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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BE277 it is the complementary color #741D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BE277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BE277 shade: #90E272, #A1F485, #B2FF98, #C3FFAB and #D4FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BE277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BE277 shade: #8BE277, #7AD064, #69BE51, #58AC3E and #479A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BE277 shade: #8CE278, #A9E278, #C5E278, #E2E278 and #E2C678

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BE277 shade: #8CE278, #78E281, #78E29E, #78E2BA and #78E2D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BE277 shade matches the following richer shades: #8CE278, #84F06B and #7CFD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BE277 shade: #8CE278, #94D586, #9DC893, #A5BBA0 and #ADAEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BE277 shade: #C6E278, #AAE278, #8EE278, #78E27F and #78E29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BE277 shade: #52D434, #6FDB56, #8CE278, #A9EA9A and #C6F1BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BE277 shade: #8BE277, #78E2E2 and #E278B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BE277 shade: #8BE277, #788EE2 and #E2788E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BE277 shade: #8BE277, #78E2E2, #CD78E2 and #E27878

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BE277 shade: #8BE277, #78C3E2, #CD78E2 and #E29878

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

Complementary color

CMYK 15 / 79 / 0 / 47

HEX #741D88

RGB 116 29 136

HSL 288.79, 0.65%, 0.32%

LAB 30.33, 51.75, -40.75

 

CMYK 36 / 0 / 50 / 11

HEX #90E272

RGB 144 226 114

HSL 103.93, 0.66%, 0.67%

LAB 82.67, -45.25, 46.68

 

CMYK 34 / 0 / 45 / 4

HEX #A1F485

RGB 161 244 133

HSL 104.86, 0.83%, 0.74%

LAB 88.91, -45.15, 45.5

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF98

RGB 178 255 152

HSL 104.85, 1%, 0.8%

LAB 93.12, -41.95, 41.84

 

CMYK 24 / 0 / 33 / 0

HEX #C3FFAB

RGB 195 255 171

HSL 102.86, 1%, 0.84%

LAB 94.34, -33.7, 34.23

 

CMYK 17 / 0 / 25 / 0

HEX #D4FFBE

RGB 212 255 190

HSL 99.69, 1%, 0.87%

LAB 95.68, -25.15, 26.66

 

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

CMYK 41 / 0 / 52 / 18

HEX #7AD064

RGB 122 208 100

HSL 107.78, 0.53%, 0.6%

LAB 76.17, -46.3, 45.22

 

CMYK 45 / 0 / 57 / 25

HEX #69BE51

RGB 105 190 81

HSL 106.79, 0.46%, 0.53%

LAB 69.77, -46.28, 46.38

 

CMYK 49 / 0 / 64 / 33

HEX #58AC3E

RGB 88 172 62

HSL 105.82, 0.47%, 0.46%

LAB 63.28, -46.1, 47.42

 

CMYK 54 / 0 / 72 / 40

HEX #479A2B

RGB 71 154 43

HSL 104.86, 0.56%, 0.39%

LAB 56.71, -45.68, 48.13

 

CMYK 38 / 0 / 47 / 11

HEX #8CE278

RGB 140 226 120

HSL 108.68, 0.65%, 0.68%

LAB 82.55, -45.78, 43.61

 

CMYK 25 / 0 / 47 / 11

HEX #A9E278

RGB 169 226 120

HSL 92.26, 0.65%, 0.68%

LAB 84.06, -36.06, 45.82

 

CMYK 13 / 0 / 47 / 11

HEX #C5E278

RGB 197 226 120

HSL 76.42, 0.65%, 0.68%

LAB 85.82, -25.74, 48.37

 

CMYK 0 / 0 / 47 / 11

HEX #E2E278

RGB 226 226 120

HSL 60, 0.65%, 0.68%

LAB 87.93, -14.45, 51.42

 

CMYK 0 / 12 / 47 / 11

HEX #E2C678

RGB 226 198 120

HSL 44.15, 0.65%, 0.68%

LAB 80.69, -0.24, 42.55

 

CMYK 38 / 0 / 47 / 11

HEX #8CE278

RGB 140 226 120

HSL 108.68, 0.65%, 0.68%

LAB 82.55, -45.78, 43.61

 

CMYK 47 / 0 / 43 / 11

HEX #78E281

RGB 120 226 129

HSL 125.09, 0.65%, 0.68%

LAB 81.82, -50.41, 38.09

 

CMYK 47 / 0 / 30 / 11

HEX #78E29E

RGB 120 226 158

HSL 141.51, 0.65%, 0.68%

LAB 82.3, -45.57, 23.98

 

CMYK 47 / 0 / 18 / 11

HEX #78E2BA

RGB 120 226 186

HSL 157.36, 0.65%, 0.68%

LAB 82.88, -39.98, 10.14

 

CMYK 47 / 0 / 5 / 11

HEX #78E2D7

RGB 120 226 215

HSL 173.77, 0.65%, 0.68%

LAB 83.6, -33.32, -4.14

 

CMYK 38 / 0 / 47 / 11

HEX #8CE278

RGB 140 226 120

HSL 108.68, 0.65%, 0.68%

LAB 82.55, -45.78, 43.61

 

CMYK 45 / 0 / 55 / 6

HEX #84F06B

RGB 132 240 107

HSL 108.72, 0.82%, 0.68%

LAB 86.15, -55.49, 53.97

 

CMYK 51 / 0 / 63 / 1

HEX #7CFD5E

RGB 124 253 94

HSL 108.68, 0.98%, 0.68%

LAB 89.55, -63.96, 63.33

 

CMYK 38 / 0 / 47 / 11

HEX #8CE278

RGB 140 226 120

HSL 108.68, 0.65%, 0.68%

LAB 82.55, -45.78, 43.61

 

CMYK 31 / 0 / 37 / 16

HEX #94D586

RGB 148 213 134

HSL 109.37, 0.48%, 0.68%

LAB 79.39, -35.5, 32.66

 

CMYK 22 / 0 / 27 / 22

HEX #9DC893

RGB 157 200 147

HSL 108.68, 0.33%, 0.68%

LAB 76.43, -24.24, 22

 

CMYK 12 / 0 / 14 / 27

HEX #A5BBA0

RGB 165 187 160

HSL 108.89, 0.17%, 0.68%

LAB 73.6, -12.65, 11.16

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAD

RGB 173 174 173

HSL 120, 0.01%, 0.68%

LAB 70.99, -0.54, 0.38

 

CMYK 12 / 0 / 47 / 11

HEX #C6E278

RGB 198 226 120

HSL 75.85, 0.65%, 0.68%

LAB 85.88, -25.36, 48.47

 

CMYK 25 / 0 / 47 / 11

HEX #AAE278

RGB 170 226 120

HSL 91.7, 0.65%, 0.68%

LAB 84.12, -35.7, 45.9

 

CMYK 37 / 0 / 47 / 11

HEX #8EE278

RGB 142 226 120

HSL 107.55, 0.65%, 0.68%

LAB 82.65, -45.14, 43.75

 

CMYK 47 / 0 / 44 / 11

HEX #78E27F

RGB 120 226 127

HSL 123.96, 0.65%, 0.68%

LAB 81.79, -50.7, 39.05

 

CMYK 47 / 0 / 31 / 11

HEX #78E29C

RGB 120 226 156

HSL 140.38, 0.65%, 0.68%

LAB 82.26, -45.93, 24.96

 

CMYK 61 / 0 / 75 / 17

HEX #52D434

RGB 82 212 52

HSL 108.75, 0.65%, 0.52%

LAB 75.53, -63.26, 63.9

 

CMYK 49 / 0 / 61 / 14

HEX #6FDB56

RGB 111 219 86

HSL 108.72, 0.65%, 0.6%

LAB 78.88, -55.53, 54.64

 

CMYK 38 / 0 / 47 / 11

HEX #8CE278

RGB 140 226 120

HSL 108.68, 0.65%, 0.68%

LAB 82.55, -45.78, 43.61

 

CMYK 28 / 0 / 34 / 8

HEX #A9EA9A

RGB 169 234 154

HSL 108.75, 0.66%, 0.76%

LAB 86.81, -35.2, 32.49

 

CMYK 18 / 0 / 22 / 5

HEX #C6F1BC

RGB 198 241 188

HSL 108.68, 0.65%, 0.84%

LAB 91.03, -23.5, 21.14

 

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

CMYK 47 / 0 / 0 / 11

HEX #78E2E2

RGB 120 226 226

HSL 180, 0.65%, 0.68%

LAB 83.9, -30.6, -9.51

 

CMYK 0 / 47 / 19 / 11

HEX #E278B8

RGB 226 120 184

HSL 323.77, 0.65%, 0.68%

LAB 64.21, 48.9, -15.25

 

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

CMYK 47 / 37 / 0 / 11

HEX #788EE2

RGB 120 142 226

HSL 227.55, 0.65%, 0.68%

LAB 60.63, 14.41, -45.19

 

CMYK 0 / 47 / 37 / 11

HEX #E2788E

RGB 226 120 142

HSL 347.55, 0.65%, 0.68%

LAB 62.97, 43.33, 6.87

 

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

CMYK 47 / 0 / 0 / 11

HEX #78E2E2

RGB 120 226 226

HSL 180, 0.65%, 0.68%

LAB 83.9, -30.6, -9.51

 

CMYK 9 / 47 / 0 / 11

HEX #CD78E2

RGB 205 120 226

HSL 288.11, 0.65%, 0.68%

LAB 63.26, 49.83, -40.52

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 38 / 0 / 47 / 11

HEX #8BE277

RGB 139 226 119

HSL 108.79, 0.65%, 0.68%

LAB 82.49, -46.22, 44.01

 

CMYK 47 / 14 / 0 / 11

HEX #78C3E2

RGB 120 195 226

HSL 197.55, 0.65%, 0.68%

LAB 75.15, -15.12, -22.68

 

CMYK 9 / 47 / 0 / 11

HEX #CD78E2

RGB 205 120 226

HSL 288.11, 0.65%, 0.68%

LAB 63.26, 49.83, -40.52

 

CMYK 0 / 33 / 47 / 11

HEX #E29878

RGB 226 152 120

HSL 18.11, 0.65%, 0.68%

LAB 69.46, 24.17, 28.12

 

Description

Color code: HEX #8BE277 | qconv.com Color code: HEX #8BE277 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 226 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 226 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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