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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B84C8 it is the complementary color #747B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B84C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B84C8 shade: #9084C3, #A196D6, #B2A8E9, #C3BAFC and #D4CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B84C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B84C8 shade: #8B84C8, #7A72B5, #6960A2, #584E8F and #473C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B84C8 shade: #8B84C8, #9D84C8, #AF84C8, #C284C8 and #C884BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B84C8 shade: #8B84C8 and #8484C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B84C8 shade matches the following richer shades: #8B84C8, #7F75D6, #7467E5 and #6859F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B84C8 shade: #8B84C8, #9692B9, #A2A1AB, #ADAF9C and #B9BE8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B84C8 shade: #84A1C8, #848FC8, #8B84C8, #9D84C8 and #AF84C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B84C8 shade: #574DAC, #7067BB, #8B84C8, #A6A0D4 and #C1BDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B84C8 shade: #8B84C8, #C884B3 and #98C884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B84C8 shade: #8B84C8, #C88B84 and #84C88B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B84C8 shade: #8B84C8, #C884B3, #C1C884 and #84C898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B84C8 shade: #8B84C8, #C8849F, #C1C884 and #84C8AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

Complementary color

CMYK 6 / 0 / 55 / 52

HEX #747B37

RGB 116 123 55

HSL 66.18, 0.38%, 0.35%

LAB 49.68, -13.07, 35.77

 

CMYK 26 / 32 / 0 / 24

HEX #9084C3

RGB 144 132 195

HSL 251.43, 0.34%, 0.64%

LAB 58.39, 18.29, -31.18

 

CMYK 25 / 30 / 0 / 16

HEX #A196D6

RGB 161 150 214

HSL 250.31, 0.44%, 0.71%

LAB 65.16, 17.69, -31.23

 

CMYK 24 / 28 / 0 / 9

HEX #B2A8E9

RGB 178 168 233

HSL 249.23, 0.6%, 0.79%

LAB 71.79, 17.16, -31.31

 

CMYK 23 / 26 / 0 / 1

HEX #C3BAFC

RGB 195 186 252

HSL 248.18, 0.92%, 0.86%

LAB 78.31, 16.68, -31.43

 

CMYK 17 / 20 / 0 / 0

HEX #D4CCFF

RGB 212 204 255

HSL 249.41, 1%, 0.9%

LAB 84.18, 12.74, -23.94

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 33 / 37 / 0 / 29

HEX #7A72B5

RGB 122 114 181

HSL 247.16, 0.31%, 0.58%

LAB 51.28, 18.78, -34.4

 

CMYK 35 / 41 / 0 / 36

HEX #6960A2

RGB 105 96 162

HSL 248.18, 0.26%, 0.51%

LAB 44.2, 19.61, -34.51

 

CMYK 38 / 45 / 0 / 44

HEX #584E8F

RGB 88 78 143

HSL 249.23, 0.29%, 0.43%

LAB 36.94, 20.57, -34.69

 

CMYK 43 / 52 / 0 / 51

HEX #473C7C

RGB 71 60 124

HSL 250.31, 0.35%, 0.36%

LAB 29.48, 21.74, -34.93

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 22 / 34 / 0 / 22

HEX #9D84C8

RGB 157 132 200

HSL 262.06, 0.38%, 0.65%

LAB 59.74, 23.44, -31.81

 

CMYK 13 / 34 / 0 / 22

HEX #AF84C8

RGB 175 132 200

HSL 277.94, 0.38%, 0.65%

LAB 61.47, 29.03, -29

 

CMYK 3 / 34 / 0 / 22

HEX #C284C8

RGB 194 132 200

HSL 294.71, 0.38%, 0.65%

LAB 63.46, 35.06, -25.77

 

CMYK 0 / 34 / 7 / 22

HEX #C884BB

RGB 200 132 187

HSL 311.47, 0.38%, 0.65%

LAB 63.65, 34.61, -18.1

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 34 / 34 / 0 / 22

HEX #8484C8

RGB 132 132 200

HSL 240, 0.38%, 0.65%

LAB 57.63, 16.06, -35.26

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 41 / 45 / 0 / 16

HEX #7F75D6

RGB 127 117 214

HSL 246.19, 0.54%, 0.65%

LAB 54.12, 27.45, -48.74

 

CMYK 49 / 55 / 0 / 10

HEX #7467E5

RGB 116 103 229

HSL 246.19, 0.71%, 0.65%

LAB 50.77, 37.59, -62.62

 

CMYK 57 / 63 / 0 / 5

HEX #6859F3

RGB 104 89 243

HSL 245.84, 0.87%, 0.65%

LAB 47.7, 47.74, -75.51

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 19 / 21 / 0 / 27

HEX #9692B9

RGB 150 146 185

HSL 246.15, 0.22%, 0.65%

LAB 62.12, 9.7, -19.74

 

CMYK 5 / 6 / 0 / 33

HEX #A2A1AB

RGB 162 161 171

HSL 246, 0.06%, 0.65%

LAB 66.6, 2.31, -5.05

 

CMYK 1 / 0 / 11 / 31

HEX #ADAF9C

RGB 173 175 156

HSL 66.32, 0.11%, 0.65%

LAB 70.83, -4.12, 9.5

 

CMYK 3 / 0 / 25 / 25

HEX #B9BE8E

RGB 185 190 142

HSL 66.25, 0.27%, 0.65%

LAB 75.51, -9.7, 23.73

 

CMYK 34 / 20 / 0 / 22

HEX #84A1C8

RGB 132 161 200

HSL 214.41, 0.38%, 0.65%

LAB 65.41, -0.6, -23.24

 

CMYK 34 / 29 / 0 / 22

HEX #848FC8

RGB 132 143 200

HSL 230.29, 0.38%, 0.65%

LAB 60.53, 9.65, -30.74

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 22 / 34 / 0 / 22

HEX #9D84C8

RGB 157 132 200

HSL 262.06, 0.38%, 0.65%

LAB 59.74, 23.44, -31.81

 

CMYK 13 / 34 / 0 / 22

HEX #AF84C8

RGB 175 132 200

HSL 277.94, 0.38%, 0.65%

LAB 61.47, 29.03, -29

 

CMYK 49 / 55 / 0 / 33

HEX #574DAC

RGB 87 77 172

HSL 246.32, 0.38%, 0.49%

LAB 38.4, 29.78, -49.78

 

CMYK 40 / 45 / 0 / 27

HEX #7067BB

RGB 112 103 187

HSL 246.43, 0.38%, 0.57%

LAB 47.92, 24.34, -43.22

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 22 / 25 / 0 / 17

HEX #A6A0D4

RGB 166 160 212

HSL 246.92, 0.38%, 0.73%

LAB 68.02, 13.09, -25.67

 

CMYK 14 / 16 / 0 / 12

HEX #C1BDE1

RGB 193 189 225

HSL 246.67, 0.38%, 0.81%

LAB 77.97, 8.49, -17.43

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 0 / 34 / 11 / 22

HEX #C884B3

RGB 200 132 179

HSL 318.53, 0.38%, 0.65%

LAB 63.37, 33.22, -13.99

 

CMYK 24 / 0 / 34 / 22

HEX #98C884

RGB 152 200 132

HSL 102.35, 0.38%, 0.65%

LAB 75.85, -28.33, 29.07

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 0 / 31 / 34 / 22

HEX #C88B84

RGB 200 139 132

HSL 6.18, 0.38%, 0.65%

LAB 63.68, 22.34, 13.1

 

CMYK 34 / 0 / 31 / 22

HEX #84C88B

RGB 132 200 139

HSL 126.18, 0.38%, 0.65%

LAB 74.87, -33.9, 23.89

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 0 / 34 / 11 / 22

HEX #C884B3

RGB 200 132 179

HSL 318.53, 0.38%, 0.65%

LAB 63.37, 33.22, -13.99

 

CMYK 4 / 0 / 34 / 22

HEX #C1C884

RGB 193 200 132

HSL 66.18, 0.38%, 0.65%

LAB 78.64, -13.09, 33.26

 

CMYK 34 / 0 / 24 / 22

HEX #84C898

RGB 132 200 152

HSL 137.65, 0.38%, 0.65%

LAB 75.13, -31.57, 17.33

 

CMYK 31 / 34 / 0 / 22

HEX #8B84C8

RGB 139 132 200

HSL 246.18, 0.38%, 0.65%

LAB 58.19, 18.07, -34.35

 

CMYK 0 / 34 / 21 / 22

HEX #C8849F

RGB 200 132 159

HSL 336.18, 0.38%, 0.65%

LAB 62.75, 29.97, -3.57

 

CMYK 4 / 0 / 34 / 22

HEX #C1C884

RGB 193 200 132

HSL 66.18, 0.38%, 0.65%

LAB 78.64, -13.09, 33.26

 

CMYK 34 / 0 / 14 / 22

HEX #84C8AD

RGB 132 200 173

HSL 156.18, 0.38%, 0.65%

LAB 75.59, -27.39, 6.72

 

Description

Color code: HEX #8B84C8 | qconv.com Color code: HEX #8B84C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 132 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 132 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 34 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 34% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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