 1 / 55

HEX #741C73

RGB 116 28 115

HSL 300.68, 0.61%, 0.28%

LAB 28.85, 48.18, -29.87

 

CMYK 37 / 0 / 41 / 11

HEX #90E387

RGB 144 227 135

HSL 114.13, 0.62%, 0.71%

LAB 83.24, -42.9, 37.14

 

CMYK 34 / 0 / 37 / 4

HEX #A1F59A

RGB 161 245 154

HSL 115.38, 0.82%, 0.78%

LAB 89.49, -42.7, 35.97

 

CMYK 30 / 0 / 32 / 0

HEX #B2FFAD

RGB 178 255 173

HSL 116.34, 1%, 0.84%

LAB 93.45, -38.93, 31.88

 

CMYK 24 / 0 / 25 / 0

HEX #C3FFC0

RGB 195 255 192

HSL 117.14, 1%, 0.88%

LAB 94.71, -30.48, 24.15

 

CMYK 17 / 0 / 17 / 0

HEX #D4FFD3

RGB 212 255 211

HSL 118.64, 1%, 0.91%

LAB 96.09, -21.78, 16.54

 

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

CMYK 42 / 0 / 42 / 18

HEX #7AD179

RGB 122 209 121

HSL 119.32, 0.49%, 0.65%

LAB 76.75, -43.89, 35.6

 

CMYK 45 / 0 / 47 / 25

HEX #69BF66

RGB 105 191 102

HSL 117.98, 0.41%, 0.57%

LAB 70.33, -44.03, 36.87

 

CMYK 49 / 0 / 52 / 32

HEX #58AD53

RGB 88 173 83

HSL 116.67, 0.35%, 0.5%

LAB 63.82, -44.08, 38.17

 

CMYK 54 / 0 / 59 / 39

HEX #479B40

RGB 71 155 64

HSL 115.38, 0.42%, 0.43%

LAB 57.22, -43.95, 39.44

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 28 / 0 / 38 / 11

HEX #A3E38C

RGB 163 227 140

HSL 104.14, 0.61%, 0.72%

LAB 84.29, -36.02, 36.18

 

CMYK 18 / 0 / 38 / 11

HEX #BAE38C

RGB 186 227 140

HSL 88.28, 0.61%, 0.72%

LAB 85.64, -27.98, 38.2

 

CMYK 7 / 0 / 38 / 11

HEX #D2E38C

RGB 210 227 140

HSL 71.72, 0.61%, 0.72%

LAB 87.26, -19.08, 40.6

 

CMYK 0 / 3 / 38 / 11

HEX #E3DD8C

RGB 227 221 140

HSL 55.86, 0.61%, 0.72%

LAB 86.97, -9.56, 40.49

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 38 / 0 / 27 / 11

HEX #8CE3A5

RGB 140 227 165

HSL 137.24, 0.61%, 0.72%

LAB 83.56, -39.24, 22.22

 

CMYK 38 / 0 / 17 / 11

HEX #8CE3BC

RGB 140 227 188

HSL 153.1, 0.61%, 0.72%

LAB 84.04, -34.81, 10.86

 

CMYK 38 / 0 / 7 / 11

HEX #8CE3D4

RGB 140 227 212

HSL 169.66, 0.61%, 0.72%

LAB 84.62, -29.63, -0.95

 

CMYK 38 / 4 / 0 / 11

HEX #8CDBE3

RGB 140 219 227

HSL 185.52, 0.61%, 0.72%

LAB 82.8, -22.2, -11.59

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 46 / 0 / 46 / 6

HEX #80EF82

RGB 128 239 130

HSL 121.08, 0.78%, 0.72%

LAB 85.97, -53.34, 42.95

 

CMYK 53 / 0 / 53 / 2

HEX #75FA76

RGB 117 250 118

HSL 120.45, 0.93%, 0.72%

LAB 88.67, -62.06, 51.84

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 30 / 0 / 30 / 15

HEX #98D898

RGB 152 216 152

HSL 120, 0.45%, 0.72%

LAB 80.77, -32.76, 25.25

 

CMYK 20 / 0 / 20 / 20

HEX #A3CCA4

RGB 163 204 164

HSL 121.46, 0.29%, 0.72%

LAB 78.26, -21.27, 15.56

 

CMYK 9 / 0 / 9 / 25

HEX #AFC0AF

RGB 175 192 175

HSL 120, 0.12%, 0.72%

LAB 76.01, -9.04, 6.58

 

CMYK 0 / 3 / 0 / 27

HEX #BAB5BA

RGB 186 181 186

HSL 300, 0.03%, 0.72%

LAB 74.21, 2.69, -1.92

 

CMYK 18 / 0 / 38 / 11

HEX #BBE38C

RGB 187 227 140

HSL 87.59, 0.61%, 0.72%

LAB 85.7, -27.62, 38.29

 

CMYK 28 / 0 / 38 / 11

HEX #A3E38C

RGB 163 227 140

HSL 104.14, 0.61%, 0.72%

LAB 84.29, -36.02, 36.18

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38C

RGB 140 227 140

HSL 120, 0.61%, 0.72%

LAB 83.13, -43.39, 34.45

 

CMYK 38 / 0 / 28 / 11

HEX #8CE3A3

RGB 140 227 163

HSL 135.86, 0.61%, 0.72%

LAB 83.53, -39.59, 23.2

 

CMYK 38 / 0 / 18 / 11

HEX #8CE3BB

RGB 140 227 187

HSL 152.41, 0.61%, 0.72%

LAB 84.02, -35.02, 11.36

 

CMYK 65 / 0 / 64 / 17

HEX #4AD34B

RGB 74 211 75

HSL 120.44, 0.61%, 0.56%

LAB 75.17, -62.73, 54.86

 

CMYK 51 / 0 / 51 / 14

HEX #6BDB6C

RGB 107 219 108

HSL 120.54, 0.61%, 0.64%

LAB 78.97, -54.05, 44.66

 

CMYK 38 / 0 / 38 / 11

HEX #8CE38D

RGB 140 227 141

HSL 120.69, 0.61%, 0.72%

LAB 83.15, -43.24, 33.96

 

CMYK 26 / 0 / 26 / 8

HEX #ADEBAE

RGB 173 235 174

HSL 120.97, 0.61%, 0.8%

LAB 87.66, -31.2, 23.46

 

CMYK 15 / 0 / 15 / 5

HEX #CEF3CF

RGB 206 243 207

HSL 121.62, 0.61%, 0.88%

LAB 92.45, -18.61, 13.41

 

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

CMYK 38 / 7 / 0 / 11

HEX #8CD2E3

RGB 140 210 227

HSL 191.72, 0.61%, 0.72%

LAB 80.3, -17.67, -15.33

 

CMYK 0 / 38 / 23 / 11

HEX #E38CAF

RGB 227 140 175

HSL 335.86, 0.61%, 0.72%

LAB 68.15, 37.62, -4.27

 

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

CMYK 38 / 38 / 0 / 11

HEX #8C8CE3

RGB 140 140 227

HSL 240, 0.61%, 0.72%

LAB 61.55, 20.88, -44.21

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

CMYK 38 / 7 / 0 / 11

HEX #8CD2E3

RGB 140 210 227

HSL 191.72, 0.61%, 0.72%

LAB 80.3, -17.67, -15.33

 

CMYK 0 / 38 / 0 / 11

HEX #E38CE3

RGB 227 140 227

HSL 300, 0.61%, 0.72%

LAB 69.92, 46.12, -30.53

 

CMYK 0 / 31 / 38 / 11

HEX #E39D8C

RGB 227 157 140

HSL 11.72, 0.61%, 0.72%

LAB 71.1, 24.02, 19.42

 

CMYK 39 / 0 / 38 / 11

HEX #8BE38C

RGB 139 227 140

HSL 120.68, 0.61%, 0.72%

LAB 83.08, -43.69, 34.38

 

CMYK 38 / 19 / 0 / 11

HEX #8CB8E3

RGB 140 184 227

HSL 209.66, 0.61%, 0.72%

LAB 73.16, -4, -26.17

 

CMYK 0 / 38 / 0 / 11

HEX #E38CE3

RGB 227 140 227

HSL 300, 0.61%, 0.72%

LAB 69.92, 46.12, -30.53

 

CMYK 0 / 19 / 38 / 11

HEX #E3B88C

RGB 227 184 140

HSL 30.34, 0.61%, 0.72%

LAB 77.58, 9.6, 28.21

 

Description

Color code: HEX #8BE38C | qconv.com Color code: HEX #8BE38C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 227 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 227 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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