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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B1165 it is the complementary color #74EE9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B1165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B1165 shade: #901160, #A12373, #B23586, #C34799 and #D459AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B1165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B1165 shade: #8B1165, #7A0052, #69003F, #58002C and #470019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B1165 shade: #8D1166, #8D1145, #8D1124 and #8D1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B1165 shade: #8D1166, #8D1188, #71118D, #4F118D and #2E118D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B1165 shade matches the following richer shades: #8D1166 and #99056B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B1165 shade: #8D1166, #801E61, #732B5D, #663858 and #5A4553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B1165 shade: #70118D, #8D1189, #8D1168, #8D1147 and #8D1126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B1165 shade: #430831, #680D4C, #8D1166, #B11681 and #D61A9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B1165 shade: #8B1165, #8D4F11 and #118D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B1165 shade: #8B1165, #688D11 and #11688D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B1165 shade: #8B1165, #8D4F11, #118D36 and #114F8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B1165 shade: #8B1165, #8D7411, #118D36 and #112A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

Complementary color

CMYK 51 / 0 / 35 / 7

HEX #74EE9A

RGB 116 238 154

HSL 138.69, 0.78%, 0.69%

LAB 85.6, -52.3, 30.47

 

CMYK 0 / 88 / 33 / 44

HEX #901160

RGB 144 17 96

HSL 322.68, 0.79%, 0.32%

LAB 32.2, 55.12, -12.04

 

CMYK 0 / 78 / 29 / 37

HEX #A12373

RGB 161 35 115

HSL 321.9, 0.64%, 0.38%

LAB 37.87, 57, -15.2

 

CMYK 0 / 70 / 25 / 30

HEX #B23586

RGB 178 53 134

HSL 321.12, 0.54%, 0.45%

LAB 43.85, 57.79, -17.53

 

CMYK 0 / 64 / 22 / 24

HEX #C34799

RGB 195 71 153

HSL 320.32, 0.51%, 0.52%

LAB 49.99, 57.92, -19.31

 

CMYK 0 / 58 / 19 / 17

HEX #D459AC

RGB 212 89 172

HSL 319.51, 0.59%, 0.59%

LAB 56.21, 57.65, -20.71

 

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

CMYK 0 / 100 / 33 / 52

HEX #7A0052

RGB 122 0 82

HSL 319.67, 1%, 0.24%

LAB 26, 51.4, -12.71

 

CMYK 0 / 100 / 40 / 59

HEX #69003F

RGB 105 0 63

HSL 324, 1%, 0.21%

LAB 21.44, 45.4, -7.06

 

CMYK 0 / 100 / 50 / 65

HEX #58002C

RGB 88 0 44

HSL 330, 1%, 0.17%

LAB 16.78, 39.31, -0.95

 

CMYK 0 / 100 / 65 / 72

HEX #470019

RGB 71 0 25

HSL 338.87, 1%, 0.14%

LAB 12.02, 33.16, 5.8

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 51 / 45

HEX #8D1145

RGB 141 17 69

HSL 334.84, 0.78%, 0.31%

LAB 30.62, 51.66, 3.29

 

CMYK 0 / 88 / 74 / 45

HEX #8D1124

RGB 141 17 36

HSL 350.81, 0.78%, 0.31%

LAB 29.89, 49.53, 24.17

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 4 / 45

HEX #8D1188

RGB 141 17 136

HSL 302.42, 0.78%, 0.31%

LAB 33.65, 59.92, -35.18

 

CMYK 20 / 88 / 0 / 45

HEX #71118D

RGB 113 17 141

HSL 286.45, 0.78%, 0.31%

LAB 28.99, 55.63, -46.03

 

CMYK 44 / 88 / 0 / 45

HEX #4F118D

RGB 79 17 141

HSL 270, 0.78%, 0.31%

LAB 23.63, 50.42, -55.01

 

CMYK 67 / 88 / 0 / 45

HEX #2E118D

RGB 46 17 141

HSL 254.03, 0.78%, 0.31%

LAB 19.66, 46.87, -61.7

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 97 / 30 / 40

HEX #99056B

RGB 153 5 107

HSL 318.65, 0.94%, 0.31%

LAB 33.86, 60.26, -16.42

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 77 / 24 / 50

HEX #801E61

RGB 128 30 97

HSL 318.98, 0.62%, 0.31%

LAB 30.35, 47.67, -15.79

 

CMYK 0 / 63 / 19 / 55

HEX #732B5D

RGB 115 43 93

HSL 318.33, 0.46%, 0.31%

LAB 29.82, 37.83, -14.21

 

CMYK 0 / 45 / 14 / 60

HEX #663858

RGB 102 56 88

HSL 318.26, 0.29%, 0.31%

LAB 30.3, 25.39, -10.42

 

CMYK 0 / 23 / 8 / 65

HEX #5A4553

RGB 90 69 83

HSL 320, 0.13%, 0.31%

LAB 31.93, 11.66, -4.9

 

CMYK 21 / 88 / 0 / 45

HEX #70118D

RGB 112 17 141

HSL 285.97, 0.78%, 0.31%

LAB 28.82, 55.46, -46.32

 

CMYK 0 / 88 / 3 / 45

HEX #8D1189

RGB 141 17 137

HSL 301.94, 0.78%, 0.31%

LAB 33.71, 60.07, -35.7

 

CMYK 0 / 88 / 26 / 45

HEX #8D1168

RGB 141 17 104

HSL 317.9, 0.78%, 0.31%

LAB 31.95, 55.37, -17.64

 

CMYK 0 / 88 / 50 / 45

HEX #8D1147

RGB 141 17 71

HSL 333.87, 0.78%, 0.31%

LAB 30.68, 51.83, 2.05

 

CMYK 0 / 88 / 73 / 45

HEX #8D1126

RGB 141 17 38

HSL 349.84, 0.78%, 0.31%

LAB 29.92, 49.62, 22.92

 

CMYK 0 / 88 / 27 / 74

HEX #430831

RGB 67 8 49

HSL 318.31, 0.79%, 0.15%

LAB 13.16, 31.54, -10.51

 

CMYK 0 / 88 / 27 / 59

HEX #680D4C

RGB 104 13 76

HSL 318.46, 0.78%, 0.23%

LAB 22.84, 43.74, -13.86

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 27 / 31

HEX #B11681

RGB 177 22 129

HSL 318.58, 0.78%, 0.39%

LAB 40.42, 65.57, -19.75

 

CMYK 0 / 88 / 27 / 16

HEX #D61A9C

RGB 214 26 156

HSL 318.51, 0.78%, 0.47%

LAB 48.8, 75.96, -22.64

 

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

CMYK 0 / 44 / 88 / 45

HEX #8D4F11

RGB 141 79 17

HSL 30, 0.78%, 0.31%

LAB 40.07, 21.62, 44.09

 

CMYK 88 / 0 / 9 / 45

HEX #118D80

RGB 17 141 128

HSL 173.71, 0.78%, 0.31%

LAB 52.65, -34.05, -1.95

 

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 88 / 26 / 0 / 45

HEX #11688D

RGB 17 104 141

HSL 197.9, 0.78%, 0.31%

LAB 41.13, -10.27, -27.12

 

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

CMYK 0 / 44 / 88 / 45

HEX #8D4F11

RGB 141 79 17

HSL 30, 0.78%, 0.31%

LAB 40.07, 21.62, 44.09

 

CMYK 88 / 0 / 62 / 45

HEX #118D36

RGB 17 141 54

HSL 137.9, 0.78%, 0.31%

LAB 51.19, -50.31, 36.92

 

CMYK 88 / 44 / 0 / 45

HEX #114F8D

RGB 17 79 141

HSL 210, 0.78%, 0.31%

LAB 33.21, 5.5, -39.65

 

CMYK 0 / 88 / 27 / 45

HEX #8B1165

RGB 139 17 101

HSL 318.69, 0.78%, 0.31%

LAB 31.42, 54.53, -16.57

 

CMYK 0 / 18 / 88 / 45

HEX #8D7411

RGB 141 116 17

HSL 47.9, 0.78%, 0.31%

LAB 49.73, 0.21, 52.07

 

CMYK 88 / 0 / 62 / 45

HEX #118D36

RGB 17 141 54

HSL 137.9, 0.78%, 0.31%

LAB 51.19, -50.31, 36.92

 

CMYK 88 / 70 / 0 / 45

HEX #112A8D

RGB 17 42 141

HSL 227.9, 0.78%, 0.31%

LAB 22.65, 31.02, -56.81

 

Description

Color code: HEX #8B1165 | qconv.com Color code: HEX #8B1165 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 17 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 17 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 27 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 27% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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