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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AF087 it is the complementary color #750F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AF087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AF087 shade: #8FF082, #A0FF95, #B1FFA8, #C2FFBB and #D3FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AF087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AF087 shade: #8AF087, #79DE74, #68CC61, #57BA4E and #46A83B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AF087 shade: #8CF089, #A8F089, #C4F089, #E0F089 and #F0E589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AF087 shade: #8CF089, #89F0A2, #89F0BE, #89F0DA and #89EBF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AF087 shade matches the following richer shades: #8CF089 and #82FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AF087 shade: #8CF089, #96E694, #A0DB9E, #AAD0A9 and #B4C6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AF087 shade: #C4F089, #A8F089, #8CF089, #89F0A1 and #89F0BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AF087 shade: #44E740, #68EC64, #8CF089, #B0F5AE and #D4F9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AF087 shade: #8AF087, #89DFF0 and #F089B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AF087 shade: #8AF087, #898CF0 and #F0898C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AF087 shade: #8AF087, #89DFF0, #ED89F0 and #F09A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AF087 shade: #8AF087, #89C0F0, #ED89F0 and #F0B989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

Complementary color

CMYK 3 / 88 / 0 / 53

HEX #750F78

RGB 117 15 120

HSL 298.29, 0.78%, 0.26%

LAB 28.06, 52.99, -34.31

 

CMYK 40 / 0 / 46 / 6

HEX #8FF082

RGB 143 240 130

HSL 112.91, 0.79%, 0.73%

LAB 86.88, -49.44, 44.23

 

CMYK 37 / 0 / 42 / 0

HEX #A0FF95

RGB 160 255 149

HSL 113.77, 1%, 0.79%

LAB 92.2, -48.03, 41.94

 

CMYK 31 / 0 / 34 / 0

HEX #B1FFA8

RGB 177 255 168

HSL 113.79, 1%, 0.83%

LAB 93.32, -40, 34.19

 

CMYK 24 / 0 / 27 / 0

HEX #C2FFBB

RGB 194 255 187

HSL 113.82, 1%, 0.87%

LAB 94.56, -31.61, 26.47

 

CMYK 17 / 0 / 19 / 0

HEX #D3FFCE

RGB 211 255 206

HSL 113.88, 1%, 0.9%

LAB 95.92, -22.94, 18.86

 

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

CMYK 45 / 0 / 48 / 13

HEX #79DE74

RGB 121 222 116

HSL 117.17, 0.62%, 0.66%

LAB 80.5, -50.34, 42.81

 

CMYK 49 / 0 / 52 / 20

HEX #68CC61

RGB 104 204 97

HSL 116.07, 0.51%, 0.59%

LAB 74.18, -50.35, 44.07

 

CMYK 53 / 0 / 58 / 27

HEX #57BA4E

RGB 87 186 78

HSL 115, 0.44%, 0.52%

LAB 67.79, -50.22, 45.29

 

CMYK 58 / 0 / 65 / 34

HEX #46A83B

RGB 70 168 59

HSL 113.94, 0.48%, 0.45%

LAB 61.33, -49.85, 46.39

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 30 / 0 / 43 / 6

HEX #A8F089

RGB 168 240 137

HSL 101.94, 0.77%, 0.74%

LAB 88.19, -40.6, 42.73

 

CMYK 18 / 0 / 43 / 6

HEX #C4F089

RGB 196 240 137

HSL 85.63, 0.77%, 0.74%

LAB 89.8, -30.85, 45.1

 

CMYK 7 / 0 / 43 / 6

HEX #E0F089

RGB 224 240 137

HSL 69.32, 0.77%, 0.74%

LAB 91.67, -20.42, 47.86

 

CMYK 0 / 5 / 43 / 6

HEX #F0E589

RGB 240 229 137

HSL 53.59, 0.77%, 0.74%

LAB 90.03, -8.81, 46.07

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 43 / 0 / 33 / 6

HEX #89F0A2

RGB 137 240 162

HSL 134.56, 0.77%, 0.74%

LAB 87.12, -46.31, 28.58

 

CMYK 43 / 0 / 21 / 6

HEX #89F0BE

RGB 137 240 190

HSL 150.87, 0.77%, 0.74%

LAB 87.66, -41.11, 14.92

 

CMYK 43 / 0 / 9 / 6

HEX #89F0DA

RGB 137 240 218

HSL 167.18, 0.77%, 0.74%

LAB 88.3, -35.14, 1.26

 

CMYK 43 / 2 / 0 / 6

HEX #89EBF0

RGB 137 235 240

HSL 182.91, 0.77%, 0.74%

LAB 87.5, -27.56, -11.46

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 48 / 0 / 50 / 2

HEX #82FB7E

RGB 130 251 126

HSL 118.08, 0.94%, 0.74%

LAB 89.51, -58.08, 49.27

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 35 / 0 / 36 / 10

HEX #96E694

RGB 150 230 148

HSL 118.54, 0.62%, 0.74%

LAB 84.59, -40.41, 32.42

 

CMYK 27 / 0 / 28 / 14

HEX #A0DB9E

RGB 160 219 158

HSL 118.03, 0.46%, 0.74%

LAB 82.17, -30.57, 24.1

 

CMYK 18 / 0 / 19 / 18

HEX #AAD0A9

RGB 170 208 169

HSL 118.46, 0.29%, 0.74%

LAB 79.91, -20.01, 15.29

 

CMYK 9 / 0 / 9 / 22

HEX #B4C6B4

RGB 180 198 180

HSL 120, 0.14%, 0.74%

LAB 78.1, -9.51, 6.93

 

CMYK 18 / 0 / 43 / 6

HEX #C4F089

RGB 196 240 137

HSL 85.63, 0.77%, 0.74%

LAB 89.8, -30.85, 45.1

 

CMYK 30 / 0 / 43 / 6

HEX #A8F089

RGB 168 240 137

HSL 101.94, 0.77%, 0.74%

LAB 88.19, -40.6, 42.73

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 43 / 0 / 33 / 6

HEX #89F0A1

RGB 137 240 161

HSL 133.98, 0.77%, 0.74%

LAB 87.1, -46.48, 29.07

 

CMYK 43 / 0 / 21 / 6

HEX #89F0BD

RGB 137 240 189

HSL 150.29, 0.77%, 0.74%

LAB 87.64, -41.31, 15.41

 

CMYK 71 / 0 / 72 / 9

HEX #44E740

RGB 68 231 64

HSL 118.56, 0.78%, 0.58%

LAB 81.15, -71.35, 65.35

 

CMYK 56 / 0 / 58 / 7

HEX #68EC64

RGB 104 236 100

HSL 118.24, 0.78%, 0.66%

LAB 83.89, -62.2, 54.19

 

CMYK 42 / 0 / 43 / 6

HEX #8CF089

RGB 140 240 137

HSL 118.25, 0.77%, 0.74%

LAB 86.85, -49.37, 40.76

 

CMYK 28 / 0 / 29 / 4

HEX #B0F5AE

RGB 176 245 174

HSL 118.31, 0.78%, 0.82%

LAB 90.59, -34.87, 27.5

 

CMYK 15 / 0 / 16 / 2

HEX #D4F9D2

RGB 212 249 210

HSL 116.92, 0.76%, 0.9%

LAB 94.48, -19.04, 14.79

 

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

CMYK 43 / 7 / 0 / 6

HEX #89DFF0

RGB 137 223 240

HSL 189.9, 0.77%, 0.74%

LAB 84.17, -21.68, -16.45

 

CMYK 0 / 43 / 24 / 6

HEX #F089B6

RGB 240 137 182

HSL 333.79, 0.77%, 0.74%

LAB 69.32, 44.61, -6.29

 

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

CMYK 43 / 42 / 0 / 6

HEX #898CF0

RGB 137 140 240

HSL 238.25, 0.77%, 0.74%

LAB 61.97, 23.75, -50.75

 

CMYK 0 / 43 / 42 / 6

HEX #F0898C

RGB 240 137 140

HSL 358.25, 0.77%, 0.74%

LAB 68.25, 39.45, 15.71

 

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

CMYK 43 / 7 / 0 / 6

HEX #89DFF0

RGB 137 223 240

HSL 189.9, 0.77%, 0.74%

LAB 84.17, -21.68, -16.45

 

CMYK 1 / 43 / 0 / 6

HEX #ED89F0

RGB 237 137 240

HSL 298.25, 0.77%, 0.74%

LAB 71, 52.96, -35.9

 

CMYK 0 / 36 / 43 / 6

HEX #F09A89

RGB 240 154 137

HSL 9.9, 0.77%, 0.74%

LAB 71.85, 30.27, 22.33

 

CMYK 43 / 0 / 44 / 6

HEX #8AF087

RGB 138 240 135

HSL 118.29, 0.78%, 0.74%

LAB 86.74, -50.23, 41.57

 

CMYK 43 / 20 / 0 / 6

HEX #89C0F0

RGB 137 192 240

HSL 207.96, 0.77%, 0.74%

LAB 75.64, -5.62, -29.41

 

CMYK 1 / 43 / 0 / 6

HEX #ED89F0

RGB 237 137 240

HSL 298.25, 0.77%, 0.74%

LAB 71, 52.96, -35.9

 

CMYK 0 / 23 / 43 / 6

HEX #F0B989

RGB 240 185 137

HSL 27.96, 0.77%, 0.74%

LAB 79.06, 13.88, 31.98

 

Description

Color code: HEX #8AF087 | qconv.com Color code: HEX #8AF087 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 240 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 240 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 44 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 44% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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