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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5D0F it is the complementary color #74A2F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5D0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5D0F shade: #905D0A, #A16F1D, #B28130, #C39343 and #D4A556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5D0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5D0F shade: #8B5D0F, #7A4B00, #693900, #582700 and #471500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5D0F shade: #8A5C0F, #8A3B0F, #8A1A0F and #8A0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5D0F shade: #8A5C0F, #8A7E0F, #768A0F, #548A0F and #338A0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5D0F shade matches the following richer shades: #8A5C0F and #976002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5D0F shade: #8A5C0F, #7E591B, #725627, #655334 and #595040

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5D0F shade: #8A190F, #8A3A0F, #8A5B0F, #8A7C0F and #788A0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5D0F shade: #402B07, #65440B, #8A5C0F, #B07512 and #D58E16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5D0F shade: #8B5D0F, #258A0F and #290F8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5D0F shade: #8B5D0F, #0F8A5B and #5B0F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5D0F shade: #8B5D0F, #258A0F, #0F3E8A and #740F8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5D0F shade: #8B5D0F, #0F8A1D, #0F3E8A and #8A0F7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

Complementary color

CMYK 52 / 33 / 0 / 6

HEX #74A2F0

RGB 116 162 240

HSL 217.74, 0.81%, 0.7%

LAB 66.4, 6.09, -43.85

 

CMYK 0 / 35 / 93 / 44

HEX #905D0A

RGB 144 93 10

HSL 37.16, 0.87%, 0.3%

LAB 43.92, 14.74, 49.4

 

CMYK 0 / 31 / 82 / 37

HEX #A16F1D

RGB 161 111 29

HSL 37.27, 0.69%, 0.37%

LAB 50.73, 12.74, 49.97

 

CMYK 0 / 28 / 73 / 30

HEX #B28130

RGB 178 129 48

HSL 37.38, 0.58%, 0.44%

LAB 57.44, 11.08, 49.33

 

CMYK 0 / 25 / 66 / 24

HEX #C39343

RGB 195 147 67

HSL 37.5, 0.52%, 0.51%

LAB 64.06, 9.69, 48.2

 

CMYK 0 / 22 / 59 / 17

HEX #D4A556

RGB 212 165 86

HSL 37.62, 0.59%, 0.58%

LAB 70.58, 8.51, 46.91

 

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

CMYK 0 / 39 / 100 / 52

HEX #7A4B00

RGB 122 75 0

HSL 36.89, 1%, 0.24%

LAB 36.31, 14.76, 45.5

 

CMYK 0 / 46 / 100 / 59

HEX #693900

RGB 105 57 0

HSL 32.57, 1%, 0.21%

LAB 29.23, 17.45, 39.53

 

CMYK 0 / 56 / 100 / 65

HEX #582700

RGB 88 39 0

HSL 26.59, 1%, 0.17%

LAB 22.04, 20.22, 31.84

 

CMYK 0 / 70 / 100 / 72

HEX #471500

RGB 71 21 0

HSL 17.75, 1%, 0.14%

LAB 14.82, 22.78, 22.54

 

CMYK 0 / 33 / 89 / 46

HEX #8A5C0F

RGB 138 92 15

HSL 37.56, 0.8%, 0.3%

LAB 42.9, 12.63, 46.91

 

CMYK 0 / 57 / 89 / 46

HEX #8A3B0F

RGB 138 59 15

HSL 21.46, 0.8%, 0.3%

LAB 35.13, 31.34, 40.58

 

CMYK 0 / 81 / 89 / 46

HEX #8A1A0F

RGB 138 26 15

HSL 5.37, 0.8%, 0.3%

LAB 29.85, 45.55, 36.25

 

CMYK 0 / 89 / 89 / 46

HEX #8A0F0F

RGB 138 15 15

HSL 0, 0.8%, 0.3%

LAB 28.85, 48.4, 35.42

 

CMYK 0 / 33 / 89 / 46

HEX #8A5C0F

RGB 138 92 15

HSL 37.56, 0.8%, 0.3%

LAB 42.9, 12.63, 46.91

 

CMYK 0 / 9 / 89 / 46

HEX #8A7E0F

RGB 138 126 15

HSL 54.15, 0.8%, 0.3%

LAB 52.24, -6.86, 54.48

 

CMYK 14 / 0 / 89 / 46

HEX #768A0F

RGB 118 138 15

HSL 69.76, 0.8%, 0.3%

LAB 54.09, -22.39, 55.3

 

CMYK 39 / 0 / 89 / 46

HEX #548A0F

RGB 84 138 15

HSL 86.34, 0.8%, 0.3%

LAB 51.95, -36.38, 52.63

 

CMYK 63 / 0 / 89 / 46

HEX #338A0F

RGB 51 138 15

HSL 102.44, 0.8%, 0.3%

LAB 50.59, -46.8, 50.93

 

CMYK 0 / 33 / 89 / 46

HEX #8A5C0F

RGB 138 92 15

HSL 37.56, 0.8%, 0.3%

LAB 42.9, 12.63, 46.91

 

CMYK 0 / 36 / 99 / 41

HEX #976002

RGB 151 96 2

HSL 37.85, 0.97%, 0.3%

LAB 45.56, 16.11, 52.95

 

CMYK 0 / 33 / 89 / 46

HEX #8A5C0F

RGB 138 92 15

HSL 37.56, 0.8%, 0.3%

LAB 42.9, 12.63, 46.91

 

CMYK 0 / 29 / 79 / 51

HEX #7E591B

RGB 126 89 27

HSL 37.58, 0.65%, 0.3%

LAB 40.67, 9.15, 39.85

 

CMYK 0 / 25 / 66 / 55

HEX #725627

RGB 114 86 39

HSL 37.6, 0.49%, 0.3%

LAB 38.52, 5.95, 31.24

 

CMYK 0 / 18 / 49 / 60

HEX #655334

RGB 101 83 52

HSL 37.96, 0.32%, 0.3%

LAB 36.37, 2.84, 20.91

 

CMYK 0 / 10 / 28 / 65

HEX #595040

RGB 89 80 64

HSL 38.4, 0.16%, 0.3%

LAB 34.46, 0.83, 10.8

 

CMYK 0 / 82 / 89 / 46

HEX #8A190F

RGB 138 25 15

HSL 4.88, 0.8%, 0.3%

LAB 29.75, 45.85, 36.16

 

CMYK 0 / 58 / 89 / 46

HEX #8A3A0F

RGB 138 58 15

HSL 20.98, 0.8%, 0.3%

LAB 34.93, 31.86, 40.42

 

CMYK 0 / 34 / 89 / 46

HEX #8A5B0F

RGB 138 91 15

HSL 37.07, 0.8%, 0.3%

LAB 42.64, 13.22, 46.7

 

CMYK 0 / 10 / 89 / 46

HEX #8A7C0F

RGB 138 124 15

HSL 53.17, 0.8%, 0.3%

LAB 51.67, -5.75, 54.02

 

CMYK 13 / 0 / 89 / 46

HEX #788A0F

RGB 120 138 15

HSL 68.78, 0.8%, 0.3%

LAB 54.24, -21.5, 55.49

 

CMYK 0 / 33 / 89 / 75

HEX #402B07

RGB 64 43 7

HSL 37.89, 0.8%, 0.14%

LAB 19.36, 5.88, 24.96

 

CMYK 0 / 33 / 89 / 60

HEX #65440B

RGB 101 68 11

HSL 38, 0.8%, 0.22%

LAB 31.64, 9.08, 36.91

 

CMYK 0 / 33 / 89 / 46

HEX #8A5C0F

RGB 138 92 15

HSL 37.56, 0.8%, 0.3%

LAB 42.9, 12.63, 46.91

 

CMYK 0 / 34 / 90 / 31

HEX #B07512

RGB 176 117 18

HSL 37.59, 0.81%, 0.38%

LAB 54.02, 15.84, 56.94

 

CMYK 0 / 33 / 90 / 16

HEX #D58E16

RGB 213 142 22

HSL 37.7, 0.81%, 0.46%

LAB 64.6, 18.5, 66.08

 

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

CMYK 73 / 0 / 89 / 46

HEX #258A0F

RGB 37 138 15

HSL 109.27, 0.8%, 0.3%

LAB 50.22, -49.89, 50.47

 

CMYK 70 / 89 / 0 / 46

HEX #290F8A

RGB 41 15 138

HSL 252.68, 0.8%, 0.3%

LAB 18.58, 46.37, -61.63

 

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

CMYK 89 / 0 / 34 / 46

HEX #0F8A5B

RGB 15 138 91

HSL 157.07, 0.8%, 0.3%

LAB 50.73, -42.68, 16.61

 

CMYK 34 / 89 / 0 / 46

HEX #5B0F8A

RGB 91 15 138

HSL 277.07, 0.8%, 0.3%

LAB 24.95, 51.98, -50.9

 

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

CMYK 73 / 0 / 89 / 46

HEX #258A0F

RGB 37 138 15

HSL 109.27, 0.8%, 0.3%

LAB 50.22, -49.89, 50.47

 

CMYK 89 / 55 / 0 / 46

HEX #0F3E8A

RGB 15 62 138

HSL 217.07, 0.8%, 0.3%

LAB 27.8, 15.77, -46.53

 

CMYK 16 / 89 / 0 / 46

HEX #740F8A

RGB 116 15 138

HSL 289.27, 0.8%, 0.3%

LAB 29.13, 56.02, -43.92

 

CMYK 0 / 33 / 89 / 45

HEX #8B5D0F

RGB 139 93 15

HSL 37.74, 0.81%, 0.3%

LAB 43.29, 12.51, 47.28

 

CMYK 89 / 0 / 79 / 46

HEX #0F8A1D

RGB 15 138 29

HSL 126.83, 0.8%, 0.3%

LAB 49.94, -52.12, 46.08

 

CMYK 89 / 55 / 0 / 46

HEX #0F3E8A

RGB 15 62 138

HSL 217.07, 0.8%, 0.3%

LAB 27.8, 15.77, -46.53

 

CMYK 0 / 89 / 10 / 46

HEX #8A0F7C

RGB 138 15 124

HSL 306.83, 0.8%, 0.3%

LAB 32.26, 57.86, -29.92

 

Description

Color code: HEX #8B5D0F | qconv.com Color code: HEX #8B5D0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 93 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 93 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 89 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 89% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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