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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B39CF it is the complementary color #74C630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B39CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B39CF shade: #9039CA, #A14BDD, #B25DF0, #C36FFF and #D481FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B39CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B39CF shade: #8B39CF, #7A27BC, #6915A9, #580396 and #470083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B39CF shade: #8C3ACF, #B43ACF, #CF3AC2, #CF3A9A and #CF3A72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B39CF shade: #8C3ACF, #633ACF, #3B3ACF and #3A3ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B39CF shade matches the following richer shades: #8C3ACF, #8D26E3 and #8F12F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B39CF shade: #8C3ACF, #8A4EBB, #8862A8, #867594 and #848980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B39CF shade: #3A3ACF, #623ACF, #8A3ACF, #B13ACF and #CF3AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B39CF shade: #612493, #762CB4, #8C3ACF, #9F5BD7 and #B27CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B39CF shade: #8B39CF, #CF3A62 and #3ACF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B39CF shade: #8B39CF, #CF8A3A and #3ACF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B39CF shade: #8B39CF, #CF3A62, #80CF3A and #3ACFA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B39CF shade: #8B39CF, #CF3F3A, #80CF3A and #3ACACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

Complementary color

CMYK 41 / 0 / 76 / 22

HEX #74C630

RGB 116 198 48

HSL 92.8, 0.61%, 0.48%

LAB 72.44, -48.78, 62.61

 

CMYK 29 / 72 / 0 / 21

HEX #9039CA

RGB 144 57 202

HSL 276, 0.58%, 0.51%

LAB 42.94, 60.31, -59.72

 

CMYK 27 / 66 / 0 / 13

HEX #A14BDD

RGB 161 75 221

HSL 275.34, 0.68%, 0.58%

LAB 49.29, 60.01, -60.25

 

CMYK 26 / 61 / 0 / 6

HEX #B25DF0

RGB 178 93 240

HSL 274.69, 0.83%, 0.65%

LAB 55.67, 59.43, -60.58

 

CMYK 24 / 56 / 0 / 0

HEX #C36FFF

RGB 195 111 255

HSL 275, 1%, 0.72%

LAB 61.82, 57.82, -58.93

 

CMYK 17 / 49 / 0 / 0

HEX #D481FF

RGB 212 129 255

HSL 279.52, 1%, 0.75%

LAB 67.22, 52.99, -50.24

 

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

CMYK 35 / 79 / 0 / 26

HEX #7A27BC

RGB 122 39 188

HSL 273.42, 0.66%, 0.45%

LAB 36.4, 60.34, -62.3

 

CMYK 38 / 88 / 0 / 34

HEX #6915A9

RGB 105 21 169

HSL 274.05, 0.78%, 0.37%

LAB 30.41, 59.25, -60.88

 

CMYK 41 / 98 / 0 / 41

HEX #580396

RGB 88 3 150

HSL 274.69, 0.96%, 0.3%

LAB 24.77, 56.81, -58.66

 

CMYK 46 / 100 / 0 / 49

HEX #470083

RGB 71 0 131

HSL 272.52, 1%, 0.26%

LAB 19.96, 51.51, -54.82

 

CMYK 32 / 72 / 0 / 19

HEX #8C3ACF

RGB 140 58 207

HSL 273.02, 0.61%, 0.52%

LAB 42.92, 60.24, -62.67

 

CMYK 13 / 72 / 0 / 19

HEX #B43ACF

RGB 180 58 207

HSL 289.13, 0.61%, 0.52%

LAB 48.55, 68.12, -53.3

 

CMYK 0 / 72 / 6 / 19

HEX #CF3AC2

RGB 207 58 194

HSL 305.23, 0.61%, 0.52%

LAB 52.05, 71.72, -39.99

 

CMYK 0 / 72 / 26 / 19

HEX #CF3A9A

RGB 207 58 154

HSL 321.34, 0.61%, 0.52%

LAB 50.25, 66.16, -19.34

 

CMYK 0 / 72 / 45 / 19

HEX #CF3A72

RGB 207 58 114

HSL 337.45, 0.61%, 0.52%

LAB 48.89, 61.79, 2.72

 

CMYK 32 / 72 / 0 / 19

HEX #8C3ACF

RGB 140 58 207

HSL 273.02, 0.61%, 0.52%

LAB 42.92, 60.24, -62.67

 

CMYK 52 / 72 / 0 / 19

HEX #633ACF

RGB 99 58 207

HSL 256.51, 0.61%, 0.52%

LAB 38.17, 53.22, -70.62

 

CMYK 71 / 72 / 0 / 19

HEX #3B3ACF

RGB 59 58 207

HSL 240.4, 0.61%, 0.52%

LAB 34.92, 48.15, -76.07

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 32 / 72 / 0 / 19

HEX #8C3ACF

RGB 140 58 207

HSL 273.02, 0.61%, 0.52%

LAB 42.92, 60.24, -62.67

 

CMYK 38 / 83 / 0 / 11

HEX #8D26E3

RGB 141 38 227

HSL 272.7, 0.77%, 0.52%

LAB 42.15, 72.03, -75.4

 

CMYK 42 / 93 / 0 / 3

HEX #8F12F7

RGB 143 18 247

HSL 272.75, 0.93%, 0.52%

LAB 42.74, 80.79, -85.72

 

CMYK 32 / 72 / 0 / 19

HEX #8C3ACF

RGB 140 58 207

HSL 273.02, 0.61%, 0.52%

LAB 42.92, 60.24, -62.67

 

CMYK 26 / 58 / 0 / 27

HEX #8A4EBB

RGB 138 78 187

HSL 273.03, 0.44%, 0.52%

LAB 44.86, 45.49, -47.95

 

CMYK 19 / 42 / 0 / 34

HEX #8862A8

RGB 136 98 168

HSL 272.57, 0.29%, 0.52%

LAB 48, 29.2, -31.87

 

CMYK 9 / 21 / 0 / 42

HEX #867594

RGB 134 117 148

HSL 272.9, 0.13%, 0.52%

LAB 51.76, 12.78, -14.36

 

CMYK 4 / 0 / 7 / 46

HEX #848980

RGB 132 137 128

HSL 93.33, 0.04%, 0.52%

LAB 56.44, -3.6, 4.18

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 53 / 72 / 0 / 19

HEX #623ACF

RGB 98 58 207

HSL 256.11, 0.61%, 0.52%

LAB 38.07, 53.07, -70.79

 

CMYK 33 / 72 / 0 / 19

HEX #8A3ACF

RGB 138 58 207

HSL 272.21, 0.61%, 0.52%

LAB 42.66, 59.87, -63.1

 

CMYK 14 / 72 / 0 / 19

HEX #B13ACF

RGB 177 58 207

HSL 287.92, 0.61%, 0.52%

LAB 48.11, 67.51, -54.04

 

CMYK 0 / 72 / 5 / 19

HEX #CF3AC5

RGB 207 58 197

HSL 304.03, 0.61%, 0.52%

LAB 52.2, 72.18, -41.48

 

CMYK 34 / 76 / 0 / 42

HEX #612493

RGB 97 36 147

HSL 272.97, 0.61%, 0.36%

LAB 29.18, 47.62, -49.54

 

CMYK 34 / 76 / 0 / 29

HEX #762CB4

RGB 118 44 180

HSL 272.65, 0.61%, 0.44%

LAB 35.88, 55.9, -58.44

 

CMYK 32 / 72 / 0 / 19

HEX #8C3ACF

RGB 140 58 207

HSL 273.02, 0.61%, 0.52%

LAB 42.92, 60.24, -62.67

 

CMYK 26 / 58 / 0 / 16

HEX #9F5BD7

RGB 159 91 215

HSL 272.9, 0.61%, 0.6%

LAB 51.56, 50.36, -53.2

 

CMYK 20 / 44 / 0 / 13

HEX #B27CDF

RGB 178 124 223

HSL 272.73, 0.61%, 0.68%

LAB 60.96, 39.44, -42.67

 

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

CMYK 0 / 72 / 53 / 19

HEX #CF3A62

RGB 207 58 98

HSL 343.89, 0.61%, 0.52%

LAB 48.48, 60.42, 11.89

 

CMYK 72 / 0 / 62 / 19

HEX #3ACF4E

RGB 58 207 78

HSL 128.05, 0.61%, 0.52%

LAB 73.59, -63.98, 51.73

 

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A3A

RGB 207 138 58

HSL 32.21, 0.61%, 0.52%

LAB 63.13, 19.27, 51.79

 

CMYK 72 / 0 / 33 / 19

HEX #3ACF8A

RGB 58 207 138

HSL 152.21, 0.61%, 0.52%

LAB 74.42, -54.51, 23.37

 

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

CMYK 0 / 72 / 53 / 19

HEX #CF3A62

RGB 207 58 98

HSL 343.89, 0.61%, 0.52%

LAB 48.48, 60.42, 11.89

 

CMYK 38 / 0 / 72 / 19

HEX #80CF3A

RGB 128 207 58

HSL 91.81, 0.61%, 0.52%

LAB 75.77, -47.82, 62.67

 

CMYK 72 / 0 / 19 / 19

HEX #3ACFA7

RGB 58 207 167

HSL 163.89, 0.61%, 0.52%

LAB 75.02, -48.05, 8.79

 

CMYK 33 / 72 / 0 / 19

HEX #8B39CF

RGB 139 57 207

HSL 272.8, 0.61%, 0.52%

LAB 42.64, 60.48, -63.13

 

CMYK 0 / 70 / 72 / 19

HEX #CF3F3A

RGB 207 63 58

HSL 2.01, 0.61%, 0.52%

LAB 48.42, 56.11, 35.73

 

CMYK 38 / 0 / 72 / 19

HEX #80CF3A

RGB 128 207 58

HSL 91.81, 0.61%, 0.52%

LAB 75.77, -47.82, 62.67

 

CMYK 72 / 2 / 0 / 19

HEX #3ACACF

RGB 58 202 207

HSL 182.01, 0.61%, 0.52%

LAB 74.6, -35.14, -13.42

 

Description

Color code: HEX #8B39CF | qconv.com Color code: HEX #8B39CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 57 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 57 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 72 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 72% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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