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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BCFE5 it is the complementary color #74301A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BCFE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BCFE5 shade: #90CFE0, #A1E1F3, #B2F3FF, #C3FFFF and #D4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BCFE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BCFE5 shade: #8BCFE5, #7ABDD2, #69ABBF, #5899AC and #478799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BCFE5 shade: #8BCFE5, #8BB6E5, #8B9EE5, #8F8BE5 and #A88BE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BCFE5 shade: #8BCFE5, #8BB6E5, #8B9EE5 and #8B8BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BCFE5 shade matches the following richer shades: #8BCFE5, #7FD4F0 and #74DAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BCFE5 shade: #8BCFE5, #96C9D9, #A2C3CD, #ADBDC2 and #B9B7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BCFE5 shade: #8BE5CA, #8BE5E2, #8BD0E5, #8BB8E5 and #8BA0E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BCFE5 shade: #47B3D5, #69C1DD, #8BCFE5, #ACDDEC and #CEEBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BCFE5 shade: #8BCFE5, #B28BE5 and #E5D68B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BCFE5 shade: #8BCFE5, #E58BD0 and #D0E58B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BCFE5 shade: #8BCFE5, #B28BE5, #E5A08B and #BEE58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BCFE5 shade: #8BCFE5, #CD8BE5, #E5A08B and #A3E58B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

Complementary color

CMYK 0 / 59 / 78 / 55

HEX #74301A

RGB 116 48 26

HSL 14.67, 0.63%, 0.28%

LAB 29.16, 28.45, 28.16

 

CMYK 36 / 8 / 0 / 12

HEX #90CFE0

RGB 144 207 224

HSL 192.75, 0.56%, 0.72%

LAB 79.58, -15.83, -14.79

 

CMYK 34 / 7 / 0 / 5

HEX #A1E1F3

RGB 161 225 243

HSL 193.17, 0.77%, 0.79%

LAB 85.96, -15.85, -15.23

 

CMYK 30 / 5 / 0 / 0

HEX #B2F3FF

RGB 178 243 255

HSL 189.35, 1%, 0.85%

LAB 92.04, -17.48, -12.32

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 42 / 10 / 0 / 18

HEX #7ABDD2

RGB 122 189 210

HSL 194.32, 0.49%, 0.65%

LAB 73.01, -15.8, -17.23

 

CMYK 45 / 10 / 0 / 25

HEX #69ABBF

RGB 105 171 191

HSL 193.95, 0.4%, 0.58%

LAB 66.44, -15.68, -16.81

 

CMYK 49 / 11 / 0 / 33

HEX #5899AC

RGB 88 153 172

HSL 193.57, 0.34%, 0.51%

LAB 59.74, -15.51, -16.37

 

CMYK 54 / 12 / 0 / 40

HEX #478799

RGB 71 135 153

HSL 193.17, 0.37%, 0.44%

LAB 52.91, -15.26, -15.91

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 39 / 21 / 0 / 10

HEX #8BB6E5

RGB 139 182 229

HSL 211.33, 0.63%, 0.72%

LAB 72.63, -2.65, -28.07

 

CMYK 39 / 31 / 0 / 10

HEX #8B9EE5

RGB 139 158 229

HSL 227.33, 0.63%, 0.72%

LAB 66.21, 10.77, -38.01

 

CMYK 38 / 39 / 0 / 10

HEX #8F8BE5

RGB 143 139 229

HSL 242.67, 0.63%, 0.72%

LAB 61.62, 22.79, -45.19

 

CMYK 27 / 39 / 0 / 10

HEX #A88BE5

RGB 168 139 229

HSL 259.33, 0.63%, 0.72%

LAB 63.71, 29.62, -41.76

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 39 / 21 / 0 / 10

HEX #8BB6E5

RGB 139 182 229

HSL 211.33, 0.63%, 0.72%

LAB 72.63, -2.65, -28.07

 

CMYK 39 / 31 / 0 / 10

HEX #8B9EE5

RGB 139 158 229

HSL 227.33, 0.63%, 0.72%

LAB 66.21, 10.77, -38.01

 

CMYK 39 / 39 / 0 / 10

HEX #8B8BE5

RGB 139 139 229

HSL 240, 0.63%, 0.72%

LAB 61.32, 21.75, -45.69

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 47 / 12 / 0 / 6

HEX #7FD4F0

RGB 127 212 240

HSL 194.87, 0.79%, 0.72%

LAB 80.68, -18.48, -21.76

 

CMYK 54 / 13 / 0 / 1

HEX #74DAFC

RGB 116 218 252

HSL 195, 0.96%, 0.72%

LAB 82.32, -20.57, -25.68

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 31 / 7 / 0 / 15

HEX #96C9D9

RGB 150 201 217

HSL 194.33, 0.47%, 0.72%

LAB 78.03, -12.78, -13.32

 

CMYK 21 / 5 / 0 / 20

HEX #A2C3CD

RGB 162 195 205

HSL 193.95, 0.3%, 0.72%

LAB 76.75, -8.84, -8.68

 

CMYK 11 / 3 / 0 / 24

HEX #ADBDC2

RGB 173 189 194

HSL 194.29, 0.15%, 0.72%

LAB 75.56, -4.47, -4.4

 

CMYK 0 / 1 / 2 / 27

HEX #B9B7B6

RGB 185 183 182

HSL 20, 0.02%, 0.72%

LAB 74.55, 0.52, 0.75

 

CMYK 39 / 0 / 12 / 10

HEX #8BE5CA

RGB 139 229 202

HSL 162, 0.63%, 0.72%

LAB 84.89, -33.06, 4.71

 

CMYK 39 / 0 / 1 / 10

HEX #8BE5E2

RGB 139 229 226

HSL 178, 0.63%, 0.72%

LAB 85.51, -27.59, -7.03

 

CMYK 39 / 9 / 0 / 10

HEX #8BD0E5

RGB 139 208 229

HSL 194, 0.63%, 0.72%

LAB 79.76, -16.4, -17.22

 

CMYK 39 / 20 / 0 / 10

HEX #8BB8E5

RGB 139 184 229

HSL 210, 0.63%, 0.72%

LAB 73.17, -3.73, -27.24

 

CMYK 39 / 30 / 0 / 10

HEX #8BA0E5

RGB 139 160 229

HSL 226, 0.63%, 0.72%

LAB 66.74, 9.63, -37.19

 

CMYK 67 / 16 / 0 / 16

HEX #47B3D5

RGB 71 179 213

HSL 194.37, 0.63%, 0.56%

LAB 68.3, -20.21, -26.22

 

CMYK 52 / 13 / 0 / 13

HEX #69C1DD

RGB 105 193 221

HSL 194.48, 0.63%, 0.64%

LAB 73.78, -18.82, -22.11

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 27 / 6 / 0 / 7

HEX #ACDDEC

RGB 172 221 236

HSL 194.06, 0.63%, 0.8%

LAB 85.27, -12.39, -12.49

 

CMYK 16 / 4 / 0 / 4

HEX #CEEBF4

RGB 206 235 244

HSL 194.21, 0.63%, 0.88%

LAB 91.27, -7.64, -7.56

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 22 / 39 / 0 / 10

HEX #B28BE5

RGB 178 139 229

HSL 266, 0.63%, 0.72%

LAB 64.63, 32.48, -40.24

 

CMYK 0 / 7 / 39 / 10

HEX #E5D68B

RGB 229 214 139

HSL 50, 0.63%, 0.72%

LAB 85.31, -5.34, 38.89

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 0 / 39 / 9 / 10

HEX #E58BD0

RGB 229 139 208

HSL 314, 0.63%, 0.72%

LAB 69.24, 43.95, -21.04

 

CMYK 9 / 0 / 39 / 10

HEX #D0E58B

RGB 208 229 139

HSL 74, 0.63%, 0.72%

LAB 87.64, -20.93, 41.55

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 22 / 39 / 0 / 10

HEX #B28BE5

RGB 178 139 229

HSL 266, 0.63%, 0.72%

LAB 64.63, 32.48, -40.24

 

CMYK 0 / 30 / 39 / 10

HEX #E5A08B

RGB 229 160 139

HSL 14, 0.63%, 0.72%

LAB 72, 23.07, 21.24

 

CMYK 17 / 0 / 39 / 10

HEX #BEE58B

RGB 190 229 139

HSL 86, 0.63%, 0.72%

LAB 86.43, -27.61, 39.76

 

CMYK 39 / 10 / 0 / 10

HEX #8BCFE5

RGB 139 207 229

HSL 194.67, 0.63%, 0.72%

LAB 79.48, -15.89, -17.64

 

CMYK 10 / 39 / 0 / 10

HEX #CD8BE5

RGB 205 139 229

HSL 284, 0.63%, 0.72%

LAB 67.35, 40.41, -35.8

 

CMYK 0 / 30 / 39 / 10

HEX #E5A08B

RGB 229 160 139

HSL 14, 0.63%, 0.72%

LAB 72, 23.07, 21.24

 

CMYK 29 / 0 / 39 / 10

HEX #A3E58B

RGB 163 229 139

HSL 104, 0.63%, 0.72%

LAB 84.84, -37.07, 37.4

 

Description

Color code: HEX #8BCFE5 | qconv.com Color code: HEX #8BCFE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 207 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 207 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 10 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 10% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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