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Color name
HEX #8B5311

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5311 it is the complementary color #74ACEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5311 shade: #90530C, #A1651F, #B27732, #C38945 and #D49B58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5311 shade: #8B5311, #7A4100, #692F00, #581D00 and #470B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5311 shade: #8D5411, #8D3311, #8D1211 and #8D1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5311 shade: #8D5411, #8D7511, #838D11, #628D11 and #408D11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5311 shade matches the following richer shades: #8D5411 and #995505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5311 shade: #8D5411, #80531E, #73522B, #665138 and #5A5045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5311 shade: #8D1111, #8D3211, #8D5311, #8D7411 and #848D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5311 shade: #432808, #683E0D, #8D5411, #B16A16 and #D6801A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5311 shade: #8B5311, #328D11 and #22118D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5311 shade: #8B5311, #118D53 and #53118D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5311 shade: #8B5311, #328D11, #114B8D and #6C118D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5311 shade: #8B5311, #118D16, #114B8D and #8D1189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

Complementary color

CMYK 51 / 28 / 0 / 7

HEX #74ACEE

RGB 116 172 238

HSL 212.46, 0.78%, 0.69%

LAB 69.03, -0.17, -38.64

 

CMYK 0 / 42 / 92 / 44

HEX #90530C

RGB 144 83 12

HSL 32.27, 0.85%, 0.31%

LAB 41.44, 20.56, 46.99

 

CMYK 0 / 37 / 81 / 37

HEX #A1651F

RGB 161 101 31

HSL 32.31, 0.68%, 0.38%

LAB 48.24, 18.5, 46.92

 

CMYK 0 / 33 / 72 / 30

HEX #B27732

RGB 178 119 50

HSL 32.34, 0.56%, 0.45%

LAB 54.96, 16.77, 45.86

 

CMYK 0 / 30 / 65 / 24

HEX #C38945

RGB 195 137 69

HSL 32.38, 0.51%, 0.52%

LAB 61.59, 15.3, 44.47

 

CMYK 0 / 27 / 58 / 17

HEX #D49B58

RGB 212 155 88

HSL 32.42, 0.59%, 0.59%

LAB 68.13, 14.05, 43.02

 

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

CMYK 0 / 47 / 100 / 52

HEX #7A4100

RGB 122 65 0

HSL 31.97, 1%, 0.24%

LAB 33.81, 20.68, 43.92

 

CMYK 0 / 55 / 100 / 59

HEX #692F00

RGB 105 47 0

HSL 26.86, 1%, 0.21%

LAB 26.84, 23.35, 37.53

 

CMYK 0 / 67 / 100 / 65

HEX #581D00

RGB 88 29 0

HSL 19.77, 1%, 0.17%

LAB 19.86, 25.84, 29.45

 

CMYK 0 / 85 / 100 / 72

HEX #470B00

RGB 71 11 0

HSL 9.3, 1%, 0.14%

LAB 13.1, 27.47, 20.28

 

CMYK 0 / 40 / 88 / 45

HEX #8D5411

RGB 141 84 17

HSL 32.42, 0.78%, 0.31%

LAB 41.29, 18.74, 45.1

 

CMYK 0 / 64 / 88 / 45

HEX #8D3311

RGB 141 51 17

HSL 16.45, 0.78%, 0.31%

LAB 34.13, 36.62, 39.12

 

CMYK 0 / 87 / 88 / 45

HEX #8D1211

RGB 141 18 17

HSL 0.48, 0.78%, 0.31%

LAB 29.75, 48.66, 35.4

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 40 / 88 / 45

HEX #8D5411

RGB 141 84 17

HSL 32.42, 0.78%, 0.31%

LAB 41.29, 18.74, 45.1

 

CMYK 0 / 17 / 88 / 45

HEX #8D7511

RGB 141 117 17

HSL 48.39, 0.78%, 0.31%

LAB 50.01, -0.36, 52.3

 

CMYK 7 / 0 / 88 / 45

HEX #838D11

RGB 131 141 17

HSL 64.84, 0.78%, 0.31%

LAB 56, -18.08, 56.86

 

CMYK 30 / 0 / 88 / 45

HEX #628D11

RGB 98 141 17

HSL 80.81, 0.78%, 0.31%

LAB 53.69, -32.24, 53.99

 

CMYK 55 / 0 / 88 / 45

HEX #408D11

RGB 64 141 17

HSL 97.26, 0.78%, 0.31%

LAB 52.04, -44.27, 51.91

 

CMYK 0 / 40 / 88 / 45

HEX #8D5411

RGB 141 84 17

HSL 32.42, 0.78%, 0.31%

LAB 41.29, 18.74, 45.1

 

CMYK 0 / 44 / 97 / 40

HEX #995505

RGB 153 85 5

HSL 32.43, 0.94%, 0.31%

LAB 43.18, 23.33, 50.7

 

CMYK 0 / 40 / 88 / 45

HEX #8D5411

RGB 141 84 17

HSL 32.42, 0.78%, 0.31%

LAB 41.29, 18.74, 45.1

 

CMYK 0 / 35 / 77 / 50

HEX #80531E

RGB 128 83 30

HSL 32.45, 0.62%, 0.31%

LAB 39.36, 13.8, 37.26

 

CMYK 0 / 29 / 63 / 55

HEX #73522B

RGB 115 82 43

HSL 32.5, 0.46%, 0.31%

LAB 37.58, 9.15, 27.99

 

CMYK 0 / 21 / 45 / 60

HEX #665138

RGB 102 81 56

HSL 32.61, 0.29%, 0.31%

LAB 35.97, 5.01, 18.01

 

CMYK 0 / 11 / 23 / 65

HEX #5A5045

RGB 90 80 69

HSL 31.43, 0.13%, 0.31%

LAB 34.68, 2.11, 7.99

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 65 / 88 / 45

HEX #8D3211

RGB 141 50 17

HSL 15.97, 0.78%, 0.31%

LAB 33.95, 37.1, 38.97

 

CMYK 0 / 41 / 88 / 45

HEX #8D5311

RGB 141 83 17

HSL 31.94, 0.78%, 0.31%

LAB 41.04, 19.32, 44.9

 

CMYK 0 / 18 / 88 / 45

HEX #8D7411

RGB 141 116 17

HSL 47.9, 0.78%, 0.31%

LAB 49.73, 0.21, 52.07

 

CMYK 6 / 0 / 88 / 45

HEX #848D11

RGB 132 141 17

HSL 64.35, 0.78%, 0.31%

LAB 56.08, -17.63, 56.96

 

CMYK 0 / 40 / 88 / 74

HEX #432808

RGB 67 40 8

HSL 32.54, 0.79%, 0.15%

LAB 18.92, 9.52, 24.15

 

CMYK 0 / 40 / 88 / 59

HEX #683E0D

RGB 104 62 13

HSL 32.31, 0.78%, 0.23%

LAB 30.44, 14.32, 35.27

 

CMYK 0 / 40 / 88 / 45

HEX #8D5411

RGB 141 84 17

HSL 32.42, 0.78%, 0.31%

LAB 41.29, 18.74, 45.1

 

CMYK 0 / 40 / 88 / 31

HEX #B16A16

RGB 177 106 22

HSL 32.52, 0.78%, 0.39%

LAB 51.51, 22.51, 53.86

 

CMYK 0 / 40 / 88 / 16

HEX #D6801A

RGB 214 128 26

HSL 32.55, 0.78%, 0.47%

LAB 61.49, 26.54, 62.69

 

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

CMYK 65 / 0 / 88 / 45

HEX #328D11

RGB 50 141 17

HSL 104.03, 0.78%, 0.31%

LAB 51.57, -48.04, 51.32

 

CMYK 76 / 88 / 0 / 45

HEX #22118D

RGB 34 17 141

HSL 248.23, 0.78%, 0.31%

LAB 18.64, 46.01, -63.41

 

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

CMYK 88 / 0 / 41 / 45

HEX #118D53

RGB 17 141 83

HSL 151.94, 0.78%, 0.31%

LAB 51.6, -45.41, 22.27

 

CMYK 41 / 88 / 0 / 45

HEX #53118D

RGB 83 17 141

HSL 271.94, 0.78%, 0.31%

LAB 24.2, 50.97, -54.05

 

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

CMYK 65 / 0 / 88 / 45

HEX #328D11

RGB 50 141 17

HSL 104.03, 0.78%, 0.31%

LAB 51.57, -48.04, 51.32

 

CMYK 88 / 47 / 0 / 45

HEX #114B8D

RGB 17 75 141

HSL 211.94, 0.78%, 0.31%

LAB 31.98, 8.19, -41.63

 

CMYK 23 / 88 / 0 / 45

HEX #6C118D

RGB 108 17 141

HSL 284.03, 0.78%, 0.31%

LAB 28.15, 54.79, -47.44

 

CMYK 0 / 40 / 88 / 45

HEX #8B5311

RGB 139 83 17

HSL 32.46, 0.78%, 0.31%

LAB 40.76, 18.4, 44.55

 

CMYK 88 / 0 / 84 / 45

HEX #118D16

RGB 17 141 22

HSL 122.42, 0.78%, 0.31%

LAB 50.95, -53.32, 49.23

 

CMYK 88 / 47 / 0 / 45

HEX #114B8D

RGB 17 75 141

HSL 211.94, 0.78%, 0.31%

LAB 31.98, 8.19, -41.63

 

CMYK 0 / 88 / 3 / 45

HEX #8D1189

RGB 141 17 137

HSL 301.94, 0.78%, 0.31%

LAB 33.71, 60.07, -35.7

 

Description

Color code: HEX #8B5311 | qconv.com Color code: HEX #8B5311 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 83 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 83 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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