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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B14AE it is the complementary color #74EB51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B14AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B14AE shade: #9014A9, #A126BC, #B238CF, #C34AE2 and #D45CF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B14AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B14AE shade: #8B14AE, #7A029B, #690088, #580075 and #470062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B14AE shade: #8B14AD, #AD14A7, #AD147E, #AD1454 and #AD142B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B14AE shade: #8B14AD, #6114AD, #3814AD and #1414AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B14AE shade matches the following richer shades: #8B14AD and #9305BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B14AE shade: #8B14AD, #82249E, #7A348E, #71437E and #68536F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B14AE shade: #3814AD, #6114AD, #8A14AD, #AD14A8 and #AD1480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B14AE shade: #500C64, #6D1089, #8B14AD, #A819D2 and #BC2EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B14AE shade: #8B14AE, #AD1419 and #14AD4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B14AE shade: #8B14AE, #AD8A14 and #14AD8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B14AE shade: #8B14AE, #AD1419, #38AD14 and #14ADA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B14AE shade: #8B14AE, #AD3D14, #38AD14 and #1485AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

Complementary color

CMYK 51 / 0 / 66 / 8

HEX #74EB51

RGB 116 235 81

HSL 106.36, 0.79%, 0.62%

LAB 83.82, -60.65, 62.22

 

CMYK 15 / 88 / 0 / 34

HEX #9014A9

RGB 144 20 169

HSL 289.93, 0.79%, 0.37%

LAB 36.54, 65.42, -50.63

 

CMYK 14 / 80 / 0 / 26

HEX #A126BC

RGB 161 38 188

HSL 289.2, 0.66%, 0.44%

LAB 42.15, 67.45, -52.72

 

CMYK 14 / 73 / 0 / 19

HEX #B238CF

RGB 178 56 207

HSL 288.48, 0.61%, 0.52%

LAB 48, 68.43, -54.19

 

CMYK 14 / 67 / 0 / 11

HEX #C34AE2

RGB 195 74 226

HSL 287.76, 0.72%, 0.59%

LAB 54.02, 68.73, -55.25

 

CMYK 13 / 62 / 0 / 4

HEX #D45CF5

RGB 212 92 245

HSL 287.06, 0.88%, 0.66%

LAB 60.11, 68.62, -56.01

 

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

CMYK 21 / 99 / 0 / 39

HEX #7A029B

RGB 122 2 155

HSL 287.06, 0.97%, 0.31%

LAB 30.75, 62.31, -51.72

 

CMYK 23 / 100 / 0 / 47

HEX #690088

RGB 105 0 136

HSL 286.32, 1%, 0.27%

LAB 26.1, 56.68, -47.68

 

CMYK 25 / 100 / 0 / 54

HEX #580075

RGB 88 0 117

HSL 285.13, 1%, 0.23%

LAB 21.43, 50.58, -43.37

 

CMYK 28 / 100 / 0 / 62

HEX #470062

RGB 71 0 98

HSL 283.47, 1%, 0.19%

LAB 16.61, 44.3, -38.94

 

CMYK 20 / 88 / 0 / 32

HEX #8B14AD

RGB 139 20 173

HSL 286.67, 0.79%, 0.38%

LAB 36, 65.33, -53.95

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A7

RGB 173 20 167

HSL 302.35, 0.79%, 0.38%

LAB 41.49, 70.22, -41.22

 

CMYK 0 / 88 / 27 / 32

HEX #AD147E

RGB 173 20 126

HSL 318.43, 0.79%, 0.38%

LAB 39.4, 64.69, -19.53

 

CMYK 0 / 88 / 51 / 32

HEX #AD1454

RGB 173 20 84

HSL 334.9, 0.79%, 0.38%

LAB 37.89, 60.51, 4.78

 

CMYK 0 / 88 / 75 / 32

HEX #AD142B

RGB 173 20 43

HSL 350.98, 0.79%, 0.38%

LAB 37.04, 58.09, 29.82

 

CMYK 20 / 88 / 0 / 32

HEX #8B14AD

RGB 139 20 173

HSL 286.67, 0.79%, 0.38%

LAB 36, 65.33, -53.95

 

CMYK 44 / 88 / 0 / 32

HEX #6114AD

RGB 97 20 173

HSL 270.2, 0.79%, 0.38%

LAB 29.56, 59.39, -64.73

 

CMYK 68 / 88 / 0 / 32

HEX #3814AD

RGB 56 20 173

HSL 254.12, 0.79%, 0.38%

LAB 24.82, 55.46, -72.71

 

CMYK 88 / 88 / 0 / 32

HEX #1414AD

RGB 20 20 173

HSL 240, 0.79%, 0.38%

LAB 22.54, 53.76, -76.58

 

CMYK 20 / 88 / 0 / 32

HEX #8B14AD

RGB 139 20 173

HSL 286.67, 0.79%, 0.38%

LAB 36, 65.33, -53.95

 

CMYK 22 / 97 / 0 / 26

HEX #9305BD

RGB 147 5 189

HSL 286.3, 0.95%, 0.38%

LAB 37.82, 71.6, -60.43

 

CMYK 20 / 88 / 0 / 32

HEX #8B14AD

RGB 139 20 173

HSL 286.67, 0.79%, 0.38%

LAB 36, 65.33, -53.95

 

CMYK 18 / 77 / 0 / 38

HEX #82249E

RGB 130 36 158

HSL 286.23, 0.63%, 0.38%

LAB 34.96, 56.49, -46.68

 

CMYK 14 / 63 / 0 / 44

HEX #7A348E

RGB 122 52 142

HSL 286.67, 0.46%, 0.38%

LAB 35.1, 44.67, -36.77

 

CMYK 10 / 47 / 0 / 51

HEX #71437E

RGB 113 67 126

HSL 286.78, 0.31%, 0.38%

LAB 36.04, 30.5, -25.49

 

CMYK 6 / 25 / 0 / 56

HEX #68536F

RGB 104 83 111

HSL 285, 0.14%, 0.38%

LAB 38.34, 14.32, -12.75

 

CMYK 68 / 88 / 0 / 32

HEX #3814AD

RGB 56 20 173

HSL 254.12, 0.79%, 0.38%

LAB 24.82, 55.46, -72.71

 

CMYK 44 / 88 / 0 / 32

HEX #6114AD

RGB 97 20 173

HSL 270.2, 0.79%, 0.38%

LAB 29.56, 59.39, -64.73

 

CMYK 20 / 88 / 0 / 32

HEX #8A14AD

RGB 138 20 173

HSL 286.27, 0.79%, 0.38%

LAB 35.83, 65.17, -54.23

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A8

RGB 173 20 168

HSL 301.96, 0.79%, 0.38%

LAB 41.55, 70.37, -41.72

 

CMYK 0 / 88 / 26 / 32

HEX #AD1480

RGB 173 20 128

HSL 317.65, 0.79%, 0.38%

LAB 39.48, 64.93, -20.63

 

CMYK 20 / 88 / 0 / 61

HEX #500C64

RGB 80 12 100

HSL 286.36, 0.79%, 0.22%

LAB 19.59, 42.75, -35.35

 

CMYK 20 / 88 / 0 / 46

HEX #6D1089

RGB 109 16 137

HSL 286.12, 0.79%, 0.3%

LAB 27.92, 54.4, -45.31

 

CMYK 20 / 88 / 0 / 32

HEX #8B14AD

RGB 139 20 173

HSL 286.67, 0.79%, 0.38%

LAB 36, 65.33, -53.95

 

CMYK 20 / 88 / 0 / 18

HEX #A819D2

RGB 168 25 210

HSL 286.38, 0.79%, 0.46%

LAB 43.76, 75.61, -62.85

 

CMYK 18 / 80 / 0 / 10

HEX #BC2EE6

RGB 188 46 230

HSL 286.3, 0.79%, 0.54%

LAB 49.93, 77.59, -64.14

 

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

CMYK 0 / 88 / 86 / 32

HEX #AD1419

RGB 173 20 25

HSL 358.04, 0.79%, 0.38%

LAB 36.85, 57.53, 40.03

 

CMYK 88 / 0 / 56 / 32

HEX #14AD4C

RGB 20 173 76

HSL 141.96, 0.79%, 0.38%

LAB 62.13, -57.65, 39.19

 

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

CMYK 0 / 20 / 88 / 32

HEX #AD8A14

RGB 173 138 20

HSL 46.27, 0.79%, 0.38%

LAB 59.08, 2.82, 60.29

 

CMYK 88 / 0 / 20 / 32

HEX #14AD8A

RGB 20 173 138

HSL 166.27, 0.79%, 0.38%

LAB 63.24, -45.04, 7.71

 

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

CMYK 0 / 88 / 86 / 32

HEX #AD1419

RGB 173 20 25

HSL 358.04, 0.79%, 0.38%

LAB 36.85, 57.53, 40.03

 

CMYK 68 / 0 / 88 / 32

HEX #38AD14

RGB 56 173 20

HSL 105.88, 0.79%, 0.38%

LAB 62.32, -57.54, 60.12

 

CMYK 88 / 0 / 3 / 32

HEX #14ADA8

RGB 20 173 168

HSL 178.04, 0.79%, 0.38%

LAB 64.05, -36.66, -7.82

 

CMYK 20 / 89 / 0 / 32

HEX #8B14AE

RGB 139 20 174

HSL 286.36, 0.79%, 0.38%

LAB 36.07, 65.52, -54.43

 

CMYK 0 / 65 / 88 / 32

HEX #AD3D14

RGB 173 61 20

HSL 16.08, 0.79%, 0.38%

LAB 41.65, 44.03, 46.38

 

CMYK 68 / 0 / 88 / 32

HEX #38AD14

RGB 56 173 20

HSL 105.88, 0.79%, 0.38%

LAB 62.32, -57.54, 60.12

 

CMYK 88 / 23 / 0 / 32

HEX #1485AD

RGB 20 133 173

HSL 195.69, 0.79%, 0.38%

LAB 51.77, -14.78, -29.35

 

Description

Color code: HEX #8B14AE | qconv.com Color code: HEX #8B14AE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 20 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 20 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 89 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 89% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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