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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5A2D it is the complementary color #74A5D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5A2D shade: #905A28, #A16C3B, #B27E4E, #C39061 and #D4A274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5A2D shade: #8B5A2D, #7A481A, #693607, #582400 and #471200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5A2D shade: #8A592C, #8A402C and #8A2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5A2D shade: #8A592C, #8A732C, #888A2C, #6F8A2C and #568A2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5A2D shade matches the following richer shades: #8A592C, #99591E, #A8580F and #B75700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5A2D shade: #8A592C, #7B5A3B, #6C5B4A, #5E5B59 and #4F5C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5A2D shade: #8A2C33, #8A3F2C, #8A582C, #8A712C and #8A8A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5A2D shade: #4C3118, #6B4522, #8A592C, #A96D37 and #C38246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5A2D shade: #8B5A2D, #4C8A2C and #332C8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5A2D shade: #8B5A2D, #2C8A58 and #582C8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5A2D shade: #8B5A2D, #4C8A2C, #2C5E8A and #6B2C8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5A2D shade: #8B5A2D, #308A2C, #2C5E8A and #872C8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

Complementary color

CMYK 45 / 21 / 0 / 18

HEX #74A5D2

RGB 116 165 210

HSL 208.72, 0.51%, 0.64%

LAB 65.96, -4.41, -28.01

 

CMYK 0 / 38 / 72 / 44

HEX #905A28

RGB 144 90 40

HSL 28.85, 0.57%, 0.36%

LAB 43.35, 17.58, 37.12

 

CMYK 0 / 33 / 63 / 37

HEX #A16C3B

RGB 161 108 59

HSL 28.82, 0.46%, 0.43%

LAB 50.24, 16.04, 35.51

 

CMYK 0 / 29 / 56 / 30

HEX #B27E4E

RGB 178 126 78

HSL 28.8, 0.39%, 0.5%

LAB 57.01, 14.76, 33.92

 

CMYK 0 / 26 / 50 / 24

HEX #C39061

RGB 195 144 97

HSL 28.78, 0.45%, 0.57%

LAB 63.68, 13.68, 32.42

 

CMYK 0 / 24 / 45 / 17

HEX #D4A274

RGB 212 162 116

HSL 28.75, 0.53%, 0.64%

LAB 70.24, 12.76, 31.02

 

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

CMYK 0 / 41 / 79 / 52

HEX #7A481A

RGB 122 72 26

HSL 28.75, 0.65%, 0.29%

LAB 35.69, 17.35, 35.23

 

CMYK 0 / 49 / 93 / 59

HEX #693607

RGB 105 54 7

HSL 28.78, 0.88%, 0.22%

LAB 28.53, 19.46, 36.11

 

CMYK 0 / 59 / 100 / 65

HEX #582400

RGB 88 36 0

HSL 24.55, 1%, 0.17%

LAB 21.34, 21.97, 31.1

 

CMYK 0 / 75 / 100 / 72

HEX #471200

RGB 71 18 0

HSL 15.21, 1%, 0.14%

LAB 14.24, 24.34, 21.79

 

CMYK 0 / 36 / 68 / 46

HEX #8A592C

RGB 138 89 44

HSL 28.72, 0.52%, 0.36%

LAB 42.35, 15.69, 33.71

 

CMYK 0 / 54 / 68 / 46

HEX #8A402C

RGB 138 64 44

HSL 12.77, 0.52%, 0.36%

LAB 36.46, 29.94, 26.89

 

CMYK 0 / 68 / 68 / 46

HEX #8A2C2C

RGB 138 44 44

HSL 0, 0.52%, 0.36%

LAB 32.67, 39.9, 22.29

 

CMYK 0 / 36 / 68 / 46

HEX #8A592C

RGB 138 89 44

HSL 28.72, 0.52%, 0.36%

LAB 42.35, 15.69, 33.71

 

CMYK 0 / 17 / 68 / 46

HEX #8A732C

RGB 138 115 44

HSL 45.32, 0.52%, 0.36%

LAB 49.31, 0.57, 41.33

 

CMYK 1 / 0 / 68 / 46

HEX #888A2C

RGB 136 138 44

HSL 61.28, 0.52%, 0.36%

LAB 55.68, -13.07, 47.91

 

CMYK 20 / 0 / 68 / 46

HEX #6F8A2C

RGB 111 138 44

HSL 77.23, 0.52%, 0.36%

LAB 53.75, -24, 45.31

 

CMYK 38 / 0 / 68 / 46

HEX #568A2C

RGB 86 138 44

HSL 93.19, 0.52%, 0.36%

LAB 52.22, -33.93, 43.22

 

CMYK 0 / 36 / 68 / 46

HEX #8A592C

RGB 138 89 44

HSL 28.72, 0.52%, 0.36%

LAB 42.35, 15.69, 33.71

 

CMYK 0 / 42 / 80 / 40

HEX #99591E

RGB 153 89 30

HSL 28.78, 0.67%, 0.36%

LAB 44.25, 21.71, 43.21

 

CMYK 0 / 48 / 91 / 34

HEX #A8580F

RGB 168 88 15

HSL 28.63, 0.84%, 0.36%

LAB 46.09, 28.37, 51.19

 

CMYK 0 / 52 / 100 / 28

HEX #B75700

RGB 183 87 0

HSL 28.52, 1%, 0.36%

LAB 48.11, 34.94, 57.33

 

CMYK 0 / 36 / 68 / 46

HEX #8A592C

RGB 138 89 44

HSL 28.72, 0.52%, 0.36%

LAB 42.35, 15.69, 33.71

 

CMYK 0 / 27 / 52 / 52

HEX #7B5A3B

RGB 123 90 59

HSL 29.06, 0.35%, 0.36%

LAB 40.96, 9.53, 23.14

 

CMYK 0 / 16 / 31 / 58

HEX #6C5B4A

RGB 108 91 74

HSL 30, 0.19%, 0.36%

LAB 39.86, 4.09, 12.38

 

CMYK 0 / 3 / 5 / 63

HEX #5E5B59

RGB 94 91 89

HSL 24, 0.03%, 0.36%

LAB 38.87, 0.79, 1.57

 

CMYK 24 / 12 / 0 / 59

HEX #4F5C68

RGB 79 92 104

HSL 208.8, 0.14%, 0.36%

LAB 38.4, -2.05, -8.53

 

CMYK 0 / 68 / 63 / 46

HEX #8A2C33

RGB 138 44 51

HSL 355.53, 0.52%, 0.36%

LAB 32.8, 40.36, 17.99

 

CMYK 0 / 54 / 68 / 46

HEX #8A3F2C

RGB 138 63 44

HSL 12.13, 0.52%, 0.36%

LAB 36.25, 30.48, 26.64

 

CMYK 0 / 36 / 68 / 46

HEX #8A582C

RGB 138 88 44

HSL 28.09, 0.52%, 0.36%

LAB 42.1, 16.28, 33.42

 

CMYK 0 / 18 / 68 / 46

HEX #8A712C

RGB 138 113 44

HSL 44.04, 0.52%, 0.36%

LAB 48.75, 1.72, 40.74

 

CMYK 0 / 0 / 68 / 46

HEX #8A8A2C

RGB 138 138 44

HSL 60, 0.52%, 0.36%

LAB 55.85, -12.18, 48.14

 

CMYK 0 / 36 / 68 / 70

HEX #4C3118

RGB 76 49 24

HSL 28.85, 0.52%, 0.2%

LAB 23, 9.29, 20.67

 

CMYK 0 / 36 / 68 / 58

HEX #6B4522

RGB 107 69 34

HSL 28.77, 0.52%, 0.28%

LAB 32.91, 12.59, 27.39

 

CMYK 0 / 36 / 68 / 46

HEX #8A592C

RGB 138 89 44

HSL 28.72, 0.52%, 0.36%

LAB 42.35, 15.69, 33.71

 

CMYK 0 / 36 / 67 / 34

HEX #A96D37

RGB 169 109 55

HSL 28.42, 0.51%, 0.44%

LAB 51.44, 18.72, 39.24

 

CMYK 0 / 33 / 64 / 24

HEX #C38246

RGB 195 130 70

HSL 28.8, 0.51%, 0.52%

LAB 59.9, 19.21, 42.04

 

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

CMYK 45 / 0 / 68 / 46

HEX #4C8A2C

RGB 76 138 44

HSL 99.57, 0.52%, 0.36%

LAB 51.72, -37.46, 42.54

 

CMYK 63 / 68 / 0 / 46

HEX #332C8A

RGB 51 44 138

HSL 244.47, 0.52%, 0.36%

LAB 24.77, 32.4, -51.4

 

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

CMYK 68 / 0 / 36 / 46

HEX #2C8A58

RGB 44 138 88

HSL 148.09, 0.52%, 0.36%

LAB 51.17, -39.48, 18.99

 

CMYK 36 / 68 / 0 / 46

HEX #582C8A

RGB 88 44 138

HSL 268.09, 0.52%, 0.36%

LAB 28.67, 39.59, -44.87

 

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

CMYK 45 / 0 / 68 / 46

HEX #4C8A2C

RGB 76 138 44

HSL 99.57, 0.52%, 0.36%

LAB 51.72, -37.46, 42.54

 

CMYK 68 / 32 / 0 / 46

HEX #2C5E8A

RGB 44 94 138

HSL 208.09, 0.52%, 0.36%

LAB 38.51, -1.87, -29.36

 

CMYK 22 / 68 / 0 / 46

HEX #6B2C8A

RGB 107 44 138

HSL 280.21, 0.52%, 0.36%

LAB 31.26, 43.96, -40.56

 

CMYK 0 / 35 / 68 / 45

HEX #8B5A2D

RGB 139 90 45

HSL 28.72, 0.51%, 0.36%

LAB 42.75, 15.63, 33.66

 

CMYK 65 / 0 / 68 / 46

HEX #308A2C

RGB 48 138 44

HSL 117.45, 0.52%, 0.36%

LAB 50.67, -45.49, 41.11

 

CMYK 68 / 32 / 0 / 46

HEX #2C5E8A

RGB 44 94 138

HSL 208.09, 0.52%, 0.36%

LAB 38.51, -1.87, -29.36

 

CMYK 2 / 68 / 0 / 46

HEX #872C8A

RGB 135 44 138

HSL 298.09, 0.52%, 0.36%

LAB 35.57, 50.76, -33.43

 

Description

Color code: HEX #8B5A2D | qconv.com Color code: HEX #8B5A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 90 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 90 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 68 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 68% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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