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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B1183 it is the complementary color #74EE7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B1183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B1183 shade: #90117E, #A12391, #B235A4, #C347B7 and #D459CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B1183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B1183 shade: #8B1183, #7A0070, #69005D, #58004A and #470037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B1183 shade: #8D1185, #8D1163, #8D1142, #8D1121 and #8D1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B1183 shade: #8D1185, #74118D, #52118D, #31118D and #11118D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B1183 shade matches the following richer shades: #8D1185 and #990590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B1183 shade: #8D1185, #801E7A, #732B6E, #663863 and #5A4558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B1183 shade: #51118D, #72118D, #8D1187, #8D1166 and #8D1145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B1183 shade: #43083F, #680D62, #8D1185, #B116A7 and #D61ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B1183 shade: #8B1183, #8D3011 and #118D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B1183 shade: #8B1183, #878D11 and #11878D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B1183 shade: #8B1183, #8D3011, #118D18 and #116E8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B1183 shade: #8B1183, #8D5511, #118D18 and #11498D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

Complementary color

CMYK 51 / 0 / 48 / 7

HEX #74EE7C

RGB 116 238 124

HSL 123.93, 0.78%, 0.69%

LAB 85.16, -56.96, 44.72

 

CMYK 0 / 88 / 13 / 44

HEX #90117E

RGB 144 17 126

HSL 308.5, 0.79%, 0.32%

LAB 33.64, 59.02, -28.92

 

CMYK 0 / 78 / 10 / 37

HEX #A12391

RGB 161 35 145

HSL 307.62, 0.64%, 0.38%

LAB 39.28, 61.13, -31.57

 

CMYK 0 / 70 / 8 / 30

HEX #B235A4

RGB 178 53 164

HSL 306.72, 0.54%, 0.45%

LAB 45.21, 62.13, -33.49

 

CMYK 0 / 64 / 6 / 24

HEX #C347B7

RGB 195 71 183

HSL 305.81, 0.51%, 0.52%

LAB 51.3, 62.42, -34.92

 

CMYK 0 / 58 / 5 / 17

HEX #D459CA

RGB 212 89 202

HSL 304.88, 0.59%, 0.59%

LAB 57.47, 62.29, -36.01

 

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

CMYK 0 / 100 / 8 / 52

HEX #7A0070

RGB 122 0 112

HSL 304.92, 1%, 0.24%

LAB 27.59, 55.4, -29.89

 

CMYK 0 / 100 / 11 / 59

HEX #69005D

RGB 105 0 93

HSL 306.86, 1%, 0.21%

LAB 22.98, 49.29, -25.03

 

CMYK 0 / 100 / 16 / 65

HEX #58004A

RGB 88 0 74

HSL 309.55, 1%, 0.17%

LAB 18.23, 43.01, -19.93

 

CMYK 0 / 100 / 23 / 72

HEX #470037

RGB 71 0 55

HSL 313.52, 1%, 0.14%

LAB 13.32, 36.52, -14.53

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 0 / 88 / 30 / 45

HEX #8D1163

RGB 141 17 99

HSL 320.32, 0.78%, 0.31%

LAB 31.73, 54.76, -14.76

 

CMYK 0 / 88 / 53 / 45

HEX #8D1142

RGB 141 17 66

HSL 336.29, 0.78%, 0.31%

LAB 30.54, 51.41, 5.16

 

CMYK 0 / 88 / 77 / 45

HEX #8D1121

RGB 141 17 33

HSL 352.26, 0.78%, 0.31%

LAB 29.85, 49.4, 26.04

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 18 / 88 / 0 / 45

HEX #74118D

RGB 116 17 141

HSL 287.9, 0.78%, 0.31%

LAB 29.51, 56.15, -45.18

 

CMYK 42 / 88 / 0 / 45

HEX #52118D

RGB 82 17 141

HSL 271.45, 0.78%, 0.31%

LAB 24.06, 50.83, -54.29

 

CMYK 65 / 88 / 0 / 45

HEX #31118D

RGB 49 17 141

HSL 255.48, 0.78%, 0.31%

LAB 19.95, 47.12, -61.2

 

CMYK 88 / 88 / 0 / 45

HEX #11118D

RGB 17 17 141

HSL 240, 0.78%, 0.31%

LAB 17.66, 45.21, -65.08

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 0 / 97 / 6 / 40

HEX #990590

RGB 153 5 144

HSL 303.65, 0.94%, 0.31%

LAB 35.78, 65.13, -36.59

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 0 / 77 / 5 / 50

HEX #801E7A

RGB 128 30 122

HSL 303.67, 0.62%, 0.31%

LAB 31.63, 51.51, -29.78

 

CMYK 0 / 63 / 4 / 55

HEX #732B6E

RGB 115 43 110

HSL 304.17, 0.46%, 0.31%

LAB 30.64, 40.77, -23.89

 

CMYK 0 / 45 / 3 / 60

HEX #663863

RGB 102 56 99

HSL 303.91, 0.29%, 0.31%

LAB 30.77, 27.53, -16.79

 

CMYK 0 / 23 / 2 / 65

HEX #5A4558

RGB 90 69 88

HSL 305.71, 0.13%, 0.31%

LAB 32.11, 12.71, -7.83

 

CMYK 43 / 88 / 0 / 45

HEX #51118D

RGB 81 17 141

HSL 270.97, 0.78%, 0.31%

LAB 23.91, 50.69, -54.53

 

CMYK 19 / 88 / 0 / 45

HEX #72118D

RGB 114 17 141

HSL 286.94, 0.78%, 0.31%

LAB 29.16, 55.8, -45.75

 

CMYK 0 / 88 / 4 / 45

HEX #8D1187

RGB 141 17 135

HSL 302.9, 0.78%, 0.31%

LAB 33.59, 59.76, -34.65

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 51 / 45

HEX #8D1145

RGB 141 17 69

HSL 334.84, 0.78%, 0.31%

LAB 30.62, 51.66, 3.29

 

CMYK 0 / 88 / 6 / 74

HEX #43083F

RGB 67 8 63

HSL 304.07, 0.79%, 0.15%

LAB 13.98, 33.88, -19.27

 

CMYK 0 / 88 / 6 / 59

HEX #680D62

RGB 104 13 98

HSL 303.96, 0.78%, 0.23%

LAB 24.04, 47.06, -26.65

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 0 / 88 / 6 / 31

HEX #B116A7

RGB 177 22 167

HSL 303.87, 0.78%, 0.39%

LAB 42.32, 70.63, -39.85

 

CMYK 0 / 88 / 6 / 16

HEX #D61ACA

RGB 214 26 202

HSL 303.83, 0.78%, 0.47%

LAB 51.04, 81.84, -46.14

 

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

CMYK 0 / 66 / 88 / 45

HEX #8D3011

RGB 141 48 17

HSL 15, 0.78%, 0.31%

LAB 33.6, 38.03, 38.67

 

CMYK 88 / 0 / 30 / 45

HEX #118D62

RGB 17 141 98

HSL 159.19, 0.78%, 0.31%

LAB 51.89, -42.09, 14.24

 

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

CMYK 4 / 0 / 88 / 45

HEX #878D11

RGB 135 141 17

HSL 62.9, 0.78%, 0.31%

LAB 56.33, -16.27, 57.26

 

CMYK 88 / 4 / 0 / 45

HEX #11878D

RGB 17 135 141

HSL 182.9, 0.78%, 0.31%

LAB 51.12, -27.12, -11.79

 

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

CMYK 0 / 66 / 88 / 45

HEX #8D3011

RGB 141 48 17

HSL 15, 0.78%, 0.31%

LAB 33.6, 38.03, 38.67

 

CMYK 88 / 0 / 83 / 45

HEX #118D18

RGB 17 141 24

HSL 123.39, 0.78%, 0.31%

LAB 50.96, -53.21, 48.67

 

CMYK 88 / 22 / 0 / 45

HEX #116E8D

RGB 17 110 141

HSL 195, 0.78%, 0.31%

LAB 43.05, -13.76, -24.12

 

CMYK 0 / 88 / 6 / 45

HEX #8B1183

RGB 139 17 131

HSL 303.93, 0.78%, 0.31%

LAB 32.98, 58.74, -33.15

 

CMYK 0 / 40 / 88 / 45

HEX #8D5511

RGB 141 85 17

HSL 32.9, 0.78%, 0.31%

LAB 41.53, 18.16, 45.31

 

CMYK 88 / 0 / 83 / 45

HEX #118D18

RGB 17 141 24

HSL 123.39, 0.78%, 0.31%

LAB 50.96, -53.21, 48.67

 

CMYK 88 / 48 / 0 / 45

HEX #11498D

RGB 17 73 141

HSL 212.9, 0.78%, 0.31%

LAB 31.36, 9.55, -42.61

 

Description

Color code: HEX #8B1183 | qconv.com Color code: HEX #8B1183 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 17 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 17 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 6 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 6% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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