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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BCF17 it is the complementary color #7430E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BCF17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BCF17 shade: #90CF12, #A1E125, #B2F338, #C3FF4B and #D4FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BCF17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BCF17 shade: #8BCF17, #7ABD04, #69AB00, #589900 and #478700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BCF17 shade: #8BCF17, #BCCF17, #CFAF17, #CF7E17 and #CF4C17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BCF17 shade: #8BCF17, #59CF17, #28CF17, #17CF38 and #17CF69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BCF17 shade matches the following richer shades: #8BCF17 and #90E104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BCF17 shade: #8BCF17, #86BC2A, #81A93C, #7C974F and #778461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BCF17 shade: #CFB017, #BCCF17, #8BCF17, #5ACF17 and #29CF17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BCF17 shade: #59840F, #72A913, #8BCF17, #A0E728 and #B1EB4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BCF17 shade: #8BCF17, #17CF7F and #C817CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BCF17 shade: #8BCF17, #178BCF and #CF178B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BCF17 shade: #8BCF17, #17CF7F, #5A17CF and #CF1767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BCF17 shade: #8BCF17, #17CFB6, #5A17CF and #CF172F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

Complementary color

CMYK 50 / 79 / 0 / 9

HEX #7430E8

RGB 116 48 232

HSL 262.17, 0.8%, 0.55%

LAB 40.66, 66.56, -80.8

 

CMYK 30 / 0 / 91 / 19

HEX #90CF12

RGB 144 207 18

HSL 80, 0.84%, 0.44%

LAB 76.44, -43.76, 73.72

 

CMYK 28 / 0 / 84 / 12

HEX #A1E125

RGB 161 225 37

HSL 80.43, 0.76%, 0.51%

LAB 82.68, -44.63, 75.81

 

CMYK 27 / 0 / 77 / 5

HEX #B2F338

RGB 178 243 56

HSL 80.86, 0.89%, 0.59%

LAB 88.85, -45.32, 76.8

 

CMYK 24 / 0 / 71 / 0

HEX #C3FF4B

RGB 195 255 75

HSL 80, 1%, 0.65%

LAB 93.29, -43.27, 75.39

 

CMYK 17 / 0 / 63 / 0

HEX #D4FF5E

RGB 212 255 94

HSL 76.02, 1%, 0.68%

LAB 94.45, -35.72, 69.91

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 35 / 0 / 98 / 26

HEX #7ABD04

RGB 122 189 4

HSL 81.73, 0.96%, 0.38%

LAB 69.85, -44.46, 69.63

 

CMYK 39 / 0 / 100 / 33

HEX #69AB00

RGB 105 171 0

HSL 83.16, 1%, 0.34%

LAB 63.45, -43.15, 64.76

 

CMYK 42 / 0 / 100 / 40

HEX #589900

RGB 88 153 0

HSL 85.49, 1%, 0.3%

LAB 56.94, -41.7, 59.35

 

CMYK 47 / 0 / 100 / 47

HEX #478700

RGB 71 135 0

HSL 88.44, 1%, 0.26%

LAB 50.3, -40.17, 53.83

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 9 / 0 / 89 / 19

HEX #BCCF17

RGB 188 207 23

HSL 66.2, 0.8%, 0.45%

LAB 79.26, -26.15, 76.41

 

CMYK 0 / 15 / 89 / 19

HEX #CFAF17

RGB 207 175 23

HSL 49.57, 0.8%, 0.45%

LAB 72.22, -1.8, 71.5

 

CMYK 0 / 39 / 89 / 19

HEX #CF7E17

RGB 207 126 23

HSL 33.59, 0.8%, 0.45%

LAB 60.11, 24.58, 62.05

 

CMYK 0 / 63 / 89 / 19

HEX #CF4C17

RGB 207 76 23

HSL 17.28, 0.8%, 0.45%

LAB 50.09, 49.67, 54.36

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 57 / 0 / 89 / 19

HEX #59CF17

RGB 89 207 23

HSL 98.48, 0.8%, 0.45%

LAB 74.07, -61.23, 70

 

CMYK 81 / 0 / 89 / 19

HEX #28CF17

RGB 40 207 23

HSL 114.46, 0.8%, 0.45%

LAB 72.98, -70.43, 68.64

 

CMYK 89 / 0 / 73 / 19

HEX #17CF38

RGB 23 207 56

HSL 130.76, 0.8%, 0.45%

LAB 72.95, -70.14, 59.62

 

CMYK 89 / 0 / 49 / 19

HEX #17CF69

RGB 23 207 105

HSL 146.74, 0.8%, 0.45%

LAB 73.43, -64.21, 38.86

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 36 / 0 / 98 / 12

HEX #90E104

RGB 144 225 4

HSL 81.99, 0.97%, 0.45%

LAB 81.72, -51.43, 79.38

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 29 / 0 / 78 / 26

HEX #86BC2A

RGB 134 188 42

HSL 82.19, 0.63%, 0.45%

LAB 70.32, -38.45, 62.83

 

CMYK 24 / 0 / 64 / 34

HEX #81A93C

RGB 129 169 60

HSL 82.02, 0.48%, 0.45%

LAB 64.46, -30.53, 50.18

 

CMYK 18 / 0 / 48 / 41

HEX #7C974F

RGB 124 151 79

HSL 82.5, 0.31%, 0.45%

LAB 58.96, -21.84, 34.67

 

CMYK 10 / 0 / 27 / 48

HEX #778461

RGB 119 132 97

HSL 82.29, 0.15%, 0.45%

LAB 53.26, -11.33, 17.36

 

CMYK 0 / 15 / 89 / 19

HEX #CFB017

RGB 207 176 23

HSL 49.89, 0.8%, 0.45%

LAB 72.48, -2.33, 71.7

 

CMYK 9 / 0 / 89 / 19

HEX #BCCF17

RGB 188 207 23

HSL 66.2, 0.8%, 0.45%

LAB 79.26, -26.15, 76.41

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 57 / 0 / 89 / 19

HEX #5ACF17

RGB 90 207 23

HSL 98.15, 0.8%, 0.45%

LAB 74.1, -60.97, 70.04

 

CMYK 80 / 0 / 89 / 19

HEX #29CF17

RGB 41 207 23

HSL 114.13, 0.8%, 0.45%

LAB 73, -70.31, 68.66

 

CMYK 33 / 0 / 89 / 48

HEX #59840F

RGB 89 132 15

HSL 82.05, 0.8%, 0.29%

LAB 50.29, -31.74, 51.33

 

CMYK 33 / 0 / 89 / 34

HEX #72A913

RGB 114 169 19

HSL 82, 0.8%, 0.37%

LAB 63.34, -38.55, 62.1

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 31 / 0 / 83 / 9

HEX #A0E728

RGB 160 231 40

HSL 82.3, 0.8%, 0.53%

LAB 84.37, -47.44, 76.58

 

CMYK 25 / 0 / 67 / 8

HEX #B1EB4D

RGB 177 235 77

HSL 82.03, 0.8%, 0.61%

LAB 86.65, -41.06, 67.62

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 89 / 0 / 39 / 19

HEX #17CF7F

RGB 23 207 127

HSL 153.91, 0.8%, 0.45%

LAB 73.77, -60.29, 28.15

 

CMYK 3 / 89 / 0 / 19

HEX #C817CF

RGB 200 23 207

HSL 297.72, 0.8%, 0.45%

LAB 48.76, 80.58, -52.8

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 89 / 33 / 0 / 19

HEX #178BCF

RGB 23 139 207

HSL 202.17, 0.8%, 0.45%

LAB 55.23, -5.48, -43.32

 

CMYK 0 / 89 / 33 / 19

HEX #CF178B

RGB 207 23 139

HSL 322.17, 0.8%, 0.45%

LAB 46.63, 73.08, -15.84

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 89 / 0 / 39 / 19

HEX #17CF7F

RGB 23 207 127

HSL 153.91, 0.8%, 0.45%

LAB 73.77, -60.29, 28.15

 

CMYK 57 / 89 / 0 / 19

HEX #5A17CF

RGB 90 23 207

HSL 261.85, 0.8%, 0.45%

LAB 32.46, 65.95, -80.06

 

CMYK 0 / 89 / 50 / 19

HEX #CF1767

RGB 207 23 103

HSL 333.91, 0.8%, 0.45%

LAB 45.44, 69.79, 4.51

 

CMYK 33 / 0 / 89 / 19

HEX #8BCF17

RGB 139 207 23

HSL 82.17, 0.8%, 0.45%

LAB 76.18, -45.49, 72.62

 

CMYK 89 / 0 / 12 / 19

HEX #17CFB6

RGB 23 207 182

HSL 171.85, 0.8%, 0.45%

LAB 74.94, -47.41, 0.55

 

CMYK 57 / 89 / 0 / 19

HEX #5A17CF

RGB 90 23 207

HSL 261.85, 0.8%, 0.45%

LAB 32.46, 65.95, -80.06

 

CMYK 0 / 89 / 77 / 19

HEX #CF172F

RGB 207 23 47

HSL 352.17, 0.8%, 0.45%

LAB 44.35, 66.71, 37.52

 

Description

Color code: HEX #8BCF17 | qconv.com Color code: HEX #8BCF17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 207 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 207 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 89 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 89% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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