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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BC478 it is the complementary color #743B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BC478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BC478 shade: #90C473, #A1D686, #B2E899, #C3FAAC and #D4FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BC478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BC478 shade: #8BC478, #7AB265, #69A052, #588E3F and #477C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BC478 shade: #8BC478, #A0C478, #B4C478, #C4BF78 and #C4AB78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BC478 shade: #8BC478, #78C47A, #78C48E, #78C4A3 and #78C4B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BC478 shade matches the following richer shades: #8BC478, #83D469, #7CE359 and #74F349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BC478 shade: #8BC478, #93B488, #9BA598, #A395A7 and #AB85B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BC478 shade: #B4C478, #9FC478, #8BC478, #78C47A and #78C48E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BC478 shade: #5EA247, #73B75C, #8BC478, #A4D095 and #BDDDB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BC478 shade: #8BC478, #78C4C0 and #C478A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BC478 shade: #8BC478, #788BC4 and #C4788B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BC478 shade: #8BC478, #78C4C0, #B178C4 and #C4787C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BC478 shade: #8BC478, #78B1C4, #B178C4 and #C48B78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

Complementary color

CMYK 14 / 56 / 0 / 47

HEX #743B87

RGB 116 59 135

HSL 285, 0.39%, 0.38%

LAB 35.18, 37.92, -32.38

 

CMYK 27 / 0 / 41 / 23

HEX #90C473

RGB 144 196 115

HSL 98.52, 0.41%, 0.61%

LAB 73.96, -31.67, 35.29

 

CMYK 25 / 0 / 37 / 16

HEX #A1D686

RGB 161 214 134

HSL 99.75, 0.49%, 0.68%

LAB 80.4, -31.54, 34.12

 

CMYK 23 / 0 / 34 / 9

HEX #B2E899

RGB 178 232 153

HSL 101.01, 0.63%, 0.75%

LAB 86.74, -31.39, 33

 

CMYK 22 / 0 / 31 / 2

HEX #C3FAAC

RGB 195 250 172

HSL 102.31, 0.89%, 0.83%

LAB 92.99, -31.24, 31.93

 

CMYK 17 / 0 / 25 / 0

HEX #D4FFBF

RGB 212 255 191

HSL 100.31, 1%, 0.87%

LAB 95.7, -24.99, 26.18

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 31 / 0 / 43 / 30

HEX #7AB265

RGB 122 178 101

HSL 103.64, 0.33%, 0.55%

LAB 67.22, -32.89, 33.6

 

CMYK 34 / 0 / 49 / 37

HEX #69A052

RGB 105 160 82

HSL 102.31, 0.32%, 0.47%

LAB 60.56, -33.02, 34.85

 

CMYK 38 / 0 / 56 / 44

HEX #588E3F

RGB 88 142 63

HSL 101.01, 0.39%, 0.4%

LAB 53.79, -33.08, 36.09

 

CMYK 43 / 0 / 65 / 51

HEX #477C2C

RGB 71 124 44

HSL 99.75, 0.48%, 0.33%

LAB 46.89, -33.01, 37.21

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 18 / 0 / 39 / 23

HEX #A0C478

RGB 160 196 120

HSL 88.42, 0.39%, 0.62%

LAB 75.02, -25.19, 34.28

 

CMYK 8 / 0 / 39 / 23

HEX #B4C478

RGB 180 196 120

HSL 72.63, 0.39%, 0.62%

LAB 76.4, -17.58, 36.33

 

CMYK 0 / 3 / 39 / 23

HEX #C4BF78

RGB 196 191 120

HSL 56.05, 0.39%, 0.62%

LAB 76.29, -8.7, 36.44

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB78

RGB 196 171 120

HSL 40.26, 0.39%, 0.62%

LAB 71.02, 1.83, 29.61

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 0 / 38 / 23

HEX #78C47A

RGB 120 196 122

HSL 121.58, 0.39%, 0.62%

LAB 72.81, -38.64, 29.94

 

CMYK 39 / 0 / 28 / 23

HEX #78C48E

RGB 120 196 142

HSL 137.37, 0.39%, 0.62%

LAB 73.17, -35.2, 19.87

 

CMYK 39 / 0 / 17 / 23

HEX #78C4A3

RGB 120 196 163

HSL 153.95, 0.39%, 0.62%

LAB 73.62, -31.03, 9.22

 

CMYK 39 / 0 / 7 / 23

HEX #78C4B7

RGB 120 196 183

HSL 169.74, 0.39%, 0.62%

LAB 74.12, -26.58, -0.9

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 38 / 0 / 50 / 17

HEX #83D469

RGB 131 212 105

HSL 105.42, 0.55%, 0.62%

LAB 77.83, -44.54, 44.94

 

CMYK 45 / 0 / 61 / 11

HEX #7CE359

RGB 124 227 89

HSL 104.78, 0.71%, 0.62%

LAB 81.81, -54.59, 56.79

 

CMYK 52 / 0 / 70 / 5

HEX #74F349

RGB 116 243 73

HSL 104.82, 0.88%, 0.62%

LAB 86.15, -64.21, 67.69

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 18 / 0 / 24 / 29

HEX #93B488

RGB 147 180 136

HSL 105, 0.23%, 0.62%

LAB 69.91, -19.6, 18.85

 

CMYK 6 / 0 / 8 / 35

HEX #9BA598

RGB 155 165 152

HSL 106.15, 0.07%, 0.62%

LAB 66.63, -6.03, 5.51

 

CMYK 2 / 11 / 0 / 35

HEX #A395A7

RGB 163 149 167

HSL 286.67, 0.09%, 0.62%

LAB 63.4, 8.56, -7.55

 

CMYK 7 / 27 / 0 / 28

HEX #AB85B7

RGB 171 133 183

HSL 285.6, 0.26%, 0.62%

LAB 60.65, 23.6, -20.68

 

CMYK 8 / 0 / 39 / 23

HEX #B4C478

RGB 180 196 120

HSL 72.63, 0.39%, 0.62%

LAB 76.4, -17.58, 36.33

 

CMYK 19 / 0 / 39 / 23

HEX #9FC478

RGB 159 196 120

HSL 89.21, 0.39%, 0.62%

LAB 74.96, -25.56, 34.19

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 0 / 38 / 23

HEX #78C47A

RGB 120 196 122

HSL 121.58, 0.39%, 0.62%

LAB 72.81, -38.64, 29.94

 

CMYK 39 / 0 / 28 / 23

HEX #78C48E

RGB 120 196 142

HSL 137.37, 0.39%, 0.62%

LAB 73.17, -35.2, 19.87

 

CMYK 42 / 0 / 56 / 36

HEX #5EA247

RGB 94 162 71

HSL 104.84, 0.39%, 0.46%

LAB 60.49, -39.04, 40.14

 

CMYK 37 / 0 / 50 / 28

HEX #73B75C

RGB 115 183 92

HSL 104.84, 0.39%, 0.54%

LAB 68.23, -38.75, 39.36

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 21 / 0 / 28 / 18

HEX #A4D095

RGB 164 208 149

HSL 104.75, 0.39%, 0.7%

LAB 79.14, -25.39, 24.72

 

CMYK 14 / 0 / 19 / 13

HEX #BDDDB2

RGB 189 221 178

HSL 104.65, 0.39%, 0.78%

LAB 84.87, -18.42, 17.66

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 0 / 2 / 23

HEX #78C4C0

RGB 120 196 192

HSL 176.84, 0.39%, 0.62%

LAB 74.37, -24.43, -5.42

 

CMYK 0 / 39 / 14 / 23

HEX #C478A9

RGB 196 120 169

HSL 321.32, 0.39%, 0.62%

LAB 59.92, 36.67, -13.55

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 29 / 0 / 23

HEX #788BC4

RGB 120 139 196

HSL 225, 0.39%, 0.62%

LAB 58.46, 7.52, -31.78

 

CMYK 0 / 39 / 29 / 23

HEX #C4788B

RGB 196 120 139

HSL 345, 0.39%, 0.62%

LAB 59, 32.13, 2.37

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 0 / 2 / 23

HEX #78C4C0

RGB 120 196 192

HSL 176.84, 0.39%, 0.62%

LAB 74.37, -24.43, -5.42

 

CMYK 10 / 39 / 0 / 23

HEX #B178C4

RGB 177 120 196

HSL 285, 0.39%, 0.62%

LAB 58.76, 35.51, -30.93

 

CMYK 0 / 39 / 37 / 23

HEX #C4787C

RGB 196 120 124

HSL 356.84, 0.39%, 0.62%

LAB 58.62, 30.19, 10.49

 

CMYK 29 / 0 / 39 / 23

HEX #8BC478

RGB 139 196 120

HSL 105, 0.39%, 0.62%

LAB 73.76, -32.72, 32.4

 

CMYK 39 / 10 / 0 / 23

HEX #78B1C4

RGB 120 177 196

HSL 195, 0.39%, 0.62%

LAB 69.06, -13.68, -15.54

 

CMYK 10 / 39 / 0 / 23

HEX #B178C4

RGB 177 120 196

HSL 285, 0.39%, 0.62%

LAB 58.76, 35.51, -30.93

 

CMYK 0 / 29 / 39 / 23

HEX #C48B78

RGB 196 139 120

HSL 15, 0.39%, 0.62%

LAB 62.98, 19.29, 18.81

 

Description

Color code: HEX #8BC478 | qconv.com Color code: HEX #8BC478 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 196 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 196 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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