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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B99BE it is the complementary color #746641. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B99BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B99BE shade: #9099B9, #A1ABCC, #B2BDDF, #C3CFF2 and #D4E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B99BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B99BE shade: #8B99BE, #7A87AB, #697598, #586385 and #475172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B99BE shade: #8D9ABF, #8D8DBF, #9A8DBF, #A78DBF and #B58DBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B99BE shade: #8D9ABF and #8D8DBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B99BE shade matches the following richer shades: #8D9ABF, #7E94CD, #708DDC, #6187EA and #5380F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B99BE shade: #8D9ABF, #9BA1B0, #AAA8A2, #B8AE93 and #C7B585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B99BE shade: #8DB6BF, #8DA8BF, #8D9BBF, #8D8EBF and #998DBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B99BE shade: #5A6D9F, #7283B0, #8D9ABF, #A7B2CE and #C2C9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B99BE shade: #8B99BE, #BB8DBF and #AFBF8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B99BE shade: #8B99BE, #BF8D9B and #9BBF8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B99BE shade: #8B99BE, #BB8DBF, #BFB18D and #91BF8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B99BE shade: #8B99BE, #BF8DB4, #BFB18D and #8DBF98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

Complementary color

CMYK 0 / 12 / 44 / 55

HEX #746641

RGB 116 102 65

HSL 43.53, 0.28%, 0.35%

LAB 43.65, -0.11, 22.93

 

CMYK 22 / 17 / 0 / 27

HEX #9099B9

RGB 144 153 185

HSL 226.83, 0.23%, 0.65%

LAB 63.52, 3.8, -17.66

 

CMYK 21 / 16 / 0 / 20

HEX #A1ABCC

RGB 161 171 204

HSL 226.05, 0.3%, 0.72%

LAB 70.22, 3.56, -17.95

 

CMYK 20 / 15 / 0 / 13

HEX #B2BDDF

RGB 178 189 223

HSL 225.33, 0.41%, 0.79%

LAB 76.79, 3.33, -18.25

 

CMYK 19 / 14 / 0 / 5

HEX #C3CFF2

RGB 195 207 242

HSL 224.68, 0.64%, 0.86%

LAB 83.25, 3.11, -18.56

 

CMYK 17 / 12 / 0 / 0

HEX #D4E1FF

RGB 212 225 255

HSL 221.86, 1%, 0.92%

LAB 89.42, 1.64, -16.01

 

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

CMYK 29 / 21 / 0 / 33

HEX #7A87AB

RGB 122 135 171

HSL 224.08, 0.23%, 0.57%

LAB 56.49, 3.74, -20.57

 

CMYK 31 / 23 / 0 / 40

HEX #697598

RGB 105 117 152

HSL 224.68, 0.19%, 0.5%

LAB 49.49, 4.08, -20.39

 

CMYK 34 / 26 / 0 / 48

HEX #586385

RGB 88 99 133

HSL 225.33, 0.2%, 0.43%

LAB 42.3, 4.48, -20.25

 

CMYK 38 / 29 / 0 / 55

HEX #475172

RGB 71 81 114

HSL 226.05, 0.23%, 0.36%

LAB 34.88, 4.96, -20.17

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABF

RGB 141 154 191

HSL 224.4, 0.28%, 0.65%

LAB 63.78, 3.74, -20.64

 

CMYK 26 / 26 / 0 / 25

HEX #8D8DBF

RGB 141 141 191

HSL 240, 0.28%, 0.65%

LAB 60.31, 11.16, -25.96

 

CMYK 19 / 26 / 0 / 25

HEX #9A8DBF

RGB 154 141 191

HSL 255.6, 0.28%, 0.65%

LAB 61.38, 15.23, -24.23

 

CMYK 13 / 26 / 0 / 25

HEX #A78DBF

RGB 167 141 191

HSL 271.2, 0.28%, 0.65%

LAB 62.53, 19.43, -22.37

 

CMYK 5 / 26 / 0 / 25

HEX #B58DBF

RGB 181 141 191

HSL 288, 0.28%, 0.65%

LAB 63.86, 24.05, -20.21

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABF

RGB 141 154 191

HSL 224.4, 0.28%, 0.65%

LAB 63.78, 3.74, -20.64

 

CMYK 26 / 26 / 0 / 25

HEX #8D8DBF

RGB 141 141 191

HSL 240, 0.28%, 0.65%

LAB 60.31, 11.16, -25.96

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABF

RGB 141 154 191

HSL 224.4, 0.28%, 0.65%

LAB 63.78, 3.74, -20.64

 

CMYK 39 / 28 / 0 / 20

HEX #7E94CD

RGB 126 148 205

HSL 223.29, 0.44%, 0.65%

LAB 61.67, 6.44, -31.81

 

CMYK 49 / 36 / 0 / 14

HEX #708DDC

RGB 112 141 220

HSL 223.89, 0.61%, 0.65%

LAB 59.58, 11.31, -43.54

 

CMYK 59 / 42 / 0 / 8

HEX #6187EA

RGB 97 135 234

HSL 223.36, 0.77%, 0.65%

LAB 57.86, 16.1, -54.12

 

CMYK 67 / 49 / 0 / 2

HEX #5380F9

RGB 83 128 249

HSL 223.73, 0.93%, 0.65%

LAB 56.2, 22.98, -65.12

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABF

RGB 141 154 191

HSL 224.4, 0.28%, 0.65%

LAB 63.78, 3.74, -20.64

 

CMYK 12 / 9 / 0 / 31

HEX #9BA1B0

RGB 155 161 176

HSL 222.86, 0.12%, 0.65%

LAB 66.21, 0.94, -8.49

 

CMYK 0 / 1 / 5 / 33

HEX #AAA8A2

RGB 170 168 162

HSL 45, 0.04%, 0.65%

LAB 68.87, -0.39, 3.34

 

CMYK 0 / 5 / 20 / 28

HEX #B8AE93

RGB 184 174 147

HSL 43.78, 0.21%, 0.65%

LAB 71.26, -0.9, 15.16

 

CMYK 0 / 9 / 33 / 22

HEX #C7B585

RGB 199 181 133

HSL 43.64, 0.37%, 0.65%

LAB 74.12, -0.73, 26.83

 

CMYK 26 / 5 / 0 / 25

HEX #8DB6BF

RGB 141 182 191

HSL 190.8, 0.28%, 0.65%

LAB 71.47, -11.58, -9.05

 

CMYK 26 / 12 / 0 / 25

HEX #8DA8BF

RGB 141 168 191

HSL 207.6, 0.28%, 0.65%

LAB 67.6, -4.04, -14.86

 

CMYK 26 / 19 / 0 / 25

HEX #8D9BBF

RGB 141 155 191

HSL 223.2, 0.28%, 0.65%

LAB 64.05, 3.18, -20.23

 

CMYK 26 / 26 / 0 / 25

HEX #8D8EBF

RGB 141 142 191

HSL 238.8, 0.28%, 0.65%

LAB 60.58, 10.59, -25.55

 

CMYK 20 / 26 / 0 / 25

HEX #998DBF

RGB 153 141 191

HSL 254.4, 0.28%, 0.65%

LAB 61.29, 14.91, -24.37

 

CMYK 43 / 31 / 0 / 38

HEX #5A6D9F

RGB 90 109 159

HSL 223.48, 0.28%, 0.49%

LAB 46.46, 6.51, -29.27

 

CMYK 35 / 26 / 0 / 31

HEX #7283B0

RGB 114 131 176

HSL 223.55, 0.28%, 0.57%

LAB 55.02, 4.99, -25.75

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABF

RGB 141 154 191

HSL 224.4, 0.28%, 0.65%

LAB 63.78, 3.74, -20.64

 

CMYK 19 / 14 / 0 / 19

HEX #A7B2CE

RGB 167 178 206

HSL 223.08, 0.28%, 0.73%

LAB 72.57, 2.06, -15.45

 

CMYK 12 / 9 / 0 / 14

HEX #C2C9DC

RGB 194 201 220

HSL 223.85, 0.27%, 0.81%

LAB 80.97, 1.34, -10.25

 

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

CMYK 2 / 26 / 0 / 25

HEX #BB8DBF

RGB 187 141 191

HSL 295.2, 0.28%, 0.65%

LAB 64.46, 26.05, -19.24

 

CMYK 8 / 0 / 26 / 25

HEX #AFBF8D

RGB 175 191 141

HSL 79.2, 0.28%, 0.65%

LAB 75.01, -14.14, 23.46

 

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

CMYK 0 / 26 / 19 / 25

HEX #BF8D9B

RGB 191 141 155

HSL 343.2, 0.28%, 0.65%

LAB 63.75, 21.1, 0.06

 

CMYK 19 / 0 / 26 / 25

HEX #9BBF8D

RGB 155 191 141

HSL 103.2, 0.28%, 0.65%

LAB 73.64, -21.46, 21.37

 

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

CMYK 2 / 26 / 0 / 25

HEX #BB8DBF

RGB 187 141 191

HSL 295.2, 0.28%, 0.65%

LAB 64.46, 26.05, -19.24

 

CMYK 0 / 7 / 26 / 25

HEX #BFB18D

RGB 191 177 141

HSL 43.2, 0.28%, 0.65%

LAB 72.52, -0.68, 20.26

 

CMYK 24 / 0 / 26 / 25

HEX #91BF8D

RGB 145 191 141

HSL 115.2, 0.28%, 0.65%

LAB 73.03, -24.96, 20.42

 

CMYK 27 / 19 / 0 / 25

HEX #8B99BE

RGB 139 153 190

HSL 223.53, 0.28%, 0.65%

LAB 63.33, 3.45, -20.78

 

CMYK 0 / 26 / 6 / 25

HEX #BF8DB4

RGB 191 141 180

HSL 313.2, 0.28%, 0.65%

LAB 64.5, 25.35, -12.96

 

CMYK 0 / 7 / 26 / 25

HEX #BFB18D

RGB 191 177 141

HSL 43.2, 0.28%, 0.65%

LAB 72.52, -0.68, 20.26

 

CMYK 26 / 0 / 20 / 25

HEX #8DBF98

RGB 141 191 152

HSL 133.2, 0.28%, 0.65%

LAB 73.02, -24.35, 14.46

 

Description

Color code: HEX #8B99BE | qconv.com Color code: HEX #8B99BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 153 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 153 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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