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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B7F24 it is the complementary color #7480DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B7F24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B7F24 shade: #907F1F, #A19132, #B2A345, #C3B558 and #D4C76B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B7F24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B7F24 shade: #8B7F24, #7A6D11, #695B00, #584900 and #473700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B7F24 shade: #8A7E24, #8A6224, #8A4724, #8A2B24 and #8A2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B7F24 shade: #8A7E24, #7A8A24, #5F8A24, #438A24 and #278A24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B7F24 shade matches the following richer shades: #8A7E24, #988916 and #A69307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B7F24 shade: #8A7E24, #7C7332, #6E6840, #605E4E and #52535C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B7F24 shade: #8A4724, #8A6324, #8A7E24, #7B8A24 and #5F8A24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B7F24 shade: #484213, #69601B, #8A7E24, #AB9C2C and #CBB935

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B7F24 shade: #8B7F24, #248A2C and #55248A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B7F24 shade: #8B7F24, #248A7E and #7E248A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B7F24 shade: #8B7F24, #248A2C, #242F8A and #8A2481

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B7F24 shade: #8B7F24, #248A4B, #242F8A and #8A2463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

Complementary color

CMYK 47 / 42 / 0 / 14

HEX #7480DB

RGB 116 128 219

HSL 233.01, 0.59%, 0.66%

LAB 56.35, 19.67, -48.07

 

CMYK 0 / 12 / 78 / 44

HEX #907F1F

RGB 144 127 31

HSL 50.97, 0.65%, 0.34%

LAB 53.18, -4.09, 50.79

 

CMYK 0 / 10 / 69 / 37

HEX #A19132

RGB 161 145 50

HSL 51.35, 0.53%, 0.41%

LAB 59.94, -5.28, 50.45

 

CMYK 0 / 8 / 61 / 30

HEX #B2A345

RGB 178 163 69

HSL 51.74, 0.44%, 0.48%

LAB 66.59, -6.23, 49.58

 

CMYK 0 / 7 / 55 / 24

HEX #C3B558

RGB 195 181 88

HSL 52.15, 0.47%, 0.55%

LAB 73.12, -7.01, 48.48

 

CMYK 0 / 6 / 50 / 17

HEX #D4C76B

RGB 212 199 107

HSL 52.57, 0.55%, 0.63%

LAB 79.56, -7.65, 47.3

 

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

CMYK 0 / 11 / 86 / 52

HEX #7A6D11

RGB 122 109 17

HSL 52.57, 0.76%, 0.27%

LAB 45.79, -4.85, 47.99

 

CMYK 0 / 13 / 100 / 59

HEX #695B00

RGB 105 91 0

HSL 52, 1%, 0.21%

LAB 38.7, -3.19, 46.16

 

CMYK 0 / 17 / 100 / 65

HEX #584900

RGB 88 73 0

HSL 49.77, 1%, 0.17%

LAB 31.44, -0.99, 40.15

 

CMYK 0 / 23 / 100 / 72

HEX #473700

RGB 71 55 0

HSL 46.48, 1%, 0.14%

LAB 23.91, 1.39, 32.97

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 0 / 29 / 74 / 46

HEX #8A6224

RGB 138 98 36

HSL 36.47, 0.59%, 0.34%

LAB 44.61, 9.94, 40.17

 

CMYK 0 / 49 / 74 / 46

HEX #8A4724

RGB 138 71 36

HSL 20.59, 0.59%, 0.34%

LAB 37.91, 25.6, 33.09

 

CMYK 0 / 69 / 74 / 46

HEX #8A2B24

RGB 138 43 36

HSL 4.12, 0.59%, 0.34%

LAB 32.39, 39.9, 26.92

 

CMYK 0 / 74 / 74 / 46

HEX #8A2424

RGB 138 36 36

HSL 0, 0.59%, 0.34%

LAB 31.33, 42.79, 25.7

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 12 / 0 / 74 / 46

HEX #7A8A24

RGB 122 138 36

HSL 69.41, 0.59%, 0.34%

LAB 54.49, -19.76, 49.53

 

CMYK 31 / 0 / 74 / 46

HEX #5F8A24

RGB 95 138 36

HSL 85.29, 0.59%, 0.34%

LAB 52.66, -31.1, 47.11

 

CMYK 51 / 0 / 74 / 46

HEX #438A24

RGB 67 138 36

HSL 101.76, 0.59%, 0.34%

LAB 51.26, -41.05, 45.25

 

CMYK 72 / 0 / 74 / 46

HEX #278A24

RGB 39 138 36

HSL 118.24, 0.59%, 0.34%

LAB 50.38, -48.16, 44.06

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 0 / 10 / 86 / 40

HEX #988916

RGB 152 137 22

HSL 53.08, 0.75%, 0.34%

LAB 56.71, -6.22, 56.98

 

CMYK 0 / 11 / 96 / 35

HEX #A69307

RGB 166 147 7

HSL 52.83, 0.92%, 0.34%

LAB 60.77, -5.52, 63.65

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 0 / 7 / 60 / 51

HEX #7C7332

RGB 124 115 50

HSL 52.7, 0.43%, 0.34%

LAB 47.98, -5.45, 36.53

 

CMYK 0 / 5 / 42 / 57

HEX #6E6840

RGB 110 104 64

HSL 52.17, 0.26%, 0.34%

LAB 43.63, -4.09, 23.37

 

CMYK 0 / 2 / 19 / 62

HEX #605E4E

RGB 96 94 78

HSL 53.33, 0.1%, 0.34%

LAB 39.65, -2.26, 9.48

 

CMYK 11 / 10 / 0 / 64

HEX #52535C

RGB 82 83 92

HSL 234, 0.06%, 0.34%

LAB 35.5, 1.64, -5.37

 

CMYK 0 / 49 / 74 / 46

HEX #8A4724

RGB 138 71 36

HSL 20.59, 0.59%, 0.34%

LAB 37.91, 25.6, 33.09

 

CMYK 0 / 28 / 74 / 46

HEX #8A6324

RGB 138 99 36

HSL 37.06, 0.59%, 0.34%

LAB 44.88, 9.36, 40.45

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 11 / 0 / 74 / 46

HEX #7B8A24

RGB 123 138 36

HSL 68.82, 0.59%, 0.34%

LAB 54.57, -19.32, 49.63

 

CMYK 31 / 0 / 74 / 46

HEX #5F8A24

RGB 95 138 36

HSL 85.29, 0.59%, 0.34%

LAB 52.66, -31.1, 47.11

 

CMYK 0 / 8 / 74 / 72

HEX #484213

RGB 72 66 19

HSL 53.21, 0.58%, 0.18%

LAB 27.63, -4.04, 28.44

 

CMYK 0 / 9 / 74 / 59

HEX #69601B

RGB 105 96 27

HSL 53.08, 0.59%, 0.26%

LAB 40.33, -5.13, 38.73

 

CMYK 0 / 9 / 74 / 46

HEX #8A7E24

RGB 138 126 36

HSL 52.94, 0.59%, 0.34%

LAB 52.34, -6.08, 47.91

 

CMYK 0 / 9 / 74 / 33

HEX #AB9C2C

RGB 171 156 44

HSL 52.91, 0.59%, 0.42%

LAB 63.85, -7.04, 57.01

 

CMYK 0 / 9 / 74 / 20

HEX #CBB935

RGB 203 185 53

HSL 52.8, 0.59%, 0.5%

LAB 74.6, -7.83, 65.03

 

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

CMYK 74 / 0 / 68 / 46

HEX #248A2C

RGB 36 138 44

HSL 124.71, 0.59%, 0.34%

LAB 50.37, -47.94, 40.7

 

CMYK 38 / 74 / 0 / 46

HEX #55248A

RGB 85 36 138

HSL 268.82, 0.59%, 0.34%

LAB 26.81, 43.05, -47.9

 

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

CMYK 74 / 0 / 9 / 46

HEX #248A7E

RGB 36 138 126

HSL 172.94, 0.59%, 0.34%

LAB 51.9, -31.28, -1.85

 

CMYK 9 / 74 / 0 / 46

HEX #7E248A

RGB 126 36 138

HSL 292.94, 0.59%, 0.34%

LAB 32.99, 51.78, -37.63

 

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

CMYK 74 / 0 / 68 / 46

HEX #248A2C

RGB 36 138 44

HSL 124.71, 0.59%, 0.34%

LAB 50.37, -47.94, 40.7

 

CMYK 74 / 66 / 0 / 46

HEX #242F8A

RGB 36 47 138

HSL 233.53, 0.59%, 0.34%

LAB 24.46, 28.29, -51.94

 

CMYK 0 / 74 / 7 / 46

HEX #8A2481

RGB 138 36 129

HSL 305.29, 0.59%, 0.34%

LAB 34.5, 52.98, -29.52

 

CMYK 0 / 9 / 74 / 45

HEX #8B7F24

RGB 139 127 36

HSL 53.01, 0.59%, 0.34%

LAB 52.72, -6.17, 48.31

 

CMYK 74 / 0 / 46 / 46

HEX #248A4B

RGB 36 138 75

HSL 142.94, 0.59%, 0.34%

LAB 50.76, -43.45, 25.62

 

CMYK 74 / 66 / 0 / 46

HEX #242F8A

RGB 36 47 138

HSL 233.53, 0.59%, 0.34%

LAB 24.46, 28.29, -51.94

 

CMYK 0 / 74 / 28 / 46

HEX #8A2463

RGB 138 36 99

HSL 322.94, 0.59%, 0.34%

LAB 33.06, 48.53, -12.77

 

Description

Color code: HEX #8B7F24 | qconv.com Color code: HEX #8B7F24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 127 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 127 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 74 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 74% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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