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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BBC17 it is the complementary color #7443E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BBC17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BBC17 shade: #90BC12, #A1CE25, #B2E038, #C3F24B and #D4FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BBC17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BBC17 shade: #8BBC17, #7AAA04, #699800, #588600 and #477400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BBC17 shade: #8ABA17, #B6BA17, #BA9317, #BA6717 and #BA3B17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BBC17 shade: #8ABA17, #5EBA17, #32BA17, #17BA28 and #17BA54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BBC17 shade matches the following richer shades: #8ABA17 and #91CB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BBC17 shade: #8ABA17, #83A928, #7C9839, #75874A and #6E765B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BBC17 shade: #BA9117, #B7BA17, #8CBA17, #60BA17 and #35BA17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BBC17 shade: #53710E, #6E9512, #8ABA17, #A5DF1C and #B4E73D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BBC17 shade: #8BBC17, #17BA66 and #A717BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BBC17 shade: #8BBC17, #178CBA and #BA178C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BBC17 shade: #8BBC17, #17BA66, #4517BA and #BA176B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BBC17 shade: #8BBC17, #17BA97, #4517BA and #BA173A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

Complementary color

CMYK 50 / 71 / 0 / 9

HEX #7443E8

RGB 116 67 232

HSL 257.82, 0.78%, 0.59%

LAB 43.59, 58.2, -76

 

CMYK 23 / 0 / 90 / 26

HEX #90BC12

RGB 144 188 18

HSL 75.53, 0.83%, 0.4%

LAB 70.83, -35.37, 69.18

 

CMYK 22 / 0 / 82 / 19

HEX #A1CE25

RGB 161 206 37

HSL 75.98, 0.7%, 0.48%

LAB 77.19, -36.27, 71.04

 

CMYK 21 / 0 / 75 / 12

HEX #B2E038

RGB 178 224 56

HSL 76.43, 0.73%, 0.55%

LAB 83.47, -36.98, 71.77

 

CMYK 19 / 0 / 69 / 5

HEX #C3F24B

RGB 195 242 75

HSL 76.89, 0.87%, 0.62%

LAB 89.68, -37.53, 71.78

 

CMYK 17 / 0 / 63 / 0

HEX #D4FF5E

RGB 212 255 94

HSL 76.02, 1%, 0.68%

LAB 94.45, -35.72, 69.91

 

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

CMYK 28 / 0 / 98 / 33

HEX #7AAA04

RGB 122 170 4

HSL 77.35, 0.95%, 0.34%

LAB 64.08, -36.21, 65.12

 

CMYK 31 / 0 / 100 / 40

HEX #699800

RGB 105 152 0

HSL 78.55, 1%, 0.3%

LAB 57.52, -34.89, 60.19

 

CMYK 34 / 0 / 100 / 47

HEX #588600

RGB 88 134 0

HSL 80.6, 1%, 0.26%

LAB 50.83, -33.47, 54.62

 

CMYK 39 / 0 / 100 / 55

HEX #477400

RGB 71 116 0

HSL 83.28, 1%, 0.23%

LAB 43.99, -32, 48.93

 

CMYK 26 / 0 / 88 / 27

HEX #8ABA17

RGB 138 186 23

HSL 77.67, 0.78%, 0.41%

LAB 69.88, -36.72, 67.36

 

CMYK 2 / 0 / 88 / 27

HEX #B6BA17

RGB 182 186 23

HSL 61.47, 0.78%, 0.41%

LAB 72.97, -18.41, 71.16

 

CMYK 0 / 21 / 88 / 27

HEX #BA9317

RGB 186 147 23

HSL 45.64, 0.78%, 0.41%

LAB 62.82, 3.84, 63.14

 

CMYK 0 / 45 / 88 / 27

HEX #BA6717

RGB 186 103 23

HSL 29.45, 0.78%, 0.41%

LAB 52.06, 28.06, 54.5

 

CMYK 0 / 68 / 88 / 27

HEX #BA3B17

RGB 186 59 23

HSL 13.25, 0.78%, 0.41%

LAB 43.7, 49.54, 47.77

 

CMYK 26 / 0 / 88 / 27

HEX #8ABA17

RGB 138 186 23

HSL 77.67, 0.78%, 0.41%

LAB 69.88, -36.72, 67.36

 

CMYK 49 / 0 / 88 / 27

HEX #5EBA17

RGB 94 186 23

HSL 93.87, 0.78%, 0.41%

LAB 67.69, -52.23, 64.63

 

CMYK 73 / 0 / 88 / 27

HEX #32BA17

RGB 50 186 23

HSL 110.06, 0.78%, 0.41%

LAB 66.41, -62.72, 63.02

 

CMYK 88 / 0 / 78 / 27

HEX #17BA28

RGB 23 186 40

HSL 126.26, 0.78%, 0.41%

LAB 66.1, -65.19, 58.18

 

CMYK 88 / 0 / 55 / 27

HEX #17BA54

RGB 23 186 84

HSL 142.45, 0.78%, 0.41%

LAB 66.47, -60.53, 40.54

 

CMYK 26 / 0 / 88 / 27

HEX #8ABA17

RGB 138 186 23

HSL 77.67, 0.78%, 0.41%

LAB 69.88, -36.72, 67.36

 

CMYK 29 / 0 / 97 / 20

HEX #91CB06

RGB 145 203 6

HSL 77.66, 0.94%, 0.41%

LAB 75.29, -41.85, 74.2

 

CMYK 26 / 0 / 88 / 27

HEX #8ABA17

RGB 138 186 23

HSL 77.67, 0.78%, 0.41%

LAB 69.88, -36.72, 67.36

 

CMYK 22 / 0 / 76 / 34

HEX #83A928

RGB 131 169 40

HSL 77.67, 0.62%, 0.41%

LAB 64.45, -31.03, 57.88

 

CMYK 18 / 0 / 63 / 40

HEX #7C9839

RGB 124 152 57

HSL 77.68, 0.45%, 0.41%

LAB 59.01, -24.54, 45.49

 

CMYK 13 / 0 / 45 / 47

HEX #75874A

RGB 117 135 74

HSL 77.7, 0.29%, 0.41%

LAB 53.6, -17.01, 30.56

 

CMYK 7 / 0 / 23 / 54

HEX #6E765B

RGB 110 118 91

HSL 77.78, 0.13%, 0.41%

LAB 48.29, -8.15, 13.9

 

CMYK 0 / 22 / 88 / 27

HEX #BA9117

RGB 186 145 23

HSL 44.91, 0.78%, 0.41%

LAB 62.3, 4.94, 62.73

 

CMYK 2 / 0 / 88 / 27

HEX #B7BA17

RGB 183 186 23

HSL 61.1, 0.78%, 0.41%

LAB 73.05, -17.98, 71.26

 

CMYK 25 / 0 / 88 / 27

HEX #8CBA17

RGB 140 186 23

HSL 76.93, 0.78%, 0.41%

LAB 70, -35.93, 67.51

 

CMYK 48 / 0 / 88 / 27

HEX #60BA17

RGB 96 186 23

HSL 93.13, 0.78%, 0.41%

LAB 67.77, -51.62, 64.73

 

CMYK 72 / 0 / 88 / 27

HEX #35BA17

RGB 53 186 23

HSL 108.96, 0.78%, 0.41%

LAB 66.47, -62.2, 63.09

 

CMYK 27 / 0 / 88 / 56

HEX #53710E

RGB 83 113 14

HSL 78.18, 0.78%, 0.25%

LAB 43.77, -25.18, 45.81

 

CMYK 26 / 0 / 88 / 42

HEX #6E9512

RGB 110 149 18

HSL 77.86, 0.78%, 0.33%

LAB 56.93, -31.07, 56.81

 

CMYK 26 / 0 / 88 / 27

HEX #8ABA17

RGB 138 186 23

HSL 77.67, 0.78%, 0.41%

LAB 69.88, -36.72, 67.36

 

CMYK 26 / 0 / 87 / 13

HEX #A5DF1C

RGB 165 223 28

HSL 77.85, 0.78%, 0.49%

LAB 82.3, -42.53, 77.41

 

CMYK 22 / 0 / 74 / 9

HEX #B4E73D

RGB 180 231 61

HSL 78, 0.78%, 0.57%

LAB 85.6, -39.1, 72.24

 

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

CMYK 88 / 0 / 45 / 27

HEX #17BA66

RGB 23 186 102

HSL 149.08, 0.78%, 0.41%

LAB 66.72, -57.61, 31.85

 

CMYK 10 / 88 / 0 / 27

HEX #A717BA

RGB 167 23 186

HSL 293.01, 0.78%, 0.41%

LAB 41.8, 71.66, -52.04

 

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

CMYK 88 / 25 / 0 / 27

HEX #178CBA

RGB 23 140 186

HSL 196.93, 0.78%, 0.41%

LAB 54.54, -13.78, -32.49

 

CMYK 0 / 88 / 25 / 27

HEX #BA178C

RGB 186 23 140

HSL 316.93, 0.78%, 0.41%

LAB 42.68, 68.66, -22.87

 

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

CMYK 88 / 0 / 45 / 27

HEX #17BA66

RGB 23 186 102

HSL 149.08, 0.78%, 0.41%

LAB 66.72, -57.61, 31.85

 

CMYK 63 / 88 / 0 / 27

HEX #4517BA

RGB 69 23 186

HSL 256.93, 0.78%, 0.41%

LAB 27.91, 58.92, -75.33

 

CMYK 0 / 88 / 42 / 27

HEX #BA176B

RGB 186 23 107

HSL 329.08, 0.78%, 0.41%

LAB 41.4, 65.13, -4.39

 

CMYK 26 / 0 / 88 / 26

HEX #8BBC17

RGB 139 188 23

HSL 77.82, 0.78%, 0.41%

LAB 70.54, -37.23, 67.93

 

CMYK 88 / 0 / 19 / 27

HEX #17BA97

RGB 23 186 151

HSL 167.12, 0.78%, 0.41%

LAB 67.68, -46.86, 6.89

 

CMYK 63 / 88 / 0 / 27

HEX #4517BA

RGB 69 23 186

HSL 256.93, 0.78%, 0.41%

LAB 27.91, 58.92, -75.33

 

CMYK 0 / 88 / 69 / 27

HEX #BA173A

RGB 186 23 58

HSL 347.12, 0.78%, 0.41%

LAB 40.18, 61.66, 24.9

 

Description

Color code: HEX #8BBC17 | qconv.com Color code: HEX #8BBC17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 188 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 188 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 88 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 88% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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