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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AEE3E it is the complementary color #7511C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AEE3E shade: #8FEE39, #A0FF4C, #B1FF5F, #C2FF72 and #D3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AEE3E shade: #8AEE3E, #79DC2B, #68CA18, #57B805 and #46A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AEE3E shade: #8AEE3E, #B9EE3E, #E9EE3E, #EEC33E and #EE943E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AEE3E shade: #8AEE3E, #5BEE3E, #3EEE51, #3EEE80 and #3EEEB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AEE3E shade matches the following richer shades: #8AEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AEE3E shade: #8AEE3E, #8CDD4F, #8FCC60, #91BB71 and #93AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AEE3E shade: #E8EE3E, #B9EE3E, #8AEE3E, #5BEE3E and #3EEE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AEE3E shade: #60C811, #73EA18, #8AEE3E, #A1F164 and #B8F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AEE3E shade: #8AEE3E, #3EEEC5 and #EE3ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AEE3E shade: #8AEE3E, #3E8AEE and #EE3E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AEE3E shade: #8AEE3E, #3EEEC5, #A23EEE and #EE3E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AEE3E shade: #8AEE3E, #3EE2EE, #A23EEE and #EE4A3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

Complementary color

CMYK 39 / 91 / 0 / 24

HEX #7511C1

RGB 117 17 193

HSL 274.09, 0.84%, 0.41%

LAB 34.05, 66.87, -69.13

 

CMYK 40 / 0 / 76 / 7

HEX #8FEE39

RGB 143 238 57

HSL 91.49, 0.84%, 0.58%

LAB 85.65, -55.37, 72.86

 

CMYK 37 / 0 / 70 / 0

HEX #A0FF4C

RGB 160 255 76

HSL 91.84, 1%, 0.65%

LAB 91.47, -55.43, 72.62

 

CMYK 31 / 0 / 63 / 0

HEX #B1FF5F

RGB 177 255 95

HSL 89.25, 1%, 0.69%

LAB 92.44, -48.35, 66.75

 

CMYK 24 / 0 / 55 / 0

HEX #C2FF72

RGB 194 255 114

HSL 85.96, 1%, 0.72%

LAB 93.54, -40.76, 60.25

 

CMYK 17 / 0 / 48 / 0

HEX #D3FF85

RGB 211 255 133

HSL 81.64, 1%, 0.76%

LAB 94.76, -32.76, 53.36

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 45 / 0 / 80 / 14

HEX #79DC2B

RGB 121 220 43

HSL 93.56, 0.72%, 0.52%

LAB 79.29, -56.08, 70.59

 

CMYK 49 / 0 / 88 / 21

HEX #68CA18

RGB 104 202 24

HSL 93.03, 0.79%, 0.44%

LAB 73.06, -55.2, 69.17

 

CMYK 53 / 0 / 97 / 28

HEX #57B805

RGB 87 184 5

HSL 92.51, 0.95%, 0.37%

LAB 66.76, -53.99, 66.41

 

CMYK 58 / 0 / 100 / 35

HEX #46A600

RGB 70 166 0

HSL 94.7, 1%, 0.33%

LAB 60.4, -52.32, 61.76

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 22 / 0 / 74 / 7

HEX #B9EE3E

RGB 185 238 62

HSL 78.07, 0.84%, 0.59%

LAB 87.88, -40.25, 74.21

 

CMYK 2 / 0 / 74 / 7

HEX #E9EE3E

RGB 233 238 62

HSL 61.7, 0.84%, 0.59%

LAB 91.15, -21.24, 78.46

 

CMYK 0 / 18 / 74 / 7

HEX #EEC33E

RGB 238 195 62

HSL 45.34, 0.84%, 0.59%

LAB 80.49, 2.37, 68.56

 

CMYK 0 / 38 / 74 / 7

HEX #EE943E

RGB 238 148 62

HSL 29.32, 0.84%, 0.59%

LAB 69.26, 27.1, 57.49

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 62 / 0 / 74 / 7

HEX #5BEE3E

RGB 91 238 62

HSL 110.11, 0.84%, 0.59%

LAB 83.82, -69.31, 68.87

 

CMYK 74 / 0 / 66 / 7

HEX #3EEE51

RGB 62 238 81

HSL 126.48, 0.84%, 0.59%

LAB 83.32, -73.01, 61.26

 

CMYK 74 / 0 / 46 / 7

HEX #3EEE80

RGB 62 238 128

HSL 142.5, 0.84%, 0.59%

LAB 83.83, -66.99, 40.82

 

CMYK 74 / 0 / 26 / 7

HEX #3EEEB0

RGB 62 238 176

HSL 158.86, 0.84%, 0.59%

LAB 84.64, -57.87, 17.64

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 37 / 0 / 64 / 13

HEX #8CDD4F

RGB 140 221 79

HSL 94.23, 0.68%, 0.59%

LAB 80.66, -48.01, 59.9

 

CMYK 30 / 0 / 53 / 20

HEX #8FCC60

RGB 143 204 96

HSL 93.89, 0.51%, 0.59%

LAB 75.99, -38.01, 47.14

 

CMYK 22 / 0 / 40 / 27

HEX #91BB71

RGB 145 187 113

HSL 94.05, 0.35%, 0.59%

LAB 71.39, -27.29, 33.01

 

CMYK 14 / 0 / 24 / 33

HEX #93AA82

RGB 147 170 130

HSL 94.5, 0.19%, 0.59%

LAB 66.95, -15.46, 18.03

 

CMYK 3 / 0 / 74 / 7

HEX #E8EE3E

RGB 232 238 62

HSL 62.05, 0.84%, 0.59%

LAB 91.08, -21.65, 78.36

 

CMYK 22 / 0 / 74 / 7

HEX #B9EE3E

RGB 185 238 62

HSL 78.07, 0.84%, 0.59%

LAB 87.88, -40.25, 74.21

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 62 / 0 / 74 / 7

HEX #5BEE3E

RGB 91 238 62

HSL 110.11, 0.84%, 0.59%

LAB 83.82, -69.31, 68.87

 

CMYK 74 / 0 / 66 / 7

HEX #3EEE50

RGB 62 238 80

HSL 126.14, 0.84%, 0.59%

LAB 83.31, -73.1, 61.65

 

CMYK 52 / 0 / 92 / 22

HEX #60C811

RGB 96 200 17

HSL 94.1, 0.84%, 0.43%

LAB 72.12, -57.01, 69.43

 

CMYK 51 / 0 / 90 / 8

HEX #73EA18

RGB 115 234 24

HSL 94, 0.83%, 0.51%

LAB 83.21, -63.67, 77.88

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 33 / 0 / 59 / 5

HEX #A1F164

RGB 161 241 100

HSL 94.04, 0.83%, 0.67%

LAB 87.68, -47.49, 59.16

 

CMYK 25 / 0 / 43 / 4

HEX #B8F48A

RGB 184 244 138

HSL 93.96, 0.83%, 0.75%

LAB 90.2, -36.82, 44.97

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 74 / 0 / 17 / 7

HEX #3EEEC5

RGB 62 238 197

HSL 166.02, 0.84%, 0.59%

LAB 85.1, -53.02, 7.34

 

CMYK 0 / 74 / 13 / 7

HEX #EE3ED0

RGB 238 62 208

HSL 310.23, 0.84%, 0.59%

LAB 58.2, 79.34, -37.99

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 74 / 42 / 0 / 7

HEX #3E8AEE

RGB 62 138 238

HSL 214.09, 0.84%, 0.59%

LAB 57.44, 10.13, -57.1

 

CMYK 0 / 74 / 42 / 7

HEX #EE3E8A

RGB 238 62 138

HSL 334.09, 0.84%, 0.59%

LAB 55.54, 71.17, -1.34

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 74 / 0 / 17 / 7

HEX #3EEEC5

RGB 62 238 197

HSL 166.02, 0.84%, 0.59%

LAB 85.1, -53.02, 7.34

 

CMYK 32 / 74 / 0 / 7

HEX #A23EEE

RGB 162 62 238

HSL 274.09, 0.84%, 0.59%

LAB 48.64, 69.44, -70.92

 

CMYK 0 / 74 / 57 / 7

HEX #EE3E67

RGB 238 62 103

HSL 346.02, 0.84%, 0.59%

LAB 54.66, 68.34, 18.27

 

CMYK 42 / 0 / 74 / 7

HEX #8AEE3E

RGB 138 238 62

HSL 94.09, 0.84%, 0.59%

LAB 85.45, -56.69, 71.03

 

CMYK 74 / 5 / 0 / 7

HEX #3EE2EE

RGB 62 226 238

HSL 184.09, 0.84%, 0.59%

LAB 82.69, -36.82, -17.83

 

CMYK 32 / 74 / 0 / 7

HEX #A23EEE

RGB 162 62 238

HSL 274.09, 0.84%, 0.59%

LAB 48.64, 69.44, -70.92

 

CMYK 0 / 69 / 74 / 7

HEX #EE4A3E

RGB 238 74 62

HSL 4.09, 0.84%, 0.59%

LAB 55.5, 61.99, 42.99

 

Description

Color code: HEX #8AEE3E | qconv.com Color code: HEX #8AEE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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