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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B2FF2 it is the complementary color #74D00D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B2FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B2FF2 shade: #902FED, #A141FF, #B253FF, #C365FF and #D477FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B2FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B2FF2 shade: #8B2FF2, #7A1DDF, #690BCC, #5800B9 and #4700A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B2FF2 shade: #8C31F2, #C031F2, #F231F0, #F231BC and #F23188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B2FF2 shade: #8C31F2, #5831F2 and #3131F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B2FF2 shade matches the following richer shades: #8C31F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B2FF2 shade: #8C31F2, #8D43E0, #8E54CE, #8F66BD and #9078AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B2FF2 shade: #313EF2, #5731F2, #8B31F2, #BE31F2 and #F231F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B2FF2 shade: #630CC4, #770FEA, #8C31F2, #A258F4 and #B77EF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B2FF2 shade: #8B2FF2, #F23171 and #31F23E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B2FF2 shade: #8B2FF2, #F28B31 and #31F28B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B2FF2 shade: #8B2FF2, #F23171, #98F231 and #31F2B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B2FF2 shade: #8B2FF2, #F23137, #98F231 and #31F2EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

Complementary color

CMYK 44 / 0 / 94 / 18

HEX #74D00D

RGB 116 208 13

HSL 88.31, 0.88%, 0.43%

LAB 75.36, -54, 72.93

 

CMYK 39 / 80 / 0 / 7

HEX #902FED

RGB 144 47 237

HSL 270.63, 0.84%, 0.56%

LAB 44.34, 71.82, -77.46

 

CMYK 37 / 75 / 0 / 0

HEX #A141FF

RGB 161 65 255

HSL 270.32, 1%, 0.63%

LAB 50.19, 71.84, -77.9

 

CMYK 30 / 67 / 0 / 0

HEX #B253FF

RGB 178 83 255

HSL 273.14, 1%, 0.66%

LAB 54.94, 67.36, -70.09

 

CMYK 24 / 60 / 0 / 0

HEX #C365FF

RGB 195 101 255

HSL 276.62, 1%, 0.7%

LAB 60.01, 62.69, -61.83

 

CMYK 17 / 53 / 0 / 0

HEX #D477FF

RGB 212 119 255

HSL 281.03, 1%, 0.73%

LAB 65.29, 58.03, -53.29

 

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

CMYK 45 / 87 / 0 / 13

HEX #7A1DDF

RGB 122 29 223

HSL 268.76, 0.77%, 0.49%

LAB 38.45, 71.28, -79.27

 

CMYK 49 / 95 / 0 / 20

HEX #690BCC

RGB 105 11 204

HSL 269.22, 0.9%, 0.42%

LAB 33.14, 69.04, -77.13

 

CMYK 52 / 100 / 0 / 27

HEX #5800B9

RGB 88 0 185

HSL 268.54, 1%, 0.36%

LAB 28.32, 65.13, -73.98

 

CMYK 57 / 100 / 0 / 35

HEX #4700A6

RGB 71 0 166

HSL 265.66, 1%, 0.33%

LAB 23.98, 59.58, -69.84

 

CMYK 42 / 80 / 0 / 5

HEX #8C31F2

RGB 140 49 242

HSL 268.29, 0.88%, 0.57%

LAB 44.49, 71.71, -80.05

 

CMYK 21 / 80 / 0 / 5

HEX #C031F2

RGB 192 49 242

HSL 284.46, 0.88%, 0.57%

LAB 51.63, 79.62, -68.12

 

CMYK 0 / 80 / 1 / 5

HEX #F231F0

RGB 242 49 240

HSL 300.62, 0.88%, 0.57%

LAB 59.31, 88.08, -54.24

 

CMYK 0 / 80 / 22 / 5

HEX #F231BC

RGB 242 49 188

HSL 316.79, 0.88%, 0.57%

LAB 56.79, 81.07, -28.68

 

CMYK 0 / 80 / 44 / 5

HEX #F23188

RGB 242 49 136

HSL 332.95, 0.88%, 0.57%

LAB 54.92, 75.64, -0.97

 

CMYK 42 / 80 / 0 / 5

HEX #8C31F2

RGB 140 49 242

HSL 268.29, 0.88%, 0.57%

LAB 44.49, 71.71, -80.05

 

CMYK 64 / 80 / 0 / 5

HEX #5831F2

RGB 88 49 242

HSL 252.12, 0.88%, 0.57%

LAB 39.04, 65.75, -89.22

 

CMYK 80 / 80 / 0 / 5

HEX #3131F2

RGB 49 49 242

HSL 240, 0.88%, 0.57%

LAB 36.48, 62.99, -93.54

 

CMYK 42 / 80 / 0 / 5

HEX #8C31F2

RGB 140 49 242

HSL 268.29, 0.88%, 0.57%

LAB 44.49, 71.71, -80.05

 

CMYK 42 / 80 / 0 / 5

HEX #8C31F2

RGB 140 49 242

HSL 268.29, 0.88%, 0.57%

LAB 44.49, 71.71, -80.05

 

CMYK 37 / 70 / 0 / 12

HEX #8D43E0

RGB 141 67 224

HSL 268.28, 0.72%, 0.57%

LAB 45.71, 60.41, -67.87

 

CMYK 31 / 59 / 0 / 19

HEX #8E54CE

RGB 142 84 206

HSL 268.52, 0.55%, 0.57%

LAB 47.68, 47.83, -54.39

 

CMYK 24 / 46 / 0 / 26

HEX #8F66BD

RGB 143 102 189

HSL 268.28, 0.4%, 0.57%

LAB 50.71, 33.96, -39.78

 

CMYK 16 / 30 / 0 / 33

HEX #9078AB

RGB 144 120 171

HSL 268.24, 0.23%, 0.57%

LAB 54.35, 19.55, -23.7

 

CMYK 80 / 74 / 0 / 5

HEX #313EF2

RGB 49 62 242

HSL 235.96, 0.88%, 0.57%

LAB 38.74, 56.48, -89.8

 

CMYK 64 / 80 / 0 / 5

HEX #5731F2

RGB 87 49 242

HSL 251.81, 0.88%, 0.57%

LAB 38.96, 65.66, -89.36

 

CMYK 43 / 80 / 0 / 5

HEX #8B31F2

RGB 139 49 242

HSL 267.98, 0.88%, 0.57%

LAB 44.37, 71.57, -80.26

 

CMYK 21 / 80 / 0 / 5

HEX #BE31F2

RGB 190 49 242

HSL 283.83, 0.88%, 0.57%

LAB 51.33, 79.29, -68.61

 

CMYK 0 / 80 / 0 / 5

HEX #F231F2

RGB 242 49 242

HSL 300, 0.88%, 0.57%

LAB 59.42, 88.37, -55.18

 

CMYK 49 / 94 / 0 / 23

HEX #630CC4

RGB 99 12 196

HSL 268.37, 0.88%, 0.41%

LAB 31.58, 66.55, -75.05

 

CMYK 49 / 94 / 0 / 8

HEX #770FEA

RGB 119 15 234

HSL 268.49, 0.88%, 0.49%

LAB 38.21, 76.25, -85.97

 

CMYK 42 / 80 / 0 / 5

HEX #8C31F2

RGB 140 49 242

HSL 268.29, 0.88%, 0.57%

LAB 44.49, 71.71, -80.05

 

CMYK 34 / 64 / 0 / 4

HEX #A258F4

RGB 162 88 244

HSL 268.46, 0.88%, 0.65%

LAB 53.16, 59.32, -66.95

 

CMYK 26 / 49 / 0 / 3

HEX #B77EF7

RGB 183 126 247

HSL 268.26, 0.88%, 0.73%

LAB 63.1, 45.2, -52.57

 

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

CMYK 0 / 80 / 53 / 5

HEX #F23171

RGB 242 49 113

HSL 340.1, 0.88%, 0.57%

LAB 54.31, 73.81, 11.91

 

CMYK 80 / 0 / 74 / 5

HEX #31F23E

RGB 49 242 62

HSL 124.04, 0.88%, 0.57%

LAB 84.23, -77.47, 69.01

 

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

CMYK 0 / 43 / 80 / 5

HEX #F28B31

RGB 242 139 49

HSL 27.98, 0.88%, 0.57%

LAB 67.7, 32.94, 61.56

 

CMYK 80 / 0 / 43 / 5

HEX #31F28B

RGB 49 242 139

HSL 147.98, 0.88%, 0.57%

LAB 85.01, -68.07, 36.91

 

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

CMYK 0 / 80 / 53 / 5

HEX #F23171

RGB 242 49 113

HSL 340.1, 0.88%, 0.57%

LAB 54.31, 73.81, 11.91

 

CMYK 37 / 0 / 80 / 5

HEX #98F231

RGB 152 242 49

HSL 87.98, 0.88%, 0.57%

LAB 87.19, -54.37, 76.71

 

CMYK 80 / 0 / 26 / 5

HEX #31F2B2

RGB 49 242 178

HSL 160.1, 0.88%, 0.57%

LAB 85.69, -60.37, 18.04

 

CMYK 43 / 81 / 0 / 5

HEX #8B2FF2

RGB 139 47 242

HSL 268.31, 0.88%, 0.57%

LAB 44.14, 72.26, -80.64

 

CMYK 0 / 80 / 77 / 5

HEX #F23137

RGB 242 49 55

HSL 358.13, 0.88%, 0.57%

LAB 53.33, 70.81, 44.67

 

CMYK 37 / 0 / 80 / 5

HEX #98F231

RGB 152 242 49

HSL 87.98, 0.88%, 0.57%

LAB 87.19, -54.37, 76.71

 

CMYK 80 / 0 / 3 / 5

HEX #31F2EB

RGB 49 242 235

HSL 177.82, 0.88%, 0.57%

LAB 87.07, -46.07, -9.71

 

Description

Color code: HEX #8B2FF2 | qconv.com Color code: HEX #8B2FF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 47 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 47 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 81 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 81% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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