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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B39CC it is the complementary color #74C633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B39CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B39CC shade: #9039C7, #A14BDA, #B25DED, #C36FFF and #D481FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B39CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B39CC shade: #8B39CC, #7A27B9, #6915A6, #580393 and #470080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B39CC shade: #8B38CC, #B238CC, #CC38BD, #CC3896 and #CC386E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B39CC shade: #8B38CC, #6338CC, #3B38CC and #3838CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B39CC shade matches the following richer shades: #8B38CC, #8D24E0 and #8F10F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B39CC shade: #8B38CC, #884DB8, #8661A3, #84758F and #81897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B39CC shade: #3B38CC, #6238CC, #8938CC, #B138CC and #CC38BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B39CC shade: #5F248D, #752DAE, #8B38CC, #9E59D4 and #B17ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B39CC shade: #8B39CC, #CC385D and #38CC4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B39CC shade: #8B39CC, #CC8938 and #38CC89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B39CC shade: #8B39CC, #CC385D, #7BCC38 and #38CCA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B39CC shade: #8B39CC, #CC4038, #7BCC38 and #38C4CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

Complementary color

CMYK 41 / 0 / 74 / 22

HEX #74C633

RGB 116 198 51

HSL 93.47, 0.59%, 0.49%

LAB 72.46, -48.6, 61.63

 

CMYK 28 / 71 / 0 / 22

HEX #9039C7

RGB 144 57 199

HSL 276.76, 0.56%, 0.5%

LAB 42.73, 59.65, -58.32

 

CMYK 26 / 66 / 0 / 15

HEX #A14BDA

RGB 161 75 218

HSL 276.08, 0.66%, 0.57%

LAB 49.09, 59.35, -58.86

 

CMYK 25 / 61 / 0 / 7

HEX #B25DED

RGB 178 93 237

HSL 275.42, 0.8%, 0.65%

LAB 55.49, 58.77, -59.19

 

CMYK 24 / 56 / 0 / 0

HEX #C36FFF

RGB 195 111 255

HSL 275, 1%, 0.72%

LAB 61.82, 57.82, -58.93

 

CMYK 17 / 49 / 0 / 0

HEX #D481FF

RGB 212 129 255

HSL 279.52, 1%, 0.75%

LAB 67.22, 52.99, -50.24

 

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

CMYK 34 / 79 / 0 / 27

HEX #7A27B9

RGB 122 39 185

HSL 274.11, 0.65%, 0.44%

LAB 36.16, 59.67, -60.93

 

CMYK 37 / 87 / 0 / 35

HEX #6915A6

RGB 105 21 166

HSL 274.76, 0.78%, 0.37%

LAB 30.14, 58.59, -59.52

 

CMYK 40 / 98 / 0 / 42

HEX #580393

RGB 88 3 147

HSL 275.42, 0.96%, 0.29%

LAB 24.47, 56.16, -57.3

 

CMYK 45 / 100 / 0 / 50

HEX #470080

RGB 71 0 128

HSL 273.28, 1%, 0.25%

LAB 19.63, 50.83, -53.45

 

CMYK 32 / 73 / 0 / 20

HEX #8B38CC

RGB 139 56 204

HSL 273.65, 0.59%, 0.51%

LAB 42.27, 60.23, -61.99

 

CMYK 13 / 73 / 0 / 20

HEX #B238CC

RGB 178 56 204

HSL 289.46, 0.59%, 0.51%

LAB 47.82, 67.88, -52.76

 

CMYK 0 / 73 / 7 / 20

HEX #CC38BD

RGB 204 56 189

HSL 306.08, 0.59%, 0.51%

LAB 51.08, 70.94, -38.65

 

CMYK 0 / 73 / 26 / 20

HEX #CC3896

RGB 204 56 150

HSL 321.89, 0.59%, 0.51%

LAB 49.34, 65.57, -18.39

 

CMYK 0 / 73 / 46 / 20

HEX #CC386E

RGB 204 56 110

HSL 338.11, 0.59%, 0.51%

LAB 48, 61.27, 3.8

 

CMYK 32 / 73 / 0 / 20

HEX #8B38CC

RGB 139 56 204

HSL 273.65, 0.59%, 0.51%

LAB 42.27, 60.23, -61.99

 

CMYK 51 / 73 / 0 / 20

HEX #6338CC

RGB 99 56 204

HSL 257.43, 0.59%, 0.51%

LAB 37.55, 53.39, -69.89

 

CMYK 71 / 73 / 0 / 20

HEX #3B38CC

RGB 59 56 204

HSL 241.22, 0.59%, 0.51%

LAB 34.23, 48.3, -75.48

 

CMYK 73 / 73 / 0 / 20

HEX #3838CC

RGB 56 56 204

HSL 240, 0.59%, 0.51%

LAB 34.04, 48.01, -75.79

 

CMYK 32 / 73 / 0 / 20

HEX #8B38CC

RGB 139 56 204

HSL 273.65, 0.59%, 0.51%

LAB 42.27, 60.23, -61.99

 

CMYK 37 / 84 / 0 / 12

HEX #8D24E0

RGB 141 36 224

HSL 273.51, 0.75%, 0.51%

LAB 41.7, 71.96, -74.42

 

CMYK 41 / 93 / 0 / 4

HEX #8F10F4

RGB 143 16 244

HSL 273.42, 0.91%, 0.51%

LAB 42.37, 80.46, -84.65

 

CMYK 32 / 73 / 0 / 20

HEX #8B38CC

RGB 139 56 204

HSL 273.65, 0.59%, 0.51%

LAB 42.27, 60.23, -61.99

 

CMYK 26 / 58 / 0 / 28

HEX #884DB8

RGB 136 77 184

HSL 273.08, 0.43%, 0.51%

LAB 44.24, 44.82, -47.21

 

CMYK 18 / 40 / 0 / 36

HEX #8661A3

RGB 134 97 163

HSL 273.64, 0.26%, 0.51%

LAB 47.32, 27.99, -30.02

 

CMYK 8 / 18 / 0 / 44

HEX #84758F

RGB 132 117 143

HSL 274.62, 0.1%, 0.51%

LAB 51.39, 10.98, -12

 

CMYK 6 / 0 / 10 / 46

HEX #81897B

RGB 129 137 123

HSL 94.29, 0.06%, 0.51%

LAB 56.08, -5.67, 6.5

 

CMYK 71 / 73 / 0 / 20

HEX #3B38CC

RGB 59 56 204

HSL 241.22, 0.59%, 0.51%

LAB 34.23, 48.3, -75.48

 

CMYK 52 / 73 / 0 / 20

HEX #6238CC

RGB 98 56 204

HSL 257.03, 0.59%, 0.51%

LAB 37.45, 53.23, -70.06

 

CMYK 33 / 73 / 0 / 20

HEX #8938CC

RGB 137 56 204

HSL 272.84, 0.59%, 0.51%

LAB 42.01, 59.85, -62.43

 

CMYK 13 / 73 / 0 / 20

HEX #B138CC

RGB 177 56 204

HSL 289.05, 0.59%, 0.51%

LAB 47.67, 67.67, -53.01

 

CMYK 0 / 73 / 6 / 20

HEX #CC38BF

RGB 204 56 191

HSL 305.27, 0.59%, 0.51%

LAB 51.18, 71.24, -39.65

 

CMYK 33 / 74 / 0 / 45

HEX #5F248D

RGB 95 36 141

HSL 273.71, 0.59%, 0.35%

LAB 28.43, 45.78, -47.08

 

CMYK 33 / 74 / 0 / 32

HEX #752DAE

RGB 117 45 174

HSL 273.49, 0.59%, 0.43%

LAB 35.43, 53.91, -55.62

 

CMYK 32 / 73 / 0 / 20

HEX #8B38CC

RGB 139 56 204

HSL 273.65, 0.59%, 0.51%

LAB 42.27, 60.23, -61.99

 

CMYK 25 / 58 / 0 / 17

HEX #9E59D4

RGB 158 89 212

HSL 273.66, 0.59%, 0.59%

LAB 50.88, 50.46, -52.59

 

CMYK 20 / 45 / 0 / 13

HEX #B17ADD

RGB 177 122 221

HSL 273.33, 0.59%, 0.67%

LAB 60.33, 39.81, -42.56

 

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

CMYK 0 / 73 / 54 / 20

HEX #CC385D

RGB 204 56 93

HSL 345, 0.59%, 0.51%

LAB 47.57, 59.85, 13.6

 

CMYK 73 / 0 / 62 / 20

HEX #38CC4E

RGB 56 204 78

HSL 128.92, 0.59%, 0.51%

LAB 72.61, -63.31, 50.61

 

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

CMYK 0 / 33 / 73 / 20

HEX #CC8938

RGB 204 137 56

HSL 32.84, 0.59%, 0.51%

LAB 62.52, 18.43, 51.94

 

CMYK 73 / 0 / 33 / 20

HEX #38CC89

RGB 56 204 137

HSL 152.84, 0.59%, 0.51%

LAB 73.44, -53.85, 22.56

 

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

CMYK 0 / 73 / 54 / 20

HEX #CC385D

RGB 204 56 93

HSL 345, 0.59%, 0.51%

LAB 47.57, 59.85, 13.6

 

CMYK 40 / 0 / 73 / 20

HEX #7BCC38

RGB 123 204 56

HSL 92.84, 0.59%, 0.51%

LAB 74.62, -48.4, 62.15

 

CMYK 73 / 0 / 18 / 20

HEX #38CCA7

RGB 56 204 167

HSL 165, 0.59%, 0.51%

LAB 74.07, -47.06, 7.43

 

CMYK 32 / 72 / 0 / 20

HEX #8B39CC

RGB 139 57 204

HSL 273.47, 0.59%, 0.51%

LAB 42.42, 59.8, -61.75

 

CMYK 0 / 69 / 73 / 20

HEX #CC4038

RGB 204 64 56

HSL 3.24, 0.59%, 0.51%

LAB 47.99, 54.66, 36.24

 

CMYK 40 / 0 / 73 / 20

HEX #7BCC38

RGB 123 204 56

HSL 92.84, 0.59%, 0.51%

LAB 74.62, -48.4, 62.15

 

CMYK 73 / 4 / 0 / 20

HEX #38C4CC

RGB 56 196 204

HSL 183.24, 0.59%, 0.51%

LAB 72.68, -33.43, -14.68

 

Description

Color code: HEX #8B39CC | qconv.com Color code: HEX #8B39CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 57 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 57 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 72 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 72% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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