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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B86EC it is the complementary color #747913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B86EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B86EC shade: #9086E7, #A198FA, #B2AAFF, #C3BCFF and #D4CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B86EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B86EC shade: #8B86EC, #7A74D9, #6962C6, #5850B3 and #473EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B86EC shade: #8D88EC, #A888EC, #C388EC, #DE88EC and #EC88E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B86EC shade: #8D88EC and #8888EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B86EC shade matches the following richer shades: #8D88EC and #837DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B86EC shade: #8D88EC, #9793E1, #A19ED6, #ABA9CB and #B5B4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B86EC shade: #88BAEC, #889FEC, #8B88EC, #A688EC and #C188EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B86EC shade: #4841E1, #6B64E7, #8D88EC, #AFACF2 and #D1CFF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B86EC shade: #8B86EC, #EC88D5 and #ADEC88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B86EC shade: #8B86EC, #EC8B88 and #88EC8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B86EC shade: #8B86EC, #EC88D5, #E9EC88 and #88EC9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B86EC shade: #8B86EC, #EC88B7, #E9EC88 and #88ECBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

Complementary color

CMYK 4 / 0 / 84 / 53

HEX #747913

RGB 116 121 19

HSL 62.94, 0.73%, 0.27%

LAB 48.8, -14.28, 49.78

 

CMYK 38 / 42 / 0 / 9

HEX #9086E7

RGB 144 134 231

HSL 246.19, 0.67%, 0.72%

LAB 60.56, 26.5, -47.97

 

CMYK 36 / 39 / 0 / 2

HEX #A198FA

RGB 161 152 250

HSL 245.51, 0.91%, 0.79%

LAB 67.23, 25.63, -47.81

 

CMYK 30 / 33 / 0 / 0

HEX #B2AAFF

RGB 178 170 255

HSL 245.65, 1%, 0.83%

LAB 73.18, 21.34, -41.11

 

CMYK 24 / 26 / 0 / 0

HEX #C3BCFF

RGB 195 188 255

HSL 246.27, 1%, 0.87%

LAB 78.92, 16.27, -32.1

 

CMYK 17 / 19 / 0 / 0

HEX #D4CEFF

RGB 212 206 255

HSL 247.35, 1%, 0.9%

LAB 84.67, 11.67, -23.19

 

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

CMYK 44 / 47 / 0 / 15

HEX #7A74D9

RGB 122 116 217

HSL 243.56, 0.57%, 0.65%

LAB 53.64, 27.68, -51.23

 

CMYK 47 / 51 / 0 / 22

HEX #6962C6

RGB 105 98 198

HSL 244.2, 0.47%, 0.58%

LAB 46.73, 28.9, -51.51

 

CMYK 51 / 55 / 0 / 30

HEX #5850B3

RGB 88 80 179

HSL 244.85, 0.39%, 0.51%

LAB 39.69, 30.33, -51.83

 

CMYK 56 / 61 / 0 / 37

HEX #473EA0

RGB 71 62 160

HSL 245.51, 0.44%, 0.44%

LAB 32.53, 31.99, -52.16

 

CMYK 40 / 42 / 0 / 7

HEX #8D88EC

RGB 141 136 236

HSL 243, 0.72%, 0.73%

LAB 61.07, 25.94, -49.95

 

CMYK 29 / 42 / 0 / 7

HEX #A888EC

RGB 168 136 236

HSL 259.2, 0.72%, 0.73%

LAB 63.33, 33.03, -46.22

 

CMYK 17 / 42 / 0 / 7

HEX #C388EC

RGB 195 136 236

HSL 275.4, 0.72%, 0.73%

LAB 65.96, 40.58, -41.92

 

CMYK 6 / 42 / 0 / 7

HEX #DE88EC

RGB 222 136 236

HSL 291.6, 0.72%, 0.73%

LAB 68.89, 48.38, -37.12

 

CMYK 0 / 42 / 5 / 7

HEX #EC88E0

RGB 236 136 224

HSL 307.2, 0.72%, 0.73%

LAB 70.05, 50.37, -28.58

 

CMYK 40 / 42 / 0 / 7

HEX #8D88EC

RGB 141 136 236

HSL 243, 0.72%, 0.73%

LAB 61.07, 25.94, -49.95

 

CMYK 42 / 42 / 0 / 7

HEX #8888EC

RGB 136 136 236

HSL 240, 0.72%, 0.73%

LAB 60.69, 24.71, -50.57

 

CMYK 40 / 42 / 0 / 7

HEX #8D88EC

RGB 141 136 236

HSL 243, 0.72%, 0.73%

LAB 61.07, 25.94, -49.95

 

CMYK 47 / 50 / 0 / 3

HEX #837DF8

RGB 131 125 248

HSL 242.93, 0.9%, 0.73%

LAB 58.29, 33.44, -61.06

 

CMYK 40 / 42 / 0 / 7

HEX #8D88EC

RGB 141 136 236

HSL 243, 0.72%, 0.73%

LAB 61.07, 25.94, -49.95

 

CMYK 33 / 35 / 0 / 12

HEX #9793E1

RGB 151 147 225

HSL 243.08, 0.57%, 0.73%

LAB 64.07, 19.27, -39.09

 

CMYK 25 / 26 / 0 / 16

HEX #A19ED6

RGB 161 158 214

HSL 243.21, 0.41%, 0.73%

LAB 67.19, 13.16, -28.09

 

CMYK 16 / 17 / 0 / 20

HEX #ABA9CB

RGB 171 169 203

HSL 243.53, 0.25%, 0.73%

LAB 70.42, 7.63, -17.02

 

CMYK 6 / 6 / 0 / 25

HEX #B5B4C0

RGB 181 180 192

HSL 245, 0.09%, 0.73%

LAB 73.72, 2.65, -5.96

 

CMYK 42 / 21 / 0 / 7

HEX #88BAEC

RGB 136 186 236

HSL 210, 0.72%, 0.73%

LAB 73.81, -3.71, -30.07

 

CMYK 42 / 33 / 0 / 7

HEX #889FEC

RGB 136 159 236

HSL 226.2, 0.72%, 0.73%

LAB 66.59, 11.37, -41.28

 

CMYK 41 / 42 / 0 / 7

HEX #8B88EC

RGB 139 136 236

HSL 241.8, 0.72%, 0.73%

LAB 60.92, 25.45, -50.2

 

CMYK 30 / 42 / 0 / 7

HEX #A688EC

RGB 166 136 236

HSL 258, 0.72%, 0.73%

LAB 63.15, 32.48, -46.52

 

CMYK 18 / 42 / 0 / 7

HEX #C188EC

RGB 193 136 236

HSL 274.2, 0.72%, 0.73%

LAB 65.75, 40.01, -42.26

 

CMYK 68 / 71 / 0 / 12

HEX #4841E1

RGB 72 65 225

HSL 242.63, 0.73%, 0.57%

LAB 38.89, 51.35, -79.87

 

CMYK 54 / 57 / 0 / 9

HEX #6B64E7

RGB 107 100 231

HSL 243.21, 0.73%, 0.65%

LAB 49.51, 38.19, -65.82

 

CMYK 40 / 42 / 0 / 7

HEX #8D88EC

RGB 141 136 236

HSL 243, 0.72%, 0.73%

LAB 61.07, 25.94, -49.95

 

CMYK 28 / 29 / 0 / 5

HEX #AFACF2

RGB 175 172 242

HSL 242.57, 0.73%, 0.81%

LAB 72.91, 16.2, -34.5

 

CMYK 16 / 17 / 0 / 3

HEX #D1CFF8

RGB 209 207 248

HSL 242.93, 0.75%, 0.89%

LAB 84.46, 8.73, -19.82

 

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

CMYK 0 / 42 / 10 / 7

HEX #EC88D5

RGB 236 136 213

HSL 313.8, 0.72%, 0.73%

LAB 69.64, 48.53, -23.12

 

CMYK 27 / 0 / 42 / 7

HEX #ADEC88

RGB 173 236 136

HSL 97.8, 0.72%, 0.73%

LAB 87.32, -37.25, 42.17

 

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

CMYK 0 / 41 / 42 / 7

HEX #EC8B88

RGB 236 139 136

HSL 1.8, 0.72%, 0.73%

LAB 68.08, 36.52, 17.63

 

CMYK 42 / 0 / 41 / 7

HEX #88EC8B

RGB 136 236 139

HSL 121.8, 0.72%, 0.73%

LAB 85.55, -48.57, 38.06

 

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

CMYK 0 / 42 / 10 / 7

HEX #EC88D5

RGB 236 136 213

HSL 313.8, 0.72%, 0.73%

LAB 69.64, 48.53, -23.12

 

CMYK 1 / 0 / 42 / 7

HEX #E9EC88

RGB 233 236 136

HSL 61.8, 0.72%, 0.73%

LAB 91.28, -15.11, 47.99

 

CMYK 42 / 0 / 33 / 7

HEX #88EC9F

RGB 136 236 159

HSL 133.8, 0.72%, 0.73%

LAB 85.87, -45.38, 28.42

 

CMYK 41 / 43 / 0 / 7

HEX #8B86EC

RGB 139 134 236

HSL 242.94, 0.73%, 0.73%

LAB 60.42, 26.61, -50.99

 

CMYK 0 / 42 / 22 / 7

HEX #EC88B7

RGB 236 136 183

HSL 331.8, 0.72%, 0.73%

LAB 68.65, 43.92, -7.9

 

CMYK 1 / 0 / 42 / 7

HEX #E9EC88

RGB 233 236 136

HSL 61.8, 0.72%, 0.73%

LAB 91.28, -15.11, 47.99

 

CMYK 42 / 0 / 19 / 7

HEX #88ECBE

RGB 136 236 190

HSL 152.4, 0.72%, 0.73%

LAB 86.48, -39.58, 13.25

 

Description

Color code: HEX #8B86EC | qconv.com Color code: HEX #8B86EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 134 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 134 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 43 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 43% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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