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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B0C73 it is the complementary color #74F38C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B0C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B0C73 shade: #900C6E, #A11E81, #B23094, #C342A7 and #D454BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B0C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B0C73 shade: #8B0C73, #7A0060, #69004D, #58003A and #470027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B0C73 shade: #8D0C74, #8D0C52, #8D0C2F and #8D0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B0C73 shade: #8D0C74, #820C8D, #600C8D, #3D0C8D and #1A0C8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B0C73 shade matches the following richer shades: #8D0C74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B0C73 shade: #8D0C74, #80196D, #742565, #68315D and #5B3E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B0C73 shade: #600C8D, #820C8D, #8D0C75, #8D0C53 and #8D0C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B0C73 shade: #410636, #670955, #8D0C74, #B31094 and #D913B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B0C73 shade: #8B0C73, #8D3E0C and #0C8D71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B0C73 shade: #8B0C73, #758D0C and #0C758D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B0C73 shade: #8B0C73, #8D3E0C, #0C8D24 and #0C5B8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B0C73 shade: #8B0C73, #8D640C, #0C8D24 and #0C358D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

Complementary color

CMYK 52 / 0 / 42 / 5

HEX #74F38C

RGB 116 243 140

HSL 131.34, 0.84%, 0.7%

LAB 86.85, -56.58, 39.1

 

CMYK 0 / 92 / 24 / 44

HEX #900C6E

RGB 144 12 110

HSL 315.45, 0.85%, 0.31%

LAB 32.52, 57.7, -20.55

 

CMYK 0 / 81 / 20 / 37

HEX #A11E81

RGB 161 30 129

HSL 314.66, 0.69%, 0.37%

LAB 38, 60.21, -23.73

 

CMYK 0 / 73 / 17 / 30

HEX #B23094

RGB 178 48 148

HSL 313.85, 0.58%, 0.44%

LAB 43.82, 61.48, -26.06

 

CMYK 0 / 66 / 14 / 24

HEX #C342A7

RGB 195 66 167

HSL 313.02, 0.52%, 0.51%

LAB 49.84, 61.94, -27.82

 

CMYK 0 / 60 / 12 / 17

HEX #D454BA

RGB 212 84 186

HSL 312.19, 0.6%, 0.58%

LAB 55.97, 61.91, -29.18

 

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

CMYK 0 / 100 / 21 / 52

HEX #7A0060

RGB 122 0 96

HSL 312.79, 1%, 0.24%

LAB 26.68, 53.14, -20.93

 

CMYK 0 / 100 / 27 / 59

HEX #69004D

RGB 105 0 77

HSL 316, 1%, 0.21%

LAB 22.09, 47.06, -15.68

 

CMYK 0 / 100 / 34 / 65

HEX #58003A

RGB 88 0 58

HSL 320.45, 1%, 0.17%

LAB 17.37, 40.84, -10.1

 

CMYK 0 / 100 / 45 / 72

HEX #470027

RGB 71 0 39

HSL 327.04, 1%, 0.14%

LAB 12.52, 34.47, -4.04

 

CMYK 0 / 91 / 18 / 45

HEX #8D0C74

RGB 141 12 116

HSL 311.63, 0.84%, 0.3%

LAB 32.23, 57.86, -24.88

 

CMYK 0 / 91 / 42 / 45

HEX #8D0C52

RGB 141 12 82

HSL 327.44, 0.84%, 0.3%

LAB 30.72, 53.81, -5.18

 

CMYK 0 / 91 / 67 / 45

HEX #8D0C2F

RGB 141 12 47

HSL 343.72, 0.84%, 0.3%

LAB 29.74, 51.06, 16.76

 

CMYK 0 / 91 / 91 / 45

HEX #8D0C0C

RGB 141 12 12

HSL 0, 0.84%, 0.3%

LAB 29.29, 49.78, 37.52

 

CMYK 0 / 91 / 18 / 45

HEX #8D0C74

RGB 141 12 116

HSL 311.63, 0.84%, 0.3%

LAB 32.23, 57.86, -24.88

 

CMYK 8 / 91 / 0 / 45

HEX #820C8D

RGB 130 12 141

HSL 294.88, 0.84%, 0.3%

LAB 31.65, 59.57, -41.59

 

CMYK 32 / 91 / 0 / 45

HEX #600C8D

RGB 96 12 141

HSL 279.07, 0.84%, 0.3%

LAB 25.78, 54.07, -51.38

 

CMYK 57 / 91 / 0 / 45

HEX #3D0C8D

RGB 61 12 141

HSL 262.79, 0.84%, 0.3%

LAB 20.74, 49.84, -59.85

 

CMYK 82 / 91 / 0 / 45

HEX #1A0C8D

RGB 26 12 141

HSL 246.51, 0.84%, 0.3%

LAB 17.49, 47.46, -65.35

 

CMYK 0 / 91 / 18 / 45

HEX #8D0C74

RGB 141 12 116

HSL 311.63, 0.84%, 0.3%

LAB 32.23, 57.86, -24.88

 

CMYK 0 / 91 / 18 / 45

HEX #8D0C74

RGB 141 12 116

HSL 311.63, 0.84%, 0.3%

LAB 32.23, 57.86, -24.88

 

CMYK 0 / 80 / 15 / 50

HEX #80196D

RGB 128 25 109

HSL 311.07, 0.67%, 0.3%

LAB 30.37, 51.02, -23.5

 

CMYK 0 / 68 / 13 / 55

HEX #742565

RGB 116 37 101

HSL 311.39, 0.52%, 0.3%

LAB 29.35, 42.23, -20.11

 

CMYK 0 / 53 / 11 / 59

HEX #68315D

RGB 104 49 93

HSL 312, 0.36%, 0.3%

LAB 29.24, 31.07, -15.26

 

CMYK 0 / 32 / 5 / 64

HEX #5B3E56

RGB 91 62 86

HSL 310.34, 0.19%, 0.3%

LAB 30.26, 17.12, -9.33

 

CMYK 32 / 91 / 0 / 45

HEX #600C8D

RGB 96 12 141

HSL 279.07, 0.84%, 0.3%

LAB 25.78, 54.07, -51.38

 

CMYK 8 / 91 / 0 / 45

HEX #820C8D

RGB 130 12 141

HSL 294.88, 0.84%, 0.3%

LAB 31.65, 59.57, -41.59

 

CMYK 0 / 91 / 17 / 45

HEX #8D0C75

RGB 141 12 117

HSL 311.16, 0.84%, 0.3%

LAB 32.28, 57.99, -25.43

 

CMYK 0 / 91 / 41 / 45

HEX #8D0C53

RGB 141 12 83

HSL 326.98, 0.84%, 0.3%

LAB 30.76, 53.91, -5.78

 

CMYK 0 / 91 / 65 / 45

HEX #8D0C31

RGB 141 12 49

HSL 342.79, 0.84%, 0.3%

LAB 29.78, 51.18, 15.48

 

CMYK 0 / 91 / 17 / 75

HEX #410636

RGB 65 6 54

HSL 311.19, 0.83%, 0.14%

LAB 12.74, 32.57, -14.82

 

CMYK 0 / 91 / 17 / 60

HEX #670955

RGB 103 9 85

HSL 311.49, 0.84%, 0.22%

LAB 22.77, 45.7, -20.04

 

CMYK 0 / 91 / 18 / 45

HEX #8D0C74

RGB 141 12 116

HSL 311.63, 0.84%, 0.3%

LAB 32.23, 57.86, -24.88

 

CMYK 0 / 91 / 17 / 30

HEX #B31094

RGB 179 16 148

HSL 311.41, 0.84%, 0.38%

LAB 41.36, 69.31, -29.9

 

CMYK 0 / 91 / 18 / 15

HEX #D913B3

RGB 217 19 179

HSL 311.52, 0.84%, 0.46%

LAB 50.06, 80.27, -34.26

 

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

CMYK 0 / 56 / 91 / 45

HEX #8D3E0C

RGB 141 62 12

HSL 23.26, 0.84%, 0.3%

LAB 36.24, 30.93, 42.8

 

CMYK 91 / 0 / 20 / 45

HEX #0C8D71

RGB 12 141 113

HSL 166.98, 0.84%, 0.3%

LAB 52.2, -38.62, 6.06

 

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

CMYK 17 / 0 / 91 / 45

HEX #758D0C

RGB 117 141 12

HSL 71.16, 0.84%, 0.3%

LAB 54.93, -24.4, 56.54

 

CMYK 91 / 17 / 0 / 45

HEX #0C758D

RGB 12 117 141

HSL 191.16, 0.84%, 0.3%

LAB 45.25, -18.02, -20.73

 

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

CMYK 0 / 56 / 91 / 45

HEX #8D3E0C

RGB 141 62 12

HSL 23.26, 0.84%, 0.3%

LAB 36.24, 30.93, 42.8

 

CMYK 91 / 0 / 74 / 45

HEX #0C8D24

RGB 12 141 36

HSL 131.16, 0.84%, 0.3%

LAB 50.98, -52.72, 44.55

 

CMYK 91 / 35 / 0 / 45

HEX #0C5B8D

RGB 12 91 141

HSL 203.26, 0.84%, 0.3%

LAB 36.9, -2.67, -33.78

 

CMYK 0 / 91 / 17 / 45

HEX #8B0C73

RGB 139 12 115

HSL 311.34, 0.84%, 0.3%

LAB 31.78, 57.3, -24.96

 

CMYK 0 / 29 / 91 / 45

HEX #8D640C

RGB 141 100 12

HSL 40.93, 0.84%, 0.3%

LAB 45.36, 9.3, 49.86

 

CMYK 91 / 0 / 74 / 45

HEX #0C8D24

RGB 12 141 36

HSL 131.16, 0.84%, 0.3%

LAB 50.98, -52.72, 44.55

 

CMYK 91 / 62 / 0 / 45

HEX #0C358D

RGB 12 53 141

HSL 220.93, 0.84%, 0.3%

LAB 25.4, 23.16, -52.29

 

Description

Color code: HEX #8B0C73 | qconv.com Color code: HEX #8B0C73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 12 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 12 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 17 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 17% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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