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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B73D6 it is the complementary color #748C29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B73D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B73D6 shade: #9073D1, #A185E4, #B297F7, #C3A9FF and #D4BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B73D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B73D6 shade: #8B73D6, #7A61C3, #694FB0, #583D9D and #472B8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B73D6 shade: #8C75D7, #A775D7, #C175D7, #D775D2 and #D775B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B73D6 shade: #8C75D7 and #7575D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B73D6 shade matches the following richer shades: #8C75D7, #8566E5 and #7E58F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B73D6 shade: #8C75D7, #9483C8, #9B92BA, #A3A0AC and #AAAE9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B73D6 shade: #7592D7, #7578D7, #8C75D7, #A675D7 and #C075D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B73D6 shade: #5938C1, #7255CE, #8C75D7, #A795E0 and #C1B5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B73D6 shade: #8B73D6, #D775AC and #85D775

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B73D6 shade: #8B73D6, #D78C75 and #75D78C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B73D6 shade: #8B73D6, #D775AC, #C0D775 and #75D79F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B73D6 shade: #8B73D6, #D7758F, #C0D775 and #75D7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

Complementary color

CMYK 17 / 0 / 71 / 45

HEX #748C29

RGB 116 140 41

HSL 74.55, 0.55%, 0.35%

LAB 54.69, -23.08, 47.63

 

CMYK 31 / 45 / 0 / 18

HEX #9073D1

RGB 144 115 209

HSL 258.51, 0.51%, 0.64%

LAB 54.86, 31.72, -44.65

 

CMYK 29 / 42 / 0 / 11

HEX #A185E4

RGB 161 133 228

HSL 257.68, 0.64%, 0.71%

LAB 61.61, 30.83, -44.54

 

CMYK 28 / 39 / 0 / 3

HEX #B297F7

RGB 178 151 247

HSL 256.88, 0.86%, 0.78%

LAB 68.25, 30.02, -44.47

 

CMYK 24 / 34 / 0 / 0

HEX #C3A9FF

RGB 195 169 255

HSL 258.14, 1%, 0.83%

LAB 74.32, 26.71, -39.23

 

CMYK 17 / 27 / 0 / 0

HEX #D4BBFF

RGB 212 187 255

HSL 262.06, 1%, 0.87%

LAB 80.04, 21.91, -30.26

 

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

CMYK 37 / 50 / 0 / 24

HEX #7A61C3

RGB 122 97 195

HSL 255.31, 0.45%, 0.57%

LAB 47.79, 32.75, -48.01

 

CMYK 40 / 55 / 0 / 31

HEX #694FB0

RGB 105 79 176

HSL 256.08, 0.38%, 0.5%

LAB 40.78, 33.93, -48.23

 

CMYK 44 / 61 / 0 / 38

HEX #583D9D

RGB 88 61 157

HSL 256.88, 0.44%, 0.43%

LAB 33.66, 35.23, -48.44

 

CMYK 49 / 69 / 0 / 46

HEX #472B8A

RGB 71 43 138

HSL 257.68, 0.52%, 0.35%

LAB 26.45, 36.58, -48.56

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 22 / 46 / 0 / 16

HEX #A775D7

RGB 167 117 215

HSL 270.61, 0.55%, 0.65%

LAB 57.89, 38.4, -43.1

 

CMYK 10 / 46 / 0 / 16

HEX #C175D7

RGB 193 117 215

HSL 286.53, 0.55%, 0.65%

LAB 60.75, 45.79, -38.41

 

CMYK 0 / 46 / 2 / 16

HEX #D775D2

RGB 215 117 210

HSL 303.06, 0.55%, 0.65%

LAB 63.2, 51.25, -31.59

 

CMYK 0 / 46 / 15 / 16

HEX #D775B7

RGB 215 117 183

HSL 319.59, 0.55%, 0.65%

LAB 62.16, 46.75, -17.92

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 46 / 46 / 0 / 16

HEX #7575D7

RGB 117 117 215

HSL 240, 0.55%, 0.65%

LAB 53.4, 25.3, -50.51

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 42 / 55 / 0 / 10

HEX #8566E5

RGB 133 102 229

HSL 254.65, 0.71%, 0.65%

LAB 52, 41.81, -60.56

 

CMYK 48 / 64 / 0 / 4

HEX #7E58F4

RGB 126 88 244

HSL 254.62, 0.88%, 0.65%

LAB 49.43, 52.33, -73.17

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 26 / 35 / 0 / 22

HEX #9483C8

RGB 148 131 200

HSL 254.78, 0.39%, 0.65%

LAB 58.69, 21.3, -33.51

 

CMYK 17 / 22 / 0 / 27

HEX #9B92BA

RGB 155 146 186

HSL 253.5, 0.22%, 0.65%

LAB 62.57, 11.55, -19.59

 

CMYK 5 / 7 / 0 / 33

HEX #A3A0AC

RGB 163 160 172

HSL 255, 0.07%, 0.65%

LAB 66.45, 3.41, -5.83

 

CMYK 2 / 0 / 10 / 32

HEX #AAAE9D

RGB 170 174 157

HSL 74.12, 0.09%, 0.65%

LAB 70.35, -4.52, 8.23

 

CMYK 46 / 32 / 0 / 16

HEX #7592D7

RGB 117 146 215

HSL 222.24, 0.55%, 0.65%

LAB 61, 8.09, -38.5

 

CMYK 46 / 44 / 0 / 16

HEX #7578D7

RGB 117 120 215

HSL 238.16, 0.55%, 0.65%

LAB 54.16, 23.5, -49.3

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 23 / 46 / 0 / 16

HEX #A675D7

RGB 166 117 215

HSL 270, 0.55%, 0.65%

LAB 57.79, 38.12, -43.27

 

CMYK 11 / 46 / 0 / 16

HEX #C075D7

RGB 192 117 215

HSL 285.92, 0.55%, 0.65%

LAB 60.64, 45.5, -38.6

 

CMYK 54 / 71 / 0 / 24

HEX #5938C1

RGB 89 56 193

HSL 254.45, 0.55%, 0.49%

LAB 35.6, 48.74, -66.71

 

CMYK 45 / 59 / 0 / 19

HEX #7255CE

RGB 114 85 206

HSL 254.38, 0.55%, 0.57%

LAB 44.98, 40.98, -58.89

 

CMYK 35 / 46 / 0 / 16

HEX #8C75D7

RGB 140 117 215

HSL 254.08, 0.55%, 0.65%

LAB 55.28, 31.06, -47.4

 

CMYK 25 / 33 / 0 / 12

HEX #A795E0

RGB 167 149 224

HSL 254.4, 0.55%, 0.73%

LAB 65.82, 22.45, -35.7

 

CMYK 17 / 22 / 0 / 9

HEX #C1B5E9

RGB 193 181 233

HSL 253.85, 0.54%, 0.81%

LAB 76.23, 14.56, -24.4

 

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

CMYK 0 / 46 / 20 / 16

HEX #D775AC

RGB 215 117 172

HSL 326.33, 0.55%, 0.65%

LAB 61.78, 45.06, -12.22

 

CMYK 38 / 0 / 46 / 16

HEX #85D775

RGB 133 215 117

HSL 110.2, 0.55%, 0.65%

LAB 78.97, -43.65, 40.52

 

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

CMYK 0 / 35 / 46 / 16

HEX #D78C75

RGB 215 140 117

HSL 14.08, 0.55%, 0.65%

LAB 65.35, 25.96, 24.07

 

CMYK 46 / 0 / 35 / 16

HEX #75D78C

RGB 117 215 140

HSL 134.08, 0.55%, 0.65%

LAB 78.62, -44.86, 28.3

 

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

CMYK 0 / 46 / 20 / 16

HEX #D775AC

RGB 215 117 172

HSL 326.33, 0.55%, 0.65%

LAB 61.78, 45.06, -12.22

 

CMYK 11 / 0 / 46 / 16

HEX #C0D775

RGB 192 215 117

HSL 74.08, 0.55%, 0.65%

LAB 82.43, -22.66, 45.58

 

CMYK 46 / 0 / 26 / 16

HEX #75D79F

RGB 117 215 159

HSL 145.71, 0.55%, 0.65%

LAB 78.98, -41.38, 18.86

 

CMYK 35 / 46 / 0 / 16

HEX #8B73D6

RGB 139 115 214

HSL 254.55, 0.55%, 0.65%

LAB 54.66, 31.7, -47.82

 

CMYK 0 / 46 / 33 / 16

HEX #D7758F

RGB 215 117 143

HSL 344.08, 0.55%, 0.65%

LAB 60.92, 41.1, 3.14

 

CMYK 11 / 0 / 46 / 16

HEX #C0D775

RGB 192 215 117

HSL 74.08, 0.55%, 0.65%

LAB 82.43, -22.66, 45.58

 

CMYK 46 / 0 / 12 / 16

HEX #75D7BD

RGB 117 215 189

HSL 164.08, 0.55%, 0.65%

LAB 79.65, -35.02, 3.9

 

Description

Color code: HEX #8B73D6 | qconv.com Color code: HEX #8B73D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 115 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 115 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 46 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 46% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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