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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BCDBF it is the complementary color #743240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BCDBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BCDBF shade: #90CDBA, #A1DFCD, #B2F1E0, #C3FFF3 and #D4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BCDBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BCDBF shade: #8BCDBF, #7ABBAC, #69A999, #589786 and #478573

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BCDBF shade: #89CDBE, #89CDAC, #89CD9A, #8BCD89 and #9DCD89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BCDBF shade: #89CDBE, #89C9CD, #89B6CD, #89A4CD and #8992CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BCDBF shade matches the following richer shades: #89CDBE, #7CDAC6, #6EE8CE and #60F5D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BCDBF shade: #89CDBE, #97BFB6, #A4B1AF, #B2A4A7 and #C0969F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BCDBF shade: #89CD9A, #89CDAC, #89CDBE, #89C9CD and #89B7CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BCDBF shade: #4FB49E, #6CC0AE, #89CDBE, #A6D9CE and #C3E5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BCDBF shade: #8BCDBF, #898ACD and #CDA389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BCDBF shade: #8BCDBF, #BE89CD and #CDBE89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BCDBF shade: #8BCDBF, #898ACD, #CD8998 and #CDCB89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BCDBF shade: #8BCDBF, #9C89CD, #CD8998 and #B9CD89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

Complementary color

CMYK 0 / 57 / 45 / 55

HEX #743240

RGB 116 50 64

HSL 347.27, 0.4%, 0.33%

LAB 30.31, 30.51, 5.52

 

CMYK 30 / 0 / 9 / 20

HEX #90CDBA

RGB 144 205 186

HSL 161.31, 0.38%, 0.68%

LAB 77.96, -23.55, 3.21

 

CMYK 28 / 0 / 8 / 13

HEX #A1DFCD

RGB 161 223 205

HSL 162.58, 0.49%, 0.75%

LAB 84.36, -23.37, 2.49

 

CMYK 26 / 0 / 7 / 5

HEX #B2F1E0

RGB 178 241 224

HSL 163.81, 0.69%, 0.82%

LAB 90.67, -23.21, 1.81

 

CMYK 24 / 0 / 5 / 0

HEX #C3FFF3

RGB 195 255 243

HSL 168, 1%, 0.88%

LAB 95.83, -21.12, -0.4

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

CMYK 35 / 0 / 8 / 27

HEX #7ABBAC

RGB 122 187 172

HSL 166.15, 0.32%, 0.61%

LAB 71.32, -24.1, 1.02

 

CMYK 38 / 0 / 9 / 34

HEX #69A999

RGB 105 169 153

HSL 165, 0.27%, 0.54%

LAB 64.71, -24.29, 1.78

 

CMYK 42 / 0 / 11 / 41

HEX #589786

RGB 88 151 134

HSL 163.81, 0.26%, 0.47%

LAB 57.97, -24.47, 2.61

 

CMYK 47 / 0 / 14 / 48

HEX #478573

RGB 71 133 115

HSL 162.58, 0.3%, 0.4%

LAB 51.1, -24.65, 3.51

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 33 / 0 / 16 / 20

HEX #89CDAC

RGB 137 205 172

HSL 150.88, 0.4%, 0.67%

LAB 77.26, -28.55, 9.67

 

CMYK 33 / 0 / 25 / 20

HEX #89CD9A

RGB 137 205 154

HSL 135, 0.4%, 0.67%

LAB 76.87, -32.02, 18.72

 

CMYK 32 / 0 / 33 / 20

HEX #8BCD89

RGB 139 205 137

HSL 118.24, 0.4%, 0.67%

LAB 76.65, -34.3, 27.4

 

CMYK 23 / 0 / 33 / 20

HEX #9DCD89

RGB 157 205 137

HSL 102.35, 0.4%, 0.67%

LAB 77.66, -28.23, 28.92

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 33 / 2 / 0 / 20

HEX #89C9CD

RGB 137 201 205

HSL 183.53, 0.4%, 0.67%

LAB 76.98, -19.27, -8.5

 

CMYK 33 / 11 / 0 / 20

HEX #89B6CD

RGB 137 182 205

HSL 200.29, 0.4%, 0.67%

LAB 71.68, -9.38, -16.44

 

CMYK 33 / 20 / 0 / 20

HEX #89A4CD

RGB 137 164 205

HSL 216.18, 0.4%, 0.67%

LAB 66.73, 0.45, -23.96

 

CMYK 33 / 29 / 0 / 20

HEX #8992CD

RGB 137 146 205

HSL 232.06, 0.4%, 0.67%

LAB 61.9, 10.67, -31.41

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 43 / 0 / 9 / 15

HEX #7CDAC6

RGB 124 218 198

HSL 167.23, 0.56%, 0.67%

LAB 81.02, -32.64, 1.13

 

CMYK 53 / 0 / 11 / 9

HEX #6EE8CE

RGB 110 232 206

HSL 167.21, 0.73%, 0.67%

LAB 84.73, -40.42, 2.23

 

CMYK 61 / 0 / 13 / 4

HEX #60F5D6

RGB 96 245 214

HSL 167.52, 0.88%, 0.67%

LAB 88.28, -46.89, 3.14

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 21 / 0 / 5 / 25

HEX #97BFB6

RGB 151 191 182

HSL 166.5, 0.24%, 0.67%

LAB 74.33, -15.17, 0.14

 

CMYK 7 / 0 / 1 / 31

HEX #A4B1AF

RGB 164 177 175

HSL 170.77, 0.08%, 0.67%

LAB 71.17, -4.91, -0.54

 

CMYK 0 / 8 / 6 / 30

HEX #B2A4A7

RGB 178 164 167

HSL 347.14, 0.08%, 0.67%

LAB 68.61, 5.6, 0.28

 

CMYK 0 / 22 / 17 / 25

HEX #C0969F

RGB 192 150 159

HSL 347.14, 0.25%, 0.67%

LAB 66.15, 17.13, 1.32

 

CMYK 33 / 0 / 25 / 20

HEX #89CD9A

RGB 137 205 154

HSL 135, 0.4%, 0.67%

LAB 76.87, -32.02, 18.72

 

CMYK 33 / 0 / 16 / 20

HEX #89CDAC

RGB 137 205 172

HSL 150.88, 0.4%, 0.67%

LAB 77.26, -28.55, 9.67

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 33 / 2 / 0 / 20

HEX #89C9CD

RGB 137 201 205

HSL 183.53, 0.4%, 0.67%

LAB 76.98, -19.27, -8.5

 

CMYK 33 / 11 / 0 / 20

HEX #89B7CD

RGB 137 183 205

HSL 199.41, 0.4%, 0.67%

LAB 71.96, -9.91, -16.02

 

CMYK 56 / 0 / 12 / 29

HEX #4FB49E

RGB 79 180 158

HSL 166.93, 0.4%, 0.51%

LAB 67.11, -34.82, 2.36

 

CMYK 44 / 0 / 9 / 25

HEX #6CC0AE

RGB 108 192 174

HSL 167.14, 0.4%, 0.59%

LAB 72.19, -29.87, 1.11

 

CMYK 33 / 0 / 7 / 20

HEX #89CDBE

RGB 137 205 190

HSL 166.76, 0.4%, 0.67%

LAB 77.7, -24.72, 0.64

 

CMYK 24 / 0 / 5 / 15

HEX #A6D9CE

RGB 166 217 206

HSL 167.06, 0.4%, 0.75%

LAB 83.01, -18.69, 0.03

 

CMYK 15 / 0 / 3 / 10

HEX #C3E5DE

RGB 195 229 222

HSL 167.65, 0.4%, 0.83%

LAB 88.41, -12.45, -0.33

 

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

CMYK 33 / 33 / 0 / 20

HEX #898ACD

RGB 137 138 205

HSL 239.12, 0.4%, 0.67%

LAB 59.8, 15.3, -34.67

 

CMYK 0 / 20 / 33 / 20

HEX #CDA389

RGB 205 163 137

HSL 22.94, 0.4%, 0.67%

LAB 70.16, 11.82, 19.4

 

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

CMYK 7 / 33 / 0 / 20

HEX #BE89CD

RGB 190 137 205

HSL 286.76, 0.4%, 0.67%

LAB 64.36, 32.03, -27.22

 

CMYK 0 / 7 / 33 / 20

HEX #CDBE89

RGB 205 190 137

HSL 46.76, 0.4%, 0.67%

LAB 77.05, -2.61, 28.72

 

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

CMYK 33 / 33 / 0 / 20

HEX #898ACD

RGB 137 138 205

HSL 239.12, 0.4%, 0.67%

LAB 59.8, 15.3, -34.67

 

CMYK 0 / 33 / 26 / 20

HEX #CD8998

RGB 205 137 152

HSL 346.76, 0.4%, 0.67%

LAB 64.27, 28.04, 2.71

 

CMYK 0 / 1 / 33 / 20

HEX #CDCB89

RGB 205 203 137

HSL 58.24, 0.4%, 0.67%

LAB 80.46, -9.34, 33.23

 

CMYK 32 / 0 / 7 / 20

HEX #8BCDBF

RGB 139 205 191

HSL 167.27, 0.4%, 0.67%

LAB 77.82, -23.93, 0.3

 

CMYK 24 / 33 / 0 / 20

HEX #9C89CD

RGB 156 137 205

HSL 256.76, 0.4%, 0.67%

LAB 61.1, 21.46, -32.52

 

CMYK 0 / 33 / 26 / 20

HEX #CD8998

RGB 205 137 152

HSL 346.76, 0.4%, 0.67%

LAB 64.27, 28.04, 2.71

 

CMYK 10 / 0 / 33 / 20

HEX #B9CD89

RGB 185 205 137

HSL 77.65, 0.4%, 0.67%

LAB 79.49, -18.03, 31.68

 

Description

Color code: HEX #8BCDBF | qconv.com Color code: HEX #8BCDBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 205 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 205 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 7 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 7% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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