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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B445D it is the complementary color #74BBA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B445D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B445D shade: #904458, #A1566B, #B2687E, #C37A91 and #D48CA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B445D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B445D shade: #8B445D, #7A324A, #692037, #580E24 and #470011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B445D shade: #8C455E, #8C454B and #8C4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B445D shade: #8C455E, #8C4571, #8C4584, #81458C and #6D458C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B445D shade matches the following richer shades: #8C455E, #9D3459, #AE2354, #BF124F and #D0014A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B445D shade: #8C455E, #7B5663, #6A6768, #59786D and #488972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B445D shade: #8C4585, #8C4572, #8C455F, #8C454C and #8C5145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B445D shade: #552A39, #70374B, #8C455E, #A85371 and #B76D87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B445D shade: #8B445D, #8C8045 and #457C8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B445D shade: #8B445D, #5F8C45 and #455F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B445D shade: #8B445D, #8C8045, #458C72 and #45518C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B445D shade: #8B445D, #838C45, #458C72 and #4E458C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

Complementary color

CMYK 38 / 0 / 13 / 27

HEX #74BBA2

RGB 116 187 162

HSL 158.87, 0.34%, 0.59%

LAB 70.78, -28.04, 5.66

 

CMYK 0 / 53 / 39 / 44

HEX #904458

RGB 144 68 88

HSL 344.21, 0.36%, 0.42%

LAB 39.19, 34.29, 3.43

 

CMYK 0 / 47 / 34 / 37

HEX #A1566B

RGB 161 86 107

HSL 343.2, 0.3%, 0.48%

LAB 46.03, 33.34, 1.92

 

CMYK 0 / 42 / 29 / 30

HEX #B2687E

RGB 178 104 126

HSL 342.16, 0.32%, 0.55%

LAB 52.81, 32.4, 0.68

 

CMYK 0 / 37 / 26 / 24

HEX #C37A91

RGB 195 122 145

HSL 341.1, 0.38%, 0.62%

LAB 59.49, 31.52, -0.39

 

CMYK 0 / 34 / 23 / 17

HEX #D48CA4

RGB 212 140 164

HSL 340, 0.46%, 0.69%

LAB 66.08, 30.71, -1.33

 

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

CMYK 0 / 59 / 39 / 52

HEX #7A324A

RGB 122 50 74

HSL 340, 0.42%, 0.34%

LAB 31.61, 33.96, 0.97

 

CMYK 0 / 70 / 48 / 59

HEX #692037

RGB 105 32 55

HSL 341.1, 0.53%, 0.27%

LAB 24.68, 34.57, 3.23

 

CMYK 0 / 84 / 59 / 65

HEX #580E24

RGB 88 14 36

HSL 342.16, 0.73%, 0.2%

LAB 17.99, 34.37, 6.57

 

CMYK 0 / 100 / 76 / 72

HEX #470011

RGB 71 0 17

HSL 345.63, 1%, 0.14%

LAB 11.82, 32.62, 11.03

 

CMYK 0 / 51 / 33 / 45

HEX #8C455E

RGB 140 69 94

HSL 338.87, 0.34%, 0.41%

LAB 38.97, 33.06, -0.73

 

CMYK 0 / 51 / 46 / 45

HEX #8C454B

RGB 140 69 75

HSL 354.93, 0.34%, 0.41%

LAB 38.45, 30.71, 10.44

 

CMYK 0 / 51 / 51 / 45

HEX #8C4545

RGB 140 69 69

HSL 0, 0.34%, 0.41%

LAB 38.31, 30.08, 14

 

CMYK 0 / 51 / 33 / 45

HEX #8C455E

RGB 140 69 94

HSL 338.87, 0.34%, 0.41%

LAB 38.97, 33.06, -0.73

 

CMYK 0 / 51 / 19 / 45

HEX #8C4571

RGB 140 69 113

HSL 322.82, 0.34%, 0.41%

LAB 39.62, 35.89, -11.61

 

CMYK 0 / 51 / 6 / 45

HEX #8C4584

RGB 140 69 132

HSL 306.76, 0.34%, 0.41%

LAB 40.41, 39.18, -22.11

 

CMYK 8 / 51 / 0 / 45

HEX #81458C

RGB 129 69 140

HSL 290.7, 0.34%, 0.41%

LAB 39.27, 37.35, -28.88

 

CMYK 22 / 51 / 0 / 45

HEX #6D458C

RGB 109 69 140

HSL 273.8, 0.34%, 0.41%

LAB 36.74, 31.37, -33.03

 

CMYK 0 / 51 / 33 / 45

HEX #8C455E

RGB 140 69 94

HSL 338.87, 0.34%, 0.41%

LAB 38.97, 33.06, -0.73

 

CMYK 0 / 67 / 43 / 38

HEX #9D3459

RGB 157 52 89

HSL 338.86, 0.5%, 0.41%

LAB 38.46, 46.64, 2.01

 

CMYK 0 / 80 / 52 / 32

HEX #AE2354

RGB 174 35 84

HSL 338.85, 0.67%, 0.41%

LAB 39.31, 57.27, 6.83

 

CMYK 0 / 91 / 59 / 25

HEX #BF124F

RGB 191 18 79

HSL 338.84, 0.83%, 0.41%

LAB 41.33, 64.97, 13.34

 

CMYK 0 / 100 / 64 / 18

HEX #D0014A

RGB 208 1 74

HSL 338.84, 0.99%, 0.41%

LAB 44.13, 70.57, 20.85

 

CMYK 0 / 51 / 33 / 45

HEX #8C455E

RGB 140 69 94

HSL 338.87, 0.34%, 0.41%

LAB 38.97, 33.06, -0.73

 

CMYK 0 / 30 / 20 / 52

HEX #7B5663

RGB 123 86 99

HSL 338.92, 0.18%, 0.41%

LAB 40.84, 17.45, -1.35

 

CMYK 0 / 3 / 2 / 58

HEX #6A6768

RGB 106 103 104

HSL 340, 0.01%, 0.41%

LAB 43.89, 1.38, -0.15

 

CMYK 26 / 0 / 9 / 53

HEX #59786D

RGB 89 120 109

HSL 158.71, 0.15%, 0.41%

LAB 47.83, -13.63, 2.43

 

CMYK 47 / 0 / 17 / 46

HEX #488972

RGB 72 137 114

HSL 158.77, 0.31%, 0.41%

LAB 52.38, -26.63, 5.94

 

CMYK 0 / 51 / 5 / 45

HEX #8C4585

RGB 140 69 133

HSL 305.92, 0.34%, 0.41%

LAB 40.45, 39.36, -22.65

 

CMYK 0 / 51 / 19 / 45

HEX #8C4572

RGB 140 69 114

HSL 321.97, 0.34%, 0.41%

LAB 39.66, 36.06, -12.17

 

CMYK 0 / 51 / 32 / 45

HEX #8C455F

RGB 140 69 95

HSL 338.03, 0.34%, 0.41%

LAB 39, 33.19, -1.31

 

CMYK 0 / 51 / 46 / 45

HEX #8C454C

RGB 140 69 76

HSL 354.08, 0.34%, 0.41%

LAB 38.47, 30.82, 9.85

 

CMYK 0 / 42 / 51 / 45

HEX #8C5145

RGB 140 81 69

HSL 10.14, 0.34%, 0.41%

LAB 41.04, 23.32, 17.68

 

CMYK 0 / 51 / 33 / 67

HEX #552A39

RGB 85 42 57

HSL 339.07, 0.34%, 0.25%

LAB 23.28, 21.87, -0.6

 

CMYK 0 / 51 / 33 / 56

HEX #70374B

RGB 112 55 75

HSL 338.95, 0.34%, 0.33%

LAB 31.08, 27.63, -0.65

 

CMYK 0 / 51 / 33 / 45

HEX #8C455E

RGB 140 69 94

HSL 338.87, 0.34%, 0.41%

LAB 38.97, 33.06, -0.73

 

CMYK 0 / 51 / 33 / 34

HEX #A85371

RGB 168 83 113

HSL 338.82, 0.34%, 0.49%

LAB 46.58, 38.27, -0.8

 

CMYK 0 / 40 / 26 / 28

HEX #B76D87

RGB 183 109 135

HSL 338.92, 0.34%, 0.57%

LAB 54.82, 32.78, -1.61

 

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

CMYK 0 / 9 / 51 / 45

HEX #8C8045

RGB 140 128 69

HSL 49.86, 0.34%, 0.41%

LAB 53.43, -3.83, 33.45

 

CMYK 51 / 11 / 0 / 45

HEX #457C8C

RGB 69 124 140

HSL 193.52, 0.34%, 0.41%

LAB 48.98, -13.54, -14.31

 

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

CMYK 32 / 0 / 51 / 45

HEX #5F8C45

RGB 95 140 69

HSL 98.03, 0.34%, 0.41%

LAB 53.62, -28.86, 32.9

 

CMYK 51 / 32 / 0 / 45

HEX #455F8C

RGB 69 95 140

HSL 218.03, 0.34%, 0.41%

LAB 40.15, 3.68, -27.91

 

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

CMYK 0 / 9 / 51 / 45

HEX #8C8045

RGB 140 128 69

HSL 49.86, 0.34%, 0.41%

LAB 53.43, -3.83, 33.45

 

CMYK 51 / 0 / 19 / 45

HEX #458C72

RGB 69 140 114

HSL 158.03, 0.34%, 0.41%

LAB 53.21, -28.89, 7.1

 

CMYK 51 / 42 / 0 / 45

HEX #45518C

RGB 69 81 140

HSL 229.86, 0.34%, 0.41%

LAB 36.07, 12.63, -34.34

 

CMYK 0 / 51 / 33 / 45

HEX #8B445D

RGB 139 68 93

HSL 338.87, 0.34%, 0.41%

LAB 38.57, 33.09, -0.7

 

CMYK 6 / 0 / 51 / 45

HEX #838C45

RGB 131 140 69

HSL 67.61, 0.34%, 0.41%

LAB 56.1, -14.31, 36.48

 

CMYK 51 / 0 / 19 / 45

HEX #458C72

RGB 69 140 114

HSL 158.03, 0.34%, 0.41%

LAB 53.21, -28.89, 7.1

 

CMYK 44 / 51 / 0 / 45

HEX #4E458C

RGB 78 69 140

HSL 247.61, 0.34%, 0.41%

LAB 33.5, 22.72, -38.39

 

Description

Color code: HEX #8B445D | qconv.com Color code: HEX #8B445D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 68 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 68 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 33 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 33% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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