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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BE140 it is the complementary color #741EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BE140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BE140 shade: #90E13B, #A1F34E, #B2FF61, #C3FF74 and #D4FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BE140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BE140 shade: #8BE140, #7ACF2D, #69BD1A, #58AB07 and #479900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BE140 shade: #8CE141, #B7E141, #E1E141, #E1B541 and #E18A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BE140 shade: #8CE141, #61E141, #41E14D, #41E178 and #41E1A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BE140 shade matches the following richer shades: #8CE141 and #8BF330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BE140 shade: #8CE141, #8DD053, #8EBE65, #90AC77 and #919A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BE140 shade: #E1E141, #B7E141, #8CE141, #61E141 and #41E14C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BE140 shade: #63B41C, #76D822, #8CE141, #A2E765 and #B7ED89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BE140 shade: #8BE140, #41E1B7 and #E141CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BE140 shade: #8BE140, #418CE1 and #E1418C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BE140 shade: #8BE140, #41E1B7, #9741E1 and #E1416C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BE140 shade: #8BE140, #41DCE1, #9741E1 and #E14741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

Complementary color

CMYK 39 / 84 / 0 / 25

HEX #741EBF

RGB 116 30 191

HSL 272.05, 0.73%, 0.43%

LAB 34.81, 63.1, -66.71

 

CMYK 36 / 0 / 74 / 12

HEX #90E13B

RGB 144 225 59

HSL 89.28, 0.73%, 0.56%

LAB 81.89, -49.71, 68.63

 

CMYK 34 / 0 / 68 / 5

HEX #A1F34E

RGB 161 243 78

HSL 89.82, 0.87%, 0.63%

LAB 88.08, -50.1, 68.45

 

CMYK 30 / 0 / 62 / 0

HEX #B2FF61

RGB 178 255 97

HSL 89.24, 1%, 0.69%

LAB 92.51, -47.85, 66.03

 

CMYK 24 / 0 / 55 / 0

HEX #C3FF74

RGB 195 255 116

HSL 85.9, 1%, 0.73%

LAB 93.62, -40.21, 59.47

 

CMYK 17 / 0 / 47 / 0

HEX #D4FF87

RGB 212 255 135

HSL 81.5, 1%, 0.76%

LAB 94.85, -32.19, 52.55

 

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

CMYK 41 / 0 / 78 / 19

HEX #7ACF2D

RGB 122 207 45

HSL 91.48, 0.64%, 0.49%

LAB 75.42, -50.58, 66.47

 

CMYK 44 / 0 / 86 / 26

HEX #69BD1A

RGB 105 189 26

HSL 90.92, 0.76%, 0.42%

LAB 69.09, -49.83, 65.39

 

CMYK 49 / 0 / 96 / 33

HEX #58AB07

RGB 88 171 7

HSL 90.37, 0.92%, 0.35%

LAB 62.69, -48.76, 62.9

 

CMYK 54 / 0 / 100 / 40

HEX #479900

RGB 71 153 0

HSL 92.16, 1%, 0.3%

LAB 56.21, -47.26, 58.47

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 19 / 0 / 71 / 12

HEX #B7E141

RGB 183 225 65

HSL 75.75, 0.73%, 0.57%

LAB 84.12, -35.03, 69.53

 

CMYK 0 / 0 / 71 / 12

HEX #E1E141

RGB 225 225 65

HSL 60, 0.73%, 0.57%

LAB 87.11, -18.1, 73.46

 

CMYK 0 / 20 / 71 / 12

HEX #E1B541

RGB 225 181 65

HSL 43.5, 0.73%, 0.57%

LAB 75.72, 4.28, 62.29

 

CMYK 0 / 39 / 71 / 12

HEX #E18A41

RGB 225 138 65

HSL 27.38, 0.73%, 0.57%

LAB 65.41, 27.18, 51.63

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 57 / 0 / 71 / 12

HEX #61E141

RGB 97 225 65

HSL 108, 0.73%, 0.57%

LAB 80.05, -63.27, 64.11

 

CMYK 71 / 0 / 66 / 12

HEX #41E14D

RGB 65 225 77

HSL 124.5, 0.73%, 0.57%

LAB 79.33, -68.82, 58.54

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 0 / 28 / 12

HEX #41E1A3

RGB 65 225 163

HSL 156.75, 0.73%, 0.57%

LAB 80.53, -55.25, 18.69

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 43 / 0 / 80 / 5

HEX #8BF330

RGB 139 243 48

HSL 92, 0.89%, 0.57%

LAB 86.9, -59.01, 76.49

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 32 / 0 / 60 / 18

HEX #8DD053

RGB 141 208 83

HSL 92.16, 0.57%, 0.57%

LAB 76.92, -41.79, 54.11

 

CMYK 25 / 0 / 47 / 25

HEX #8EBE65

RGB 142 190 101

HSL 92.36, 0.41%, 0.57%

LAB 71.9, -31.36, 39.74

 

CMYK 16 / 0 / 31 / 33

HEX #90AC77

RGB 144 172 119

HSL 91.7, 0.24%, 0.57%

LAB 67.1, -19.34, 24.18

 

CMYK 6 / 0 / 12 / 40

HEX #919A88

RGB 145 154 136

HSL 90, 0.08%, 0.57%

LAB 62.43, -6.65, 8.35

 

CMYK 0 / 0 / 71 / 12

HEX #E1E141

RGB 225 225 65

HSL 60, 0.73%, 0.57%

LAB 87.11, -18.1, 73.46

 

CMYK 19 / 0 / 71 / 12

HEX #B7E141

RGB 183 225 65

HSL 75.75, 0.73%, 0.57%

LAB 84.12, -35.03, 69.53

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 57 / 0 / 71 / 12

HEX #61E141

RGB 97 225 65

HSL 108, 0.73%, 0.57%

LAB 80.05, -63.27, 64.11

 

CMYK 71 / 0 / 66 / 12

HEX #41E14C

RGB 65 225 76

HSL 124.13, 0.73%, 0.57%

LAB 79.33, -68.91, 58.93

 

CMYK 45 / 0 / 84 / 29

HEX #63B41C

RGB 99 180 28

HSL 91.97, 0.73%, 0.41%

LAB 66.04, -48.15, 62.16

 

CMYK 45 / 0 / 84 / 15

HEX #76D822

RGB 118 216 34

HSL 92.31, 0.73%, 0.49%

LAB 77.92, -55.86, 71.53

 

CMYK 38 / 0 / 71 / 12

HEX #8CE141

RGB 140 225 65

HSL 91.88, 0.73%, 0.57%

LAB 81.73, -50.69, 66.36

 

CMYK 30 / 0 / 56 / 9

HEX #A2E765

RGB 162 231 101

HSL 91.85, 0.73%, 0.65%

LAB 84.88, -42.76, 55.53

 

CMYK 23 / 0 / 42 / 7

HEX #B7ED89

RGB 183 237 137

HSL 92.4, 0.74%, 0.73%

LAB 88.18, -34.1, 42.9

 

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

CMYK 71 / 0 / 19 / 12

HEX #41E1B7

RGB 65 225 183

HSL 164.25, 0.73%, 0.57%

LAB 80.96, -50.7, 8.77

 

CMYK 0 / 71 / 9 / 12

HEX #E141CC

RGB 225 65 204

HSL 307.88, 0.73%, 0.57%

LAB 56.24, 74.96, -38.95

 

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

CMYK 71 / 38 / 0 / 12

HEX #418CE1

RGB 65 140 225

HSL 211.88, 0.73%, 0.57%

LAB 57.38, 4.69, -49.95

 

CMYK 0 / 71 / 38 / 12

HEX #E1418C

RGB 225 65 140

HSL 331.88, 0.73%, 0.57%

LAB 53.69, 66.91, -5.52

 

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

CMYK 71 / 0 / 19 / 12

HEX #41E1B7

RGB 65 225 183

HSL 164.25, 0.73%, 0.57%

LAB 80.96, -50.7, 8.77

 

CMYK 33 / 71 / 0 / 12

HEX #9741E1

RGB 151 65 225

HSL 272.25, 0.73%, 0.57%

LAB 46.71, 63.37, -66.77

 

CMYK 0 / 71 / 52 / 12

HEX #E1416C

RGB 225 65 108

HSL 343.88, 0.73%, 0.57%

LAB 52.81, 64, 12.36

 

CMYK 38 / 0 / 72 / 12

HEX #8BE140

RGB 139 225 64

HSL 92.05, 0.73%, 0.57%

LAB 81.68, -51.09, 66.64

 

CMYK 71 / 2 / 0 / 12

HEX #41DCE1

RGB 65 220 225

HSL 181.88, 0.73%, 0.57%

LAB 80.6, -37.46, -14.07

 

CMYK 33 / 71 / 0 / 12

HEX #9741E1

RGB 151 65 225

HSL 272.25, 0.73%, 0.57%

LAB 46.71, 63.37, -66.77

 

CMYK 0 / 68 / 71 / 12

HEX #E14741

RGB 225 71 65

HSL 2.25, 0.73%, 0.57%

LAB 52.84, 59.13, 37.7

 

Description

Color code: HEX #8BE140 | qconv.com Color code: HEX #8BE140 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 225 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 225 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 72 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 72% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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