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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AF1A8 it is the complementary color #750E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AF1A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AF1A8 shade: #8FF1A3, #A0FFB6, #B1FFC9, #C2FFDC and #D3FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AF1A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AF1A8 shade: #8AF1A8, #79DF95, #68CD82, #57BB6F and #46A95C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AF1A8 shade: #88F1A7, #88F18B, #A2F188, #BFF188 and #DBF188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AF1A8 shade: #88F1A7, #88F1C3, #88F1DF, #88E7F1 and #88CAF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AF1A8 shade matches the following richer shades: #88F1A7 and #7EFCA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AF1A8 shade: #88F1A7, #93E6AB, #9EDCB0, #A9D1B4 and #B3C6B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AF1A8 shade: #A3F188, #88F18A, #88F1A6, #88F1C2 and #88F1DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AF1A8 shade: #3EE870, #63ED8B, #88F1A7, #ADF5C2 and #D2FADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AF1A8 shade: #8AF1A8, #88BEF1 and #F18895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AF1A8 shade: #8AF1A8, #A688F1 and #F1A688

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AF1A8 shade: #8AF1A8, #88BEF1, #F188D3 and #F1BB88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AF1A8 shade: #8AF1A8, #889FF1, #F188D3 and #F1DA88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

Complementary color

CMYK 0 / 88 / 26 / 54

HEX #750E57

RGB 117 14 87

HSL 317.48, 0.79%, 0.26%

LAB 26.11, 48.17, -15.96

 

CMYK 41 / 0 / 32 / 5

HEX #8FF1A3

RGB 143 241 163

HSL 132.24, 0.78%, 0.75%

LAB 87.68, -44.89, 28.87

 

CMYK 37 / 0 / 29 / 0

HEX #A0FFB6

RGB 160 255 182

HSL 133.89, 1%, 0.81%

LAB 92.74, -42.9, 26.23

 

CMYK 31 / 0 / 21 / 0

HEX #B1FFC9

RGB 177 255 201

HSL 138.46, 1%, 0.85%

LAB 93.92, -34.56, 18.32

 

CMYK 24 / 0 / 14 / 0

HEX #C2FFDC

RGB 194 255 220

HSL 145.57, 1%, 0.88%

LAB 95.23, -25.91, 10.56

 

CMYK 17 / 0 / 6 / 0

HEX #D3FFEF

RGB 211 255 239

HSL 158.18, 1%, 0.91%

LAB 96.66, -17.06, 2.98

 

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

CMYK 46 / 0 / 33 / 13

HEX #79DF95

RGB 121 223 149

HSL 136.47, 0.61%, 0.67%

LAB 81.3, -45.64, 27.27

 

CMYK 49 / 0 / 37 / 20

HEX #68CD82

RGB 104 205 130

HSL 135.45, 0.5%, 0.61%

LAB 74.96, -45.81, 28.5

 

CMYK 53 / 0 / 41 / 27

HEX #57BB6F

RGB 87 187 111

HSL 134.4, 0.42%, 0.54%

LAB 68.54, -45.9, 29.82

 

CMYK 59 / 0 / 46 / 34

HEX #46A95C

RGB 70 169 92

HSL 133.33, 0.41%, 0.47%

LAB 62.04, -45.86, 31.21

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A7

RGB 136 241 167

HSL 137.71, 0.79%, 0.74%

LAB 87.45, -46.14, 26.48

 

CMYK 44 / 0 / 42 / 5

HEX #88F18B

RGB 136 241 139

HSL 121.71, 0.79%, 0.74%

LAB 87, -50.64, 39.93

 

CMYK 33 / 0 / 44 / 5

HEX #A2F188

RGB 162 241 136

HSL 105.14, 0.79%, 0.74%

LAB 88.15, -43.14, 43.1

 

CMYK 21 / 0 / 44 / 5

HEX #BFF188

RGB 191 241 136

HSL 88.57, 0.79%, 0.74%

LAB 89.75, -33.22, 45.46

 

CMYK 9 / 0 / 44 / 5

HEX #DBF188

RGB 219 241 136

HSL 72.57, 0.79%, 0.74%

LAB 91.57, -22.9, 48.13

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A7

RGB 136 241 167

HSL 137.71, 0.79%, 0.74%

LAB 87.45, -46.14, 26.48

 

CMYK 44 / 0 / 19 / 5

HEX #88F1C3

RGB 136 241 195

HSL 153.71, 0.79%, 0.74%

LAB 88.01, -40.8, 12.82

 

CMYK 44 / 0 / 7 / 5

HEX #88F1DF

RGB 136 241 223

HSL 169.71, 0.79%, 0.74%

LAB 88.67, -34.7, -0.82

 

CMYK 44 / 4 / 0 / 5

HEX #88E7F1

RGB 136 231 241

HSL 185.71, 0.79%, 0.74%

LAB 86.37, -25.61, -13.67

 

CMYK 44 / 16 / 0 / 5

HEX #88CAF1

RGB 136 202 241

HSL 202.29, 0.79%, 0.74%

LAB 78.36, -10.91, -25.78

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A7

RGB 136 241 167

HSL 137.71, 0.79%, 0.74%

LAB 87.45, -46.14, 26.48

 

CMYK 50 / 0 / 36 / 1

HEX #7EFCA2

RGB 126 252 162

HSL 137.14, 0.95%, 0.74%

LAB 90.17, -54.16, 32.6

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A7

RGB 136 241 167

HSL 137.71, 0.79%, 0.74%

LAB 87.45, -46.14, 26.48

 

CMYK 36 / 0 / 26 / 10

HEX #93E6AB

RGB 147 230 171

HSL 137.35, 0.62%, 0.74%

LAB 84.86, -37.46, 20.95

 

CMYK 28 / 0 / 20 / 14

HEX #9EDCB0

RGB 158 220 176

HSL 137.42, 0.47%, 0.74%

LAB 82.69, -28.54, 15.39

 

CMYK 19 / 0 / 14 / 18

HEX #A9D1B4

RGB 169 209 180

HSL 136.5, 0.3%, 0.74%

LAB 80.37, -18.86, 10.07

 

CMYK 10 / 0 / 7 / 22

HEX #B3C6B9

RGB 179 198 185

HSL 138.95, 0.14%, 0.74%

LAB 78.15, -8.94, 4.3

 

CMYK 32 / 0 / 44 / 5

HEX #A3F188

RGB 163 241 136

HSL 104.57, 0.79%, 0.74%

LAB 88.2, -42.81, 43.18

 

CMYK 44 / 0 / 43 / 5

HEX #88F18A

RGB 136 241 138

HSL 121.14, 0.79%, 0.74%

LAB 86.99, -50.79, 40.41

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A6

RGB 136 241 166

HSL 137.14, 0.79%, 0.74%

LAB 87.44, -46.32, 26.97

 

CMYK 44 / 0 / 20 / 5

HEX #88F1C2

RGB 136 241 194

HSL 153.14, 0.79%, 0.74%

LAB 87.99, -41.01, 13.31

 

CMYK 44 / 0 / 8 / 5

HEX #88F1DE

RGB 136 241 222

HSL 169.14, 0.79%, 0.74%

LAB 88.65, -34.93, -0.34

 

CMYK 73 / 0 / 52 / 9

HEX #3EE870

RGB 62 232 112

HSL 137.65, 0.79%, 0.58%

LAB 81.79, -67.37, 45.95

 

CMYK 58 / 0 / 41 / 7

HEX #63ED8B

RGB 99 237 139

HSL 137.39, 0.79%, 0.66%

LAB 84.53, -58.33, 36.48

 

CMYK 44 / 0 / 31 / 5

HEX #88F1A7

RGB 136 241 167

HSL 137.71, 0.79%, 0.74%

LAB 87.45, -46.14, 26.48

 

CMYK 29 / 0 / 21 / 4

HEX #ADF5C2

RGB 173 245 194

HSL 137.5, 0.78%, 0.82%

LAB 90.82, -32.4, 17.54

 

CMYK 16 / 0 / 11 / 2

HEX #D2FADE

RGB 210 250 222

HSL 138, 0.8%, 0.9%

LAB 94.89, -18.08, 9.17

 

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

CMYK 44 / 21 / 0 / 5

HEX #88BEF1

RGB 136 190 241

HSL 209.14, 0.79%, 0.74%

LAB 75.08, -4.52, -30.81

 

CMYK 0 / 44 / 38 / 5

HEX #F18895

RGB 241 136 149

HSL 352.57, 0.79%, 0.74%

LAB 68.37, 41.31, 10.86

 

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

CMYK 31 / 44 / 0 / 5

HEX #A688F1

RGB 166 136 241

HSL 257.14, 0.79%, 0.74%

LAB 63.4, 33.73, -48.89

 

CMYK 0 / 31 / 44 / 5

HEX #F1A688

RGB 241 166 136

HSL 17.14, 0.79%, 0.74%

LAB 74.67, 24.22, 26.7

 

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

CMYK 44 / 21 / 0 / 5

HEX #88BEF1

RGB 136 190 241

HSL 209.14, 0.79%, 0.74%

LAB 75.08, -4.52, -30.81

 

CMYK 0 / 44 / 12 / 5

HEX #F188D3

RGB 241 136 211

HSL 317.14, 0.79%, 0.74%

LAB 70.18, 49.76, -21.14

 

CMYK 0 / 22 / 44 / 5

HEX #F1BB88

RGB 241 187 136

HSL 29.14, 0.79%, 0.74%

LAB 79.62, 13.11, 33.27

 

CMYK 43 / 0 / 30 / 5

HEX #8AF1A8

RGB 138 241 168

HSL 137.48, 0.79%, 0.74%

LAB 87.55, -45.42, 26.12

 

CMYK 44 / 34 / 0 / 5

HEX #889FF1

RGB 136 159 241

HSL 226.86, 0.79%, 0.74%

LAB 66.81, 12.78, -43.67

 

CMYK 0 / 44 / 12 / 5

HEX #F188D3

RGB 241 136 211

HSL 317.14, 0.79%, 0.74%

LAB 70.18, 49.76, -21.14

 

CMYK 0 / 10 / 44 / 5

HEX #F1DA88

RGB 241 218 136

HSL 46.86, 0.79%, 0.74%

LAB 87.3, -2.97, 43.15

 

Description

Color code: HEX #8AF1A8 | qconv.com Color code: HEX #8AF1A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 241 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 241 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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