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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B69BB it is the complementary color #749644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B69BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B69BB shade: #9069B6, #A17BC9, #B28DDC, #C39FEF and #D4B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B69BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B69BB shade: #8B69BB, #7A57A8, #694595, #583382 and #47216F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B69BB shade: #8A68BB, #A168BB, #B768BB, #BB68A8 and #BB6892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B69BB shade: #8A68BB, #7468BB and #6868BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B69BB shade matches the following richer shades: #8A68BB, #8756CD, #8444DE and #8132F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B69BB shade: #8A68BB, #8D79A9, #908B98, #939D86 and #96AF74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B69BB shade: #6873BB, #7368BB, #8968BB, #9F68BB and #B568BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B69BB shade: #614190, #754DAC, #8A68BB, #A084C8 and #B6A1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B69BB shade: #8B69BB, #BB6889 and #68BB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B69BB shade: #8B69BB, #BB8968 and #68BB89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B69BB shade: #8B69BB, #BB6889, #9ABB68 and #68BB9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B69BB shade: #8B69BB, #BB6870, #9ABB68 and #68BBB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

Complementary color

CMYK 23 / 0 / 55 / 41

HEX #749644

RGB 116 150 68

HSL 84.88, 0.38%, 0.43%

LAB 57.98, -25.76, 38.95

 

CMYK 21 / 42 / 0 / 29

HEX #9069B6

RGB 144 105 182

HSL 270.39, 0.35%, 0.56%

LAB 51.16, 30.85, -35.01

 

CMYK 20 / 39 / 0 / 21

HEX #A17BC9

RGB 161 123 201

HSL 269.23, 0.42%, 0.64%

LAB 58, 30.04, -35.07

 

CMYK 19 / 36 / 0 / 14

HEX #B28DDC

RGB 178 141 220

HSL 268.1, 0.53%, 0.71%

LAB 64.71, 29.3, -35.14

 

CMYK 18 / 33 / 0 / 6

HEX #C39FEF

RGB 195 159 239

HSL 267, 0.71%, 0.78%

LAB 71.3, 28.62, -35.23

 

CMYK 17 / 31 / 0 / 0

HEX #D4B1FF

RGB 212 177 255

HSL 266.92, 1%, 0.85%

LAB 77.67, 27.34, -33.9

 

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

CMYK 27 / 48 / 0 / 34

HEX #7A57A8

RGB 122 87 168

HSL 265.93, 0.32%, 0.5%

LAB 43.92, 31.51, -38.4

 

CMYK 30 / 54 / 0 / 42

HEX #694595

RGB 105 69 149

HSL 267, 0.37%, 0.43%

LAB 36.8, 32.51, -38.45

 

CMYK 32 / 61 / 0 / 49

HEX #583382

RGB 88 51 130

HSL 268.1, 0.44%, 0.35%

LAB 29.55, 33.56, -38.47

 

CMYK 36 / 70 / 0 / 56

HEX #47216F

RGB 71 33 111

HSL 269.23, 0.54%, 0.28%

LAB 22.21, 34.5, -38.35

 

CMYK 26 / 44 / 0 / 27

HEX #8A68BB

RGB 138 104 187

HSL 264.58, 0.38%, 0.57%

LAB 50.56, 30.88, -38.89

 

CMYK 14 / 44 / 0 / 27

HEX #A168BB

RGB 161 104 187

HSL 281.2, 0.38%, 0.57%

LAB 53.02, 37.62, -34.86

 

CMYK 2 / 44 / 0 / 27

HEX #B768BB

RGB 183 104 187

HSL 297.11, 0.38%, 0.57%

LAB 55.64, 44.21, -30.57

 

CMYK 0 / 44 / 10 / 27

HEX #BB68A8

RGB 187 104 168

HSL 313.73, 0.38%, 0.57%

LAB 55.37, 42.04, -19.98

 

CMYK 0 / 44 / 22 / 27

HEX #BB6892

RGB 187 104 146

HSL 329.64, 0.38%, 0.57%

LAB 54.6, 38.51, -8.32

 

CMYK 26 / 44 / 0 / 27

HEX #8A68BB

RGB 138 104 187

HSL 264.58, 0.38%, 0.57%

LAB 50.56, 30.88, -38.89

 

CMYK 38 / 44 / 0 / 27

HEX #7468BB

RGB 116 104 187

HSL 248.67, 0.38%, 0.57%

LAB 48.51, 24.78, -42.27

 

CMYK 44 / 44 / 0 / 27

HEX #6868BB

RGB 104 104 187

HSL 240, 0.38%, 0.57%

LAB 47.54, 21.68, -43.88

 

CMYK 26 / 44 / 0 / 27

HEX #8A68BB

RGB 138 104 187

HSL 264.58, 0.38%, 0.57%

LAB 50.56, 30.88, -38.89

 

CMYK 34 / 58 / 0 / 20

HEX #8756CD

RGB 135 86 205

HSL 264.71, 0.54%, 0.57%

LAB 47.25, 44.86, -54.55

 

CMYK 41 / 69 / 0 / 13

HEX #8444DE

RGB 132 68 222

HSL 264.94, 0.7%, 0.57%

LAB 44.68, 57.81, -68.46

 

CMYK 46 / 79 / 0 / 6

HEX #8132F0

RGB 129 50 240

HSL 264.95, 0.86%, 0.57%

LAB 43.12, 69.41, -81.22

 

CMYK 26 / 44 / 0 / 27

HEX #8A68BB

RGB 138 104 187

HSL 264.58, 0.38%, 0.57%

LAB 50.56, 30.88, -38.89

 

CMYK 17 / 28 / 0 / 34

HEX #8D79A9

RGB 141 121 169

HSL 265, 0.22%, 0.57%

LAB 54.24, 17.53, -22.73

 

CMYK 5 / 9 / 0 / 40

HEX #908B98

RGB 144 139 152

HSL 263.08, 0.06%, 0.57%

LAB 58.66, 4.43, -6.24

 

CMYK 6 / 0 / 15 / 38

HEX #939D86

RGB 147 157 134

HSL 86.09, 0.11%, 0.57%

LAB 63.37, -7.89, 10.83

 

CMYK 14 / 0 / 34 / 31

HEX #96AF74

RGB 150 175 116

HSL 85.42, 0.27%, 0.57%

LAB 68.32, -19.04, 27.49

 

CMYK 44 / 39 / 0 / 27

HEX #6873BB

RGB 104 115 187

HSL 232.05, 0.38%, 0.57%

LAB 50.44, 14.96, -39.27

 

CMYK 39 / 44 / 0 / 27

HEX #7368BB

RGB 115 104 187

HSL 247.95, 0.38%, 0.57%

LAB 48.43, 24.52, -42.41

 

CMYK 27 / 44 / 0 / 27

HEX #8968BB

RGB 137 104 187

HSL 263.86, 0.38%, 0.57%

LAB 50.46, 30.6, -39.06

 

CMYK 15 / 44 / 0 / 27

HEX #9F68BB

RGB 159 104 187

HSL 279.76, 0.38%, 0.57%

LAB 52.8, 37.02, -35.23

 

CMYK 3 / 44 / 0 / 27

HEX #B568BB

RGB 181 104 187

HSL 295.66, 0.38%, 0.57%

LAB 55.39, 43.61, -30.98

 

CMYK 33 / 55 / 0 / 44

HEX #614190

RGB 97 65 144

HSL 264.3, 0.38%, 0.41%

LAB 34.67, 31.4, -38.86

 

CMYK 32 / 55 / 0 / 33

HEX #754DAC

RGB 117 77 172

HSL 265.26, 0.38%, 0.49%

LAB 41.32, 37.02, -44.93

 

CMYK 26 / 44 / 0 / 27

HEX #8A68BB

RGB 138 104 187

HSL 264.58, 0.38%, 0.57%

LAB 50.56, 30.88, -38.89

 

CMYK 20 / 34 / 0 / 22

HEX #A084C8

RGB 160 132 200

HSL 264.71, 0.38%, 0.65%

LAB 60.02, 24.36, -31.36

 

CMYK 15 / 24 / 0 / 16

HEX #B6A1D5

RGB 182 161 213

HSL 264.23, 0.38%, 0.73%

LAB 69.64, 17.79, -23.63

 

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

CMYK 0 / 44 / 27 / 27

HEX #BB6889

RGB 187 104 137

HSL 336.14, 0.38%, 0.57%

LAB 54.31, 37.2, -3.46

 

CMYK 44 / 0 / 44 / 27

HEX #68BB68

RGB 104 187 104

HSL 120, 0.38%, 0.57%

LAB 69.1, -42.33, 34.28

 

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

CMYK 0 / 27 / 44 / 27

HEX #BB8968

RGB 187 137 104

HSL 23.86, 0.38%, 0.57%

LAB 61.18, 14.93, 25.17

 

CMYK 44 / 0 / 27 / 27

HEX #68BB89

RGB 104 187 137

HSL 143.86, 0.38%, 0.57%

LAB 69.68, -36.62, 17.62

 

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

CMYK 0 / 44 / 27 / 27

HEX #BB6889

RGB 187 104 137

HSL 336.14, 0.38%, 0.57%

LAB 54.31, 37.2, -3.46

 

CMYK 18 / 0 / 44 / 27

HEX #9ABB68

RGB 154 187 104

HSL 83.86, 0.38%, 0.57%

LAB 71.83, -25.07, 38.31

 

CMYK 44 / 0 / 18 / 27

HEX #68BB9A

RGB 104 187 154

HSL 156.14, 0.38%, 0.57%

LAB 70.05, -33.08, 8.91

 

CMYK 26 / 44 / 0 / 27

HEX #8B69BB

RGB 139 105 187

HSL 264.88, 0.38%, 0.57%

LAB 50.9, 30.59, -38.36

 

CMYK 0 / 44 / 40 / 27

HEX #BB6870

RGB 187 104 112

HSL 354.22, 0.38%, 0.57%

LAB 53.64, 33.98, 10.28

 

CMYK 18 / 0 / 44 / 27

HEX #9ABB68

RGB 154 187 104

HSL 83.86, 0.38%, 0.57%

LAB 71.83, -25.07, 38.31

 

CMYK 44 / 0 / 4 / 27

HEX #68BBB3

RGB 104 187 179

HSL 174.22, 0.38%, 0.57%

LAB 70.69, -27.23, -3.84

 

Description

Color code: HEX #8B69BB | qconv.com Color code: HEX #8B69BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 105 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 105 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 44 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 44% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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