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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B86F5 it is the complementary color #74790A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B86F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B86F5 shade: #9086F0, #A198FF, #B2AAFF, #C3BCFF and #D4CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B86F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B86F5 shade: #8B86F5, #7A74E2, #6962CF, #5850BC and #473EA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B86F5 shade: #8984F5, #A884F5, #C684F5, #E584F5 and #F584E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B86F5 shade: #8984F5 and #8484F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B86F5 shade matches the following richer shades: #8984F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B86F5 shade: #8984F5, #938FEA, #9D9AE0, #A7A5D5 and #B0AFCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B86F5 shade: #84BDF5, #849FF5, #8884F5, #A684F5 and #C484F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B86F5 shade: #4038EF, #655EF2, #8984F5, #AEABF8 and #D3D1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B86F5 shade: #8B86F5, #F584DB and #AEF584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B86F5 shade: #8B86F5, #F58884 and #84F588

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B86F5 shade: #8B86F5, #F584DB, #F1F584 and #84F59F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B86F5 shade: #8B86F5, #F584B9, #F1F584 and #84F5C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

Complementary color

CMYK 4 / 0 / 92 / 53

HEX #74790A

RGB 116 121 10

HSL 62.7, 0.85%, 0.26%

LAB 48.77, -14.54, 51.92

 

CMYK 40 / 44 / 0 / 6

HEX #9086F0

RGB 144 134 240

HSL 245.66, 0.78%, 0.73%

LAB 61.02, 28.96, -52.23

 

CMYK 37 / 40 / 0 / 0

HEX #A198FF

RGB 161 152 255

HSL 245.24, 1%, 0.8%

LAB 67.47, 26.95, -50.16

 

CMYK 30 / 33 / 0 / 0

HEX #B2AAFF

RGB 178 170 255

HSL 245.65, 1%, 0.83%

LAB 73.18, 21.34, -41.11

 

CMYK 24 / 26 / 0 / 0

HEX #C3BCFF

RGB 195 188 255

HSL 246.27, 1%, 0.87%

LAB 78.92, 16.27, -32.1

 

CMYK 17 / 19 / 0 / 0

HEX #D4CEFF

RGB 212 206 255

HSL 247.35, 1%, 0.9%

LAB 84.67, 11.67, -23.19

 

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

CMYK 46 / 49 / 0 / 11

HEX #7A74E2

RGB 122 116 226

HSL 243.27, 0.65%, 0.67%

LAB 54.15, 30.3, -55.48

 

CMYK 49 / 53 / 0 / 19

HEX #6962CF

RGB 105 98 207

HSL 243.85, 0.53%, 0.6%

LAB 47.29, 31.63, -55.78

 

CMYK 53 / 57 / 0 / 26

HEX #5850BC

RGB 88 80 188

HSL 244.44, 0.45%, 0.53%

LAB 40.32, 33.16, -56.11

 

CMYK 58 / 63 / 0 / 34

HEX #473EA9

RGB 71 62 169

HSL 245.05, 0.46%, 0.45%

LAB 33.24, 34.93, -56.41

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 31 / 46 / 0 / 4

HEX #A884F5

RGB 168 132 245

HSL 259.12, 0.85%, 0.74%

LAB 62.86, 37.51, -51.94

 

CMYK 19 / 46 / 0 / 4

HEX #C684F5

RGB 198 132 245

HSL 275.04, 0.85%, 0.74%

LAB 65.83, 45.53, -47.05

 

CMYK 7 / 46 / 0 / 4

HEX #E584F5

RGB 229 132 245

HSL 291.5, 0.85%, 0.74%

LAB 69.29, 54.12, -41.37

 

CMYK 0 / 46 / 6 / 4

HEX #F584E7

RGB 245 132 231

HSL 307.43, 0.85%, 0.74%

LAB 70.65, 56.2, -31.42

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 46 / 46 / 0 / 4

HEX #8484F5

RGB 132 132 245

HSL 240, 0.85%, 0.74%

LAB 59.89, 28.69, -56.84

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 37 / 39 / 0 / 8

HEX #938FEA

RGB 147 143 234

HSL 242.64, 0.68%, 0.74%

LAB 63.17, 22.87, -45.5

 

CMYK 30 / 31 / 0 / 12

HEX #9D9AE0

RGB 157 154 224

HSL 242.57, 0.53%, 0.74%

LAB 66.26, 16.7, -35.08

 

CMYK 22 / 23 / 0 / 16

HEX #A7A5D5

RGB 167 165 213

HSL 242.5, 0.36%, 0.74%

LAB 69.42, 10.83, -24.08

 

CMYK 13 / 13 / 0 / 21

HEX #B0AFCA

RGB 176 175 202

HSL 242.22, 0.2%, 0.74%

LAB 72.33, 5.74, -13.55

 

CMYK 46 / 23 / 0 / 4

HEX #84BDF5

RGB 132 189 245

HSL 209.73, 0.85%, 0.74%

LAB 74.76, -3.84, -33.49

 

CMYK 46 / 35 / 0 / 4

HEX #849FF5

RGB 132 159 245

HSL 225.66, 0.85%, 0.74%

LAB 66.74, 12.96, -45.98

 

CMYK 44 / 46 / 0 / 4

HEX #8884F5

RGB 136 132 245

HSL 242.12, 0.85%, 0.74%

LAB 60.19, 29.61, -56.35

 

CMYK 32 / 46 / 0 / 4

HEX #A684F5

RGB 166 132 245

HSL 258.05, 0.85%, 0.74%

LAB 62.68, 36.99, -52.24

 

CMYK 20 / 46 / 0 / 4

HEX #C484F5

RGB 196 132 245

HSL 273.98, 0.85%, 0.74%

LAB 65.62, 44.98, -47.4

 

CMYK 73 / 77 / 0 / 6

HEX #4038EF

RGB 64 56 239

HSL 242.62, 0.85%, 0.58%

LAB 38.11, 59.67, -89.12

 

CMYK 58 / 61 / 0 / 5

HEX #655EF2

RGB 101 94 242

HSL 242.84, 0.85%, 0.66%

LAB 48.49, 44.07, -73.67

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 30 / 31 / 0 / 3

HEX #AEABF8

RGB 174 171 248

HSL 242.34, 0.85%, 0.82%

LAB 72.83, 17.94, -37.89

 

CMYK 16 / 17 / 0 / 2

HEX #D3D1FB

RGB 211 209 251

HSL 242.86, 0.84%, 0.9%

LAB 85.21, 8.92, -20.27

 

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

CMYK 0 / 46 / 11 / 4

HEX #F584DB

RGB 245 132 219

HSL 313.81, 0.85%, 0.74%

LAB 70.2, 54.25, -25.5

 

CMYK 29 / 0 / 46 / 4

HEX #AEF584

RGB 174 245 132

HSL 97.7, 0.85%, 0.74%

LAB 89.85, -41.42, 47.3

 

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

CMYK 0 / 44 / 46 / 4

HEX #F58884

RGB 245 136 132

HSL 2.12, 0.85%, 0.74%

LAB 68.52, 40.98, 20.66

 

CMYK 46 / 0 / 44 / 4

HEX #84F588

RGB 132 245 136

HSL 122.12, 0.85%, 0.74%

LAB 87.96, -53.82, 42.59

 

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

CMYK 0 / 46 / 11 / 4

HEX #F584DB

RGB 245 132 219

HSL 313.81, 0.85%, 0.74%

LAB 70.2, 54.25, -25.5

 

CMYK 2 / 0 / 46 / 4

HEX #F1F584

RGB 241 245 132

HSL 62.12, 0.85%, 0.74%

LAB 94.17, -16.79, 53.58

 

CMYK 46 / 0 / 35 / 4

HEX #84F59F

RGB 132 245 159

HSL 134.34, 0.85%, 0.74%

LAB 88.31, -50.27, 31.67

 

CMYK 43 / 45 / 0 / 4

HEX #8B86F5

RGB 139 134 245

HSL 242.7, 0.85%, 0.74%

LAB 60.9, 29.15, -55.21

 

CMYK 0 / 46 / 24 / 4

HEX #F584B9

RGB 245 132 185

HSL 331.86, 0.85%, 0.74%

LAB 69.05, 49.2, -8.3

 

CMYK 2 / 0 / 46 / 4

HEX #F1F584

RGB 241 245 132

HSL 62.12, 0.85%, 0.74%

LAB 94.17, -16.79, 53.58

 

CMYK 46 / 0 / 22 / 4

HEX #84F5C0

RGB 132 245 192

HSL 151.86, 0.85%, 0.74%

LAB 88.93, -44.18, 15.65

 

Description

Color code: HEX #8B86F5 | qconv.com Color code: HEX #8B86F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 134 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 134 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 45 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 45% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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