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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BAD31 it is the complementary color #7452CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BAD31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BAD31 shade: #90AD2C, #A1BF3F, #B2D152, #C3E365 and #D4F578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BAD31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BAD31 shade: #8BAD31, #7A9B1E, #69890B, #587700 and #476500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BAD31 shade: #8DAF31, #AEAF31, #AF8E31, #AF6C31 and #AF4A31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BAD31 shade: #8DAF31, #6BAF31, #49AF31, #31AF3C and #31AF5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BAD31 shade matches the following richer shades: #8DAF31, #95C11F and #9DD30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BAD31 shade: #8DAF31, #849D44, #7C8B56, #747968 and #6C667A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BAD31 shade: #AF8E31, #AFAF31, #8EAF31, #6CAF31 and #4BAF31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BAD31 shade: #596F1F, #738F28, #8DAF31, #A4C940 and #B3D261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BAD31 shade: #8BAD31, #31AF6C and #9E31AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BAD31 shade: #8BAD31, #318EAF and #AF318E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BAD31 shade: #8BAD31, #31AF6C, #5331AF and #AF3174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BAD31 shade: #8BAD31, #31AF92, #5331AF and #AF314F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

Complementary color

CMYK 44 / 60 / 0 / 19

HEX #7452CE

RGB 116 82 206

HSL 256.45, 0.56%, 0.56%

LAB 44.52, 43.11, -59.62

 

CMYK 17 / 0 / 75 / 32

HEX #90AD2C

RGB 144 173 44

HSL 73.49, 0.59%, 0.43%

LAB 66.52, -27.41, 58.81

 

CMYK 16 / 0 / 67 / 25

HEX #A1BF3F

RGB 161 191 63

HSL 74.06, 0.5%, 0.5%

LAB 73.02, -27.99, 58.61

 

CMYK 15 / 0 / 61 / 18

HEX #B2D152

RGB 178 209 82

HSL 74.65, 0.58%, 0.57%

LAB 79.43, -28.44, 57.95

 

CMYK 14 / 0 / 56 / 11

HEX #C3E365

RGB 195 227 101

HSL 75.24, 0.69%, 0.64%

LAB 85.75, -28.77, 57.04

 

CMYK 13 / 0 / 51 / 4

HEX #D4F578

RGB 212 245 120

HSL 75.84, 0.86%, 0.72%

LAB 91.98, -29.03, 56.02

 

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

CMYK 21 / 0 / 81 / 39

HEX #7A9B1E

RGB 122 155 30

HSL 75.84, 0.68%, 0.36%

LAB 59.59, -28.53, 56.33

 

CMYK 23 / 0 / 92 / 46

HEX #69890B

RGB 105 137 11

HSL 75.24, 0.85%, 0.29%

LAB 52.86, -27.62, 54.7

 

CMYK 26 / 0 / 100 / 53

HEX #587700

RGB 88 119 0

HSL 75.63, 1%, 0.23%

LAB 46, -26.41, 50.92

 

CMYK 30 / 0 / 100 / 60

HEX #476500

RGB 71 101 0

HSL 77.82, 1%, 0.2%

LAB 38.98, -24.91, 45.07

 

CMYK 19 / 0 / 72 / 31

HEX #8DAF31

RGB 141 175 49

HSL 76.19, 0.56%, 0.44%

LAB 66.93, -29.32, 57.37

 

CMYK 1 / 0 / 72 / 31

HEX #AEAF31

RGB 174 175 49

HSL 60.48, 0.56%, 0.44%

LAB 69.38, -15.41, 60.59

 

CMYK 0 / 19 / 72 / 31

HEX #AF8E31

RGB 175 142 49

HSL 44.29, 0.56%, 0.44%

LAB 60.5, 2.58, 51.89

 

CMYK 0 / 38 / 72 / 31

HEX #AF6C31

RGB 175 108 49

HSL 28.1, 0.56%, 0.44%

LAB 51.91, 21.55, 42.99

 

CMYK 0 / 58 / 72 / 31

HEX #AF4A31

RGB 175 74 49

HSL 11.9, 0.56%, 0.44%

LAB 44.57, 39.68, 34.95

 

CMYK 19 / 0 / 72 / 31

HEX #8DAF31

RGB 141 175 49

HSL 76.19, 0.56%, 0.44%

LAB 66.93, -29.32, 57.37

 

CMYK 39 / 0 / 72 / 31

HEX #6BAF31

RGB 107 175 49

HSL 92.38, 0.56%, 0.44%

LAB 64.97, -42.25, 54.76

 

CMYK 58 / 0 / 72 / 31

HEX #49AF31

RGB 73 175 49

HSL 108.57, 0.56%, 0.44%

LAB 63.59, -52.6, 52.91

 

CMYK 72 / 0 / 66 / 31

HEX #31AF3C

RGB 49 175 60

HSL 125.24, 0.56%, 0.44%

LAB 63.04, -56.73, 47.69

 

CMYK 72 / 0 / 46 / 31

HEX #31AF5E

RGB 49 175 94

HSL 141.43, 0.56%, 0.44%

LAB 63.44, -52.05, 31.85

 

CMYK 19 / 0 / 72 / 31

HEX #8DAF31

RGB 141 175 49

HSL 76.19, 0.56%, 0.44%

LAB 66.93, -29.32, 57.37

 

CMYK 23 / 0 / 84 / 24

HEX #95C11F

RGB 149 193 31

HSL 76.3, 0.72%, 0.44%

LAB 72.65, -35.31, 68.25

 

CMYK 26 / 0 / 94 / 17

HEX #9DD30D

RGB 157 211 13

HSL 76.36, 0.88%, 0.44%

LAB 78.34, -40.65, 76.18

 

CMYK 19 / 0 / 72 / 31

HEX #8DAF31

RGB 141 175 49

HSL 76.19, 0.56%, 0.44%

LAB 66.93, -29.32, 57.37

 

CMYK 16 / 0 / 57 / 38

HEX #849D44

RGB 132 157 68

HSL 76.85, 0.4%, 0.44%

LAB 61.17, -22.77, 42.93

 

CMYK 11 / 0 / 38 / 45

HEX #7C8B56

RGB 124 139 86

HSL 76.98, 0.24%, 0.44%

LAB 55.5, -14.71, 26.57

 

CMYK 4 / 0 / 14 / 53

HEX #747968

RGB 116 121 104

HSL 77.65, 0.08%, 0.44%

LAB 49.96, -5.18, 8.69

 

CMYK 11 / 16 / 0 / 52

HEX #6C667A

RGB 108 102 122

HSL 258, 0.09%, 0.44%

LAB 44.37, 6.63, -10.3

 

CMYK 0 / 19 / 72 / 31

HEX #AF8E31

RGB 175 142 49

HSL 44.29, 0.56%, 0.44%

LAB 60.5, 2.58, 51.89

 

CMYK 0 / 0 / 72 / 31

HEX #AFAF31

RGB 175 175 49

HSL 60, 0.56%, 0.44%

LAB 69.47, -14.98, 60.7

 

CMYK 19 / 0 / 72 / 31

HEX #8EAF31

RGB 142 175 49

HSL 75.71, 0.56%, 0.44%

LAB 67, -28.92, 57.46

 

CMYK 38 / 0 / 72 / 31

HEX #6CAF31

RGB 108 175 49

HSL 91.9, 0.56%, 0.44%

LAB 65.02, -41.9, 54.82

 

CMYK 57 / 0 / 72 / 31

HEX #4BAF31

RGB 75 175 49

HSL 107.62, 0.56%, 0.44%

LAB 63.65, -52.08, 52.99

 

CMYK 20 / 0 / 72 / 56

HEX #596F1F

RGB 89 111 31

HSL 76.5, 0.56%, 0.28%

LAB 43.64, -20.63, 39.91

 

CMYK 20 / 0 / 72 / 44

HEX #738F28

RGB 115 143 40

HSL 76.31, 0.56%, 0.36%

LAB 55.53, -25.07, 48.85

 

CMYK 19 / 0 / 72 / 31

HEX #8DAF31

RGB 141 175 49

HSL 76.19, 0.56%, 0.44%

LAB 66.93, -29.32, 57.37

 

CMYK 18 / 0 / 68 / 21

HEX #A4C940

RGB 164 201 64

HSL 76.2, 0.56%, 0.52%

LAB 76.09, -31.46, 61.44

 

CMYK 15 / 0 / 54 / 18

HEX #B3D261

RGB 179 210 97

HSL 76.46, 0.56%, 0.6%

LAB 79.92, -27.26, 51.85

 

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

CMYK 72 / 0 / 38 / 31

HEX #31AF6C

RGB 49 175 108

HSL 148.1, 0.56%, 0.44%

LAB 63.67, -49.5, 24.77

 

CMYK 10 / 72 / 0 / 31

HEX #9E31AF

RGB 158 49 175

HSL 291.9, 0.56%, 0.44%

LAB 42.09, 60.89, -45.16

 

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

CMYK 72 / 19 / 0 / 31

HEX #318EAF

RGB 49 142 175

HSL 195.71, 0.56%, 0.44%

LAB 55.17, -16.07, -25.19

 

CMYK 0 / 72 / 19 / 31

HEX #AF318E

RGB 175 49 142

HSL 315.71, 0.56%, 0.44%

LAB 43.16, 59.54, -23.51

 

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

CMYK 72 / 0 / 38 / 31

HEX #31AF6C

RGB 49 175 108

HSL 148.1, 0.56%, 0.44%

LAB 63.67, -49.5, 24.77

 

CMYK 53 / 72 / 0 / 31

HEX #5331AF

RGB 83 49 175

HSL 256.19, 0.56%, 0.44%

LAB 32.1, 46.27, -61.82

 

CMYK 0 / 72 / 34 / 31

HEX #AF3174

RGB 175 49 116

HSL 328.1, 0.56%, 0.44%

LAB 42.11, 56.19, -9.15

 

CMYK 20 / 0 / 72 / 32

HEX #8BAD31

RGB 139 173 49

HSL 76.45, 0.56%, 0.44%

LAB 66.21, -29.18, 56.61

 

CMYK 72 / 0 / 17 / 31

HEX #31AF92

RGB 49 175 146

HSL 166.19, 0.56%, 0.44%

LAB 64.47, -40.88, 5.1

 

CMYK 53 / 72 / 0 / 31

HEX #5331AF

RGB 83 49 175

HSL 256.19, 0.56%, 0.44%

LAB 32.1, 46.27, -61.82

 

CMYK 0 / 72 / 55 / 31

HEX #AF314F

RGB 175 49 79

HSL 345.71, 0.56%, 0.44%

LAB 41.02, 52.57, 12.41

 

Description

Color code: HEX #8BAD31 | qconv.com Color code: HEX #8BAD31 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 173 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 173 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 72 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 72% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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