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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BB334 it is the complementary color #744CCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BB334. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BB334 shade: #90B32F, #A1C542, #B2D755, #C3E968 and #D4FB7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BB334. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BB334 shade: #8BB334, #7AA121, #698F0E, #587D00 and #476B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BB334 shade: #8AB234, #ACB234, #B29634, #B27434 and #B25134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BB334 shade: #8AB234, #68B234, #46B234, #34B243 and #34B265

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BB334 shade matches the following richer shades: #8AB234, #91C421 and #98D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BB334 shade: #8AB234, #839F46, #7C8D59, #757A6B and #6F687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BB334 shade: #B29434, #AEB234, #8CB234, #6AB234 and #49B234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BB334 shade: #587221, #71922A, #8AB234, #A0C946 and #B0D266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BB334 shade: #8BB334, #34B273 and #A534B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BB334 shade: #8BB334, #348CB2 and #B2348C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BB334 shade: #8BB334, #34B273, #5A34B2 and #B23473

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BB334 shade: #8BB334, #34B299, #5A34B2 and #B2344D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

Complementary color

CMYK 43 / 63 / 0 / 20

HEX #744CCB

RGB 116 76 203

HSL 258.9, 0.55%, 0.55%

LAB 43.05, 45.63, -60.27

 

CMYK 20 / 0 / 74 / 30

HEX #90B32F

RGB 144 179 47

HSL 75.91, 0.58%, 0.44%

LAB 68.3, -30.12, 59.48

 

CMYK 18 / 0 / 66 / 23

HEX #A1C542

RGB 161 197 66

HSL 76.49, 0.53%, 0.52%

LAB 74.76, -30.64, 59.23

 

CMYK 17 / 0 / 60 / 16

HEX #B2D755

RGB 178 215 85

HSL 77.08, 0.62%, 0.59%

LAB 81.14, -31.03, 58.55

 

CMYK 16 / 0 / 55 / 9

HEX #C3E968

RGB 195 233 104

HSL 77.67, 0.75%, 0.66%

LAB 87.43, -31.32, 57.64

 

CMYK 16 / 0 / 51 / 2

HEX #D4FB7B

RGB 212 251 123

HSL 78.28, 0.94%, 0.73%

LAB 93.63, -31.54, 56.61

 

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

CMYK 24 / 0 / 80 / 37

HEX #7AA121

RGB 122 161 33

HSL 78.28, 0.66%, 0.38%

LAB 61.43, -31.25, 57.09

 

CMYK 27 / 0 / 90 / 44

HEX #698F0E

RGB 105 143 14

HSL 77.67, 0.82%, 0.31%

LAB 54.74, -30.42, 55.68

 

CMYK 30 / 0 / 100 / 51

HEX #587D00

RGB 88 125 0

HSL 77.76, 1%, 0.25%

LAB 47.93, -29.3, 52.4

 

CMYK 34 / 0 / 100 / 58

HEX #476B00

RGB 71 107 0

HSL 80.19, 1%, 0.21%

LAB 40.98, -27.82, 46.61

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 3 / 0 / 71 / 30

HEX #ACB234

RGB 172 178 52

HSL 62.86, 0.55%, 0.45%

LAB 70.08, -17.65, 60.12

 

CMYK 0 / 16 / 71 / 30

HEX #B29634

RGB 178 150 52

HSL 46.67, 0.55%, 0.45%

LAB 62.95, -0.3, 53.2

 

CMYK 0 / 35 / 71 / 30

HEX #B27434

RGB 178 116 52

HSL 30.48, 0.55%, 0.45%

LAB 54.24, 18.55, 44.14

 

CMYK 0 / 54 / 71 / 30

HEX #B25134

RGB 178 81 52

HSL 13.81, 0.55%, 0.45%

LAB 46.44, 37.49, 35.55

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 42 / 0 / 71 / 30

HEX #68B234

RGB 104 178 52

HSL 95.24, 0.55%, 0.45%

LAB 65.77, -44.32, 54.39

 

CMYK 61 / 0 / 71 / 30

HEX #46B234

RGB 70 178 52

HSL 111.43, 0.55%, 0.45%

LAB 64.48, -54.19, 52.65

 

CMYK 71 / 0 / 62 / 30

HEX #34B243

RGB 52 178 67

HSL 127.14, 0.55%, 0.45%

LAB 64.14, -56.46, 45.86

 

CMYK 71 / 0 / 43 / 30

HEX #34B265

RGB 52 178 101

HSL 143.33, 0.55%, 0.45%

LAB 64.57, -51.47, 29.68

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 26 / 0 / 83 / 23

HEX #91C421

RGB 145 196 33

HSL 78.77, 0.71%, 0.45%

LAB 73.29, -38.16, 68.23

 

CMYK 29 / 0 / 93 / 16

HEX #98D70F

RGB 152 215 15

HSL 78.9, 0.87%, 0.45%

LAB 79.22, -44.25, 76.54

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 18 / 0 / 56 / 38

HEX #839F46

RGB 131 159 70

HSL 78.88, 0.39%, 0.45%

LAB 61.71, -23.99, 42.58

 

CMYK 12 / 0 / 37 / 45

HEX #7C8D59

RGB 124 141 89

HSL 79.62, 0.23%, 0.45%

LAB 56.14, -15.36, 25.75

 

CMYK 4 / 0 / 12 / 52

HEX #757A6B

RGB 117 122 107

HSL 80, 0.07%, 0.45%

LAB 50.41, -4.81, 7.57

 

CMYK 12 / 17 / 0 / 51

HEX #6F687E

RGB 111 104 126

HSL 259.09, 0.1%, 0.45%

LAB 45.34, 7.43, -11.22

 

CMYK 0 / 17 / 71 / 30

HEX #B29434

RGB 178 148 52

HSL 45.71, 0.55%, 0.45%

LAB 62.42, 0.79, 52.66

 

CMYK 2 / 0 / 71 / 30

HEX #AEB234

RGB 174 178 52

HSL 61.9, 0.55%, 0.45%

LAB 70.24, -16.79, 60.33

 

CMYK 21 / 0 / 71 / 30

HEX #8CB234

RGB 140 178 52

HSL 78.1, 0.55%, 0.45%

LAB 67.77, -30.97, 57.07

 

CMYK 40 / 0 / 71 / 30

HEX #6AB234

RGB 106 178 52

HSL 94.29, 0.55%, 0.45%

LAB 65.87, -43.65, 54.52

 

CMYK 59 / 0 / 71 / 30

HEX #49B234

RGB 73 178 52

HSL 110, 0.55%, 0.45%

LAB 64.57, -53.45, 52.77

 

CMYK 23 / 0 / 71 / 55

HEX #587221

RGB 88 114 33

HSL 79.26, 0.55%, 0.29%

LAB 44.55, -22.47, 39.96

 

CMYK 23 / 0 / 71 / 43

HEX #71922A

RGB 113 146 42

HSL 79.04, 0.55%, 0.37%

LAB 56.32, -27.25, 48.82

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 20 / 0 / 65 / 21

HEX #A0C946

RGB 160 201 70

HSL 78.78, 0.55%, 0.53%

LAB 75.88, -32.63, 58.77

 

CMYK 16 / 0 / 51 / 18

HEX #B0D266

RGB 176 210 102

HSL 78.89, 0.55%, 0.61%

LAB 79.77, -27.95, 49.3

 

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

CMYK 71 / 0 / 35 / 30

HEX #34B273

RGB 52 178 115

HSL 150, 0.55%, 0.45%

LAB 64.81, -48.8, 22.56

 

CMYK 7 / 71 / 0 / 30

HEX #A534B2

RGB 165 52 178

HSL 293.81, 0.55%, 0.45%

LAB 43.76, 61.85, -44.22

 

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

CMYK 71 / 21 / 0 / 30

HEX #348CB2

RGB 52 140 178

HSL 198.1, 0.55%, 0.45%

LAB 54.76, -13.53, -27.53

 

CMYK 0 / 71 / 21 / 30

HEX #B2348C

RGB 178 52 140

HSL 318.1, 0.55%, 0.45%

LAB 43.97, 58.96, -21

 

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

CMYK 71 / 0 / 35 / 30

HEX #34B273

RGB 52 178 115

HSL 150, 0.55%, 0.45%

LAB 64.81, -48.8, 22.56

 

CMYK 49 / 71 / 0 / 30

HEX #5A34B2

RGB 90 52 178

HSL 258.1, 0.55%, 0.45%

LAB 33.66, 46.72, -61.03

 

CMYK 0 / 71 / 35 / 30

HEX #B23473

RGB 178 52 115

HSL 330, 0.55%, 0.45%

LAB 43, 55.82, -7.15

 

CMYK 22 / 0 / 71 / 30

HEX #8BB334

RGB 139 179 52

HSL 78.9, 0.55%, 0.45%

LAB 68, -31.84, 57.28

 

CMYK 71 / 0 / 14 / 30

HEX #34B299

RGB 52 178 153

HSL 168.1, 0.55%, 0.45%

LAB 65.65, -39.96, 2.92

 

CMYK 49 / 71 / 0 / 30

HEX #5A34B2

RGB 90 52 178

HSL 258.1, 0.55%, 0.45%

LAB 33.66, 46.72, -61.03

 

CMYK 0 / 71 / 57 / 30

HEX #B2344D

RGB 178 52 77

HSL 348.1, 0.55%, 0.45%

LAB 41.93, 52.21, 15.01

 

Description

Color code: HEX #8BB334 | qconv.com Color code: HEX #8BB334 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 179 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 179 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 71 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 71% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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