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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B7EDACE it is the complementary color #748125CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B7EDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B7EDACE shade: #907ED5CE, #A190E8CE, #B2A2FBCE, #C3B4FFCE and #D4C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B7EDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B7EDACE shade: #8B7EDACE, #7A6CC7CE, #695AB4CE, #5848A1CE and #47368ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B7EDACE shade: #8A7DD9, #A37DD9, #BC7DD9, #D57DD9 and #D97DC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B7EDACE shade: #8A7DD9 and #7D7DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B7EDACE shade matches the following richer shades: #8A7DD9, #806FE7 and #7661F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B7EDACE shade: #8A7DD9, #938ACC, #9D98BE, #A7A5B0 and #B1B3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B7EDACE shade: #7DA2D9, #7D89D9, #897DD9, #A27DD9 and #BA7DD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B7EDACE shade: #503DC7, #6D5DD0, #8A7DD9, #A69DE2 and #C3BDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B7EDACE shade: #8B7EDA, #D97DBA and #95D97D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B7EDACE shade: #8B7EDA, #D9897D and #7DD989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B7EDACE shade: #8B7EDA, #D97DBA, #CDD97D and #7DD99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B7EDACE shade: #8B7EDA, #D97D9F, #CDD97D and #7DD9B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 34 / 0 / 12

HEX #8B7EDACE

RGBA 139 126 218 0.81

HSLA 248.48, 0.55%, 0.67%, 0.81

LABA 57.53, 26.34, -45.52, 0.81

 

Complementary color

CMYK 8 / 0 / 58 / 40

HEX #748125CE

RGBA 116 129 37 0.81

HSLA 68.48, 0.55%, 0.33%, 0.81

LABA 51.32, -17.67, 45.85, 0.81

 

CMYK 26 / 33 / 0 / 13

HEX #907ED5CE

RGBA 144 126 213 0.81

HSLA 252.41, 0.51%, 0.66%, 0.81

LABA 57.71, 26.36, -42.41, 0.81

 

CMYK 25 / 31 / 0 / 7

HEX #A190E8CE

RGBA 161 144 232 0.81

HSLA 251.59, 0.66%, 0.74%, 0.81

LABA 64.44, 25.56, -42.31, 0.81

 

CMYK 24 / 29 / 0 / 1

HEX #B2A2FBCE

RGBA 178 162 251 0.81

HSLA 250.79, 0.92%, 0.81%, 0.81

LABA 71.06, 24.83, -42.25, 0.81

 

CMYK 19 / 24 / 0 / 0

HEX #C3B4FFCE

RGBA 195 180 255 0.81

HSLA 252, 1%, 0.85%, 0.81

LABA 76.96, 20.66, -35.13, 0.81

 

CMYK 14 / 18 / 0 / 0

HEX #D4C6FFCE

RGBA 212 198 255 0.81

HSLA 254.74, 1%, 0.89%, 0.81

LABA 82.7, 15.96, -26.19, 0.81

 

CMYK 29 / 34 / 0 / 12

HEX #8B7EDACE

RGBA 139 126 218 0.81

HSLA 248.48, 0.55%, 0.67%, 0.81

LABA 57.53, 26.34, -45.52, 0.81

 

CMYK 31 / 37 / 0 / 18

HEX #7A6CC7CE

RGBA 122 108 199 0.81

HSLA 249.23, 0.45%, 0.6%, 0.81

LABA 50.67, 27.32, -45.72, 0.81

 

CMYK 34 / 41 / 0 / 24

HEX #695AB4CE

RGBA 105 90 180 0.81

HSLA 250, 0.38%, 0.53%, 0.81

LABA 43.67, 28.44, -45.96, 0.81

 

CMYK 37 / 45 / 0 / 30

HEX #5848A1CE

RGBA 88 72 161 0.81

HSLA 250.79, 0.38%, 0.46%, 0.81

LABA 36.52, 29.73, -46.23, 0.81

 

CMYK 41 / 50 / 0 / 36

HEX #47368ECE

RGBA 71 54 142 0.81

HSLA 251.59, 0.45%, 0.38%, 0.81

LABA 29.24, 31.21, -46.52, 0.81

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD9

RGB 138 125 217

HSL 248.48, 0.55%, 0.67%

LAB 57.15, 26.39, -45.57

 

CMYK 25 / 42 / 0 / 15

HEX #A37DD9

RGB 163 125 217

HSL 264.78, 0.55%, 0.67%

LAB 59.4, 33.25, -41.87

 

CMYK 13 / 42 / 0 / 15

HEX #BC7DD9

RGB 188 125 217

HSL 281.09, 0.55%, 0.67%

LAB 61.97, 40.47, -37.66

 

CMYK 2 / 42 / 0 / 15

HEX #D57DD9

RGB 213 125 217

HSL 297.39, 0.55%, 0.67%

LAB 64.82, 47.85, -33

 

CMYK 0 / 42 / 9 / 15

HEX #D97DC5

RGB 217 125 197

HSL 313.04, 0.55%, 0.67%

LAB 64.52, 45.55, -22.22

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD9

RGB 138 125 217

HSL 248.48, 0.55%, 0.67%

LAB 57.15, 26.39, -45.57

 

CMYK 42 / 42 / 0 / 15

HEX #7D7DD9

RGB 125 125 217

HSL 240, 0.55%, 0.67%

LAB 56.12, 23.05, -47.26

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD9

RGB 138 125 217

HSL 248.48, 0.55%, 0.67%

LAB 57.15, 26.39, -45.57

 

CMYK 45 / 52 / 0 / 9

HEX #806FE7

RGB 128 111 231

HSL 248.5, 0.71%, 0.67%

LAB 53.74, 36.06, -58.92

 

CMYK 52 / 60 / 0 / 4

HEX #7661F4

RGB 118 97 244

HSL 248.57, 0.87%, 0.67%

LAB 50.61, 45.89, -71.29

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD9

RGB 138 125 217

HSL 248.48, 0.55%, 0.67%

LAB 57.15, 26.39, -45.57

 

CMYK 28 / 32 / 0 / 20

HEX #938ACC

RGB 147 138 204

HSL 248.18, 0.39%, 0.67%

LAB 60.55, 17.95, -32.88

 

CMYK 17 / 20 / 0 / 25

HEX #9D98BE

RGB 157 152 190

HSL 247.89, 0.23%, 0.67%

LAB 64.44, 9.7, -18.97

 

CMYK 5 / 6 / 0 / 31

HEX #A7A5B0

RGB 167 165 176

HSL 250.91, 0.07%, 0.67%

LAB 68.21, 2.85, -5.42

 

CMYK 1 / 0 / 9 / 30

HEX #B1B3A3

RGB 177 179 163

HSL 67.5, 0.1%, 0.67%

LAB 72.38, -3.59, 7.92

 

CMYK 42 / 25 / 0 / 15

HEX #7DA2D9

RGB 125 162 217

HSL 215.87, 0.55%, 0.67%

LAB 65.91, 1.53, -31.92

 

CMYK 42 / 37 / 0 / 15

HEX #7D89D9

RGB 125 137 217

HSL 232.17, 0.55%, 0.67%

LAB 59.22, 15.95, -42.38

 

CMYK 37 / 42 / 0 / 15

HEX #897DD9

RGB 137 125 217

HSL 247.83, 0.55%, 0.67%

LAB 57.07, 26.13, -45.7

 

CMYK 25 / 42 / 0 / 15

HEX #A27DD9

RGB 162 125 217

HSL 264.13, 0.55%, 0.67%

LAB 59.3, 32.97, -42.03

 

CMYK 14 / 42 / 0 / 15

HEX #BA7DD9

RGB 186 125 217

HSL 279.78, 0.55%, 0.67%

LAB 61.75, 39.88, -38.01

 

CMYK 60 / 69 / 0 / 22

HEX #503DC7

RGB 80 61 199

HSL 248.26, 0.55%, 0.51%

LAB 36.3, 46.46, -69.1

 

CMYK 48 / 55 / 0 / 18

HEX #6D5DD0

RGB 109 93 208

HSL 248.35, 0.55%, 0.59%

LAB 46.49, 35.8, -57.63

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD9

RGB 138 125 217

HSL 248.48, 0.55%, 0.67%

LAB 57.15, 26.39, -45.57

 

CMYK 27 / 31 / 0 / 11

HEX #A69DE2

RGB 166 157 226

HSL 247.83, 0.54%, 0.75%

LAB 67.81, 18.11, -33.72

 

CMYK 17 / 20 / 0 / 7

HEX #C3BDEC

RGB 195 189 236

HSL 247.66, 0.55%, 0.83%

LAB 78.49, 11.48, -22.56

 

CMYK 36 / 42 / 0 / 15

HEX #8B7EDA

RGB 139 126 218

HSL 248.48, 0.55%, 0.67%

LAB 57.53, 26.34, -45.52

 

CMYK 0 / 42 / 14 / 15

HEX #D97DBA

RGB 217 125 186

HSL 320.22, 0.55%, 0.67%

LAB 64.13, 43.76, -16.61

 

CMYK 31 / 0 / 42 / 15

HEX #95D97D

RGB 149 217 125

HSL 104.35, 0.55%, 0.67%

LAB 80.46, -38.25, 38.61

 

CMYK 36 / 42 / 0 / 15

HEX #8B7EDA

RGB 139 126 218

HSL 248.48, 0.55%, 0.67%

LAB 57.53, 26.34, -45.52

 

CMYK 0 / 37 / 42 / 15

HEX #D9897D

RGB 217 137 125

HSL 7.83, 0.55%, 0.67%

LAB 65.06, 29.2, 19.26

 

CMYK 42 / 0 / 37 / 15

HEX #7DD989

RGB 125 217 137

HSL 127.83, 0.55%, 0.67%

LAB 79.5, -43.97, 31.06

 

CMYK 36 / 42 / 0 / 15

HEX #8B7EDA

RGB 139 126 218

HSL 248.48, 0.55%, 0.67%

LAB 57.53, 26.34, -45.52

 

CMYK 0 / 42 / 14 / 15

HEX #D97DBA

RGB 217 125 186

HSL 320.22, 0.55%, 0.67%

LAB 64.13, 43.76, -16.61

 

CMYK 6 / 0 / 42 / 15

HEX #CDD97D

RGB 205 217 125

HSL 67.83, 0.55%, 0.67%

LAB 84.01, -17.75, 43.84

 

CMYK 42 / 0 / 29 / 15

HEX #7DD99B

RGB 125 217 155

HSL 139.57, 0.55%, 0.67%

LAB 79.81, -40.85, 22.17

 

CMYK 36 / 42 / 0 / 15

HEX #8B7EDA

RGB 139 126 218

HSL 248.48, 0.55%, 0.67%

LAB 57.53, 26.34, -45.52

 

CMYK 0 / 42 / 27 / 15

HEX #D97D9F

RGB 217 125 159

HSL 337.83, 0.55%, 0.67%

LAB 63.28, 39.74, -2.55

 

CMYK 6 / 0 / 42 / 15

HEX #CDD97D

RGB 205 217 125

HSL 67.83, 0.55%, 0.67%

LAB 84.01, -17.75, 43.84

 

CMYK 42 / 0 / 16 / 15

HEX #7DD9B7

RGB 125 217 183

HSL 157.83, 0.55%, 0.67%

LAB 80.41, -35.26, 8.23

 

Description

Color code: HEX #8B7EDACE | qconv.com Color code: HEX #8B7EDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 126 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 126 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 34 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 34% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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