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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3DD3 it is the complementary color #74C22C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3DD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B3DD3 shade: #903DCE, #A14FE1, #B261F4, #C373FF and #D485FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3DD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B3DD3 shade: #8B3DD3, #7A2BC0, #6919AD, #58079A and #470087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B3DD3 shade: #8A3CD3, #B33CD3, #D33CCA, #D33CA1 and #D33C78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B3DD3 shade: #8A3CD3, #613CD3 and #3C3CD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B3DD3 shade matches the following richer shades: #8A3CD3, #8B28E6 and #8C15F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B3DD3 shade: #8A3CD3, #894FBF, #8962AC, #887698 and #878985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B3DD3 shade: #3C3ED3, #613CD3, #8A3CD3, #B23CD3 and #D33CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B3DD3 shade: #602399, #752ABB, #8A3CD3, #9E5DDA and #B27FE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B3DD3 shade: #8B3DD3, #D33C66 and #3CD34D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B3DD3 shade: #8B3DD3, #D38A3C and #3CD38A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B3DD3 shade: #8B3DD3, #D33C66, #85D33C and #3CD3A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B3DD3 shade: #8B3DD3, #D33E3C, #85D33C and #3CD0D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

Complementary color

CMYK 40 / 0 / 77 / 24

HEX #74C22C

RGB 116 194 44

HSL 91.2, 0.63%, 0.47%

LAB 71.2, -47.38, 62.7

 

CMYK 30 / 70 / 0 / 19

HEX #903DCE

RGB 144 61 206

HSL 274.34, 0.6%, 0.52%

LAB 43.83, 59.49, -60.59

 

CMYK 28 / 65 / 0 / 12

HEX #A14FE1

RGB 161 79 225

HSL 273.7, 0.71%, 0.6%

LAB 50.22, 59.05, -61.02

 

CMYK 27 / 60 / 0 / 4

HEX #B261F4

RGB 178 97 244

HSL 273.06, 0.87%, 0.67%

LAB 56.63, 58.37, -61.26

 

CMYK 24 / 55 / 0 / 0

HEX #C373FF

RGB 195 115 255

HSL 274.29, 1%, 0.73%

LAB 62.58, 55.81, -57.72

 

CMYK 17 / 48 / 0 / 0

HEX #D485FF

RGB 212 133 255

HSL 278.85, 1%, 0.76%

LAB 68.01, 50.93, -48.98

 

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

CMYK 36 / 78 / 0 / 25

HEX #7A2BC0

RGB 122 43 192

HSL 271.81, 0.63%, 0.46%

LAB 37.25, 59.76, -63.28

 

CMYK 39 / 86 / 0 / 32

HEX #6919AD

RGB 105 25 173

HSL 272.43, 0.75%, 0.39%

LAB 31.15, 59.03, -62.07

 

CMYK 43 / 95 / 0 / 40

HEX #58079A

RGB 88 7 154

HSL 273.06, 0.91%, 0.32%

LAB 25.44, 56.89, -60.02

 

CMYK 47 / 100 / 0 / 47

HEX #470087

RGB 71 0 135

HSL 271.56, 1%, 0.26%

LAB 20.4, 52.42, -56.62

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 15 / 72 / 0 / 17

HEX #B33CD3

RGB 179 60 211

HSL 287.28, 0.63%, 0.53%

LAB 48.91, 67.93, -55.03

 

CMYK 0 / 72 / 4 / 17

HEX #D33CCA

RGB 211 60 202

HSL 303.58, 0.63%, 0.53%

LAB 53.32, 73.18, -42.54

 

CMYK 0 / 72 / 24 / 17

HEX #D33CA1

RGB 211 60 161

HSL 319.87, 0.63%, 0.53%

LAB 51.44, 67.38, -21.59

 

CMYK 0 / 72 / 43 / 17

HEX #D33C78

RGB 211 60 120

HSL 336.16, 0.63%, 0.53%

LAB 50.02, 62.79, 0.81

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 54 / 72 / 0 / 17

HEX #613CD3

RGB 97 60 211

HSL 254.7, 0.63%, 0.53%

LAB 38.68, 53.03, -72.1

 

CMYK 72 / 72 / 0 / 17

HEX #3C3CD3

RGB 60 60 211

HSL 240, 0.63%, 0.53%

LAB 35.78, 48.42, -76.97

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 40 / 83 / 0 / 10

HEX #8B28E6

RGB 139 40 230

HSL 271.26, 0.79%, 0.53%

LAB 42.34, 71.82, -76.8

 

CMYK 44 / 92 / 0 / 2

HEX #8C15F9

RGB 140 21 249

HSL 271.32, 0.95%, 0.53%

LAB 42.69, 80.44, -86.95

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 28 / 59 / 0 / 25

HEX #894FBF

RGB 137 79 191

HSL 271.07, 0.47%, 0.53%

LAB 45.18, 45.67, -49.77

 

CMYK 20 / 43 / 0 / 33

HEX #8962AC

RGB 137 98 172

HSL 271.62, 0.31%, 0.53%

LAB 48.3, 30.44, -33.74

 

CMYK 11 / 22 / 0 / 40

HEX #887698

RGB 136 118 152

HSL 271.76, 0.14%, 0.53%

LAB 52.35, 13.76, -15.79

 

CMYK 1 / 0 / 3 / 46

HEX #878985

RGB 135 137 133

HSL 90, 0.02%, 0.53%

LAB 56.82, -1.52, 1.88

 

CMYK 72 / 71 / 0 / 17

HEX #3C3ED3

RGB 60 62 211

HSL 239.21, 0.63%, 0.53%

LAB 36.19, 47.28, -76.29

 

CMYK 54 / 72 / 0 / 17

HEX #613CD3

RGB 97 60 211

HSL 254.7, 0.63%, 0.53%

LAB 38.68, 53.03, -72.1

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 16 / 72 / 0 / 17

HEX #B23CD3

RGB 178 60 211

HSL 286.89, 0.63%, 0.53%

LAB 48.76, 67.73, -55.28

 

CMYK 0 / 72 / 4 / 17

HEX #D33CCB

RGB 211 60 203

HSL 303.18, 0.63%, 0.53%

LAB 53.38, 73.33, -43.03

 

CMYK 37 / 77 / 0 / 40

HEX #602399

RGB 96 35 153

HSL 271.02, 0.63%, 0.37%

LAB 29.38, 49.32, -52.9

 

CMYK 37 / 78 / 0 / 27

HEX #752ABB

RGB 117 42 187

HSL 271.03, 0.63%, 0.45%

LAB 36.03, 58.17, -62.35

 

CMYK 35 / 72 / 0 / 17

HEX #8A3CD3

RGB 138 60 211

HSL 270.99, 0.63%, 0.53%

LAB 43.27, 59.92, -64.42

 

CMYK 28 / 57 / 0 / 15

HEX #9E5DDA

RGB 158 93 218

HSL 271.2, 0.63%, 0.61%

LAB 52.02, 49.77, -54.19

 

CMYK 21 / 44 / 0 / 11

HEX #B27FE2

RGB 178 127 226

HSL 270.91, 0.63%, 0.69%

LAB 61.77, 38.47, -43.07

 

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

CMYK 0 / 72 / 52 / 17

HEX #D33C66

RGB 211 60 102

HSL 343.31, 0.63%, 0.53%

LAB 49.54, 61.2, 11.05

 

CMYK 72 / 0 / 64 / 17

HEX #3CD34D

RGB 60 211 77

HSL 126.75, 0.63%, 0.53%

LAB 74.88, -65.09, 53.61

 

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

CMYK 0 / 35 / 72 / 17

HEX #D38A3C

RGB 211 138 60

HSL 30.99, 0.63%, 0.53%

LAB 63.63, 21.07, 51.55

 

CMYK 72 / 0 / 35 / 17

HEX #3CD38A

RGB 60 211 138

HSL 150.99, 0.63%, 0.53%

LAB 75.69, -55.75, 25.1

 

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

CMYK 0 / 72 / 52 / 17

HEX #D33C66

RGB 211 60 102

HSL 343.31, 0.63%, 0.53%

LAB 49.54, 61.2, 11.05

 

CMYK 37 / 0 / 72 / 17

HEX #85D33C

RGB 133 211 60

HSL 90.99, 0.63%, 0.53%

LAB 77.22, -47.64, 63.49

 

CMYK 72 / 0 / 20 / 17

HEX #3CD3A8

RGB 60 211 168

HSL 162.91, 0.63%, 0.53%

LAB 76.3, -49.19, 10.08

 

CMYK 34 / 71 / 0 / 17

HEX #8B3DD3

RGB 139 61 211

HSL 271.2, 0.63%, 0.53%

LAB 43.55, 59.67, -63.96

 

CMYK 0 / 71 / 72 / 17

HEX #D33E3C

RGB 211 62 60

HSL 0.79, 0.63%, 0.53%

LAB 49.03, 57.84, 35.49

 

CMYK 37 / 0 / 72 / 17

HEX #85D33C

RGB 133 211 60

HSL 90.99, 0.63%, 0.53%

LAB 77.22, -47.64, 63.49

 

CMYK 72 / 1 / 0 / 17

HEX #3CD0D3

RGB 60 208 211

HSL 181.19, 0.63%, 0.53%

LAB 76.54, -36.54, -12.66

 

Description

Color code: HEX #8B3DD3 | qconv.com Color code: HEX #8B3DD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 61 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 61 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 71 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 71% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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