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Color name
HEX #8BAA16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BAA16 it is the complementary color #7455E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BAA16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BAA16 shade: #90AA11, #A1BC24, #B2CE37, #C3E04A and #D4F25D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BAA16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BAA16 shade: #8BAA16, #7A9803, #698600, #587400 and #476200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BAA16 shade: #8CAC16, #ACA316, #AC7A16, #AC5216 and #AC2A16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BAA16 shade: #8CAC16, #64AC16, #3CAC16, #16AC19 and #16AC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BAA16 shade matches the following richer shades: #8CAC16 and #95BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BAA16 shade: #8CAC16, #839C26, #7A8C36, #717C45 and #686D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BAA16 shade: #AC7A16, #ACA216, #8EAC16, #66AC16 and #3EAC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BAA16 shade: #51620D, #6E8712, #8CAC16, #AAD01B and #BEE430

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BAA16 shade: #8BAA16, #16AC52 and #8E16AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BAA16 shade: #8BAA16, #168EAC and #AC168E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BAA16 shade: #8BAA16, #16AC52, #3416AC and #AC1670

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BAA16 shade: #8BAA16, #16AC7F, #3416AC and #AC1643

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

Complementary color

CMYK 50 / 64 / 0 / 9

HEX #7455E9

RGB 116 85 233

HSL 252.57, 0.77%, 0.62%

LAB 47.1, 49.07, -70.83

 

CMYK 15 / 0 / 90 / 33

HEX #90AA11

RGB 144 170 17

HSL 70.2, 0.82%, 0.37%

LAB 65.53, -26.94, 65.05

 

CMYK 14 / 0 / 81 / 26

HEX #A1BC24

RGB 161 188 36

HSL 70.66, 0.68%, 0.44%

LAB 72.01, -27.92, 66.74

 

CMYK 14 / 0 / 73 / 19

HEX #B2CE37

RGB 178 206 55

HSL 71.13, 0.61%, 0.51%

LAB 78.39, -28.71, 67.27

 

CMYK 13 / 0 / 67 / 12

HEX #C3E04A

RGB 195 224 74

HSL 71.6, 0.71%, 0.58%

LAB 84.69, -29.33, 67.09

 

CMYK 12 / 0 / 62 / 5

HEX #D4F25D

RGB 212 242 93

HSL 72.08, 0.85%, 0.66%

LAB 90.91, -29.83, 66.51

 

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

CMYK 20 / 0 / 98 / 40

HEX #7A9803

RGB 122 152 3

HSL 72.08, 0.96%, 0.3%

LAB 58.6, -27.83, 61.02

 

CMYK 22 / 0 / 100 / 47

HEX #698600

RGB 105 134 0

HSL 72.99, 1%, 0.26%

LAB 51.9, -26.42, 55.9

 

CMYK 24 / 0 / 100 / 55

HEX #587400

RGB 88 116 0

HSL 74.48, 1%, 0.23%

LAB 45.03, -24.93, 50.18

 

CMYK 28 / 0 / 100 / 62

HEX #476200

RGB 71 98 0

HSL 76.53, 1%, 0.19%

LAB 37.98, -23.41, 44.31

 

CMYK 19 / 0 / 87 / 33

HEX #8CAC16

RGB 140 172 22

HSL 72.8, 0.77%, 0.38%

LAB 65.86, -29.45, 64.24

 

CMYK 0 / 5 / 87 / 33

HEX #ACA316

RGB 172 163 22

HSL 56.4, 0.77%, 0.38%

LAB 65.77, -11.05, 65.19

 

CMYK 0 / 29 / 87 / 33

HEX #AC7A16

RGB 172 122 22

HSL 40, 0.77%, 0.38%

LAB 54.81, 11.32, 56.28

 

CMYK 0 / 52 / 87 / 33

HEX #AC5216

RGB 172 82 22

HSL 24, 0.77%, 0.38%

LAB 45.45, 33.41, 48.61

 

CMYK 0 / 76 / 87 / 33

HEX #AC2A16

RGB 172 42 22

HSL 8, 0.77%, 0.38%

LAB 38.7, 51.29, 43.03

 

CMYK 19 / 0 / 87 / 33

HEX #8CAC16

RGB 140 172 22

HSL 72.8, 0.77%, 0.38%

LAB 65.86, -29.45, 64.24

 

CMYK 42 / 0 / 87 / 33

HEX #64AC16

RGB 100 172 22

HSL 88.8, 0.77%, 0.38%

LAB 63.57, -44.81, 61.39

 

CMYK 65 / 0 / 87 / 33

HEX #3CAC16

RGB 60 172 22

HSL 104.8, 0.77%, 0.38%

LAB 62.1, -56.27, 59.55

 

CMYK 87 / 0 / 85 / 33

HEX #16AC19

RGB 22 172 25

HSL 121.2, 0.77%, 0.38%

LAB 61.43, -62.02, 58.01

 

CMYK 87 / 0 / 62 / 33

HEX #16AC41

RGB 22 172 65

HSL 137.2, 0.77%, 0.38%

LAB 61.7, -58.64, 43.86

 

CMYK 19 / 0 / 87 / 33

HEX #8CAC16

RGB 140 172 22

HSL 72.8, 0.77%, 0.38%

LAB 65.86, -29.45, 64.24

 

CMYK 20 / 0 / 96 / 27

HEX #95BB07

RGB 149 187 7

HSL 72.67, 0.93%, 0.38%

LAB 70.83, -33.08, 70.73

 

CMYK 19 / 0 / 87 / 33

HEX #8CAC16

RGB 140 172 22

HSL 72.8, 0.77%, 0.38%

LAB 65.86, -29.45, 64.24

 

CMYK 16 / 0 / 76 / 39

HEX #839C26

RGB 131 156 38

HSL 72.71, 0.61%, 0.38%

LAB 60.55, -24.86, 54.87

 

CMYK 13 / 0 / 61 / 45

HEX #7A8C36

RGB 122 140 54

HSL 72.56, 0.44%, 0.38%

LAB 55.24, -19.55, 42.67

 

CMYK 9 / 0 / 44 / 51

HEX #717C45

RGB 113 124 69

HSL 72, 0.28%, 0.38%

LAB 49.92, -13.41, 28.6

 

CMYK 5 / 0 / 22 / 57

HEX #686D55

RGB 104 109 85

HSL 72.5, 0.12%, 0.38%

LAB 44.99, -6.5, 12.8

 

CMYK 0 / 29 / 87 / 33

HEX #AC7A16

RGB 172 122 22

HSL 40, 0.77%, 0.38%

LAB 54.81, 11.32, 56.28

 

CMYK 0 / 6 / 87 / 33

HEX #ACA216

RGB 172 162 22

HSL 56, 0.77%, 0.38%

LAB 65.49, -10.52, 64.97

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC16

RGB 142 172 22

HSL 72, 0.77%, 0.38%

LAB 65.99, -28.62, 64.41

 

CMYK 41 / 0 / 87 / 33

HEX #66AC16

RGB 102 172 22

HSL 88, 0.77%, 0.38%

LAB 63.66, -44.12, 61.51

 

CMYK 64 / 0 / 87 / 33

HEX #3EAC16

RGB 62 172 22

HSL 104, 0.77%, 0.38%

LAB 62.16, -55.82, 59.62

 

CMYK 17 / 0 / 87 / 62

HEX #51620D

RGB 81 98 13

HSL 72, 0.77%, 0.22%

LAB 38.75, -18.39, 41.65

 

CMYK 19 / 0 / 87 / 47

HEX #6E8712

RGB 110 135 18

HSL 72.82, 0.76%, 0.3%

LAB 52.6, -24.29, 53.13

 

CMYK 19 / 0 / 87 / 33

HEX #8CAC16

RGB 140 172 22

HSL 72.8, 0.77%, 0.38%

LAB 65.86, -29.45, 64.24

 

CMYK 18 / 0 / 87 / 18

HEX #AAD01B

RGB 170 208 27

HSL 72.6, 0.77%, 0.46%

LAB 78.31, -33.91, 74.41

 

CMYK 17 / 0 / 79 / 11

HEX #BEE430

RGB 190 228 48

HSL 72.67, 0.77%, 0.54%

LAB 85.33, -34.44, 76.09

 

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

CMYK 87 / 0 / 52 / 33

HEX #16AC52

RGB 22 172 82

HSL 144, 0.77%, 0.38%

LAB 61.9, -56.25, 35.95

 

CMYK 17 / 87 / 0 / 33

HEX #8E16AC

RGB 142 22 172

HSL 288, 0.77%, 0.38%

LAB 36.56, 65.22, -52.41

 

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

CMYK 87 / 17 / 0 / 33

HEX #168EAC

RGB 22 142 172

HSL 192, 0.77%, 0.38%

LAB 54.55, -19.91, -24.47

 

CMYK 0 / 87 / 17 / 33

HEX #AC168E

RGB 172 22 142

HSL 312, 0.77%, 0.38%

LAB 40.08, 66.13, -28.35

 

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

CMYK 87 / 0 / 52 / 33

HEX #16AC52

RGB 22 172 82

HSL 144, 0.77%, 0.38%

LAB 61.9, -56.25, 35.95

 

CMYK 70 / 87 / 0 / 33

HEX #3416AC

RGB 52 22 172

HSL 252, 0.77%, 0.38%

LAB 24.58, 54.22, -72.52

 

CMYK 0 / 87 / 35 / 33

HEX #AC1670

RGB 172 22 112

HSL 324, 0.77%, 0.38%

LAB 38.75, 62.51, -11.78

 

CMYK 18 / 0 / 87 / 33

HEX #8BAA16

RGB 139 170 22

HSL 72.57, 0.77%, 0.38%

LAB 65.2, -28.92, 63.67

 

CMYK 87 / 0 / 26 / 33

HEX #16AC7F

RGB 22 172 127

HSL 162, 0.77%, 0.38%

LAB 62.68, -47.24, 13.02

 

CMYK 70 / 87 / 0 / 33

HEX #3416AC

RGB 52 22 172

HSL 252, 0.77%, 0.38%

LAB 24.58, 54.22, -72.52

 

CMYK 0 / 87 / 61 / 33

HEX #AC1643

RGB 172 22 67

HSL 342, 0.77%, 0.38%

LAB 37.39, 58.66, 15

 

Description

Color code: HEX #8BAA16 | qconv.com Color code: HEX #8BAA16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 170 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 170 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 87% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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