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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BA1DF it is the complementary color #745E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BA1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BA1DF shade: #90A1DA, #A1B3ED, #B2C5FF, #C3D7FF and #D4E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BA1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BA1DF shade: #8BA1DF, #7A8FCC, #697DB9, #586BA6 and #475993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BA1DF shade: #8AA0DF, #8B8ADF, #A28ADF, #B98ADF and #CF8ADF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BA1DF shade: #8AA0DF and #8A8ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BA1DF shade matches the following richer shades: #8AA0DF, #7E9BEB and #7295F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BA1DF shade: #8AA0DF, #96A6D3, #A2ACC7, #AEB2BB and #BAB7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BA1DF shade: #8ACEDF, #8AB7DF, #8AA1DF, #8A8ADF and #A18ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BA1DF shade: #4A6CCD, #6A86D6, #8AA0DF, #ABBBE8 and #CBD5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BA1DF shade: #8BA1DF, #D98ADF and #C3DF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BA1DF shade: #8BA1DF, #DF8AA1 and #A1DF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BA1DF shade: #8BA1DF, #D98ADF, #DFC88A and #90DF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BA1DF shade: #8BA1DF, #DF8ACB, #DFC88A and #8ADF9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

Complementary color

CMYK 0 / 19 / 72 / 55

HEX #745E20

RGB 116 94 32

HSL 44.29, 0.57%, 0.29%

LAB 40.93, 1.65, 37.46

 

CMYK 34 / 26 / 0 / 15

HEX #90A1DA

RGB 144 161 218

HSL 226.22, 0.5%, 0.71%

LAB 66.89, 7.49, -30.87

 

CMYK 32 / 24 / 0 / 7

HEX #A1B3ED

RGB 161 179 237

HSL 225.79, 0.68%, 0.78%

LAB 73.5, 7.08, -30.96

 

CMYK 30 / 23 / 0 / 0

HEX #B2C5FF

RGB 178 197 255

HSL 225.19, 1%, 0.85%

LAB 79.96, 6.47, -30.6

 

CMYK 24 / 16 / 0 / 0

HEX #C3D7FF

RGB 195 215 255

HSL 220, 1%, 0.88%

LAB 85.72, 1.75, -21.72

 

CMYK 17 / 9 / 0 / 0

HEX #D4E9FF

RGB 212 233 255

HSL 210.7, 1%, 0.92%

LAB 91.46, -2.5, -12.97

 

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

CMYK 40 / 30 / 0 / 20

HEX #7A8FCC

RGB 122 143 204

HSL 224.63, 0.45%, 0.64%

LAB 60.02, 7.97, -33.85

 

CMYK 43 / 32 / 0 / 27

HEX #697DB9

RGB 105 125 185

HSL 225, 0.36%, 0.57%

LAB 53.14, 8.59, -33.88

 

CMYK 47 / 36 / 0 / 35

HEX #586BA6

RGB 88 107 166

HSL 225.38, 0.31%, 0.5%

LAB 46.1, 9.35, -33.97

 

CMYK 52 / 39 / 0 / 42

HEX #475993

RGB 71 89 147

HSL 225.79, 0.35%, 0.43%

LAB 38.88, 10.29, -34.12

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DF

RGB 138 160 223

HSL 224.47, 0.57%, 0.71%

LAB 66.42, 7.73, -34.38

 

CMYK 38 / 38 / 0 / 13

HEX #8B8ADF

RGB 139 138 223

HSL 240.71, 0.57%, 0.71%

LAB 60.78, 20.69, -43.2

 

CMYK 27 / 38 / 0 / 13

HEX #A28ADF

RGB 162 138 223

HSL 256.94, 0.57%, 0.71%

LAB 62.66, 27.02, -40.11

 

CMYK 17 / 38 / 0 / 13

HEX #B98ADF

RGB 185 138 223

HSL 273.18, 0.57%, 0.71%

LAB 64.82, 33.73, -36.58

 

CMYK 7 / 38 / 0 / 13

HEX #CF8ADF

RGB 207 138 223

HSL 288.71, 0.57%, 0.71%

LAB 67.1, 40.35, -32.85

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DF

RGB 138 160 223

HSL 224.47, 0.57%, 0.71%

LAB 66.42, 7.73, -34.38

 

CMYK 38 / 38 / 0 / 13

HEX #8A8ADF

RGB 138 138 223

HSL 240, 0.57%, 0.71%

LAB 60.7, 20.42, -43.33

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DF

RGB 138 160 223

HSL 224.47, 0.57%, 0.71%

LAB 66.42, 7.73, -34.38

 

CMYK 46 / 34 / 0 / 8

HEX #7E9BEB

RGB 126 155 235

HSL 224.04, 0.73%, 0.71%

LAB 64.86, 10.92, -43.48

 

CMYK 54 / 40 / 0 / 3

HEX #7295F7

RGB 114 149 247

HSL 224.21, 0.89%, 0.71%

LAB 63.17, 15.35, -52.8

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DF

RGB 138 160 223

HSL 224.47, 0.57%, 0.71%

LAB 66.42, 7.73, -34.38

 

CMYK 29 / 21 / 0 / 17

HEX #96A6D3

RGB 150 166 211

HSL 224.26, 0.41%, 0.71%

LAB 68.36, 4.64, -24.71

 

CMYK 19 / 14 / 0 / 22

HEX #A2ACC7

RGB 162 172 199

HSL 223.78, 0.25%, 0.71%

LAB 70.39, 2.19, -14.92

 

CMYK 7 / 5 / 0 / 27

HEX #AEB2BB

RGB 174 178 187

HSL 221.54, 0.09%, 0.71%

LAB 72.51, 0.36, -5.07

 

CMYK 0 / 2 / 6 / 27

HEX #BAB7AF

RGB 186 183 175

HSL 43.64, 0.07%, 0.71%

LAB 74.45, -0.38, 4.43

 

CMYK 38 / 8 / 0 / 13

HEX #8ACEDF

RGB 138 206 223

HSL 192, 0.57%, 0.71%

LAB 78.97, -17.15, -15.2

 

CMYK 38 / 18 / 0 / 13

HEX #8AB7DF

RGB 138 183 223

HSL 208.24, 0.57%, 0.71%

LAB 72.63, -5.04, -24.82

 

CMYK 38 / 28 / 0 / 13

HEX #8AA1DF

RGB 138 161 223

HSL 223.76, 0.57%, 0.71%

LAB 66.69, 7.17, -33.97

 

CMYK 38 / 38 / 0 / 13

HEX #8A8ADF

RGB 138 138 223

HSL 240, 0.57%, 0.71%

LAB 60.7, 20.42, -43.33

 

CMYK 28 / 38 / 0 / 13

HEX #A18ADF

RGB 161 138 223

HSL 256.24, 0.57%, 0.71%

LAB 62.58, 26.74, -40.25

 

CMYK 64 / 47 / 0 / 20

HEX #4A6CCD

RGB 74 108 205

HSL 224.43, 0.57%, 0.55%

LAB 47.74, 18.68, -54.03

 

CMYK 50 / 37 / 0 / 16

HEX #6A86D6

RGB 106 134 214

HSL 224.44, 0.57%, 0.63%

LAB 57.05, 12.23, -44.2

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DF

RGB 138 160 223

HSL 224.47, 0.57%, 0.71%

LAB 66.42, 7.73, -34.38

 

CMYK 26 / 19 / 0 / 9

HEX #ABBBE8

RGB 171 187 232

HSL 224.26, 0.57%, 0.79%

LAB 76.08, 4.36, -24.23

 

CMYK 15 / 11 / 0 / 6

HEX #CBD5F0

RGB 203 213 240

HSL 223.78, 0.55%, 0.87%

LAB 85.29, 2, -14.38

 

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

CMYK 3 / 38 / 0 / 13

HEX #D98ADF

RGB 217 138 223

HSL 295.76, 0.57%, 0.71%

LAB 68.21, 43.39, -31.05

 

CMYK 13 / 0 / 38 / 13

HEX #C3DF8A

RGB 195 223 138

HSL 79.76, 0.57%, 0.71%

LAB 85.1, -23.01, 38.62

 

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

CMYK 0 / 38 / 28 / 13

HEX #DF8AA1

RGB 223 138 161

HSL 343.76, 0.57%, 0.71%

LAB 66.85, 35.3, 1.63

 

CMYK 28 / 0 / 38 / 13

HEX #A1DF8A

RGB 161 223 138

HSL 103.76, 0.57%, 0.71%

LAB 83.01, -35.15, 35.51

 

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

CMYK 3 / 38 / 0 / 13

HEX #D98ADF

RGB 217 138 223

HSL 295.76, 0.57%, 0.71%

LAB 68.21, 43.39, -31.05

 

CMYK 0 / 10 / 38 / 13

HEX #DFC88A

RGB 223 200 138

HSL 43.76, 0.57%, 0.71%

LAB 81.2, -0.61, 33.97

 

CMYK 35 / 0 / 38 / 13

HEX #90DF8A

RGB 144 223 138

HSL 115.76, 0.57%, 0.71%

LAB 82.13, -40.7, 34.18

 

CMYK 38 / 28 / 0 / 13

HEX #8BA1DF

RGB 139 161 223

HSL 224.29, 0.57%, 0.71%

LAB 66.75, 7.44, -33.86

 

CMYK 0 / 38 / 9 / 13

HEX #DF8ACB

RGB 223 138 203

HSL 314.12, 0.57%, 0.71%

LAB 68.15, 41.71, -19.98

 

CMYK 0 / 10 / 38 / 13

HEX #DFC88A

RGB 223 200 138

HSL 43.76, 0.57%, 0.71%

LAB 81.2, -0.61, 33.97

 

CMYK 38 / 0 / 29 / 13

HEX #8ADF9E

RGB 138 223 158

HSL 134.12, 0.57%, 0.71%

LAB 82.19, -39.27, 23.95

 

Description

Color code: HEX #8BA1DF | qconv.com Color code: HEX #8BA1DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 161 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 161 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 28 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 28% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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