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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BDD33 it is the complementary color #7422CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BDD33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BDD33 shade: #90DD2E, #A1EF41, #B2FF54, #C3FF67 and #D4FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BDD33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BDD33 shade: #8BDD33, #7ACB20, #69B90D, #58A700 and #479500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BDD33 shade: #8ADC32, #B8DC32, #DCD332, #DCA532 and #DC7732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BDD33 shade: #8ADC32, #5CDC32, #32DC36, #32DC64 and #32DC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BDD33 shade matches the following richer shades: #8ADC32 and #8BF01F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BDD33 shade: #8ADC32, #89C945, #89B559, #88A26C and #878F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BDD33 shade: #DCD132, #BADC32, #8DDC32, #5FDC32 and #32DC32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BDD33 shade: #60A11B, #75C421, #8ADC32, #9EE255 and #B2E879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BDD33 shade: #8BDD33, #32DCA4 and #DC32D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BDD33 shade: #8BDD33, #328DDC and #DC328D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BDD33 shade: #8BDD33, #32DCA4, #8132DC and #DC326B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BDD33 shade: #8BDD33, #32DCD7, #8132DC and #DC3238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

Complementary color

CMYK 43 / 83 / 0 / 20

HEX #7422CC

RGB 116 34 204

HSL 268.94, 0.71%, 0.47%

LAB 36.4, 64.82, -71.71

 

CMYK 35 / 0 / 79 / 13

HEX #90DD2E

RGB 144 221 46

HSL 86.4, 0.72%, 0.52%

LAB 80.65, -48.73, 71.41

 

CMYK 33 / 0 / 73 / 6

HEX #A1EF41

RGB 161 239 65

HSL 86.9, 0.84%, 0.6%

LAB 86.85, -49.27, 71.78

 

CMYK 30 / 0 / 67 / 0

HEX #B2FF54

RGB 178 255 84

HSL 87.02, 1%, 0.66%

LAB 92.41, -48.81, 70.98

 

CMYK 24 / 0 / 60 / 0

HEX #C3FF67

RGB 195 255 103

HSL 83.68, 1%, 0.7%

LAB 93.49, -41.35, 64.92

 

CMYK 17 / 0 / 52 / 0

HEX #D4FF7A

RGB 212 255 122

HSL 79.4, 1%, 0.74%

LAB 94.71, -33.47, 58.33

 

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

CMYK 40 / 0 / 84 / 20

HEX #7ACB20

RGB 122 203 32

HSL 88.42, 0.73%, 0.46%

LAB 74.16, -49.55, 68.76

 

CMYK 43 / 0 / 93 / 27

HEX #69B90D

RGB 105 185 13

HSL 87.91, 0.87%, 0.39%

LAB 67.82, -48.61, 66.6

 

CMYK 47 / 0 / 100 / 35

HEX #58A700

RGB 88 167 0

HSL 88.38, 1%, 0.33%

LAB 61.41, -47.35, 62.83

 

CMYK 52 / 0 / 100 / 42

HEX #479500

RGB 71 149 0

HSL 91.41, 1%, 0.29%

LAB 54.9, -45.73, 57.44

 

CMYK 37 / 0 / 77 / 14

HEX #8ADC32

RGB 138 220 50

HSL 88.94, 0.71%, 0.53%

LAB 80.08, -50.2, 69.62

 

CMYK 16 / 0 / 77 / 14

HEX #B8DC32

RGB 184 220 50

HSL 72.71, 0.71%, 0.53%

LAB 82.7, -33.07, 73.01

 

CMYK 0 / 4 / 77 / 14

HEX #DCD332

RGB 220 211 50

HSL 56.82, 0.71%, 0.53%

LAB 82.93, -13.89, 74.21

 

CMYK 0 / 25 / 77 / 14

HEX #DCA532

RGB 220 165 50

HSL 40.59, 0.71%, 0.53%

LAB 71.12, 9.96, 63.41

 

CMYK 0 / 46 / 77 / 14

HEX #DC7732

RGB 220 119 50

HSL 24.35, 0.71%, 0.53%

LAB 60.46, 34.47, 53.22

 

CMYK 37 / 0 / 77 / 14

HEX #8ADC32

RGB 138 220 50

HSL 88.94, 0.71%, 0.53%

LAB 80.08, -50.2, 69.62

 

CMYK 58 / 0 / 77 / 14

HEX #5CDC32

RGB 92 220 50

HSL 105.18, 0.71%, 0.53%

LAB 78.28, -63.77, 67.28

 

CMYK 77 / 0 / 75 / 14

HEX #32DC36

RGB 50 220 54

HSL 121.41, 0.71%, 0.53%

LAB 77.36, -71.41, 64.81

 

CMYK 77 / 0 / 55 / 14

HEX #32DC64

RGB 50 220 100

HSL 137.65, 0.71%, 0.53%

LAB 77.75, -66.67, 46.62

 

CMYK 77 / 0 / 34 / 14

HEX #32DC92

RGB 50 220 146

HSL 153.88, 0.71%, 0.53%

LAB 78.43, -58.83, 24.62

 

CMYK 37 / 0 / 77 / 14

HEX #8ADC32

RGB 138 220 50

HSL 88.94, 0.71%, 0.53%

LAB 80.08, -50.2, 69.62

 

CMYK 42 / 0 / 87 / 6

HEX #8BF01F

RGB 139 240 31

HSL 89, 0.87%, 0.53%

LAB 85.96, -58.48, 79.41

 

CMYK 37 / 0 / 77 / 14

HEX #8ADC32

RGB 138 220 50

HSL 88.94, 0.71%, 0.53%

LAB 80.08, -50.2, 69.62

 

CMYK 32 / 0 / 66 / 21

HEX #89C945

RGB 137 201 69

HSL 89.09, 0.55%, 0.53%

LAB 74.52, -41.34, 57.33

 

CMYK 24 / 0 / 51 / 29

HEX #89B559

RGB 137 181 89

HSL 88.7, 0.38%, 0.53%

LAB 68.81, -30.36, 41.83

 

CMYK 16 / 0 / 33 / 36

HEX #88A26C

RGB 136 162 108

HSL 88.89, 0.23%, 0.53%

LAB 63.47, -18.9, 25.19

 

CMYK 6 / 0 / 10 / 44

HEX #878F80

RGB 135 143 128

HSL 92, 0.06%, 0.53%

LAB 58.37, -5.82, 6.98

 

CMYK 0 / 5 / 77 / 14

HEX #DCD132

RGB 220 209 50

HSL 56.12, 0.71%, 0.53%

LAB 82.4, -12.89, 73.74

 

CMYK 15 / 0 / 77 / 14

HEX #BADC32

RGB 186 220 50

HSL 72, 0.71%, 0.53%

LAB 82.84, -32.27, 73.18

 

CMYK 36 / 0 / 77 / 14

HEX #8DDC32

RGB 141 220 50

HSL 87.88, 0.71%, 0.53%

LAB 80.22, -49.17, 69.81

 

CMYK 57 / 0 / 77 / 14

HEX #5FDC32

RGB 95 220 50

HSL 104.12, 0.71%, 0.53%

LAB 78.37, -63.02, 67.4

 

CMYK 77 / 0 / 77 / 14

HEX #32DC32

RGB 50 220 50

HSL 120, 0.71%, 0.53%

LAB 77.34, -71.68, 66.05

 

CMYK 40 / 0 / 83 / 37

HEX #60A11B

RGB 96 161 27

HSL 89.1, 0.71%, 0.37%

LAB 59.94, -41.44, 56.93

 

CMYK 40 / 0 / 83 / 23

HEX #75C421

RGB 117 196 33

HSL 89.08, 0.71%, 0.45%

LAB 71.81, -48.38, 66.36

 

CMYK 37 / 0 / 77 / 14

HEX #8ADC32

RGB 138 220 50

HSL 88.94, 0.71%, 0.53%

LAB 80.08, -50.2, 69.62

 

CMYK 30 / 0 / 62 / 11

HEX #9EE255

RGB 158 226 85

HSL 88.94, 0.71%, 0.61%

LAB 83.08, -43.43, 60.34

 

CMYK 23 / 0 / 48 / 9

HEX #B2E879

RGB 178 232 121

HSL 89.19, 0.71%, 0.69%

LAB 86.29, -35.47, 48.19

 

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

CMYK 77 / 0 / 25 / 14

HEX #32DCA4

RGB 50 220 164

HSL 160.24, 0.71%, 0.53%

LAB 78.78, -54.96, 15.68

 

CMYK 0 / 77 / 5 / 14

HEX #DC32D1

RGB 220 50 209

HSL 303.88, 0.71%, 0.53%

LAB 54.13, 79.04, -45.18

 

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

CMYK 77 / 36 / 0 / 14

HEX #328DDC

RGB 50 141 220

HSL 207.88, 0.71%, 0.53%

LAB 56.97, 0.43, -47.83

 

CMYK 0 / 77 / 36 / 14

HEX #DC328D

RGB 220 50 141

HSL 327.88, 0.71%, 0.53%

LAB 51.17, 70.41, -9.95

 

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

CMYK 77 / 0 / 25 / 14

HEX #32DCA4

RGB 50 220 164

HSL 160.24, 0.71%, 0.53%

LAB 78.78, -54.96, 15.68

 

CMYK 41 / 77 / 0 / 14

HEX #8132DC

RGB 129 50 220

HSL 267.88, 0.71%, 0.53%

LAB 41.4, 64.67, -72.68

 

CMYK 0 / 77 / 51 / 14

HEX #DC326B

RGB 220 50 107

HSL 339.88, 0.71%, 0.53%

LAB 50.17, 67.32, 9.12

 

CMYK 37 / 0 / 77 / 13

HEX #8BDD33

RGB 139 221 51

HSL 88.94, 0.71%, 0.53%

LAB 80.43, -50.22, 69.67

 

CMYK 77 / 0 / 2 / 14

HEX #32DCD7

RGB 50 220 215

HSL 178.24, 0.71%, 0.53%

LAB 80.05, -41.91, -9.59

 

CMYK 41 / 77 / 0 / 14

HEX #8132DC

RGB 129 50 220

HSL 267.88, 0.71%, 0.53%

LAB 41.4, 64.67, -72.68

 

CMYK 0 / 77 / 75 / 14

HEX #DC3238

RGB 220 50 56

HSL 357.88, 0.71%, 0.53%

LAB 49.23, 64.37, 38.44

 

Description

Color code: HEX #8BDD33 | qconv.com Color code: HEX #8BDD33 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 221 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 221 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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