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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BA02E it is the complementary color #745FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BA02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BA02E shade: #90A029, #A1B23C, #B2C44F, #C3D662 and #D4E875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BA02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BA02E shade: #8BA02E, #7A8E1B, #697C08, #586A00 and #475800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BA02E shade: #899E2E, #9E952E, #9E762E, #9E582E and #9E3A2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BA02E shade: #899E2E, #6B9E2E, #4D9E2E, #2F9E2E and #2E9E4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BA02E shade matches the following richer shades: #899E2E, #94AF1D and #9EBF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BA02E shade: #899E2E, #7F8E3E, #757D4F, #6A6D5F and #605C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BA02E shade: #9E772E, #9E952E, #8A9E2E, #6C9E2E and #4E9E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BA02E shade: #525E1B, #6E7E25, #899E2E, #A5BE37 and #B6CD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BA02E shade: #8BA02E, #2E9E59 and #862E9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BA02E shade: #8BA02E, #2E8A9E and #9E2E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BA02E shade: #8BA02E, #2E9E59, #422E9E and #9E2E73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BA02E shade: #8BA02E, #2E9E7B, #422E9E and #9E2E51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

Complementary color

CMYK 44 / 55 / 0 / 18

HEX #745FD1

RGB 116 95 209

HSL 251.05, 0.55%, 0.6%

LAB 47.62, 36.44, -56.34

 

CMYK 10 / 0 / 74 / 37

HEX #90A029

RGB 144 160 41

HSL 68.07, 0.59%, 0.39%

LAB 62.7, -21.14, 56.2

 

CMYK 10 / 0 / 66 / 30

HEX #A1B23C

RGB 161 178 60

HSL 68.64, 0.5%, 0.47%

LAB 69.29, -21.84, 55.95

 

CMYK 9 / 0 / 60 / 23

HEX #B2C44F

RGB 178 196 79

HSL 69.23, 0.5%, 0.54%

LAB 75.77, -22.39, 55.22

 

CMYK 9 / 0 / 54 / 16

HEX #C3D662

RGB 195 214 98

HSL 69.83, 0.59%, 0.61%

LAB 82.15, -22.81, 54.27

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

CMYK 14 / 0 / 81 / 44

HEX #7A8E1B

RGB 122 142 27

HSL 70.43, 0.68%, 0.33%

LAB 55.65, -22.24, 53.66

 

CMYK 15 / 0 / 94 / 51

HEX #697C08

RGB 105 124 8

HSL 69.83, 0.88%, 0.26%

LAB 48.8, -21.21, 51.96

 

CMYK 17 / 0 / 100 / 58

HEX #586A00

RGB 88 106 0

HSL 70.19, 1%, 0.21%

LAB 41.82, -19.82, 47.75

 

CMYK 19 / 0 / 100 / 65

HEX #475800

RGB 71 88 0

HSL 71.59, 1%, 0.17%

LAB 34.64, -18.21, 41.77

 

CMYK 13 / 0 / 71 / 38

HEX #899E2E

RGB 137 158 46

HSL 71.25, 0.55%, 0.4%

LAB 61.63, -22.86, 53.13

 

CMYK 0 / 6 / 71 / 38

HEX #9E952E

RGB 158 149 46

HSL 55.18, 0.55%, 0.4%

LAB 60.75, -9, 52.82

 

CMYK 0 / 25 / 71 / 38

HEX #9E762E

RGB 158 118 46

HSL 38.57, 0.55%, 0.4%

LAB 52.31, 8.17, 44.23

 

CMYK 0 / 44 / 71 / 38

HEX #9E582E

RGB 158 88 46

HSL 22.5, 0.55%, 0.4%

LAB 44.87, 25.22, 36.2

 

CMYK 0 / 63 / 71 / 38

HEX #9E3A2E

RGB 158 58 46

HSL 6.43, 0.55%, 0.4%

LAB 38.71, 40.86, 29.2

 

CMYK 13 / 0 / 71 / 38

HEX #899E2E

RGB 137 158 46

HSL 71.25, 0.55%, 0.4%

LAB 61.63, -22.86, 53.13

 

CMYK 32 / 0 / 71 / 38

HEX #6B9E2E

RGB 107 158 46

HSL 87.32, 0.55%, 0.4%

LAB 59.69, -35, 50.54

 

CMYK 51 / 0 / 71 / 38

HEX #4D9E2E

RGB 77 158 46

HSL 103.39, 0.55%, 0.4%

LAB 58.25, -45.25, 48.61

 

CMYK 70 / 0 / 71 / 38

HEX #2F9E2E

RGB 47 158 46

HSL 119.46, 0.55%, 0.4%

LAB 57.32, -52.67, 47.35

 

CMYK 71 / 0 / 53 / 38

HEX #2E9E4B

RGB 46 158 75

HSL 135.54, 0.55%, 0.4%

LAB 57.6, -49.32, 34.27

 

CMYK 13 / 0 / 71 / 38

HEX #899E2E

RGB 137 158 46

HSL 71.25, 0.55%, 0.4%

LAB 61.63, -22.86, 53.13

 

CMYK 15 / 0 / 83 / 31

HEX #94AF1D

RGB 148 175 29

HSL 71.1, 0.72%, 0.4%

LAB 67.31, -27.34, 64.1

 

CMYK 17 / 0 / 93 / 25

HEX #9EBF0D

RGB 158 191 13

HSL 71.12, 0.87%, 0.4%

LAB 72.6, -31.18, 71.69

 

CMYK 13 / 0 / 71 / 38

HEX #899E2E

RGB 137 158 46

HSL 71.25, 0.55%, 0.4%

LAB 61.63, -22.86, 53.13

 

CMYK 11 / 0 / 56 / 44

HEX #7F8E3E

RGB 127 142 62

HSL 71.25, 0.39%, 0.4%

LAB 56.29, -17.75, 40.14

 

CMYK 6 / 0 / 37 / 51

HEX #757D4F

RGB 117 125 79

HSL 70.43, 0.23%, 0.4%

LAB 50.7, -10.97, 24.11

 

CMYK 3 / 0 / 13 / 57

HEX #6A6D5F

RGB 106 109 95

HSL 72.86, 0.07%, 0.4%

LAB 45.4, -3.91, 7.43

 

CMYK 14 / 18 / 0 / 56

HEX #605C70

RGB 96 92 112

HSL 252, 0.1%, 0.4%

LAB 40.1, 6.03, -10.76

 

CMYK 0 / 25 / 71 / 38

HEX #9E772E

RGB 158 119 46

HSL 39.11, 0.55%, 0.4%

LAB 52.58, 7.6, 44.5

 

CMYK 0 / 6 / 71 / 38

HEX #9E952E

RGB 158 149 46

HSL 55.18, 0.55%, 0.4%

LAB 60.75, -9, 52.82

 

CMYK 13 / 0 / 71 / 38

HEX #8A9E2E

RGB 138 158 46

HSL 70.71, 0.55%, 0.4%

LAB 61.7, -22.43, 53.23

 

CMYK 32 / 0 / 71 / 38

HEX #6C9E2E

RGB 108 158 46

HSL 86.79, 0.55%, 0.4%

LAB 59.74, -34.62, 50.62

 

CMYK 51 / 0 / 71 / 38

HEX #4E9E2E

RGB 78 158 46

HSL 102.86, 0.55%, 0.4%

LAB 58.29, -44.95, 48.67

 

CMYK 13 / 0 / 71 / 63

HEX #525E1B

RGB 82 94 27

HSL 70.75, 0.55%, 0.24%

LAB 37.62, -14.97, 35.32

 

CMYK 13 / 0 / 71 / 51

HEX #6E7E25

RGB 110 126 37

HSL 70.79, 0.55%, 0.32%

LAB 49.94, -18.77, 44.31

 

CMYK 13 / 0 / 71 / 38

HEX #899E2E

RGB 137 158 46

HSL 71.25, 0.55%, 0.4%

LAB 61.63, -22.86, 53.13

 

CMYK 13 / 0 / 71 / 25

HEX #A5BE37

RGB 165 190 55

HSL 71.11, 0.55%, 0.48%

LAB 72.96, -26.36, 61.68

 

CMYK 11 / 0 / 60 / 20

HEX #B6CD52

RGB 182 205 82

HSL 71.22, 0.55%, 0.56%

LAB 78.59, -24.93, 57.11

 

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

CMYK 71 / 0 / 44 / 38

HEX #2E9E59

RGB 46 158 89

HSL 143.04, 0.55%, 0.4%

LAB 57.8, -46.98, 27.22

 

CMYK 15 / 71 / 0 / 38

HEX #862E9E

RGB 134 46 158

HSL 287.14, 0.55%, 0.4%

LAB 36.91, 53.53, -43.5

 

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

CMYK 71 / 13 / 0 / 38

HEX #2E8A9E

RGB 46 138 158

HSL 190.71, 0.55%, 0.4%

LAB 53.2, -19.98, -18.45

 

CMYK 0 / 71 / 13 / 38

HEX #9E2E8A

RGB 158 46 138

HSL 310.71, 0.55%, 0.4%

LAB 39.68, 55.73, -26.7

 

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

CMYK 71 / 0 / 44 / 38

HEX #2E9E59

RGB 46 158 89

HSL 143.04, 0.55%, 0.4%

LAB 57.8, -46.98, 27.22

 

CMYK 58 / 71 / 0 / 38

HEX #422E9E

RGB 66 46 158

HSL 250.71, 0.55%, 0.4%

LAB 28.33, 40.11, -57.82

 

CMYK 0 / 71 / 27 / 38

HEX #9E2E73

RGB 158 46 115

HSL 323.04, 0.55%, 0.4%

LAB 38.66, 52.45, -14.05

 

CMYK 13 / 0 / 71 / 37

HEX #8BA02E

RGB 139 160 46

HSL 71.05, 0.55%, 0.4%

LAB 62.36, -23.01, 53.91

 

CMYK 71 / 0 / 22 / 38

HEX #2E9E7B

RGB 46 158 123

HSL 161.25, 0.55%, 0.4%

LAB 58.48, -39.7, 9.37

 

CMYK 58 / 71 / 0 / 38

HEX #422E9E

RGB 66 46 158

HSL 250.71, 0.55%, 0.4%

LAB 28.33, 40.11, -57.82

 

CMYK 0 / 71 / 49 / 38

HEX #9E2E51

RGB 158 46 81

HSL 341.25, 0.55%, 0.4%

LAB 37.51, 48.62, 5.77

 

Description

Color code: HEX #8BA02E | qconv.com Color code: HEX #8BA02E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 160 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 160 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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