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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B535B it is the complementary color #74ACA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B535B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B535B shade: #905356, #A16569, #B2777C, #C3898F and #D49BA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B535B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B535B shade: #8B535B, #7A4148, #692F35, #581D22 and #470B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B535B shade: #8C545C and #8C5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B535B shade: #8C545C, #8C546B, #8C547A, #8C548A and #80548C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B535B shade matches the following richer shades: #8C545C, #9E424F, #B13042, #C31E35 and #D50C28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B535B shade: #8C545C, #7A6669, #687876, #568B83 and #449D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B535B shade: #8C547A, #8C546C, #8C545D, #8C5B54 and #8C6A54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B535B shade: #59353A, #72454B, #8C545C, #A3666F and #B38087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B535B shade: #8B535B, #898C54 and #54738C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B535B shade: #8B535B, #5D8C54 and #545D8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B535B shade: #8B535B, #898C54, #548C84 and #57548C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B535B shade: #8B535B, #798C54, #548C84 and #68548C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

Complementary color

CMYK 33 / 0 / 5 / 33

HEX #74ACA4

RGB 116 172 164

HSL 171.43, 0.25%, 0.56%

LAB 66.44, -20.08, -1.74

 

CMYK 0 / 42 / 40 / 44

HEX #905356

RGB 144 83 86

HSL 357.05, 0.27%, 0.45%

LAB 42.44, 25.74, 9.3

 

CMYK 0 / 37 / 35 / 37

HEX #A16569

RGB 161 101 105

HSL 356, 0.24%, 0.51%

LAB 49.38, 24.73, 7.92

 

CMYK 0 / 33 / 30 / 30

HEX #B2777C

RGB 178 119 124

HSL 354.92, 0.28%, 0.58%

LAB 56.2, 23.82, 6.74

 

CMYK 0 / 30 / 27 / 24

HEX #C3898F

RGB 195 137 143

HSL 353.79, 0.33%, 0.65%

LAB 62.91, 23.01, 5.7

 

CMYK 0 / 27 / 24 / 17

HEX #D49BA2

RGB 212 155 162

HSL 352.63, 0.4%, 0.72%

LAB 69.5, 22.28, 4.76

 

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

CMYK 0 / 47 / 41 / 52

HEX #7A4148

RGB 122 65 72

HSL 352.63, 0.3%, 0.37%

LAB 34.77, 25.44, 6.8

 

CMYK 0 / 55 / 50 / 59

HEX #692F35

RGB 105 47 53

HSL 353.79, 0.38%, 0.3%

LAB 27.55, 26.58, 8.63

 

CMYK 0 / 67 / 61 / 65

HEX #581D22

RGB 88 29 34

HSL 354.92, 0.5%, 0.23%

LAB 20.32, 27.66, 11.15

 

CMYK 0 / 85 / 79 / 72

HEX #470B0F

RGB 71 11 15

HSL 356, 0.73%, 0.16%

LAB 13.31, 28.16, 14.15

 

CMYK 0 / 40 / 34 / 45

HEX #8C545C

RGB 140 84 92

HSL 351.43, 0.25%, 0.44%

LAB 42.29, 24.35, 5.32

 

CMYK 0 / 40 / 40 / 45

HEX #8C5454

RGB 140 84 84

HSL 0, 0.25%, 0.44%

LAB 42.09, 23.3, 9.95

 

CMYK 0 / 40 / 34 / 45

HEX #8C545C

RGB 140 84 92

HSL 351.43, 0.25%, 0.44%

LAB 42.29, 24.35, 5.32

 

CMYK 0 / 40 / 24 / 45

HEX #8C546B

RGB 140 84 107

HSL 335.36, 0.25%, 0.44%

LAB 42.73, 26.56, -3.26

 

CMYK 0 / 40 / 13 / 45

HEX #8C547A

RGB 140 84 122

HSL 319.29, 0.25%, 0.44%

LAB 43.24, 29.08, -11.66

 

CMYK 0 / 40 / 1 / 45

HEX #8C548A

RGB 140 84 138

HSL 302.14, 0.25%, 0.44%

LAB 43.87, 32.07, -20.4

 

CMYK 9 / 40 / 0 / 45

HEX #80548C

RGB 128 84 140

HSL 287.14, 0.25%, 0.44%

LAB 42.5, 28.5, -23.86

 

CMYK 0 / 40 / 34 / 45

HEX #8C545C

RGB 140 84 92

HSL 351.43, 0.25%, 0.44%

LAB 42.29, 24.35, 5.32

 

CMYK 0 / 58 / 50 / 38

HEX #9E424F

RGB 158 66 79

HSL 351.52, 0.41%, 0.44%

LAB 40.78, 39.47, 11.63

 

CMYK 0 / 73 / 63 / 31

HEX #B13042

RGB 177 48 66

HSL 351.63, 0.57%, 0.44%

LAB 40.98, 52.62, 20.57

 

CMYK 0 / 85 / 73 / 24

HEX #C31E35

RGB 195 30 53

HSL 351.64, 0.73%, 0.44%

LAB 42.44, 62.42, 31.15

 

CMYK 0 / 94 / 81 / 16

HEX #D50C28

RGB 213 12 40

HSL 351.64, 0.89%, 0.44%

LAB 45.03, 69.46, 42.58

 

CMYK 0 / 40 / 34 / 45

HEX #8C545C

RGB 140 84 92

HSL 351.43, 0.25%, 0.44%

LAB 42.29, 24.35, 5.32

 

CMYK 0 / 16 / 14 / 52

HEX #7A6669

RGB 122 102 105

HSL 351, 0.09%, 0.44%

LAB 45.17, 8.51, 1.28

 

CMYK 13 / 0 / 2 / 53

HEX #687876

RGB 104 120 118

HSL 172.5, 0.07%, 0.44%

LAB 49.11, -6.33, -0.91

 

CMYK 38 / 0 / 6 / 45

HEX #568B83

RGB 86 139 131

HSL 170.94, 0.24%, 0.44%

LAB 54.11, -19.58, -1.3

 

CMYK 57 / 0 / 8 / 38

HEX #449D90

RGB 68 157 144

HSL 171.24, 0.4%, 0.44%

LAB 59.3, -29.81, -1.23

 

CMYK 0 / 40 / 13 / 45

HEX #8C547A

RGB 140 84 122

HSL 319.29, 0.25%, 0.44%

LAB 43.24, 29.08, -11.66

 

CMYK 0 / 40 / 23 / 45

HEX #8C546C

RGB 140 84 108

HSL 334.29, 0.25%, 0.44%

LAB 42.76, 26.72, -3.82

 

CMYK 0 / 40 / 34 / 45

HEX #8C545D

RGB 140 84 93

HSL 350.36, 0.25%, 0.44%

LAB 42.32, 24.49, 4.75

 

CMYK 0 / 35 / 40 / 45

HEX #8C5B54

RGB 140 91 84

HSL 7.5, 0.25%, 0.44%

LAB 43.8, 19.23, 12.32

 

CMYK 0 / 24 / 40 / 45

HEX #8C6A54

RGB 140 106 84

HSL 23.57, 0.25%, 0.44%

LAB 47.65, 10.45, 17.6

 

CMYK 0 / 40 / 35 / 65

HEX #59353A

RGB 89 53 58

HSL 351.67, 0.25%, 0.28%

LAB 26.66, 16.9, 3.71

 

CMYK 0 / 39 / 34 / 55

HEX #72454B

RGB 114 69 75

HSL 352, 0.25%, 0.36%

LAB 34.68, 20.2, 4.6

 

CMYK 0 / 40 / 34 / 45

HEX #8C545C

RGB 140 84 92

HSL 351.43, 0.25%, 0.44%

LAB 42.29, 24.35, 5.32

 

CMYK 0 / 37 / 32 / 36

HEX #A3666F

RGB 163 102 111

HSL 351.15, 0.25%, 0.52%

LAB 50.02, 25.75, 5.3

 

CMYK 0 / 28 / 25 / 30

HEX #B38087

RGB 179 128 135

HSL 351.76, 0.25%, 0.6%

LAB 58.76, 20.75, 4.07

 

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

CMYK 2 / 0 / 40 / 45

HEX #898C54

RGB 137 140 84

HSL 63.21, 0.25%, 0.44%

LAB 56.8, -10.1, 29.53

 

CMYK 40 / 18 / 0 / 45

HEX #54738C

RGB 84 115 140

HSL 206.79, 0.25%, 0.44%

LAB 47.03, -4.38, -17.2

 

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

CMYK 34 / 0 / 40 / 45

HEX #5D8C54

RGB 93 140 84

HSL 110.36, 0.25%, 0.44%

LAB 53.73, -27.44, 24.97

 

CMYK 40 / 34 / 0 / 45

HEX #545D8C

RGB 84 93 140

HSL 230.36, 0.25%, 0.44%

LAB 40.58, 9.04, -27.16

 

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

CMYK 2 / 0 / 40 / 45

HEX #898C54

RGB 137 140 84

HSL 63.21, 0.25%, 0.44%

LAB 56.8, -10.1, 29.53

 

CMYK 40 / 0 / 6 / 45

HEX #548C84

RGB 84 140 132

HSL 171.43, 0.25%, 0.44%

LAB 54.35, -20.43, -1.55

 

CMYK 38 / 40 / 0 / 45

HEX #57548C

RGB 87 84 140

HSL 243.21, 0.25%, 0.44%

LAB 38.31, 15.6, -30.72

 

CMYK 0 / 40 / 35 / 45

HEX #8B535B

RGB 139 83 91

HSL 351.43, 0.25%, 0.44%

LAB 41.89, 24.39, 5.35

 

CMYK 14 / 0 / 40 / 45

HEX #798C54

RGB 121 140 84

HSL 80.36, 0.25%, 0.44%

LAB 55.54, -16.73, 27.67

 

CMYK 40 / 0 / 6 / 45

HEX #548C84

RGB 84 140 132

HSL 171.43, 0.25%, 0.44%

LAB 54.35, -20.43, -1.55

 

CMYK 26 / 40 / 0 / 45

HEX #68548C

RGB 104 84 140

HSL 261.43, 0.25%, 0.44%

LAB 39.88, 20.75, -28.14

 

Description

Color code: HEX #8B535B | qconv.com Color code: HEX #8B535B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 83 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 83 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 35 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 35% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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