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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B075E it is the complementary color #74F8A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B075E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B075E shade: #900759, #A1196C, #B22B7F, #C33D92 and #D44FA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B075E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B075E shade: #8B075E, #7A004B, #690038, #580025 and #470012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B075E shade: #8D075F, #8D073B, #8D0717 and #8D0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B075E shade: #8D075F, #8D0783, #72078D, #4E078D and #2A078D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B075E shade matches the following richer shades: #8D075F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B075E shade: #8D075F, #81135B, #751F58, #692B54 and #5D3750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B075E shade: #72078D, #8D0784, #8D0760, #8D073D and #8D0719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B075E shade: #3E032A, #650545, #8D075F, #B4097A and #DB0C94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B075E shade: #8B075E, #8D4E07 and #078D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B075E shade: #8B075E, #608D07 and #07608D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B075E shade: #8B075E, #8D4E07, #078D34 and #07468D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B075E shade: #8B075E, #8D7607, #078D34 and #071E8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

Complementary color

CMYK 53 / 0 / 35 / 3

HEX #74F8A1

RGB 116 248 161

HSL 140.45, 0.9%, 0.71%

LAB 88.65, -55.11, 31.01

 

CMYK 0 / 95 / 38 / 44

HEX #900759

RGB 144 7 89

HSL 324.09, 0.91%, 0.3%

LAB 31.35, 56, -8.77

 

CMYK 0 / 84 / 33 / 37

HEX #A1196C

RGB 161 25 108

HSL 323.38, 0.73%, 0.36%

LAB 36.66, 58.83, -12.63

 

CMYK 0 / 76 / 29 / 30

HEX #B22B7F

RGB 178 43 127

HSL 322.67, 0.61%, 0.43%

LAB 42.35, 60.33, -15.54

 

CMYK 0 / 69 / 25 / 24

HEX #C33D92

RGB 195 61 146

HSL 321.94, 0.53%, 0.5%

LAB 48.28, 60.94, -17.75

 

CMYK 0 / 63 / 22 / 17

HEX #D44FA5

RGB 212 79 165

HSL 321.2, 0.61%, 0.57%

LAB 54.35, 60.99, -19.48

 

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

CMYK 0 / 100 / 39 / 52

HEX #7A004B

RGB 122 0 75

HSL 323.11, 1%, 0.24%

LAB 25.7, 50.63, -8.46

 

CMYK 0 / 100 / 47 / 59

HEX #690038

RGB 105 0 56

HSL 328, 1%, 0.21%

LAB 21.17, 44.69, -2.58

 

CMYK 0 / 100 / 58 / 65

HEX #580025

RGB 88 0 37

HSL 334.77, 1%, 0.17%

LAB 16.54, 38.69, 3.81

 

CMYK 0 / 100 / 75 / 72

HEX #470012

RGB 71 0 18

HSL 344.79, 1%, 0.14%

LAB 11.85, 32.68, 10.46

 

CMYK 0 / 95 / 33 / 45

HEX #8D075F

RGB 141 7 95

HSL 320.6, 0.91%, 0.29%

LAB 30.98, 55.97, -13.32

 

CMYK 0 / 95 / 58 / 45

HEX #8D073B

RGB 141 7 59

HSL 336.72, 0.91%, 0.29%

LAB 29.74, 52.63, 8.72

 

CMYK 0 / 95 / 84 / 45

HEX #8D0717

RGB 141 7 23

HSL 352.84, 0.91%, 0.29%

LAB 29.1, 50.85, 31.42

 

CMYK 0 / 95 / 95 / 45

HEX #8D0707

RGB 141 7 7

HSL 0, 0.91%, 0.29%

LAB 28.98, 50.51, 39.36

 

CMYK 0 / 95 / 33 / 45

HEX #8D075F

RGB 141 7 95

HSL 320.6, 0.91%, 0.29%

LAB 30.98, 55.97, -13.32

 

CMYK 0 / 95 / 7 / 45

HEX #8D0783

RGB 141 7 131

HSL 304.48, 0.91%, 0.29%

LAB 32.82, 60.72, -33.39

 

CMYK 19 / 95 / 0 / 45

HEX #72078D

RGB 114 7 141

HSL 287.91, 0.91%, 0.29%

LAB 28.52, 57.71, -46.79

 

CMYK 45 / 95 / 0 / 45

HEX #4E078D

RGB 78 7 141

HSL 271.79, 0.91%, 0.29%

LAB 22.64, 52.82, -56.65

 

CMYK 70 / 95 / 0 / 45

HEX #2A078D

RGB 42 7 141

HSL 255.67, 0.91%, 0.29%

LAB 18.22, 49.78, -64.1

 

CMYK 0 / 95 / 33 / 45

HEX #8D075F

RGB 141 7 95

HSL 320.6, 0.91%, 0.29%

LAB 30.98, 55.97, -13.32

 

CMYK 0 / 95 / 33 / 45

HEX #8D075F

RGB 141 7 95

HSL 320.6, 0.91%, 0.29%

LAB 30.98, 55.97, -13.32

 

CMYK 0 / 85 / 29 / 49

HEX #81135B

RGB 129 19 91

HSL 320.73, 0.74%, 0.29%

LAB 29.13, 50.42, -13.75

 

CMYK 0 / 74 / 25 / 54

HEX #751F58

RGB 117 31 88

HSL 320.23, 0.58%, 0.29%

LAB 28.02, 42.99, -13.67

 

CMYK 0 / 59 / 20 / 59

HEX #692B54

RGB 105 43 84

HSL 320.32, 0.42%, 0.29%

LAB 27.77, 33.09, -11.62

 

CMYK 0 / 41 / 14 / 64

HEX #5D3750

RGB 93 55 80

HSL 320.53, 0.26%, 0.29%

LAB 28.48, 21.08, -8.08

 

CMYK 19 / 95 / 0 / 45

HEX #72078D

RGB 114 7 141

HSL 287.91, 0.91%, 0.29%

LAB 28.52, 57.71, -46.79

 

CMYK 0 / 95 / 6 / 45

HEX #8D0784

RGB 141 7 132

HSL 304.03, 0.91%, 0.29%

LAB 32.88, 60.87, -33.92

 

CMYK 0 / 95 / 32 / 45

HEX #8D0760

RGB 141 7 96

HSL 320.15, 0.91%, 0.29%

LAB 31.02, 56.08, -13.9

 

CMYK 0 / 95 / 57 / 45

HEX #8D073D

RGB 141 7 61

HSL 335.82, 0.91%, 0.29%

LAB 29.79, 52.78, 7.45

 

CMYK 0 / 95 / 82 / 45

HEX #8D0719

RGB 141 7 25

HSL 351.94, 0.91%, 0.29%

LAB 29.12, 50.91, 30.24

 

CMYK 0 / 95 / 32 / 76

HEX #3E032A

RGB 62 3 42

HSL 320.34, 0.91%, 0.13%

LAB 10.97, 31.2, -8.83

 

CMYK 0 / 95 / 32 / 60

HEX #650545

RGB 101 5 69

HSL 320, 0.91%, 0.21%

LAB 21.23, 43.96, -11.61

 

CMYK 0 / 95 / 33 / 45

HEX #8D075F

RGB 141 7 95

HSL 320.6, 0.91%, 0.29%

LAB 30.98, 55.97, -13.32

 

CMYK 0 / 95 / 32 / 29

HEX #B4097A

RGB 180 9 122

HSL 320.35, 0.9%, 0.37%

LAB 40.09, 67.24, -15.86

 

CMYK 0 / 95 / 32 / 14

HEX #DB0C94

RGB 219 12 148

HSL 320.58, 0.9%, 0.45%

LAB 48.84, 77.86, -17.71

 

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

CMYK 0 / 45 / 95 / 45

HEX #8D4E07

RGB 141 78 7

HSL 31.79, 0.91%, 0.29%

LAB 39.79, 21.97, 46.96

 

CMYK 95 / 0 / 6 / 45

HEX #078D84

RGB 7 141 132

HSL 175.97, 0.91%, 0.29%

LAB 52.69, -33.41, -4.22

 

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

CMYK 32 / 0 / 95 / 45

HEX #608D07

RGB 96 141 7

HSL 80.15, 0.91%, 0.29%

LAB 53.55, -33.31, 55.7

 

CMYK 95 / 32 / 0 / 45

HEX #07608D

RGB 7 96 141

HSL 200.15, 0.91%, 0.29%

LAB 38.44, -6.08, -31.35

 

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

CMYK 0 / 45 / 95 / 45

HEX #8D4E07

RGB 141 78 7

HSL 31.79, 0.91%, 0.29%

LAB 39.79, 21.97, 46.96

 

CMYK 95 / 0 / 63 / 45

HEX #078D34

RGB 7 141 52

HSL 140.15, 0.91%, 0.29%

LAB 51.09, -51.31, 37.73

 

CMYK 95 / 50 / 0 / 45

HEX #07468D

RGB 7 70 141

HSL 211.79, 0.91%, 0.29%

LAB 30.28, 10.97, -44.38

 

CMYK 0 / 95 / 32 / 45

HEX #8B075E

RGB 139 7 94

HSL 320.45, 0.9%, 0.29%

LAB 30.52, 55.4, -13.4

 

CMYK 0 / 16 / 95 / 45

HEX #8D7607

RGB 141 118 7

HSL 49.7, 0.91%, 0.29%

LAB 50.26, -1.14, 54.68

 

CMYK 95 / 0 / 63 / 45

HEX #078D34

RGB 7 141 52

HSL 140.15, 0.91%, 0.29%

LAB 51.09, -51.31, 37.73

 

CMYK 95 / 79 / 0 / 45

HEX #071E8D

RGB 7 30 141

HSL 229.7, 0.91%, 0.29%

LAB 19.63, 38.18, -61.82

 

Description

Color code: HEX #8B075E | qconv.com Color code: HEX #8B075E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 7 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 7 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 32 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 32% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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